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Dealers get creative pairing artists at Duet—just don’t call it an art fair

Duet, a pop-up exhibition conceived by curators Zoe Lukov and Kyle DeWoody, debuts in Manhattan’s Financial District with 11 galleries and a group show running until 8 September. Housed in the WSA building, each gallery occupies a glass-walled meeting room and pairs two artists around a thematic connection—such as Pace showing Nina Katchadourian with Matthew Day Jackson, or Galerie Sardine pairing Jenna Kaës with Anthony Banks. A group exhibition features works by Marina Abramović, Lynda Benglis, Maya Lin, Radcliffe Bailey, Karon Davis, Miles Greenberg, Carlos Motta, Sam Moyer, Brendan Fernandes, and Naama Tsabar, with performances by Fernandes and Tsabar.

The Armory Show jumpstarts New York art market after summer of hand-wringing

The Armory Show opened its 2024 edition in New York with solid sales during the VIP preview on September 4, providing a positive signal for the city's art market after a summer marked by gallery closures and economic uncertainty. The fair saw the return of over 20 galleries that had previously taken a hiatus, including Andrew Kreps, Uffner and Liu, Instituto de Visión, and White Cube for the first time since 1994. Fair director Kyla McMillan emphasized the importance of rooting the fair in New York and praised exhibitors for taking risks with experimental works, such as Nikita Gale's installation 'Interceptor' (2025), which sold for $60,000 before the preview began.

Giorgio Armani, designer who changed how museums engage with fashion, has died aged 91

Giorgio Armani, the Italian fashion designer who bridged fashion and contemporary art, has died aged 91. Born in Piacenza in 1934, he founded his eponymous label in 1975 and became a global brand. In 2000, he became the first fashion designer to have a solo exhibition at the Solomon R. Guggenheim Museum in New York, curated by Germano Celant, which marked a turning point in how museums engage with fashion. In 2015, he opened Armani/Silos in Milan, a converted warehouse serving as an archive and cultural venue, hosting retrospectives of photographers Aldo Fallai and Peter Lindbergh. He also collected photography, sponsored exhibitions like Magnum on Set at the Museo della Permanente, and lent his archive to institutions including the Victoria and Albert Museum.

Smithsonian leader asserts ‘authority over our programming’ in letters to staff and Trump White House

Smithsonian Secretary Lonnie G. Bunch III sent letters to the White House and staff asserting the institution's independence after President Donald Trump ordered a comprehensive review of eight Smithsonian museums. The review, initiated by an August 12 White House letter, targets exhibitions, collections, and programming for alleged bias and divisive content. Bunch stated the Smithsonian is conducting its own internal review to ensure nonpartisan, factual programming, emphasizing that the institution retains authority over its content. The letters follow Trump's social media attack on the Smithsonian and an earlier executive order directing Vice President J.D. Vance to remove what the administration calls 'race-centred ideology.'

Don’t Miss These September Museum Exhibits in NOLA

New Orleans museums are launching several major exhibitions in September 2025. The Ogden Museum of Southern Art presents "Flags of Our Mothers" (September 13–March 8, 2026) featuring Raven Halfmoon's largest ceramic sculptures, and "The Unending Stream: Chapter II" (September 27–March 15, 2026) showcasing six local photographers. The New Orleans Museum of Art opens "Dawoud Bey: Elegy" (September 26–January 4, 2026), a photography and film installation exploring African American historical memory.

Ten surprises at the National Gallery’s five-star Van Gogh exhibition

The National Gallery in London opened its exhibition "Van Gogh: Poets & Lovers" (14 September 2024–19 January 2025) to five-star reviews, attracting a record 335,000 visitors. The article reveals ten surprising details about individual paintings on loan from around the world, including a self-portrait that once hung in the American ambassador's residence in Regent's Park, a painting executed on a dish towel when Van Gogh ran out of canvas, and the revelation that casino mogul Steve Wynn owns The Trinquetaille Bridge. Other surprises include a stark white replica frame for Roses, inspired by frames designed by Dr. Paul Gachet, and the fact that The Public Garden, Arles is owned by a foundation set up by Bernard Arnault, the world's third richest person.

