Art in the Berkshires, founded in 2024 as an online resource, has opened a physical gallery and studio space at 8 Castle Street in Great Barrington, Massachusetts. The venture is led by Shany Porras, an abstract painter and founder who serves as gallery director, aiming to make Berkshire creativity more accessible through artist directories, venue listings, and a weekly newsletter.
Harper's Bangkok, a new outpost of the New York-based gallery group founded by Harper Levine, opened in late March 2026 on the ground floor of the Siam Pathumwan House building. Its debut exhibition, 'Lost and Found', is a solo show by American artist Joel Mesler featuring 18 new vibrantly colored works, marking his first presentation in Southeast Asia. The gallery is the first major Western commercial gallery to establish a permanent space in Bangkok, joining a rapidly maturing local art ecosystem.
The Palais de Tokyo in Paris has unveiled 'Normes Corps' (Body Norms), a major group exhibition that explores the intersection of vulnerability, disability, and physical resistance. The show brings together a diverse array of international artists who challenge traditional societal standards of the 'ideal' body, instead highlighting the strength found in fragility and the collective power of marginalized physicalities.
Larissa De Jesús Negrón and other Puerto Rican artists are driving a cultural renaissance in San Juan, with grassroots galleries, collectives, and adaptive institutions redefining how art is produced and shared. This surge follows Hurricane Maria and the pandemic, bolstered by global attention from figures like Bad Bunny and exhibitions such as the 2023 Whitney show "no existe un mundo poshuracán." Art dealer Walter Otero notes that the scene has strengthened through local residencies, fellowships, and Puerto Rican curators in U.S. institutions, while spaces like EMBAJADA, founded by Christopher Rivera and Manuela Paz, reject the white-cube model to engage broader local audiences.
Sotheby's achieved a white-glove auction of Bing Crosby's personal collection in New York, selling all 100% of lots for $6.7 million against an estimate of $3.9–$6.3 million. Highlights included musical arrangements from Crosby's 1954 film *White Christmas* ($19,050), a Tiffany & Co cigarette box gifted by John F. Kennedy ($15,240), a Sheraton-style grand piano from *High Society* ($95,250), and a Fabergé sapphire mouse ($355,600). Top prices were led by paintings by Sir Alfred James Munnings ($1.2 million) and Charles Marion Russell.
The Atlanta Art Fair returned for its second edition from September 25-28, 2024, at Pullman Yards in the Kirkwood neighborhood, produced by events firm AMP. The fair hosted 75 local, national, and international galleries and arts organizations, drawing around 3,500 attendees to its VIP preview and opening night. Exhibitors and organizers were more acclimated to the space than in the debut year, with a more relaxed and confident atmosphere. The fair highlighted Atlanta's unique cultural identity, emphasizing friendliness, community engagement, and a slower, less pretentious pace compared to art fairs in New York or Los Angeles.
SANATORIUM, a leading contemporary art gallery in Istanbul, is opening its third location this fall in the historic Bosphorus port district of Perşembe Pazarı. The new building was designed by prominent Turkish conceptual architect Nevzat Sayin, who drew inspiration from the area's industrial character and small manufacturing workshops. The gallery's inaugural exhibition features artist Farah Al Qasimi, a 2025 Guggenheim Fellowship recipient, with her first solo show in Istanbul titled 'Desert Hyacinth,' running from September 12 to October 26, concurrent with the Istanbul Biennial.
A new public art gallery called "art house" has opened in downtown Calgary, occupying a temporary exhibition space previously used by the Glenbow Museum in the Edison office building. The gallery is a collaboration between Aspen Properties and the Alberta Arts Foundation (AFA), featuring the foundation's extensive collection of 9,600 artworks by over 1,700 Alberta artists. It opened on September 10 and is currently open Tuesday to Friday from 12 to 4 pm. The space was originally created as a museum-grade gallery during the Glenbow's renovation, and after the Glenbow vacated to prepare for its reopening as the JR Shaw Centre for Arts & Culture in late 2026, the Alberta Foundation for the Arts stepped in to keep the gallery active.
