Actress Alba Clemente Tells Her Story in the Theater and Reveals What Lies Behind Her Partenope, a Smoking Siren

L’attrice Alba Clemente si racconta a teatro e svela cosa si nasconde dietro la sua Partenope, sirena fumatrice

Actress Alba Clemente (née Primiceri) recounts her life and career in a theatrical performance titled "Racconto di una vita, anzi tre: ALBAINCLEMENTE," directed by Guido Torlonia. The show, adapted from an earlier piece created with director Andrew Ondrejcak, premiered in Naples and is set to tour Rome and Milan. Clemente reflects on her rebellious youth in Amalfi, her studies at the Accademia di Belle Arti in Naples, and her encounters with artists such as Joseph Beuys, Andy Warhol, Jean-Michel Basquiat, Alex Katz, and Robert Mapplethorpe. She also describes meeting her husband, internationally renowned painter Francesco Clemente, in Rome on the day Pier Paolo Pasolini was assassinated.

A brand-new novel is set in Renaissance Venice and its powerful Arsenal (where the Biennale is held)

Un nuovissimo romanzo è ambientato nella Venezia rinascimentale e nel suo potente Arsenale (quello dove si tiene la Biennale)

Allegra Scattaglia and Luca Josi have co-authored a new novel titled "Venetians – Il segreto dell’Arsenale," published by Sonzogno. Set in Renaissance Venice, the story follows young patrician Marcantonio Bragadin as he becomes entangled in a plot driven by the city's sophisticated and ruthless political system. The narrative highlights the Arsenal, one of the world's first proto-industrial shipbuilding complexes, which also hosts the Venice Biennale. The book weaves together art, technology, diplomacy, and intrigue, featuring historical figures such as Titian, Tintoretto, Albrecht Dürer, Leonardo da Vinci, and Aldus Manutius.

Waiting for the 2026 Venice Biennale, on Sky Arte Artbox tells the story of the Turin festival EXPOSED

Aspettando la Biennale Arte 2026, su Sky Arte Artbox racconta il festival torinese EXPOSED

The 24th episode of Sky Arte's program "Artbox" airs on May 5, 2026, coinciding with the official start of the Venice Biennale Arte 2026. The episode focuses on the third edition of EXPOSED Torino Photo Festival, themed "Mettersi a nudo" (Stripping Bare), inspired by Baudelaire. Artistic director Walter Guadagnini, photographers Toni Thorimbert and Paola Agosti, and curator Giangavino Pazzola discuss the festival's exhibitions, including Paola Agosti's feminist photography at the Museo Nazionale del Risorgimento and Yorgos Lanthimos's photographs at the Cripta di San Michele Arcangelo. The episode also covers a Max Bill retrospective at the m.a.x. museo in Chiasso, Switzerland, and features segments on art and truth, a book on Milan's Central Station, and a project from Milan Design Week 2026 by Spanish artist Pau Aguilò.

The Daughters of Sound. Hildegard of Bingen and Patti Smith are at the Vatican Pavilion at the Biennale

Le figlie del suono. Ildegarda di Bingen e Patti Smith sono al Padiglione Vaticano alla Biennale

The article profiles a meeting between the author and Patti Smith, exploring her new memoir "Bread of Angels" and her connection to the 12th-century Benedictine abbess and mystic Hildegard of Bingen. Both women are presented as figures who see music as a living resonance that can awaken a primordial, sacred vibration within humanity. The piece also notes that Smith wrote the preface to the author's book "A passo d'uomo" and that both she and Hildegard are featured at the Vatican Pavilion at the Venice Biennale.

A Londra compare una statua firmata da Banksy. Trovata di marketing o davvero una nuova opera dell’artista?

A satirical statue has appeared in Waterloo Place, London, depicting a man in a suit with his face covered by a large waving flag. Initially met with skepticism due to its unusual chalk signature and three-dimensional form—departing from Banksy's typical stencil and mural work—the artist later claimed the piece via an ironic video on his Instagram page. The statue stands near the Crimean War Memorial and statues of Edward VII and Florence Nightingale, and is interpreted as a critique of authoritarian trends in democracies.

Una delle opere più importante esposte alla Galleria Nazionale di Roma sta ammuffendo

An article by Laura Carlotta Cortoni on Artribune reports that Pino Pascali's iconic 1967 work "32 mq di mare circa" ("32 square meters of sea approximately"), on display at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, is covered in mold, dust, and insects due to a total lack of maintenance. The author describes the installation as resembling a neglected warehouse and notes that visitors unfamiliar with the piece mistake the decay for an intentional environmental statement, creating a critical paradox given Pascali's own series of works titled "Muffe" (Molds).

