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‘Sugar felt like the perfect thread’: Tara Long on her sweet new installation

Tara Long's new installation *La Esquinita (little corner)* has taken over all three spaces at Locust Projects in Miami, transforming the gallery into a shop for sweets and souvenirs with over 500 miniature sculptures for sale. The immersive environment, her first major solo show, unfolds in three acts—seduction, exposure, and collapse—centered on a crumbling room-sized frosted cake. The exhibition draws parallels between Florida's early 20th-century Big Sugar land grab and today's Big Tech boom, reflecting on cycles of extraction and survival in Long's hometown. A pop-up speakeasy will run on Friday and Saturday nights (5 and 6 December).

53 oil paintings in a Palestinian exhibit were lost in the 1940s. A new exhibit on display in Brookline reimagines what could have been.

A traveling exhibition titled "The Lost Paintings, A Prelude to Return" is on view at the Brookline Arts Center and Unbound Visual Arts in Brighton through December 17. The show reimagines 53 oil paintings by Palestinian-Lebanese artist Maroun Tomb, which were lost in the chaos of the Nakba and the 1948 Arab-Israeli war after his 1947 exhibition opened in Haifa on the same day the UN adopted the Partition Plan. Curators Rula Khoury, Haidi Motola, and Joëlle Tomb—Maroun's granddaughter—commissioned 53 contemporary artists from Palestine and the diaspora to create new works inspired by the original titles, using mediums including textiles, prints, paintings, sculptures, and video.

Artists open their doors to the public at Gowanus Open Studios, Oct. 18-19

Gowanus Open Studios returns on October 18-19, inviting the public into the studios of hundreds of local artists across dozens of locations in Brooklyn. The event, organized by Arts Gowanus, features individual studio visits, group shows, and two featured exhibitions: "Add/Subtract" curated by Tegan Brozyna, and a retrospective of the late Samuel Heller. Highlights include the first affordable artist studios secured through the 2021 Gowanus rezoning, with about 22 new subsidized spaces opening at The Shop BK and Society Brooklyn, where artists like Mayowa Nwadike now work after winning a lottery for affordable space.

Milwaukee art gallery owner working tirelessly to keep her space open amid potential foreclosure

Fatima Laster, owner of the 5 Points Art Gallery & Studios in Milwaukee’s 5 Points neighborhood, is facing potential foreclosure on the building she purchased in 2018. She acquired the property through the city’s ARCH loan program and financed it with a five-year loan from the Greater Milwaukee Foundation’s Impact Investing program. The balloon payment of $260,000 is due by December 1, 2025. Laster has been fundraising to save the space, which has hosted hundreds of artists and thousands of visitors. Her current immersive installation, “Interrupted: Cash for Homes,” replicates her grandparents’ home and addresses gentrification and housing displacement on Milwaukee’s north side.

Solo exhibition for local artist

Martin Dominguez of Warwick, Uruguay, presents his solo exhibition “PLACEment” at Orange Hall Gallery, SUNY Orange, from September 26 through November 21, 2025, coinciding with Hispanic Heritage Month. The show features paintings, sculptures, and hand-crafted stop-motion film sets that explore the immigrant experience through themes of displacement, resilience, and belonging. An opening reception on September 26 includes pianist Darius Beckford.

‘Lakay’ exhibit marks debut of Brooklyn’s first BIPOC-owned artist co-working studio

Atelier Artist, a new BIPOC-owned and -operated co-working studio in Central Brooklyn, launched its inaugural exhibition titled 'Lakay' on September 14. The show features a dozen artists from the studio's residency program, highlighting emerging and established voices from the Caribbean diaspora. Co-founders Jonathan Pierre Lafleur and Franck Henry Godefroy, along with creative director Mc Alexander Ciceron, emphasize that the space provides affordable 24/7 studio access, monthly exhibitions, and community programming such as healing circles and open mics. The exhibition is hosted at Brooklyn Commons' Clock Tower Loft in Prospect Lefferts Gardens.

25 Artists in Gaza Stage Exhibition of New Works Expressing Grief Amid Genocide

In July 2025, 25 artists in Gaza staged an exhibition titled "Aphenix" inside a coffee shop in Gaza City, organized by Mohaned Asayas, a student at Al-Aqsa University. The exhibition featured 55 new works created during a month-long workshop that provided a rare space for artistic expression amid the ongoing war, offering materials like soft charcoal, pastel, and acrylic. Artists such as Bisan Al Amasy produced pieces addressing themes of starvation, displacement, bombardment, and loss, using symbolic imagery like a fatigued donkey to represent Gaza City.