Fort Works Art Gallery in Fort Worth, Texas, will present 'The Works,' a group exhibition running from September 6 to October 25, 2025, with an opening reception on September 6. The show features both local and international artists, including Greg Bahr, Rachel English, Jodi Gerbi, Joshua Goode, Alonsa Guevara, Kerri Menchaca, James Razko, Lawrence Schiller, and Jay Wilkinson, with many pieces debuting for the first time across various mediums. The exhibition coincides with the Fort Worth Art Dealers Association’s Fall Gallery Night.
Quinze œuvres offertes au Musée des Beaux-Arts d'Orléans
The Musée des Beaux-Arts in Orléans has received a donation of fifteen artworks from art historian Françoise Heilbrun. The gift includes two drawings by Eugène Delacroix, which are immediate donations, and additional drawings, paintings, and a sculpture by artists like Louis Boulanger, which are given with a usufruct clause.
Egyptian archaeologist Zahi Hawass has renewed his demand for the return of the ancient bust of Nefertiti from Berlin's State Museums, citing the recent full opening of the Grand Egyptian Museum (GEM) near Giza as proof that Egypt can properly safeguard its artifacts. The bust, dating to ca. 1351–1334 BCE and discovered in 1912 by German Egyptologist Ludwig Borchardt, has been on display at the Neues Museum since 2009. Hawass, who has shifted his position over time—calling the bust not looted in 2010 but “brazenly stolen” in 2024—argues that Western museums can no longer claim Egyptian institutions lack adequate climate control and display standards.
Chinese authorities have launched multiple investigations into allegations that staff at the state-run Nanjing Museum secretly removed cultural treasures from the collection and sold them on the open market. The scandal erupted after a 16th-century Ming dynasty painting, *Spring in Jiangnan* by Qiu Ying, appeared in a Beijing auction catalog with an estimate of 88 million yuan ($12.5 million), despite being part of a 1959 donation by collector Pang Laichen. The museum claimed the work and four others were deemed forgeries in the 1960s, deaccessioned in 1997, and sold to a provincial relics store in 2001 for 6,800 yuan. An 80-year-old retired employee, Guo Lidian, accused former museum director Xu Huping of orchestrating a large-scale theft and smuggling operation, including falsely certifying authentic works as replicas. Xu has denied involvement.
The American Numismatic Society (ANS), a 166-year-old organization dedicated to coin collecting and research, is relocating from Lower Manhattan to the Toledo Museum of Art in Ohio. The move, set for 2028, will see the ANS occupy a four-story Art Deco building on the museum's campus, where it will establish a new home featuring a library, auditorium, and education center. The partnership will integrate the ANS's collection of 800,000 coins, medals, and monetary objects into the museum's reinstallation of its collection galleries in 2027, with the ANS mounting its own exhibitions starting the following year.
The Metropolitan Museum of Art in New York is set to open "Divine Egypt" on October 12, 2025, the museum's first large-scale exhibition of ancient Egyptian art since 2012. The show features 210 objects, including strange and surreal works such as a limestone block with carved ears, a snake with a woman's head, and a giant quartz diorite scarab representing the god Khepri. Curated by Diana Craig Patch with research associate Brendan Hainline, the exhibition focuses on about 25 of the 1,500 gods worshipped in ancient Egypt, presenting them in nonchronological mini-sections that highlight how divine iconographies were remixed and subverted over time. Most works come from the Met's own collection, with none on loan from Egypt.
Johanna Burton, director of the Museum of Contemporary Art (MOCA) in Los Angeles, has been appointed the next director of the Institute of Contemporary Art (ICA) Philadelphia, effective November 1. She succeeds Zoë Ryan, who left in January to lead the Hammer Museum in Los Angeles. Burton, who joined MOCA in 2021 after leading the Wexner Center for the Arts, stabilized the institution following a period of turmoil, reinstating its annual gala, securing major gifts, and hiring senior curator Clara Kim.
