Now this art exhibition is something truly audacious

An abandoned office floor in Manila's RCBC Plaza has been transformed into a raw exhibition space for a group show titled "Audacity," curated by Chloe Magpayo. Featuring over 20 artists, the show includes works by Isabel and Alfredo Aquilizan's Fruitjuice Factory Studio, Matt Trinidad, Kristoffer Ardeña, Christina Lopez, Marty Carsi Cruz, Hideki Ito, Bienvenido Tamayo, Mano Gonzales, Marionne Contreras, Luis Antonio Santos, James Clar, Doktor Karayom, Denver Garza, and Maricar Tolentino. The exhibition runs through October in the same space that previously hosted "Here & Now & Now & Then" curated by Nilo Ilarde.

Q&A: How does UVA’s ‘Fuego Eterno’ exhibit explore indigenous sovereignty?

The article is a Q&A with an artist and co-director of the Global Spanish Initiative at the University of Virginia (UVA), discussing the exhibition 'Fuego Eterno.' The show, which opened August 29, features artists from indigenous and Afro-descended communities across the Americas and its diasporas, exploring themes of indigenous sovereignty, Nahua cosmologies, border resistance, and diaspora. The exhibition includes the co-director's own artworks and is accompanied by a symposium, a workshop with Peruvian artist Venuca Evanán Vivanco, a film screening, and a closing party.

Gail Mabo leads new exhibition round at Umbrella Studio

Umbrella Studio Contemporary Arts in North Queensland will present three new exhibitions next month, led by Meriam artist Gail Mabo's 'Wer Wer (Boundaries)'. Developed during a residency with master printmaker Dian Darmansjah, the exhibition reinterprets boundary maps drawn by Mabo's father, land rights pioneer Eddie Koiki Mabo, through four unique drypoint etching and collagraph prints. Also opening are 'Neural Architecture' by Geoffrey Schmidt, exploring memory and consciousness through oil, string and rocks on aluminium panels, and 'Scattered' by Barbara Pierce, a site-responsive installation made from found materials addressing global displacement and survival.

Easthampton artists, priced out of studio building, exhibit new work and defiance

A group of about 40 artists from Easthampton, Massachusetts, have mounted a new exhibition titled “Cottage Street Studios, Past and Present” at Easthampton City Arts, nearly a year after rising rents forced many of them out of their longtime studio building at One Cottage Street. The former factory, owned by nonprofit Riverside Industries, had housed a mix of painters, potters, and woodworkers for half a century, but a management change led to rent increases that doubled some tenants’ costs, prompting roughly half of the 80 artists to leave. Fiber artist Andrea Zax organized the show as a defiant act of community reconnection, while artists like Piper Foreso and Matthew Simons described the scattering as devastating to their creative ecosystem.

LA-Based ModA Curations Opens New Space in NYC With A Contemporary Art Exhibition Called “Love”

ModA (Modern Anthropology) Studios, a Los Angeles-based creative organization founded by George Fan, opened its first permanent location at 227 E 24th Street in Manhattan's Lower East Side on June 27, 2025, with a contemporary art exhibition titled “Love.” Curated by Sia Fang, the show features nine artists divided into main-exhibiting artists and a subsection called Untapped, the Collection. Artists include Ellen Carpenter, Magali, A Cult, Ching-Wei Wang, Felisa Nguyen, Ibtisam Tasnim Zaman, Edd Ravn, Hongshan, and Agen Xin, working across performance, installation, painting, and mixed media.

EL SALVADOR MAKES ITS DEBUT AT THE VENICE BIENNALE WITH ITS OWN PAVILION

El Salvador will debut its own national pavilion at the 61st Venice Biennale, running from May 9 to November 22, 2025. The exhibition, titled "Cartographies of Displacement," features the sculptural series "Children of the World" by Salvadoran-American artist J. Oscar Molina, curated by Alejandra Cabezas and commissioned by Dr. Astrid Bahamond. The pavilion is located at Palazzo Mora, showcasing Molina's elongated, faceless monumental figures that explore the migrant experience and global diaspora.

JEZIK AND COSTA EXPLORE MEMORY AND EXILE IN A GROUP EXHIBITION

The Miguel Hernández University in Elche, Spain, presents "Vientos del pueblo. Voices of Exile and Resistance," a group exhibition curated by Mónica Sotos. Inspired by Miguel Hernández's poem "Vientos del pueblo," the show features Argentine artists Ježik and Costa alongside Eugenio Merino, Gloria Oyarzábal, Ricardo Calero, Óscar Seco, Pierre Valls, and María Rosa Aránega. Through photography, video, installation, drawing, and archival works, the exhibition examines violence, borders, exile, and colonial legacies, challenging dominant power narratives.

