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The US government selected artist Robert Lazzarini and curator John Ravenal to represent the United States at the 2026 Venice Biennale, coinciding with the 250th anniversary of America's founding. However, negotiations with a partner institution collapsed within three weeks, and the commission was withdrawn before any public announcement, leaving the international art world questioning who will ultimately represent the country. In other news, the original cover photograph for David Bowie's album *Aladdin Sane* sold for £381,400 at Bonhams London, setting a new auction record. Gagosian has teamed up with filmmaker Wes Anderson to recreate Joseph Cornell's New York studio in Paris for an exhibition titled "The House of Utopia Parkway: Joseph Cornell's Studio Reimagined by Wes Anderson." The long-anticipated opening of the Grand Egyptian Museum has reignited calls for the British Museum to repatriate the Rosetta Stone, and a Denver-based cryptocurrency entrepreneur has unveiled a plan to build a 450-foot-tall statue of Prometheus on Alcatraz Island.

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Thaddaeus Ropac, a major European blue-chip gallery, opened its seventh location in Milan in January 2025, occupying a prime palazzo previously home to Massimo de Carlo and Peres Projects. The inaugural exhibition pairs Georg Baselitz and Lucio Fontana in a show titled "L’aurore viene." The move has reignited debate about whether Milan is finally poised to become a contemporary art capital, despite past false starts and the city's stronger identity as a fashion and design hub.

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Seyni Awa Camara, a Diola sculptor from Bignona, Senegal, known for her totemic clay sculptures of stacked human bodies, has died. Her work, steeped in spirituality and inspired by a ram's horn she called a 'genie,' gained international recognition after being discovered by anthropologist Michèle Odeyé-Finzi and introduced to Europe by gallerist André Magnin. Despite her global following—including fans like Pharrell Williams and Louise Bourgeois—Camara remained largely unknown in her home country, relying on foreign buyers to sustain her practice.

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Abu Dhabi Art (ADA) held its final edition at Manarat Al Saadiyat before transitioning into a Frieze franchise in November 2025. The fair featured 53 new galleries, a Focus sector highlighting art scenes from Nigeria, Turkey, and South Asia, and a new Emerge section offering discounted booth prices for works under $3,000 to attract emerging collectors. The shift comes as Abu Dhabi’s cultural landscape moves beyond its iconic Saadiyat Island museums—Louvre Abu Dhabi, Zayed National Museum, and Guggenheim Abu Dhabi—toward more grassroots ventures like the MiZa warehouse district, which hosts experimental spaces such as MamarLab and Iris Projects. Mega-gallery Pace returned after a 14-year absence, citing renewed energy in the Gulf market.

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Greece's culture minister Lina Mendoni has publicly criticized the British Museum for hosting a lavish £2,000-a-ticket Pink Ball near the Elgin Marbles, attended by celebrities including Mick Jagger, Naomi Campbell, and Janet Jackson. Mendoni accused the museum of showing 'provocative indifference' by using the ancient Greek sculptures as mere 'decorative elements' for entertainment, echoing similar criticism from a fashion show held in the same gallery last year. Separately, disgraced Miami art dealer Les Roberts, previously charged with selling forged Andy Warhols, has opened a shop called Labubu Headquarters in Coconut Grove selling collectible monster figurines, despite bond conditions restricting him from working in the art industry. The article also reports that Richard Diebenkorn's estate has joined Gagosian, the J. Paul Getty Trust and the World Economic Forum will host a cultural table during Art Basel Paris, and Interpol has added stolen Louvre jewelry to its database.

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Art Basel has announced a surprise deal to launch a new art fair in Qatar next year, partnering with Qatar Sports Investments (QSI) and QC+, a subsidiary of Qatar's sovereign wealth fund and commercial arm of Qatar Museums. The fair will debut with around 50 galleries in Doha, intentionally smaller than Basel's other fairs, with a distinct character aimed at building a long-term, sustainable event. The deal comes after rumors that Basel might take over Abu Dhabi Art, and as the region's art scene intensifies, with Art Dubai recently poaching Basel's global head of gallery relations Dunja Gottwies as its new director.

The Incredible Story of Edmonia Lewis, America’s First Black and Indigenous International Art Star

The Peabody Essex Museum has launched "Edmonia Lewis: Said in Stone," the first-ever retrospective dedicated to the 19th-century sculptor who was the first Black and Indigenous American artist to achieve international fame. Curated by Shawnya L. Harris and Jeffrey Richmond-Moll, the exhibition is the culmination of seven years of research and detective work to locate surviving marble sculptures and archival fragments. The show tracks her journey from her early life as "Wildfire" to her education at Oberlin College and her eventual professional success in Boston and Rome.