The inaugural VIMA contemporary art fair opened in Limassol, Cyprus, at a former SODAP winery industrial site. Co-founded by Lara Kotreleva, Edgar Gadzhiev, and Nadezhda Zinovskaya, the fair aims to spotlight Cypriot and Mediterranean art, featuring a curated outdoor exhibition titled 'The Posterity of the Sun' with 17 artists, including Valentinos Charalambous, Monia Ben Hamouda, and Adrian Pepe. Curator Ludovic Delalan emphasized the site's historical and natural context.
An original C-3PO head prop from the 1980 film *The Empire Strikes Back* sold for $1 million at a Propstore auction in Los Angeles. The piece, the only original head remaining on the collector's market, features functional lighting eyes and was created from molds of actor Anthony Daniels. It exceeded its high estimate of $700,000.
Sesse Elangwe's 2025 painting *True Friends?* sold for $22,000 at San Francisco dealer Jonathan Carver Moore's booth during the opening of FOG Art + Design on January 21. The work, created during a residency run by Moore, was purchased by a local collector. Elangwe, a self-taught Cameroonian artist known for emotionally charged portraits of Black subjects, was the fourth participant in Moore's residency program, which aims to connect artists with Bay Area collectors. Another portrait, *And My Better Half* (2025), was pre-sold for $9,000 to another Bay Area collector.
Pieter Brueghel the Younger's painting *The Census at Bethlehem* sold for £5.2 million ($6.9 million) at Sotheby’s Old Master and 19th Century Paintings evening auction in London on December 3, exceeding its £3 million low estimate. The unsigned, undated oil-on-panel work, kept in the same collection for nearly 40 years, was the third-highest seller of the night. The auction overall achieved £30.7 million ($40.5 million), led by Rembrandt's *Saint John on Patmos* at £6.8 million, and Sotheby’s reported a nearly 50% increase in its Old Masters division sales this year.
Archaeologists from the Penn Museum and Ankara Hacı Bayram Veli University have discovered an 8th-century B.C.E. royal tomb in Gordion, Turkey, containing 88 well-preserved objects including bronze cauldrons, vessels, and iron tools. The tomb, located near the famous Midas Mound, suggests a connection to the legendary King Midas or his family, and its cremation burial method predates previous evidence of elite cremation in the region by over a century.
Christie's will auction seven paintings by Gerhard Richter from the personal collection of legendary gallerist Marian Goodman in May 2026, headlining a series of sales titled "Breaking Ground: The Private Collection of Marian Goodman." The group includes the iconic 1982 work *Kerze (Candle)*, estimated at $35–50 million, and spans Richter's career from 1982 to 2009. Goodman, who died in 2024, began representing Richter in 1985 after writing him a letter, and her collection reflects their decades-long professional and personal relationship.
Kapopoulos Fine Arts is opening a new group exhibition at its Nicosia gallery on October 31, 2025, featuring works by internationally renowned artists including Damien Hirst, Salvador Dalí, Mr. Brainwash, and Richard Orlinski, alongside prominent Greek creators such as Alekos Fassianos and Yannis Gaitis. The three-day opening event runs through November 2, with the exhibition continuing until November 17, showcasing paintings and sculptures sourced directly from artists' studios.
China Guardian Hong Kong's 2025 Autumn Auctions achieved approximately HK$70 million (US$8.9 million) in its Asian 20th Century and Contemporary Art Sale on 8 October. The top lot was Zao Wou-Ki's abstract canvas *27.01.83* (1983), which sold for HK$17.7 million (US$2.3 million), more than doubling its low estimate. The second-highest result was Li Chen's bronze sculpture *Dragon-Riding Buddha* (2001), which fetched nearly HK$11.15 million (US$1.4 million). The sale recorded an 85% sell-through rate across 99 lots.