NYC Transit Museum Turns MetroCards Into Art

The New York Transit Museum's Grand Central Gallery is presenting "Inspired by MetroCard," a free exhibition running through October 2026 that transforms the city's iconic fare card into works of art. The show features paintings, collages, mosaics, and wearable pieces created from thousands of MetroCards by artists including VH McKenzie, Nina Boesch, Juan Carlos Pinto, Barbara Kruger, Nina Vishneva, and Thomas McKean. Curator Jodi Shapiro organized the exhibition, which is located in the museum's gallery and store within Grand Central Terminal's Shuttle Passage.

Los Angeles Metro’s Stunning D Line Art Turns Stations Into Galleries

Los Angeles Metro unveiled a major public art installation on May 8 with the opening of the 3.92-mile D Line extension, connecting downtown to Beverly Hills. Nine artists were selected from over 1,400 applicants to create works across three stations—Wilshire/La Brea, Wilshire/Fairfax, and Wilshire/La Cienega. Notable pieces include Karl Haendel's "Hands and Things" at the Wilshire/Fairfax station, featuring photorealist pencil drawings of hands holding objects sourced from nearby cultural institutions, and Susan Silton's "WE, OUR, US." The artworks are mounted using durable porcelain enameling that resists corrosion, scratching, fading, and graffiti.

L'excellent rapport de la commission d'enquête sur la sûreté des musées est paru

A French parliamentary commission of inquiry into museum security, initiated by Alexandre Portier (president) and reported by Alexis Corbière, has published its findings. The report, unanimously adopted across party lines, includes forty recommendations and is notably critical of the Louvre's management under director Laurence des Cars, accusing her of neglecting security priorities and causing significant delays in the museum's master plan. The commission validated earlier criticisms by La Tribune de l'Art, describing the Louvre as an "État dans l'État" (state within a state) and estimating that twenty to twenty-seven months were lost due to postponed decisions.

Exhibition | Travis MacDonald, 'Had a Farm' at Contemporary Fine Arts | CFA, Berlin, Germany

Contemporary Fine Arts in Berlin is presenting 'Had a Farm', a solo exhibition by New Zealand-born artist Travis MacDonald, opening during Gallery Weekend Berlin 2026. The show features new paintings that explore countercultural aesthetics through long-haired, androgynous figures set in a rural-subcultural landscape, drawing on photographic archives of 1970s experimental communes and referencing Pier Paolo Pasolini's essay on hair as a political sign.

The best exhibitions to see in London this weekend

The Financial Times' critics have curated a list of the most compelling art exhibitions to see in London during 2026, featuring shows dedicated to Henry Moore, Cecily Brown, Tracey Emin, and Francisco de Zurbarán. The recommendations span a range of styles and periods, from modern sculpture to contemporary painting and Baroque still lifes, offering a diverse cultural itinerary for weekend visitors.

Notre-Dame : les travaux commencent, le combat se poursuit

Work has begun on replacing the stained-glass windows at Notre-Dame Cathedral in Paris, with scaffolding installed immediately after the work permit was posted. The project involves removing six ornamental windows created in 1864 by Alfred Gérente under Eugène Viollet-le-Duc and installing six new windows by artist Claire Tabouret and the master glassmakers Simon-Marq. The authorization, signed by the prefect, has sparked legal challenges from the heritage association Sites & Monuments, who argue the replacement is neither conservation nor restoration. The article details how the state's own authorization document inadvertently strengthens opponents' arguments by affirming that the entire cathedral, including Viollet-le-Duc's windows, is protected as a historic monument.

In Minor Keys: The 61st Biennale di Arte Venezia Opens Under Koyo Kouoh (1967–2025).

The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.

Nobody Can Handle Me: Brazil Rewrites the Pavilion as Living Memory.

Brazil's 2026 Venice Biennale pavilion, curated by Diane Lima, presents a radical, sensorial exhibition titled 'Comigo ninguém pode' featuring artists Adriana Varejão and Rosana Paulino. The show transforms the modernist pavilion into an active participant, where historical and new works by the two artists create friction and resonance, exploring themes of colonial violence, the Black female body as archive, and spiritual resistance.

Authorities in New York return more than 650 looted antiquities, valued at nearly $14m, to India

The Manhattan District Attorney's office, led by Alvin Bragg, returned 657 looted antiquities valued at nearly $14 million to Indian authorities in late March 2025. The pieces, recovered through investigations into criminal trafficking networks, include a $2 million bronze Avalokiteshvara stolen from a museum in Raipur, a $7.5 million red sandstone Buddha smuggled by convicted trafficker Subhash Kapoor, and a sandstone dancing Ganesha looted from a Madhya Pradesh temple that passed through dealer Doris Wiener and was sold at Christie's in 2012.

