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11 Must-See Museum Shows This Fall

Maxwell Rabb's article for Google News highlights 11 must-see museum exhibitions opening worldwide in fall 2025. Among the featured shows are Ayoung Kim's "Delivery Dancer" video trilogy at MoMA PS1 in New York, the largest UK survey of Kerry James Marshall's work titled "The Histories" at the Royal Academy of Arts in London, and "Strange Realities: The Symbolist Imagination" at the Art Institute of Chicago, which explores the Symbolist movement across Europe. The article also mentions other major retrospectives and thematic exhibitions spanning Symbolism to Nigerian modernism.

Art galleries in Sydney: Here are 20 that should be on your radar

This article lists 20 art galleries in Sydney that are recommended for art enthusiasts. It highlights major institutions like the Art Gallery of New South Wales and the Museum of Contemporary Art, as well as smaller spaces such as China Heights, STATION, Cement Fondu, Abstract Thoughts, Campbelltown Arts Centre, and Jerico Contemporary. Each gallery is described with its unique focus, from modern and Aboriginal art to performance and emerging artists.

Saatchi Yates raises a glass to London

Saatchi Yates gallery in London has opened an exhibition titled 'London Rules The World,' running until August 17, which celebrates the city's influence on the global art scene. The show features prominent artists such as Jenny Saville, Grayson Perry, Cecily Brown, Peter Doig, and Lynette Yiadom-Boakye, alongside ancillary events like afternoon tea at the Royal Academy of Arts, a Paula Rego studio tour, and a tea-towel collaboration with interior designer Nicky Haslam. The gallery is also launching a Friends scheme for £80 per month, which includes entry to gallery parties and a case of wine from their Tuscan vineyard.

The galleries on Cork Street join forces for group exhibition celebrating 100 years as a landmark art destination.

Fifteen galleries on London's historic Cork Street have united for a first-of-its-kind group exhibition titled "Fear Gives Wings To Courage" to mark the street's centennial as a landmark art destination. Curated by Tarini Malik, curator of modern and contemporary art at the Royal Academy of Arts, the exhibition unfolds in three parts: an outdoor banners commission, presentations within each participating gallery from 11 to 25 July 2025, and a special catalogue issue launching during Frieze London 2025. The title references Jean Cocteau's 1938 painting of the same name, which caused controversy when shown at Peggy Guggenheim's gallery Guggenheim Jeune on Cork Street in 1938 and was confiscated by British customs.

Here Are This Spring’s 11 Must-See Museum Exhibitions in New York

This article highlights 11 must-see museum exhibitions in New York for spring 2025, including shows at Amant, the American Folk Art Museum, the Guggenheim, the Hill Art Foundation, the Metropolitan Museum of Art, and MoMA PS1. Featured artists include Madalena Santos Reinbolt, Rashid Johnson, Sam Moyer, Jennie C. Jones, and Andro Eradze, with works spanning textiles, sculpture, sound installations, and mixed media.

What to Look for at Frieze New York 2025

Frieze New York 2025, its 13th edition, opens May 7 at The Shed in Hudson Yards with over 65 international galleries. The fair features solo, group, and themed presentations, including the Focus section curated by Lumi Tan showcasing 12 emerging galleries. Highlights include the Artist Plate Project (a collaboration with Coalition for the Homeless featuring limited-edition plates by Cindy Sherman, Rashid Johnson, and Takashi Murakami), performances by Pilvi Takala, Asad Raza, and Carlos Reyes, and notable presentations by Christine Sun Kim at François Ghebaly and Jennie C. Jones at Alexander Gray Associates. Frieze’s director of Americas, Christine Messineo, shares her top picks.