Morad Montazami has been named the artistic director for the 16th edition of the Dakar Biennale, scheduled to run from November 19 to December 19, 2026. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the exhibition will explore themes of community-led restoration and the transformation of vulnerability into collective strength. Montazami, a former Tate Modern curator and founder of the platform Zamân Books & Curating, brings an extensive background in postcolonial art histories and global modernisms to the prestigious African forum.
The advisory board of Chicago's DePaul Art Museum has sent a strongly worded letter to DePaul University leadership, condemning the decision to permanently close the 40-year-old museum on June 30. The letter, signed by board chair Scott J. Hunter and members including artists Brendan Fernandes and former Expo Chicago head Tony Karman, expresses "anger, frustration, and deep sadness" over the abrupt closure and the university's unilateral plans for the museum's 4,000-object collection.
On Thursday night, Sotheby’s concluded a week of evening sales with a three-part modern art auction that achieved $304.6 million, far exceeding its pre-sale estimate of $211.3–$289.3 million. The evening featured 13 works from the collection of Cindy and Jay Pritzker, which sold for $109.5 million, followed by the 'Exquisite Corpus' Surrealist sale from Selma Ertegun’s collection totaling $98 million, and a multiple-owner modern art auction that brought in $97 million. The standout was Frida Kahlo’s self-portrait *El sueño (La cama)* (1940), which sold for $55 million, setting records for Kahlo, a Latin American artist, and a female artist at auction. Vincent van Gogh’s *Piles de romans parisiens et roses dans une verre (Romans parisiens)* (1887) achieved $62.7 million after a seven-minute bidding war.
Sara Friedlander has been named chairman of Post-War & Contemporary Art for the Americas at Christie's. In an interview, she discusses her philosophy of prioritizing client relationships and the art itself over market speculation, criticizing the trend of 'wet paint' sales that inflate young artists' prices. She has overseen major private collection sales including the Edlis | Neeson Collection, which will anchor Christie's 21st Century Sale, and has set records for artists like Ernie Barnes and Joan Mitchell.
The Alexandria Biennale will return in September 2026 after a 12-year hiatus, with its 27th edition curated by Egyptian artist Moataz Nasr under the title “This Too Shall Pass.” The exhibition will feature 55 artists from across the Mediterranean, with a main program complemented by smaller shows in Alexandria museums focusing on emerging Egyptian artists. Venues include the Roman amphitheater, the Alexandria Library, and the Qaitbay Citadel. The biennale was originally established in 1955 under Gamal Abdel Nasser, suspended in 2011 amid the Egyptian revolution, briefly reopened in 2014, and then shuttered again due to financial and political instability.
Sotheby's modern art evening sale in New York on Tuesday night achieved $186.4 million with buyer's premium across 60 lots, with a sell-through rate of 83.3%. Top lots included Pablo Picasso's *Homme assis* ($15.1 million), Georgia O'Keeffe's *Leaves of a Plant* ($13 million), and a new auction record for Paul Signac's *Saint-Georges. Couchant (Venise)* ($8.1 million). However, the sale was overshadowed by the failure of Alberto Giacometti's *Grande tête mince*, a 1955 bronze bust estimated north of $70 million, which went unsold after bidding stalled at $64 million.
Le Centre Pompidou s’exporte en Corée du Sud
The Centre Pompidou has opened a new satellite institution, the Centre Pompidou Hanwha, in Seoul, South Korea. The 11,000-square-meter venue, located in the 63 Tower and designed by the Wilmotte et Associés agency, is a partnership with the Hanwha Foundation of Culture and coincides with the 140th anniversary of Franco-Korean diplomatic relations. The opening was highlighted by a recent site visit from French President Emmanuel Macron and Centre Pompidou president Laurent Le Bon.