Welcome Home: A Pop-up Art Exhibition

A pop-up art exhibition in Philadelphia explores the dismantling of Isaiah Zagar's public mural *Skin of the Bride* (c. 1990-2001), a ceramic-and-tile mosaic originally housed in a community arts center. The building was sold in 2017, purchased by a real estate developer in 2023, and despite efforts to protect the mural as a historic site, it is slated for demolition. The Magic Gardens team selectively removed certain tiles, including Mexican folk art, while leaving others behind, altering the artwork's visual integrity. The exhibition presents fragments of Zagar's work alongside a video installation and a multimedia piece reflecting on memory and placemaking.

‘Occupation is buried deep in our psyche’: the haunting exhibition showing Irish support for Palestinians

An exhibition titled 'Dlúthpháirtíocht' (the Irish word for solidarity) is on display at Metamorphika Studio in Hackney, London, featuring over 50 works that connect Palestinian and Irish histories. The show includes pieces by Palestinian artist Nabil Abughanima, who fled Gaza two months ago, and Irish photographer Seamus Murphy, alongside works by Amal Al Nakhala, Spicebag, and Council Baby. Co-curated by Seán Óg Ó Murchú, the itinerant exhibition will travel to Dublin, Cork, and Belfast after its London run ends on 19 July.

For Some Immigrant Artists, This Is No Time to Retreat

The New York Times article profiles several immigrant artists in the United States who are responding to heightened anti-immigrant rhetoric and policy changes by doubling down on their creative practices and public engagement. Rather than retreating, these artists are using their work to assert their presence, explore themes of displacement and belonging, and challenge xenophobic narratives. The piece highlights specific artists and their recent projects, exhibitions, and statements that directly confront the current political climate.

Museums Tell Stories of American Independence

The New York Times article explores how museums across the United States are presenting exhibitions and narratives that examine the complex history of American independence, moving beyond traditional patriotic accounts to include perspectives on slavery, indigenous displacement, and ongoing struggles for freedom. These exhibitions incorporate diverse voices and artifacts to offer a more nuanced understanding of the nation's founding and its legacy.

Contemporary Aboriginal artist holds first exhibition

Eboney Jade Hall, a contemporary Aboriginal artist from the Barkindji and Nyampa peoples, is holding her first exhibition during Reconciliation Week. A fostered child of a fostered child, Hall turned to painting during the Covid lockdown after buying art supplies for her uninterested daughters. She taught herself to develop a symbolic, feeling-based style that explores family, reconnection, and resilience. Her work draws on memories of both Wollongong and Broken Hill, using reds, ochres, and blues to reflect her dual identity. The exhibition marks a personal milestone after years of struggle with alcoholism, domestic violence, and displacement.

Cambodian artists highlight Khmer culture at free exhibit in St. Paul

Cambodian artists are celebrating Khmer New Year with the free exhibit “My Soul of Gold” at Xia Gallery & Cafe in St. Paul, Minnesota, running through April 27, 2025. The show features portraits of cyclo drivers and elders by photographer Hao Taing, paintings by Cambodian American artist Sara Gregor, and traditional wedding dresses, all exploring themes of heritage, war, and displacement. Inspired by kintsugi, the exhibit uses art to “fill in the cracks” left by the Khmer Rouge regime and historical erasure. Separately, documentary photographer Drew Arrieta is debuting “Infinite Bonds” at Resource gallery in Minneapolis, blending photography, audio, and personal objects to explore intimate relationships.

‘Scattered Memories’: Fragments That Refuse to Fade

The Goethe-Institut Sudan, in collaboration with the Humboldt Forum Berlin, presents 'Scattered Memories,' a transcontinental exhibition at the Goethe-Institut Kairo from 1 to 3 May 2026. The show features Sudanese artists working across collage, film, music, performance, food, and storytelling to explore themes of loss, remembrance, and cultural memory. Public programs include discussions, guided tours, and a traditional coffee corner, transforming the exhibition into a space for communal gathering and exchange.

Ukrainian Children’s Artwork Shared with Whippany Community Documentary Screening

A documentary screening in Whippany, New Jersey, featured artwork created by Ukrainian children affected by the ongoing war. The event, organized by local community groups, aimed to share these personal expressions of trauma and resilience with an American audience, fostering cross-cultural understanding and highlighting the human impact of the conflict. The artwork served as a poignant centerpiece, transforming the children's experiences of displacement and fear into a visual dialogue accessible to the Whippany community.