AFFECTIVE CARTOGRAPHIES AND ARCHITECTURES BY SOFIA SALAZAR AT C3A

Ecuadorian artist Sofía Salazar Rosales has debuted a site-specific solo exhibition titled "Travesías de una lágrima" at the Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba, Spain. The installation-heavy showcase utilizes sculpture and architecture to explore themes of migration, memory, and colonial legacies. Through materials like wax, charcoal, and iron grilles, Salazar Rosales transforms the gallery into a performative space where visitors navigate physical representations of borders, displacement, and the historical weight of territory.

Artist Zareh in the Spotlight

Litavie Art Gallery in Glendale presented a solo exhibition titled 'Where Motion Becomes Memory' by artist Zareh from April 2 to 11. The opening night featured remarks from artist Seta Injeyan, who analyzed Zareh's work, and the event was documented with photos of Zareh alongside Injeyan and art critic Peter Frank.

New London exhibition uses architecture to explore the experiences of Iran’s American diaspora

Arash Nassiri's first institutional solo exhibition, 'A Bug's Life,' has opened at London's Chisenhale Gallery. The show features a moving-image commission set within a sculptural installation, following an insect puppet protagonist through a cavernous mansion in Los Angeles. The mansion is a 'Persian Palace'—a hybrid of Iranian and French Empire architectural styles that emerged in 1960s-70s Iran and was recreated by wealthy Iranian exiles in Los Angeles after the 1979 revolution. Nassiri, who is Tehran-born and Berlin-based, uses the film to explore themes of disorientation, displacement, and the ambiguous dual belonging of Iran's American diaspora.

This Long Beach Art Gallery Survived a Drunk Driver. But The Next Threat Could Mean Its End.

A drunk driver crashed into Open Gallery in Long Beach on February 24, 2024, destroying the space and forcing a year of renovations, financial strain, and displacement. Owners Liz Garibaldi and Artos Saucedo, who founded the gallery in 2019 as a live-work space for screen printers, have since reopened their gift shop and resumed programming, including the current photography exhibition "Physical Memory" curated by Matthew “NORDY” Nordman. However, the building owner now wants to sell, threatening the gallery's survival.

In West Philly, “third space” Studio 34 offers healing to everyone

Studio 34, a wellness and community center located at 4522 Baltimore Avenue in West Philadelphia, is hosting a new solo exhibition by Lebanese multidisciplinary artist Tracy Chahwan. Titled “Alien of Extraordinary Abilities,” the show runs through the end of May and features over a decade of Chahwan's work in posters, textiles, and comics. The exhibition traces her journey from designing posters for Beirut's music scene and collaborating with the Samandal and Zeez comics collectives to arriving in Philadelphia during the pandemic, where she was stranded after a planned short visit turned into a permanent relocation.

Tongue River Theory. davi de jesus do nascimento by Mateus Nunes

Brazilian artist davi de jesus do nascimento explores the intersection of poetry, memory, and the geography of the São Francisco River. Born in Pirapora, Minas Gerais, the artist’s work is deeply informed by his family's history of displacement due to the Sobradinho dam and the tragic loss of his mother to the river. His practice spans painting, installation, and performance, all rooted in a linguistic and philosophical framework he calls "Tongue River Theory."

TROPICAL HYPERSTITION A SPACE OF MEMORY AND RESISTANCE AT THE BIENNALE DI VENEZIA 2026

Panama will present its second National Pavilion at the 2026 Venice Biennale, featuring a large-scale installation and performance titled 'Tropical Hyperstition' by the artistic duo Antonio José Guzmán and Iva Jankovic (Mensajeros del Sol). The project, curated by Ana Elizabeth González and Mónica Kupfer, is organized by Panama's Ministry of Culture and several cultural foundations.

Tillies art gallery opens in Provincetown May 1

Tillies Art & Provisions is set to open on May 1 at 512 Commercial Street in Provincetown’s East End. Located in a historic 19th-century grocery store building, the new gallery and community space will debut with a group exhibition curated by Barbara Cohen featuring 17 established local artists. The venue plans to host a diverse seasonal program including art exhibitions, readings, and musical performances.