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Abu Dhabi will host the most expensive art exhibition ever staged by Sotheby's in the Middle East on October 1 and 2, valued at approximately $150 million. The exhibition features six masterpieces by Vincent van Gogh, Paul Gauguin, Frida Kahlo, René Magritte, Camille Pissarro, and Edvard Munch, sourced from major private collections including those of Leonard A. Lauder, Cindy and Jay Pritzker, and Matthew and Kay Bucksbaum. It takes place at the Bassam Freiha Art Foundation on Saadiyat Island Cultural District and marks Sotheby's first public fine art show in the UAE, ahead of its Abu Dhabi Collectors' Week in November.

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Thailand is emerging as a major contemporary art destination, with a wave of new institutions, fairs, and tax incentives drawing international attention. The government-initiated Thailand Biennale opens in Phuket, while the third and final edition of the Ghost biennial just concluded in Bangkok. Collector Marisa Chearavanont recently opened Bangkok Kunsthalle and Kai Yao Art Forest, and Purat “Chang” Osathanugrah is launching Dib Bangkok, billed as the country’s first international contemporary art museum, on December 21. New York dealer Harper Levine plans to open a Bangkok outpost of his Harper’s gallery in spring, and Seoul-based Artue is planning a scaled-up art fair called Art Bangkok International for next year. In August, the Thai government approved tax deductions for purchasing artworks by national artists and higher tax breaks for artists.

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Sotheby's held its inaugural Abu Dhabi Collectors' Week at the St. Regis Island Resort on Saadiyat Island, transforming the venue into a luxury showcase with handbags, diamonds, watches, a non-selling art display worth $500 million, and rare cars. The week culminated in open-air auctions under a full moon, netting $133 million—far exceeding the $17 million from Sotheby's first Middle East luxury sale in Saudi Arabia earlier this year. Highlights included a 1994 McLaren Formula 1 car sold for $25.3 million, a Jane Birkin Hermès handbag that fetched $2.9 million, and a 31.68-karat pink diamond called The Desert Rose that went for $8.8 million. A jewelry and timepieces sale achieved white-glove status, taking $25.4 million.

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A new experimental space called Padimai Art & Tech Studio will open in November 2025 at Tanjong Pagar Distripark in Singapore. The launch features a VR work by artist Olafur Eliasson titled "Your view matter" (2022/25), commissioned by the studio's founder, technologist and collector Vignesh Sundaresan (also known as Metakovan). Sundaresan made headlines in 2021 with his record-breaking $69.3 million purchase of Beeple's "Everydays: The First 5000 Days." The work guides participants through six geometric virtual environments, with each visitor's trajectory and point of view recorded as a unique data file stored in a blockchain-based archive.

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A wave of museum openings has swept the Gulf region in recent weeks, including the Zayed National Museum and the Natural History Museum in Abu Dhabi, as well as new institutions in Qatar and Saudi Arabia. These projects are part of an ambitious cultural building drive fueled by oil wealth, with Western partners such as the Louvre, the British Museum, and consultancies like Cultural Innovations providing expertise in planning, governance, and exhibition design. The Zayed National Museum, designed by Foster + Partners, features objects on loan from the British Museum, while the Natural History Museum displays a T-rex skeleton bought at Christie's.

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California Attorney General Rob Bonta filed a motion on November 17 to intervene in the Cassirer family's two-decade-long restitution case for a Camille Pissarro painting stolen by the Nazis. The artwork, *Rue Saint Honore, Apres Midi, Effet De Pluie* (1897), is owned by Spain's Thyssen-Bornemisza Collection Foundation. The U.S. Court of Appeals for the Ninth Circuit had previously ruled that Spanish law applied, allowing the museum to keep the painting, but California's Assembly Bill 2867, signed into law in September, now seeks to apply California law to protect victims of art theft. The case has been sent back to the U.S. District Court for the Central District of California for reconsideration.