Salford Uni’s Energy House 2.0 appoints new Iranian-born artist in residence

Iranian-born artist Omid Asadi has been appointed as the new artist-in-residence at the University of Salford’s Energy House 2.0 research facility. Running from Spring 2026 through the end of the year, the residency will see Asadi collaborate with researchers at the world-leading climate laboratory, which features two massive chambers capable of simulating extreme global weather conditions. The artist plans to create new installations and sculptures in response to the facility's pioneering retrofit research, specifically focusing on a recreated 1930s-era house.

FMB Art Association's new exhibit opens at Fort Myers gallery

The Fort Myers Beach Art Association has launched its latest member exhibition, titled "Anything Goes," at its new gallery space in Fort Myers. Running through June 1, the show features a diverse array of media including jewelry, photography, drawing, and painting, highlighted by works such as Barbara Olmstead’s "Love of Music."

Tracing the Traces Art Exhibit Opens at Oak Cliff Cultural Center

A solo exhibition titled "Tracing the Traces" by artist Chenxi Gao opens at the Oak Cliff Cultural Center in Dallas on Saturday, May 9, with a free reception from 6-8 p.m. Gao, a printmaking-based mixed-media artist from China, holds a BFA from Baylor University and an MFA from the University of North Texas. Her work, which has entered collections such as the Bradbury Art Museum, explores themes of home, memory, and displacement through works created between 2023 and 2026 in Denton, Fayetteville, Ark., and Roanoke, Va.

Canadian Museum for Human Rights’ planned exhibition on displacement of Palestinians sparks outpouring of support and criticism

The Canadian Museum for Human Rights in Winnipeg announced plans for an exhibition titled 'Palestine Uprooted: Nakba, Past and Present,' scheduled to open in June 2026. The show will document the lived experience of the Nakba—the mass displacement of Palestinians beginning with the 1948 Arab-Israeli war—through video testimonials, objects, art, text, and photography, focusing on personal stories of Palestinian Canadians. The announcement has drawn both strong support and criticism, with museum CEO Isha Khan emphasizing the exhibition is not a historical retrospective or commentary on current Israel-Palestine relations.

In Her 90s, a Painter Finally Confronts Her Nazi Trauma

The New York Times profiles a painter in her 90s who has finally begun to address the trauma she experienced during the Nazi era through her artwork. The article details how she survived persecution and displacement as a child under Nazi rule, and how for decades she avoided directly depicting those experiences in her paintings. Now, late in life, she is creating works that confront her past, using art as a means of processing long-suppressed memories and emotions.

Artist co-op in Olde Town Arvada in need of new space to continue showcasing local artwork

Burd's Nest Art Gallery, an artist co-op in Olde Town Arvada, Colorado, opened in February 2024 with about 35 local artists showcasing ceramics, fused glass, jewelry, and other artwork. Owner Judi Mitchell realized a lifelong dream by creating the co-op, but the building will soon become a restaurant, forcing the gallery to find a new affordable space or temporarily close. Mitchell has been unable to find a suitable replacement location and may have only a month or two left in the current space.

A Creative Culmination

Three graduating seniors at Syracuse University—Lily Ryan, Rumini “Rumi” Nguyen, and Zoe Requena Bustillo—are preparing capstone projects for a final exhibition at the Warehouse Gallery, culminating their studio arts B.F.A. program. Ryan’s work explores queer identity, nostalgia, and the uncanny through mixed-media tinkering; Nguyen crochets objects from memory to process homesickness; and Requena Bustillo creates a puppet theater addressing Venezuelan history, displacement, and immigration.

NEREIDA APAZA MAMANI A HISTORY OF MIGRATION AND VIOLENCE AT THE ICPNA CULTURAL IN MIRAFLORES

Nereida Apaza Mamani presents a solo exhibition at ICPNA Cultural in Miraflores, Lima, featuring 150 works across watercolor, painting, printmaking, photography, sculpture, embroidery, and installation. The show traces stories of migration and displacement through cartographies, maps, and family trees, drawing on embroidery techniques inherited from her mother and grandmother. Curated by Miguel López, the exhibition explores belonging in a country marked by discrimination and centralism, incorporating the artist's notebooks begun in 2009 and works that address political violence and memory.