No Lost Generation Hosts Beautiful, Poignant Exhibition of Afghan Refugee Artists’ Work

Georgetown University’s student organization No Lost Generation (NLG) partnered with the Afghan artist collective ArtLords to host a five-day exhibition at the Intercultural Center galleria. Curated by Omaid Sharifi, the showcase featured works by three Afghan refugee artists—Abdul Hakim Maqsoodi, Mohammad Younus Qani, and Fatima Wojohat—centered around the theme of "nawroz" (new day). The collection spanned traditional Afghan miniatures, scenes of displacement, and portraits exploring the resilience of female refugees.

Parted Light opening at Wynter Gallery; artist talk set

The Wynter Gallery in Lambertville, New Jersey, is debuting "Parted Light," a solo exhibition by Detroit-based photographer Tejasvir. The collection features photographs taken in Pakistan that explore the memory, legacy, and cultural identity of a once-unified Punjab. The exhibition opens on April 10, followed by an intimate artist talk on April 12 where Tejasvir will discuss his personal journey and the existential themes behind the work.

Artist confronts experience as Sixties Scoop adoptee in Salmon Arm exhibition

Indigenous artist Scott Kwah is set to debut a deeply personal exhibition titled "A.R.E.N.A. babies" at the Salmon Arm Art Gallery, running from April 11 to June 16, 2026. The installation centers on 18 hand-cast concrete figures seated on vintage chairs that emit audio of fragmented, childlike voices questioning their origins and loss of language. The work directly confronts Kwah’s history as a survivor of the Sixties Scoop, specifically referencing the Adoption Resource Exchange of North America (ARENA) program that facilitated the cross-border displacement of Indigenous children.

Stephanie Pierre opens Haitian art-inspired gallery in East Flatbush

Stephanie Pierre, a Haitian American community developer and placemaker, has opened Kafou, a Haitian art-inspired gallery in East Flatbush, Brooklyn. The gallery launched with an inaugural exhibition titled “Space as Place,” featuring seven artists—including Bianca Allen, Marie Medijne Antoine, Jordan Dubreuil, Wilfrid Ignace, Richard Louissant, Claire Saintil, and Zarita Zevallos—whose works explore themes of space, place, migration, and identity. The opening reception on April 16, 2026 drew strong public interest, prompting the gallery to extend the show through May 17. Kafou operates on a community-centered model, charging artists a reduced commission in exchange for their active involvement in managing and promoting their own work.

Expat women in Estonia share experiences through museum exhibition

An exhibition titled "Vahepealsuse lävel. Kõik teed tõid Eestimaale" ("At the Threshold of In-Betweenness. All Roads Lead to Estonia") has opened at the People's Museum of Tallinn (Tallinna Rahvaste Muuseum). Curated by Ouddhena Teern, an artist originally from Malaysia who moved to Estonia in 2019, the show explores themes of migration, identity, memory, and belonging. It features works using batik, mixed media, and tie-dye, alongside contributions from expat women who shared personal stories and objects of sentimental value.

20 Years of Art Refuge 2006-2026

An exhibition titled '20 Years of Art Refuge 2006-2026' opens May 13th in London, celebrating two decades of the UK-registered charity Art Refuge. The show features photographs, maps, films, and objects documenting the charity's work with displaced people in Nepal, France, the UK, and elsewhere, including recent projects '24X24 DUNKERQUE' and 'MADE TOGETHER'. Visitors can also participate in pop-up versions of The Community Table, a creative psychosocial support initiative.

Maitland exhibit: Textures of Middle East come to life in paintings woven with cultural memory

Mär Martinez's first solo museum exhibition, “A loom, a fence, a wire, a thread,” opens at The Art & History Museums of Maitland, featuring paintings inspired by traditional Turkish and Middle Eastern textile practices. The works, developed during her 2024-2025 Fulbright research in Istanbul, weave together her Cuban and Syrian heritage, exploring themes of cultural memory, displacement, and resilience through imagery of carpets, barbed wire, and urban barriers.

UCF Alum and Fulbright scholar Mär Martinez exhibition in Maitland, FL

Contemporary painter Mär Martinez, a Fulbright scholar and UCF alum, presents her first solo museum exhibition, “A loom, a fence, a wire, a thread,” at the Art & History Museums of Maitland (A&H) in Maitland, Florida. The show features works developed during her 2024–25 Fulbright research in Istanbul and builds on ideas from her 2021–2023 Studio Artist Residency at A&H. Inspired by traditional Turkish and Middle Eastern textile practices, Martinez explores themes of urban life, surveillance, and cultural memory, using imagery from nighttime walks through Istanbul—fences, checkpoints, and barbed wire—combined with historic textile patterns. Her Cuban and Arab heritage and family’s experience of displacement inform her work, with weaving serving as a metaphor for endurance and resistance. The opening night is free to the public, with live music, food, and a cash bar.