Chanel Renews Financial Support of Centre Pompidou During Long-Term Renovation

Chanel has renewed its financial partnership with Paris's Centre Pompidou, extending their collaboration through another five-year agreement. The luxury fashion house will continue supporting the museum's operations, acquisitions, and exhibitions, despite the Pompidou being closed until 2030 for a major renovation costing over $500 million. Chanel previously sponsored the museum's acquisition of 21 artworks by 15 contemporary Chinese artists in 2024 and supported the related exhibition “目 China: A New Generation of Artists.” The renewed investment aims to bolster access, scholarship, and preservation of public knowledge.

India's Kiran Nadar Museum to take over Christie's London headquarters this summer

The Kiran Nadar Museum of Art (KNMA) in New Delhi will take over Christie’s London headquarters this summer for a month-long non-selling exhibition titled "The Meeting Ground: Scenes from the KNMA Collection" (16 July-21 August). The show will feature 180 works by 60 Indian, Pakistani, and Bangladeshi artists from the 1950s to the present, drawn from billionaire collector Kiran Nadar’s vast collection of South Asian Modern art. The exhibition anticipates the delayed relocation of KNMA to a new 100,000 sq. m building near Delhi airport, designed by David Adjaye and now about 60% complete, with former Louvre Abu Dhabi director Manuel Rabaté appointed to run the museum.

Citing Epstein Ties, Wexner Union Demands Leslie Wexner’s Name be Dropped from Art Center

Members of the Wexner Center for the Arts union, Wexner Workers United, have formally demanded that Ohio State University remove Leslie Wexner's name from the art center. In a letter posted on Instagram, the union cites Wexner's documented ties to convicted sex offender Jeffrey Epstein, noting his name appears over 1,300 times in Department of Justice files. The union argues that the connection meets the university's criteria for renaming, and that staff face daily harassment while artists refuse to collaborate due to the Epstein association.

A New Residency Aims to Give Indigenous Artists the Tools to Make Art in Neon

The Walker Youngbird Foundation, a Native-led nonprofit, has launched a new residency program in collaboration with Lite Brite Neon Studio in Kingston, New York, aimed at giving Indigenous artists the opportunity to create work in neon for the first time. The inaugural resident is Sarah Rowe (Ponca Tribe of Nebraska), a painter and installation artist selected from over 100 applicants. The residency is valued at around $50,000 per cycle, covering fabrication, travel, lodging, a $10,000 stipend, and full ownership of the artwork and intellectual property. The program was inspired by foundation founder Reid Walker's acquisition of neon works by artists such as Watt and Jeffrey Gibson.

New residency in upstate New York will give Indigenous artists access to neon fabrication studio

Lite Brite Neon Studio in Kingston, New York, has partnered with the Walker Youngbird Foundation to launch Native Neon, a residency program providing Indigenous artists with access to neon fabrication. The inaugural recipient is Sarah Rowe, an enrolled member of the Ponca Tribe of Nebraska and of Lakota descent, who receives $50,000, a $10,000 stipend, and a week-long residency to create an immersive neon environment. The studio, known for collaborations with artists like Glenn Ligon and Jeffrey Gibson, aims to lower the technical and financial barriers to working with neon.

Tilda Swinton Is Bringing a New Performance Piece to Guggenheim Bilbao

British actor Tilda Swinton will debut a new performance piece titled "House of Gestures" at the Guggenheim Museum Bilbao on June 5–6, 2025. The work, developed with French fashion curator Olivier Saillard, is inspired by the legacy of Dom Pérignon champagne and will be staged in the museum's Frank Gehry-designed atrium. Swinton has a long history of performance art, including her iconic work "The Maybe" (1995) at the Serpentine Gallery, and is currently the subject of the exhibition "Ongoing" at the Onassis Foundation's Onassis Ready in Athens.