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A rediscovered oil painting by J.M.W. Turner, titled *The Rising Squall, Hot Wells, from St Vincent’s Rock, Bristol*, sold for £1.9 million ($2.6 million) at Sotheby’s Old Masters and 19th Century Paintings evening auction in London—more than six times its high estimate. The work, painted in 1792 when Turner was 17, had been misattributed and sold for just $506 at a Dreweatts auction the previous year. After cleaning revealed Turner’s signature, scholars confirmed its authenticity, and it was identified as Turner’s first publicly exhibited oil painting, exhibited at the Royal Academy in 1793. The winning bidder was a private collector in the U.K., outbidding Bristol Museum and Art Gallery, which had raised over £100,000 from donors in a failed attempt to acquire the work.

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On September 9, 2015, Queen Elizabeth II became the longest-reigning monarch in British history, surpassing Queen Victoria. To mark the occasion, the Royal Collection opened a photography exhibition titled “Long to Reign over Us,” featuring posed portraits and casual family shots of the Queen. Artnet News compiled 30 favorite photos and paintings of the monarch, including works by Cecil Beaton, Andy Warhol, and royal photographer Mark Stewart, highlighting her decades-long reign and her ease in front of the camera.

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The Ashmolean Museum in Oxford has raised $4.48 million ($5.8 million) to acquire Fra Angelico's early Renaissance painting "The Crucifixion with the Virgin, Saint John the Evangelist, and the Magdalen" (1420s). The work had been in a private British collection for two centuries and was nearly sold to a foreign buyer until the U.K. government imposed an export deferral in January 2024, giving time for a domestic buyer to step in. The acquisition was completed via a private treaty sale at a discounted price, funded by over 50 donors including chairman Lord Lupton, the National Heritage Memorial Fund, Art Fund, and the Headley Trust.

V&A Pulls Catalog Materials Due to Chinese Censorship Laws

The Victoria and Albert Museum (V&A) in London has admitted to removing maps and images from two exhibition catalogs following censorship demands from a Chinese printing firm. Documents revealed that C&C Offset Printing flagged content in the catalogs for the exhibitions "Music Is Black" and "Fabergé: Romance to Revolution" as violating Chinese law. The censored items included a 1930s map of British trade routes and a photograph of Vladimir Lenin, which the printer claimed could not be produced under Beijing’s strict regulations.

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The Palais de Tokyo in Paris removed Cameron Rowland's artwork "Replacement" (2025) just one day after it went on view in the exhibition "ECHO DELAY REVERB." The piece replaced the French flag above the museum with the flag of Martinique, adopted in 2023, and included a wall text criticizing French colonial rule and quoting the Martinican independence movement. The museum appended a new label stating the work "could be considered illegal" and was no longer included. Neither the Palais de Tokyo nor Rowland's representative commented.

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Sandra Poulson, a 30-year-old Angolan artist, has opened her first museum exhibition at MoMA PS1 in New York, titled "Este quarto parece uma República!" ("This bedroom looks like a Republic!"). The show features sculptures that explore how everyday objects carry social and political meaning, including a work critiquing the influence of mega-churches in Angola. Poulson, who splits her time between Luanda, London, and Amsterdam, drew inspiration from her childhood, local furniture practices in Luanda, and colonial-era wood exploitation. The works were initially produced for Condo London and commissioned by Jahmek Contemporary Art.

The Show the Art World Loves to Hate Gets a Soul

The 60th Venice Biennale, titled "Stranieri Ovunque – Foreigners Everywhere," has opened to a polarized reception. Curated by Adriano Pedrosa, it is the first Biennale led by a Latin American curator and heavily features artists from the Global South, Indigenous creators, and queer artists, marking a significant departure from the Eurocentric focus of past editions.

Sue Webster: Fandoms and Icons

Sue Webster's solo exhibition 'Birth of an Icon' at Firstsite in Colchester traces her lifelong obsession with pop culture, from teenage fandom of Siouxsie Sioux to her evolution as an artist. The show features a sprawling installation 'The Crime Scene' (2017–) that maps her personal history through albums, newspaper clippings, and objects, alongside painted jackets and self-portraits. It marks a departure from her earlier work as half of the duo Tim Noble and Sue Webster, embracing a more personal, amateurish style that reflects her journey through adolescence, marriage dissolution, and motherhood.

There Has Never Been an Apolitical Venice Biennale

The Venice Biennale, with its national pavilion structure, has always been a platform for political expression and soft power, a reality evident from its early 20th-century origins. Contemporary critic Arturo Lancellotti's 1909 review of the German and British pavilions was steeped in geopolitical context, revealing how national artistic displays were interpreted through the lens of imperial power and military alliances.