Art and Cultural Engagement Can Slow the Pace of Aging: Report

A new study published in the journal *Innovation in Aging* finds that engaging with arts and cultural activities can slow biological aging at a molecular level. Led by Daisy Fancourt of University College London, the research measured participation in four types of activities—participatory arts, receptive arts, visiting heritage sites, and other cultural activities—and used epigenetic clocks to assess aging. Those who engaged at least once a week showed a four-percent slowdown in aging, while monthly engagement yielded a three-percent slowdown.

A Theatre Group of Exiled Belarusian Artists Arrive in Venice, With an Exhibition That Shows What Repression Feels Like

The Belarus Free Theatre, an exiled underground theater group, will stage its first official collateral exhibition at the 61st Venice Biennale, titled “Official. Unofficial. Belarus.” The show, held in the historic La Chiesa di San Giovanni Evangelista di Venezia, features site-specific paintings, a sound installation, and large-scale sculptures that aim to immerse visitors in the experience of repression under authoritarian rule. This marks only the fifth time Belarus has been present at the Biennale, and the first time it appears not as a state but as a self-governing cultural body, challenging the official narratives of nations like Russia.

‘Anger, curiosity and hope’: a planet of protest – in pictures

Matthew Connors' new photo book, *The Axe Will Survive the Master*, compiles 12 years of protest photography from Hong Kong, Cairo, New York, Kyiv, North Korea, and beyond. Published by MACK Books, the work weaves together images from the Occupy movement, the Egyptian revolution, Hong Kong's pro-democracy protests, the war in Ukraine, and other confrontations with authoritarian power, dissolving geographic boundaries into a single sequence drawn from an archive of 200,000 images.

The Many Sheddings of Valie Export

Die vielen Häutungen der Valie Export

Valie Export, the Austrian media and performance artist known for using her body as a site of social critique, has died at age 85 in Vienna. Her final works include a black-and-white photo series of her forearm resting on a stone snake sculpture at the University of Vienna, exploring themes of skin, transformation, and mimesis. From the 1970s onward, she created iconic "Body Configurations" in which she placed her body on streets and against buildings along Vienna's Ringstrasse, tracing architectural forms to expose institutional power and patriarchal authority.

From simple blue to haute couture suit: workwear studied at the Musée Postal

Du simple bleu au tailleur haute couture, le vêtement de travail étudié au musée Postal

The Musée Postal in Paris has reopened with a new name and identity, launching its first exhibition titled "Sous toutes les coutures" ("Under All Seams"). Curated by Elodie Goëssant and Didier Filoche, the show brings together 420 pieces, artworks, and archival objects to explore the history of workwear in France, from uniforms and protective clothing to high-fashion collaborations. It traces the evolution of work attire from the 18th century to the present, highlighting how women lacked dedicated work clothing until the 1970s and how airlines like Air France pioneered partnerships with luxury houses such as Christian Dior to dress flight attendants as national ambassadors.

Brittany Invites Itself to the Venice Biennale: An Unusual Pavilion Dedicated to Breton Creation Moors in the Lagoon

La Bretagne s’invite à la Biennale de Venise : un insolite pavillon dédié à la création bretonne s’est amarré dans la lagune

For the 61st Venice Biennale, a group of artists and art figures from Brittany have created an unofficial "Breton pavilion" in the form of a spectacular sailboat moored on the island of San Giorgio Maggiore. The boat, designed by artist Joachim Monvoisin, features contributions from Morgane Tschiember (who sewed a sail with a black cross, the 11th-century Breton flag) and master glassmaker Andrew Erdos (who made the navigation lights). Performances during the opening week included readings by Breton authors and traditional music concerts with binious and bombardes on the Via Garibaldi.

Study Shows Engaging with Art as Effective as Exercise in Slowing Aging

A new study by University College London, published in the journal Innovation in Aging, reveals that engaging with arts and culture can slow biological aging at a rate comparable to exercise. Researchers found that attending performances or visiting galleries once a month led to a 3 percent reduction in aging speed, while weekly engagement produced a 4 percent slowdown. Those who participated in the arts at least weekly were biologically at least a year younger than non-participants, outperforming weekly exercisers, who were only six months younger biologically. The study tracked 3,356 adults from 2010 to 2012 using survey data and blood tests, measuring aging via epigenetic clocks that analyze DNA changes.