‘Depraved in all the right ways’: why forgotten no wave visionary Gordon Stevenson is about to take off

The article profiles Gordon Stevenson, a forgotten visionary of the no wave movement in late-1970s New York, who was an artist, jewelry designer, musician, and filmmaker best known for the notorious film *Ecstatic Stigmatic*. Decades after his death from AIDS, a storage unit full of his lost work has been discovered, including jewelry, mail-art collaborations with Ray Johnson, and clues to a surviving print of his film. His family has also recovered hundreds of letters he wrote to his parents, chronicling his life in downtown New York and his experiences as one of the city's first AIDS patients. The piece traces his journey from a small town in Georgia, where he met his wife Mirielle Cervenka (who later renamed Exene Cervenka), to their punk-era jewelry brand LHOOQ and his lasting influence on gothic fashion.

Printmaking skills of Manet, Van Gogh and more celebrated in Bath show

An exhibition titled *Beyond Impressionism* at the Holburne Museum in Bath showcases over 50 prints by artists such as Édouard Manet, Vincent van Gogh, Paul Gauguin, James McNeill Whistler, Henri de Toulouse-Lautrec, and Pablo Picasso. The show, running from 23 May to 13 September, highlights how impressionist, post-impressionist, and cubist painters revived printmaking in the late 19th and early 20th centuries, elevating it from commercial reproduction to a respected artistic medium. Works are drawn from public collections including the Courtauld Gallery and Ashmolean, as well as private collections.

Dutch Designer Iris van Herpen’s High-Tech Garments Are On View in a Mid-Career Retrospective at the Brooklyn Museum

The Brooklyn Museum is opening a mid-career retrospective titled “Iris van Herpen: Sculpting the Senses,” showcasing the Dutch designer’s high-tech garments. The exhibition features over a decade of van Herpen’s work, including the first 3D-printed garment sent down a runway in 2010, pieces worn by celebrities like Lady Gaga, Björk, and Beyoncé, and new collaborations such as an algae dress grown from living microorganisms. Organized by senior curator Matthew Yokobosky, the show originated at the Musée des Arts Décoratifs in Paris and has traveled internationally before arriving in Brooklyn, where it is augmented with objects from the museum’s collections in art, science, and natural history.

The Met and Neue Galerie Embark on Historic Merger

The Metropolitan Museum of Art and the Neue Galerie in New York have announced a historic merger set for 2028. The Met will acquire the Neue Galerie's Beaux-Arts mansion, renaming it the Met Ronald S. Lauder Neue Galerie (or Met Neue Galerie), while preserving its museum experience. The merger comes ahead of the Neue Galerie's 25th anniversary and its renovations from May to August 2026. Founder Ronald S. Lauder will remain involved, and the Met will supplement the Neue Galerie's programs, research, and digital initiatives. Major fundraising is underway, with the endowment target of $200 million already 80 percent met, supported by Lauder, his daughter Aerin Lauder Zinterhofer, and trustee Marina Kellen French.

The Met Teams Up with Band-Aid on Art-Themed Adhesive Bandages

The Metropolitan Museum of Art and Band-Aid have reunited for a second collaboration, releasing a new set of art-themed adhesive bandages in 2026. The bandages feature details from three flower paintings in the Met's collection: Claude Monet's *Water Lilies* (1919), Vincent van Gogh's *Irises* (1890), and Odilon Redon's *Bouquet of Flowers* (ca. 1900–1905). The 50-count assortment includes small, medium, and large fabric bandages packed in a collectible tin, available exclusively at Target for $7.29. The 2025 Hokusai collection, which sold out quickly, is also back on sale at major retailers.

Garment, body and space merge in Iris van Herpen’s first major New York show

The Brooklyn Museum is hosting Iris van Herpen's first major New York exhibition, featuring over 140 haute couture looks from the Dutch fashion designer. Van Herpen, who founded her house in 2007, pioneered 3D printing in fashion and uses unconventional materials like upcycled marine debris and fermented fibers. The touring show, which originated at Paris's Musée des Arts Décoratifs, includes contemporary art, scientific objects, and natural-history specimens alongside her garments. Curated by Matthew Yokobosky, the Brooklyn iteration draws on the museum's own collections and loans from the American Museum of Natural History, the Staten Island Museum, and the Yale Peabody Museum. Highlights include a dress made with living bioluminescent algae and a re-creation of Van Herpen's atelier.