Amy Sherald's canceled Smithsonian art show comes to Baltimore

Artist Amy Sherald has canceled her scheduled exhibition at the Smithsonian's National Portrait Gallery in Washington, D.C., due to censorship concerns over her painting "Trans Forming Liberty," which depicts the Statue of Liberty as a Black trans woman. The exhibition, titled "Amy Sherald: American Sublime," will instead travel to the Baltimore Museum of Art (BMA), where it will run from November 2, 2025, to April 5, 2026. Sherald will also receive one of the museum's "Artist Who Inspires" awards at its 2025 BMA Ball on November 22. The show is a mid-career survey of Sherald's work, previously shown at the San Francisco Museum of Modern Art and the Whitney Museum of American Art.

Capturing a Major Artist in Print

The Syracuse University Art Museum has opened a new exhibition titled “What If I Try This?”: Helen Frankenthaler in the 20th-Century Print Ecosystem, running from August 26 through December 9. Curated by Melissa Yuen, the show features 56 works—including prints, paintings, photographs, and letters—by Frankenthaler and her contemporaries, highlighting her experimental approach to printmaking over nearly 50 years. The exhibition includes 11 prints and process proofs gifted by the Helen Frankenthaler Foundation in 2023, along with 24 works borrowed from national and area collections, and draws on Frankenthaler’s correspondence with artist Grace Hartigan.

Krannert Art Museum’s opening turned a gallery into gathering

Krannert Art Museum in Champaign-Urbana, Illinois, reopened after an 18-month closure for repairs and upgrades with a celebratory evening event. The crowd included students, retirees, new faculty, and local dignitaries such as Champaign Mayor Deborah Frank Feinen and Urbana Mayor DeShawn Williams. Speeches emphasized the museum's role as a community anchor, and performances by Peruvian Quechua hip-hop artist Liberato Kani and dancer Yana Paqcha energized the space. Attendees explored newly reinstalled collections, including works by Thomas Gainsborough and Nicola Victor Ziroli, as well as exhibitions like "Fragmented Histories: Andean Art Before 1600" and "Ronny Quevedo: a l l s t a r s."

An expert’s guide to Indigenous Australian art: five must-read books on the subject

Kelli Cole, lead curator of Tate Modern's Emily Kam Kngwarray survey, and academic Jennifer Green recommend five essential books for understanding Indigenous Australian art. The selections range from Wally Caruana's concise survey 'Aboriginal Art' (2025) to John Kean's 'Dot, Circle and Frame' (2023), which details the origins of the Papunya Tula art movement. The recommendations come amid major international exhibitions spotlighting Indigenous Australian art, including Tate Modern's Kngwarray show and the National Gallery of Art's 'The Stars We Do Not See'.

Seeing double: Vermeer painting and its mysterious ‘twin’ go on show in London

Kenwood House in London has opened a new display, "Double Vision: Vermeer" (1 September 2025 – 11 January 2026), pairing Vermeer's "The Guitar Player" (1672) from its own collection with its mysterious "twin," "Lady with a Guitar," on loan from the Philadelphia Museum of Art. The exhibition reignites a century-old debate over which painting is the original, as the Philadelphia version has long been questioned since the Kenwood version emerged in 1927. Recent scientific analysis reveals differences in ground layers and pigment use—the Kenwood painting features ultramarine while the Philadelphia version uses cheaper indigo—and experts like former Rijksmuseum specialist Gregor Weber suggest the Philadelphia work may be an early copy.

The Big Review | 65,000 Years: A Short History of Australian Art at the Potter Museum of Art, Melbourne ★★★★★

The article reviews the exhibition "65,000 Years: A Short History of Australian Art" at the Potter Museum of Art, University of Melbourne. The show features over 400 works, including 194 loans from 78 lenders, spanning 11 rooms and a decade of planning. It highlights rarely seen bark masterpieces from Arnhem Land, such as Woŋgu Munuŋgurr's "Djapu’ miny’tji" (1942), and juxtaposes colonial depictions with Indigenous perspectives, including works by William Barak and John Glover. The exhibition is on track to become the most visited in the museum's history.

Wausau, WI Prepares To Celebrate 50 Years Of ‘Birds In Art’

The Leigh Yawkey Woodson Art Museum in Wausau, Wisconsin, is preparing to open the 50th annual 'Birds in Art' exhibition over Labor Day weekend. The show features 102 juried artists from 16 countries, selected from over 700 applicants, and includes paintings, sculptures, and works on paper. Museum director Matt Foss notes that the exhibition has evolved from traditional realism toward more diverse, contemporary interpretations of birds, with artists experimenting with new styles and mediums.

