US National Park Service removes slavery memorial at Philadelphia historic site

The US National Park Service has removed an outdoor exhibit titled “Freedom and Slavery in the Making of a New Nation” at Independence National Historical Park in Philadelphia. The exhibit, which focused on nine people enslaved by George Washington and explored the paradox between slavery and freedom in the nation's founding, was dismantled following a directive from President Donald Trump to eliminate “corrosive ideology” from cultural heritage sites. The removal, captured on social media on January 22, aligns with a March 2025 executive order instructing the NPS to emphasize American achievements and avoid materials that “inappropriately disparage Americans.”

CookieRun to open art exhibition featuring high-quality works and media displays

CookieRun: Kingdom, the mobile game franchise, is opening a new art exhibition titled "Legacy of the Kingdom" at the Ara Art Center in Insa-dong, Jongno District, central Seoul, running from Friday through April 23. The exhibition features 10 high-quality collaborative artworks by Korea's master artisans, including lacquerware inlaid with mother-of-pearl (najeon chilgi) by Sohn Dae-hyun, a buncheong vase by Park Sang-jin, and gold-leaf work by Kim Gi-ho, alongside interactive media art by Nerdy Artist Union. Visitors can use special wristbands to trigger projections and visual effects. Devsisters CEO Cho Kil-hyeon announced plans to expand the exhibition to the United States, Australia, Britain, Canada, Taiwan, and Thailand, given that 70% of players are from outside Korea.

Milwaukee art gallery owner working tirelessly to keep her space open amid potential foreclosure

Fatima Laster, owner of the 5 Points Art Gallery & Studios in Milwaukee’s 5 Points neighborhood, is facing potential foreclosure on the building she purchased in 2018. She acquired the property through the city’s ARCH loan program and financed it with a five-year loan from the Greater Milwaukee Foundation’s Impact Investing program. The balloon payment of $260,000 is due by December 1, 2025. Laster has been fundraising to save the space, which has hosted hundreds of artists and thousands of visitors. Her current immersive installation, “Interrupted: Cash for Homes,” replicates her grandparents’ home and addresses gentrification and housing displacement on Milwaukee’s north side.

Anxious collectors are increasingly turning to freeport havens, experts say

Rising tariffs, geopolitical instability, and extreme weather events are driving art collectors to move valuable items into secure, tax-friendly freeports, particularly in Switzerland. Experts Alexandre Ducamp of Natural le Coultre and Fritz Dietl of Delaware Freeport report a significant increase in clients over the past three years, citing the war in Ukraine, multiple ongoing conflicts, and President Trump's April 2025 'Liberation Day' tariffs as key factors. Collectors are using freeports in Geneva, Zurich, Basel, and Chiasso, as well as foreign trade zones in Delaware, to delay or avoid import duties on items like design furniture, antiques, and Chinese-origin artworks, with some purchases being cancelled due to new tariffs.

Turin experiments with a robot guide in one of its historic palaces

Turin expérimente un robot-guide dans l’un de ses palais historiques

The Palazzo Madama in Turin, Italy, has introduced R1, a humanoid robot guide developed by the Italian Institute of Technology (IIT) in Genoa, to accompany visitors through the historic palace. Since late March, R1 has been testing its ability to navigate the building's constrained interiors, interact with diverse audiences, and provide explanations about artworks, artists, and the palace's history. The robot uses infrared cameras, lasers, pressure sensors, and a LED matrix to move, avoid obstacles, and communicate, with over 80% of users reporting positive interactions during the six-week trial. Previous tests occurred in 2022 and May 2024.

Beginnings: Mapping the Origins of Saudi Modern Art in Riyadh

Mapping Saudi Modern Art’s Origins: “Bedayat” in Riyadh

The exhibition 'Bedayat: Beginnings of the Saudi Art Movement' at Riyadh's National Museum showcased over 250 artworks from the 1960s to 1980s, a period of rapid modernization. It featured archival materials like exhibition catalogs and scholarship letters, alongside paintings grouped into themes such as 'Faces and Features' and 'Social Life,' though the curation largely avoided direct commentary on the era's intense socio-political debates.

Jury or Public? The Biennale Is Not an Algorithm, But Neither Is It a Liturgy

Giuria o pubblico? La Biennale non è un algoritmo, ma neppure una liturgia

The article critically examines the proposal for "Visitor Lions" (Leoni dei Visitatori) at the Venice Biennale, arguing that the idea is a fragile, quick-fix response to a deeper crisis. It questions whether replacing expert juries with public voting would truly improve the selection process, noting that both systems have significant flaws: juries are not necessarily neutral, often rushed and filtered, while public voting risks favoring accessible, easily consumable works and reinforcing existing hierarchies.

Call for Applications: Reiwa 8 (2026) Overseas Training Program for Emerging Artists – Japanese Culture Promotion and Dissemination Project

公募｜令和8年度新進芸術家海外研修制度における「日本文化発信・普及事業」

Japan's Agency for Cultural Affairs (Bunka-cho) is now accepting applications for the "Japanese Culture Promotion and Dissemination Project" under the 2026 (Reiwa 8) Overseas Training Program for Emerging Artists. This separate track supports established cultural figures, artists, and researchers—not just emerging artists—to conduct activities that promote and disseminate Japanese culture abroad. The program covers travel, accommodation, and activity costs up to 1.5 million yen, with派遣 periods ranging from 20 to 80 days between October 1, 2026 and March 31, 2027. Applications must be received by June 5, 2025, and results will be announced by early September.

REVIEW: Now is not forever, when art mimics reality

Theresa-Anne Mackintosh’s solo exhibition, "Now is not Forever," recently debuted at the Wits Art Museum (WAM), featuring a provocative blend of older paintings and new sculptures. The show centers on anthropomorphic figures and the erasure of senses, notably in the "hear no evil, see no evil, do no evil" series, where body parts are painted over to symbolize the avoidance of moral decay. These works, alongside vivid sculptures representing the artist's alter egos, challenge viewers to look past aesthetic surfaces to confront the inherent chaos and dysfunction of contemporary society.

Did the US Holocaust Memorial Museum self-censor to preempt Trump’s wrath?

The United States Holocaust Memorial Museum (USHMM) is facing allegations of preemptive self-censorship to avoid conflict with the Trump administration. Former employees report that the institution removed online educational resources linking Jim Crow laws to Nazi ideology, unlisted videos discussing American racism, and renamed or cancelled workshops focused on the "fragility of democracy." While a museum spokesperson denied these claims, internal emails suggest leadership was concerned about how certain terms might be interpreted in the current political climate.

Closure of UNT art show points to larger climate of fear on college campuses

The University of North Texas recently shuttered an on-campus art exhibition shortly after its opening, marking a significant escalation in campus censorship. This incident follows a pattern of administrative interference, including the removal of pro-Palestinian student work and the resignation of a museum director at Pepperdine University over the alteration of politically sensitive artworks. These actions are part of a broader national trend where university administrations are increasingly intervening in artistic expression to avoid political controversy.

In Her 90s, a Painter Finally Confronts Her Nazi Trauma

The New York Times profiles a painter in her 90s who has finally begun to address the trauma she experienced during the Nazi era through her artwork. The article details how she survived persecution and displacement as a child under Nazi rule, and how for decades she avoided directly depicting those experiences in her paintings. Now, late in life, she is creating works that confront her past, using art as a means of processing long-suppressed memories and emotions.