‘I shared a single bed with my mother for three years’: Sung Tieu on her monument to immigrant workers in Venice

Artist Sung Tieu has clad the German pavilion at the 2024 Venice Biennale with a mosaic replica of the Gehrenseestrasse complex, a now-abandoned housing estate in Berlin where she lived as a child. The work, titled "Human Dignity Shall Be Inviolable," uses three million mosaic stones to recreate the facade of the prefabricated blocks that housed Vertragsarbeiter—contract workers from Vietnam, Mozambique, Angola, and Cuba who bolstered East Germany's economy. Tieu, who shared a single bed with her mother in the complex for three years, conceived the pavilion alongside the late artist Henrike Naumann.

Venice Biennale Special 2026—podcast

This episode of The Art Newspaper's podcast is a Venice Biennale special, covering the opening week of the 2026 edition. Host Ben Luke, along with Louisa Buck and Jane Morris, reviews the main exhibition "In Minor Keys," curated by the late Koyo Kouoh and realized by five collaborators. The podcast features interviews with artists Gabrielle Goliath, whose work for the South African pavilion was cancelled and is instead staged in a Venice church, and Lubaina Himid, showing in the British pavilion. It also includes conversations with writer Saidiya Hartman and Daniella Kaliada of Belarus Free Theatre about their collateral projects. The episode concludes with a focus on two restored Tintoretto paintings at the Basilica of San Giorgio Maggiore, funded by Save Venice.

Sound-based Holy See pavilion opens at Venice Biennale as Vatican’s contemporary art ambitions grow

The Holy See's pavilion at the Venice Biennale has opened, featuring a sound-based exhibition titled "The Ear is the Eye of the Soul" (9 May–22 November). The show, inspired by the medieval Benedictine nun Saint Hildegard of Bingen, includes commissioned audio works by high-profile artists and musicians such as Brian Eno, FKA Twigs, Patti Smith, Jim Jarmusch, and Precious Okoyomon. The exhibition takes place across two Venetian sites—the Mystical Garden of the Discalced Carmelite and the Santa Maria Ausiliatrice complex—and is co-organized by Hans Ulrich Obrist, artistic director of the Serpentine Gallery, and curator Ben Vickers, in collaboration with Soundwalk Collective.

Alvaro Barrington takes a road trip to the Venice Biennale

Artist Alvaro Barrington has created a vibrant haulage truck titled "Labor Day Parade ’91" (2026) as his contribution to the 61st Venice Biennale, part of the exhibition "In Minor Keys." The truck, decorated with scenes linked to his background and art historical references, was driven from London to Venice on an epic road trip across Europe. It is now parked in the Giardini next to the Austrian pavilion, with its front tyres punctured to prevent movement. During the preview, the work was admired by artist Julie Mehretu and Dia Art Foundation director Jessica Morgan.

Montclair Art Museum Hires Esteemed Curator Kate Kraczon After Layoffs at Brown University

The Montclair Art Museum in New Jersey has appointed Kate Kraczon as its new chief curator, effective June 15. Kraczon previously served as director of exhibitions and chief curator at the David Winton Bell Gallery at Brown University, where she was laid off in late 2024 amid a wave of cuts. She succeeds Gail Stavitsky, who held the post since 1994. The museum also recently hired Todd Caissie, an enrolled member of the Osage Nation and former director of Canada’s New Brunswick Internment Camp Museum, as its director.