‘Geometry of Light’: Step into the shadows at Seattle Asian Art Museum

The Seattle Asian Art Museum has opened 'Geometry of Light,' an immersive exhibition featuring artist Anila Quayyum Agha's 300-pound laser-cut steel lantern sculpture that projects intricate geometric shadows across the gallery walls, ceiling, and floor. Visitors' movements become part of the artwork as their own shadows interact with the light patterns. The show spans three galleries, including paper and fabric works and two light-box installations, and also features Ai Weiwei's 'Water Lilies' rendered in LEGO bricks, on view through March 2026.

Hunterdon Art Museum presents Annual Members Show

The Hunterdon Art Museum in Clinton, New Jersey, will host its Annual Members Show from September 21, 2025, to January 11, 2026, featuring 35 artists working in ceramics, sculpture, glass, wood, fiber, printmaking, painting, photography, and collage. The exhibition was juried by Donna Gustafson, a freelance curator and critic with a PhD in Art History, who selected works from 84 artists and nearly 400 slides, noting themes of nature, identity, community, and politics. An opening reception is scheduled for September 21.

Want to be a museum influencer? London’s National Gallery launches open call for content creators

London's National Gallery has launched an open call for its next cohort of content creators as part of its 200 Creators programme. Following the success of the inaugural 2024 initiative—which generated 42 million views and 2.2 million engagements—the museum is now seeking 50 new social media influencers (applications due by 31 August). Selected creators will receive access to exhibition previews, workshops, out-of-hours gallery access, and four paid opportunities of £4,000 each. Applicants are suggested to have at least 50,000 followers on YouTube, 100,000 on Instagram, or 50,000 followers with a million likes on TikTok, though the museum encourages those with followings on other platforms to apply.

Caravaggio’s ‘Judith Beheading Holofernes’ coming to Kimbell Art Museum from Rome

The Kimbell Art Museum in Fort Worth announced on August 29, 2025, that it will display Caravaggio’s monumental painting *Judith Beheading Holofernes* (1599–1600) as a Guest of Honor loan from the Gallerie Nazionali di Arte Antica in Rome, where it normally hangs in the Palazzo Barberini. The canvas, approximately six feet wide and five feet tall, will be on view in the Louis I. Kahn Building from September 14, 2025, through January 11, 2026. The painting depicts the biblical moment of Judith decapitating the Assyrian general Holofernes, showcasing Caravaggio’s signature bold realism and dramatic chiaroscuro. The loan follows the museum’s 2022 Focus Exhibition “SLAY,” which featured Artemisia Gentileschi’s and Kehinde Wiley’s interpretations of the same subject.

Stories brought to life: the National Portrait Gallery's latest virtual reality venture is a triumph of immersive storytelling

The National Portrait Gallery has partnered with Frameless Creative, a London-based immersive experience studio, to launch 'Stories—Brought to Life,' a virtual reality exhibition that brings portraits of historical and contemporary figures to life through dynamic 150-second animated sequences. The experience, projected onto a mosaic of screens, features figures including Queen Elizabeth I, Audrey Hepburn, Nelson Mandela, David Bowie, and Ncuti Gatwa, drawing on the museum's collection. It debuted at a temporary site in MediaCity, Manchester, and is designed to travel to other locations.

Tour the Museum-Quality Art Exhibition Inside the Megayacht Carinthia VII

The luxury megayacht Carinthia VII, owned by the Austrian billionaire Heidi Goëss-Horten and designed by Tim Heywood, has been transformed into a floating museum this summer. Curated by Florencia Cherñajovsky, the yacht features approximately forty museum-quality works from her family's collection of around 500 artworks, including pieces by Tracey Emin, Wolfgang Tillmans, Rosemarie Trockel, Lutz Bacher, Petrit Halilaj, Louise Nevelson, Carol Rama, Sarah Lucas, and Brazilian women artists like Ana Maria Maiolino. The exhibition spans photography, painting, drawing, and sculpture, arranged to create dialogues between artists and the yacht's interiors, which include reclaimed 17th-century parquet floors and custom rugs from Cherñajovsky's brand Lalana Rugs.