Is Art Dying Along With Work?

Stirbt die Kunst mit der Arbeit?

The rapid advancement of artificial intelligence raises a fundamental paradox for the future of creativity: while automation could theoretically free humans from labor to pursue artistic endeavors, it simultaneously threatens the economic foundations of the art world. If AI-driven job displacement leads to a widespread loss of disposable income, the commercial market that sustains professional artists could effectively collapse.

Dalit History Month: Vaanam's Dalit art exhibit tells 'The Whole Story'

The Neelam Cultural Centre and Neelam Arts Collective have launched "The Whole Story," a significant Dalit art exhibition at the Lalit Kala Akademi in Chennai. Featuring works by 36 artists from across India, the show is a cornerstone of the fifth Vaanam Art Festival held during Dalit History Month. The exhibition showcases a diverse range of visual practices—from Yuvadharani’s multidisciplinary pieces to S Venkatesan’s explorations of urban displacement—all centered on themes of caste, memory, and resistance.

UW’s Art Lofts open “Ghost Writer: someone who writes something for someone else”

The University of Wisconsin's Art Lofts Main Gallery opened the MFA qualifier exhibition "Ghost Writer: Someone Who Writes Something for Someone Else" by artist Daniella Thach on February 4, 2026. The exhibition explores Thach's Cambodian American identity and the merging of timelines across familial memory, aiming to shed light on the 50th anniversary of the Cambodian genocide.

‘Sugar felt like the perfect thread’: Tara Long on her sweet new installation

Tara Long's new installation *La Esquinita (little corner)* has taken over all three spaces at Locust Projects in Miami, transforming the gallery into a shop for sweets and souvenirs with over 500 miniature sculptures for sale. The immersive environment, her first major solo show, unfolds in three acts—seduction, exposure, and collapse—centered on a crumbling room-sized frosted cake. The exhibition draws parallels between Florida's early 20th-century Big Sugar land grab and today's Big Tech boom, reflecting on cycles of extraction and survival in Long's hometown. A pop-up speakeasy will run on Friday and Saturday nights (5 and 6 December).

53 oil paintings in a Palestinian exhibit were lost in the 1940s. A new exhibit on display in Brookline reimagines what could have been.

A traveling exhibition titled "The Lost Paintings, A Prelude to Return" is on view at the Brookline Arts Center and Unbound Visual Arts in Brighton through December 17. The show reimagines 53 oil paintings by Palestinian-Lebanese artist Maroun Tomb, which were lost in the chaos of the Nakba and the 1948 Arab-Israeli war after his 1947 exhibition opened in Haifa on the same day the UN adopted the Partition Plan. Curators Rula Khoury, Haidi Motola, and Joëlle Tomb—Maroun's granddaughter—commissioned 53 contemporary artists from Palestine and the diaspora to create new works inspired by the original titles, using mediums including textiles, prints, paintings, sculptures, and video.

Artists open their doors to the public at Gowanus Open Studios, Oct. 18-19

Gowanus Open Studios returns on October 18-19, inviting the public into the studios of hundreds of local artists across dozens of locations in Brooklyn. The event, organized by Arts Gowanus, features individual studio visits, group shows, and two featured exhibitions: "Add/Subtract" curated by Tegan Brozyna, and a retrospective of the late Samuel Heller. Highlights include the first affordable artist studios secured through the 2021 Gowanus rezoning, with about 22 new subsidized spaces opening at The Shop BK and Society Brooklyn, where artists like Mayowa Nwadike now work after winning a lottery for affordable space.

Milwaukee art gallery owner working tirelessly to keep her space open amid potential foreclosure

Fatima Laster, owner of the 5 Points Art Gallery & Studios in Milwaukee’s 5 Points neighborhood, is facing potential foreclosure on the building she purchased in 2018. She acquired the property through the city’s ARCH loan program and financed it with a five-year loan from the Greater Milwaukee Foundation’s Impact Investing program. The balloon payment of $260,000 is due by December 1, 2025. Laster has been fundraising to save the space, which has hosted hundreds of artists and thousands of visitors. Her current immersive installation, “Interrupted: Cash for Homes,” replicates her grandparents’ home and addresses gentrification and housing displacement on Milwaukee’s north side.