UK Considers Charging Museum Entry: Morning Links

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The UK government is considering a significant policy shift by exploring entry fees for foreign tourists at national museums to address a funding crisis in the arts. Culture Secretary Lisa Nandy indicated that the proposal, alongside a potential hotel levy, follows a review of Arts Council England. Since 2001, UK national museums have been free to all visitors, a policy credited with boosting tourism, but current economic pressures are forcing lawmakers to reconsider this model.

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A replica of a Christopher Columbus statue was installed on the White House grounds under the direction of the Trump administration. The sculpture is a reproduction of a monument that was toppled and thrown into Baltimore’s Inner Harbor by protesters during the 2020 racial justice movements. Created by artist Will Hemsley using scans of the original fragments, the project was previously funded by the National Endowment for the Humanities and has now been placed near the West Wing as part of preparations for the 250th anniversary of American independence.

Jewish Heirs File Suit in French Court Over Ownership of Pissarro Painting

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Seven heirs of the late department store magnate and art collector Max Julius Braunthal have filed a lawsuit in a French court, seeking to nullify the 1941 sale of Camille Pissarro's painting 'Haystacks, Morning, Eragny' (1899). They argue the sale was made under duress during the Nazi occupation of France. The painting is now in the collection of the Metropolitan Museum of Art, which maintains Braunthal received fair market value.

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California Attorney General Rob Bonta has re-entered the long-running legal battle over a Camille Pissarro painting, *Rue Saint-Honoré in the Afternoon, Effect of Rain* (1897), which was sold under duress by Lilly Cassirer Neubauer to a Nazi appraiser in 1939 for 900 Reichsmarks. The painting is now held by the Museo Thyssen-Bornemisza in Madrid, and the Cassirer family has sought its return for decades. A new California law signed by Governor Gavin Newsom in September allows exceptions for property taken as a result of political persecution, and Bonta is now defending the state's authority to compel the return of stolen art to victims connected to California.

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Artist George Condo has left Hauser & Wirth and will now be jointly represented by Sprüth Magers and Skarstedt, marking a return to galleries with which he had long-standing relationships. Condo first showed with Monika Sprüth in 1984 and was represented by Skarstedt from 2004 to 2019 before joining Hauser & Wirth in late 2019. Separately, a new BBC documentary titled *Turner: The Secret Sketchbooks* explores whether J. M. W. Turner's creative genius was shaped by childhood trauma and neurodivergence, featuring commentary from artists, actors, and a psychotherapist. The article also reports that Dana Awartani will represent Saudi Arabia at the 2026 Venice Biennale, and that the Trump administration has tightened H-1B visa rules, making it harder for arts institutions to hire foreign specialists.

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The British Museum held its inaugural fundraising ball, modeled after the Met Gala, raising over £2.5 million ($3.3 million) through ticket sales and a silent auction. The event, attended by celebrities including Mick Jagger, Janet Jackson, Tracey Emin, James Norton, and Naomi Campbell, also secured a £10.3 million pledge from the Garfield Weston Foundation for the museum's Visitor Welcome Program. However, the evening was marred by controversy: a protester from Energy Embargo for Palestine gained access and demonstrated against the museum's £50 million sponsorship from BP, and Greece's culture minister Lina Mendoni criticized the museum for hosting the event near the Elgin Marbles, accusing it of disrespecting the ancient sculptures.

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Curator Klaus Biesenbach, now director of the Neue Nationalgalerie in Berlin, gave a lengthy interview to Der Spiegel in which he explained his decision to leave the American art scene, citing what he described as an oppressive climate of "political correctness." He claimed that DEI (diversity, equity, inclusion) initiatives in U.S. museums had become "unbearable" quota requirements, and recounted a story about mandatory Zoom meetings after George Floyd's murder where he felt pressured to share personal experiences of discrimination. He also referenced the resignation of SFMOMA curator Gary Garrels over "reverse discrimination" comments and acknowledged his own controversial tenure at MOCA Los Angeles, which saw two high-profile resignations and a leadership restructuring.

Gulf art market feels the force of Middle East conflict

The ongoing conflict in the Middle East, involving the US, Israel, and Iran, has disrupted the Gulf region's art market. Key events like Art Dubai have been postponed, and the inaugural Frieze Abu Dhabi faces uncertainty, as the area's stability—crucial for attracting international dealers and auction houses—is now in question.