US Returns 337 Looted Objects to Italy in Repatriation Effort

The United States officially returned 337 looted antiquities to Italy at a ceremony held at La Marmora barracks in Rome. Of these, 221 objects were repatriated through the Manhattan District Attorney’s Office, while the remaining 116 were recovered on April 10, 2026, via joint efforts by the FBI, Homeland Security Investigations, the District Attorney’s Office, and Christie’s New York auction house. The objects span from the Villanovan era (900–700 BCE) to the Hellenistic period (323–31 BCE) and include a 1st-century CE marble head of Alexander the Great, a bronze sculpture from Herculaneum, and two Egyptian basalt sculptures.

SILENCE HAS MATTER ETHIOPIA BRINGS THE WORK OF TEGENE KUNBI TO THE VENICE BIENNALE

The Ethiopia Pavilion at the 61st Venice Biennale presents "Shapes of Silence," an exhibition by artist Tegene Kunbi, curated by Abebaw Ayalew, running from May 9 to November 22, 2026, at Palazzo Bollani. The show marks the culmination of Kunbi's thirty-year practice, exploring silence as a social and political condition through abstraction, textiles, and assemblage, drawing on Ethiopian folkloric traditions and material histories.

The appalling mediocrity of the chosen project for the 'Grande Colonnade' of the Louvre

L'effarante médiocrité du projet retenu pour la « Grande Colonnade » du Louvre

The French Ministry of Culture has announced the winning team for the 'Grande Colonnade' project at the Louvre, selecting STUDIOS Architecture Paris and Selldorf Architects. The ministry's press release, described as self-congratulatory and written in trendy bureaucratic language, celebrates the choice as a major advancement. However, the article criticizes the lack of transparency, noting that only three exterior visuals have been released, and argues that the project is unfunded and threatens necessary renovations at the museum, as previously highlighted by the Cour des Comptes and parliamentary representatives.

“Porous Grounds, Sacred Codes” at Marres, Maastricht

Seven artists with roots in West Africa—Yacine Tilala Fall, Selly Raby Kane, Maguette Dieng, Ican Ramageli, Hamedine Kane, Eva Diallo, and Babacar Traoré Doli—have jointly created a multi-sensory total installation at Marres in Maastricht. Titled “Porous Grounds, Sacred Codes,” the exhibition incorporates sculpture, sound, textiles, and video, connecting Zikr chanting of mantras, daily life in the Medina, and the trees of the dry landscape.

Haitham Al Busafi to Represent Oman at 2026 Venice Biennale

Oman has chosen artist, architect, and curator Haitham Al Busafi to represent the country at the 61st Venice Biennale in 2026. Al Busafi will curate and present his own monumental installation, Zīnah, in the national pavilion, commissioned by the Omani Ministry of Culture, Sports and Youth. The work transforms a traditional Omani horse harness into an interactive spatial experience using sand, metal, and sound.

Zīnah (Adornment): Oman’s Pavilion Tunes the Biennale to Resonance Over Spectacle

At the 60th Venice Biennale, the Sultanate of Oman presents "Zīnah (Adornment)," a pavilion conceived by artist and curator Haitham Al Busafi. The immersive installation, on view at the Arsenale Artiglierie from 9 May to 22 November 2026, draws on the Omani tradition of adorning horses with silver (al-zaanah) to explore themes of relation, movement, and shared presence. Visitors enter through darkness into a field of Omani sand, beneath a canopy of silver elements that respond to movement with sound. The work incorporates drawings by students and emerging artists from a workshop in Muscat, emphasizing collective authorship.

‘Into Other Spaces' to reexamine trailblazing women artists across decades

The Leeum Museum of Art in Seoul is hosting 'Inside Other Spaces: Environments by Women Artists, 1956-1976,' an exhibition that reconstructs immersive room-scale works by 11 women artists from underrepresented regions. Co-curated by Andrea Lissoni and Marina Pugliese, the show traces two decades of experimental environments made from light, sound, plastic, and foam, which anticipated installation and media art. The Seoul edition features a new version of Jung Kang-ja's 1967 work 'Muche-jeon (Incorporal Exhibition),' a smoke-filled chamber that evokes the tension of 1970s authoritarian Korea.

Member's Spotlight Exhibition Opening Reception: Simon Robins: Sociable

The Contemporary Dayton is hosting a Member's Spotlight Exhibition titled "Simon Robins: Sociable," running from June 5 to June 27, 2026, with an opening reception on June 5 from 6-8 PM. The exhibition features paintings by Simon Robins that draw from public domain and found photographs sourced from digital archives, which he crops, recolors, and recontextualizes to create works that feel both familiar and elusive. Robins, a collections librarian and faculty member at the University of Dayton, uses his archival expertise to explore themes of social alienation, belonging, and the power dynamics embedded in historical image collections.