Archibald prize 2026 finalists: Virginia Trioli, Jan Fran, Ahmed al-Ahmed and more – in pictures

The Guardian has announced the finalists for the 2026 Archibald Prize, Australia's premier portraiture award, featuring 30 works including Loribelle Spirovski's 'Fingerpainting of Daniel Johns', Vincent Namatjira's self-portrait 'The Dust Bowl', and portraits of notable sitters such as Virginia Trioli, Jan Fran, Ahmed al-Ahmed, Layne Beachley, and Governor-General Sam Mostyn. The list also includes the Packing Room Prize winner, Sean Layh's 'The tragicall historie of Hamlet, Prince of Denmarke', and works by artists like Mitch Cairns, Marikit Santiago, and Michael Zavros, with all finalist images published in a photo gallery.

From monumental glass sculptures to a lagoon in the sky: what to see beyond the Venice Biennale pavilions

The article highlights several must-see exhibitions and installations beyond the main Venice Biennale pavilions. Patrizia Sandretto Re Rebaudengo's redevelopment of the island of San Giacomo opens on 7 May, transforming abandoned Napoleonic-era powder magazines into exhibition spaces with a solo show by British artist Matt Copson and a group show from her collection. American artist Melissa McGill presents 'Marea', a street-spanning installation of 100 paintings created with local residents and students, addressing climate change and rising sea levels. Dale Chihuly returns to Venice with 'Chihuly: Venice 2026', featuring monumental glass installations along the Grand Canal, including 'Gold Tower' (2025). Wallace Chan unveils titanium sculptures at the Chapel of Santa Maria della Pietà, with a parallel exhibition at the Long Museum in Shanghai.

A Long-Running Case Centering on Alleged Robert Indiana Forgeries Is Resolved with a $102 M. Settlement

A New York jury has awarded $102.2 million in damages to the Morgan Art Foundation in a long-running copyright and forgery case against art publisher Michael McKenzie. The jury found that McKenzie created unauthorized and altered versions of works by Pop artist Robert Indiana, including multiple iterations of Indiana's iconic LOVE prints and sculptures, as well as works such as *The Ninth American Dream* (2001), *USA FUN* (1965), and a sculpture titled *BRAT*. The lawsuit, which began in 2018 shortly before Indiana's death at age 89, alleged that McKenzie and others sought to isolate the artist and profit from selling forged works. McKenzie's lawyer indicated he may appeal.

Edvard Munch’s Paintings for a Chocolate Factory Get a Rare Museum Outing

A series of 12 monumental paintings by Edvard Munch, created for the workers' canteen of the Freia chocolate factory in Oslo, have been temporarily removed from their original location for the first time. The works, known as the Freia Frieze, are now on display at the nearby Munch Museum in an exhibition titled "Edvard Munch and the Chocolate Factory," which also includes preparatory sketches and examines the artist's output in the 1920s.

Diane Keaton’s Iconic Wardrobe and Art Collection Head to Auction

Bonhams auction house, in collaboration with the Fine Art Group, is organizing a four-part, 550-lot sale of Diane Keaton's personal belongings. The sales, taking place online and in New York from late May to mid-June, will include her iconic wardrobe, Hollywood memorabilia, home furnishings, and a significant portion of her art collection, featuring works by artists like Robert Rauschenberg and Ed Ruscha, as well as her own mixed-media collages.

AI Model Reveals New Information About Authorship of 17th-Century El Greco Altarpiece

A team of scientists from Case Western Reserve University has developed a new AI model named PATCH that analyzes tiny sections of paintings to identify the number of artists involved in their creation. The model was applied to two works by El Greco, suggesting that 'The Baptism of Christ,' long thought to be a collaborative workshop piece, may have been painted primarily by the master himself.

Museums have a duty to inspire the creatives of the future. At V&A East, I’ve made that my mission | Gus Casely-Hayford

Gus Casely-Hayford, the director of V&A East, outlines his vision for the new museum as a collaborative space designed specifically to re-engage young audiences. Highlighting a new commission by Cuban artist Tania Bruguera created with local youth, Casely-Hayford argues that museums must move beyond Victorian-era paternalism toward a model of co-creation. The institution has consulted over 30,000 young people to ensure its galleries, such as the "Why We Make" space, reflect contemporary concerns and community needs.