Pinacoteca de São Paulo and Chanel Culture Fund launch new residency for women artists

The Pinacoteca de São Paulo and the Chanel Culture Fund have launched a new residency for women artists, with Brazilian artist Juliana dos Santos as its inaugural recipient. Dos Santos, who holds a doctorate from São Paulo State University, creates work exploring plants, pigments, and the sensory experience of color, notably using the blue pigment of the Clitoria ternatea flower. She recently opened her first solo museum exhibition, "Juliana dos Santos: Temporã," at Galeria Praça within Pina Contemporânea, and will present a VR work at the 36th Bienal de São Paulo in September 2025.

Teiger Foundation gives grants totalling $7m to 85 curators

The Teiger Foundation, a US-based nonprofit supporting art curators, has announced its 2025 grantees, awarding a total of $7 million to 85 curators at institutions across the country. This nearly doubles last year’s grants as the foundation transitions to a biennial model, with individual grants ranging from $50,000 to $150,000 for exhibitions, research, touring shows, and three years of programming. Notable projects include a major survey of the late artist L.V. Hull organized by curators Ryan N. Dennis, Annalise Flynn, and Yaphet Smith, and a Theresa Hak Kyung Cha retrospective curated by Victoria Sung and Tausif Noor.

See Ai Weiwei’s Largest-Ever U.S. Exhibition in Seattle Before It’s Gone

The Seattle Art Museum (SAM) has opened 'Ai, Rebel: The Art and Activism of Ai Weiwei,' the largest-ever U.S. exhibition of the Chinese-born artist-activist, featuring 130 works from the 1980s to the 2020s. Organized in three thematic sections—'Introducing the Rebel,' 'Material Disruptions,' and 'Watching Ai Watching Power'—the retrospective includes performance, photography, sculpture, and installations. Additionally, Ai Weiwei's 'Water Lilies' (2022), a Lego-based work referencing Monet, is on view at the Seattle Asian Art Museum. The exhibition runs through September 7, 2025.

Fall and Winter 2025 Programming at the National Museum of Women in the Arts

The National Museum of Women in the Arts (NMWA) in Washington, D.C., has announced its fall and winter 2025 programming lineup. Highlights include the monthly after-hours series NMWA Nights, the landmark exhibition "Women Artists from Antwerp to Amsterdam, 1600–1750" opening September 26, and a mixed-media photography show by Baltimore-based artist Tawny Chatmon. The season also features hands-on workshops in paper-cutting with Janelle Washington, Pilates sessions in the museum's Great Hall, Fresh Talk discussions on fashion and the gender pay gap, Free Community Days, and a holiday Makers' Market.

Epic Palmer Museum exhibition explores 30 years of ecology and art

The Palmer Museum of Art at Penn State is opening "Mark Dion and Alexis Rockman: Journey to Nature’s Underworld" on August 30, the first survey of the two artists' work spanning three decades. The exhibition features sculptures, paintings, works on paper, and a new collaborative diorama, exploring themes of ecology, environmental collapse, invasive species, and climate change through scientific and artistic lenses. Both artists, who met in New York in the 1980s, combine intensive research, dark humor, and museum display methods to subvert traditional narratives about nature and humanity.

Artists and scholars respond to White House’s list of Smithsonian grievances

Over the weekend, artists, scholars, and concerned citizens responded to the White House's list of objectionable Smithsonian Institution exhibits and texts, released under the heading 'President Trump Is Right About the Smithsonian.' The list includes bullet points targeting exhibits on white culture, LGBTQ+ history, Afrofuturism, and works by artists such as Ibram X. Kendi, Ayana V. Jackson, Hugo Crosthwaite, Rigoberto A. Gonzalez, and Amy Sherald. Those singled out defended their work, with some comparing the administration's actions to Jim Crow-era censorship or Nazi Germany's 'degenerate art' campaigns, while others expressed pride in being included and vowed to continue making political art.

Chicago Art Exhibitions to See: September 2025

The article lists five major art exhibitions opening in Chicago in September 2025, including a retrospective of Elizabeth Catlett at the Art Institute of Chicago, a summer residency show by Industry of the Ordinary at SoNa, a collaborative exhibition by Mayumi Lake and Bob Faust at the Elmhurst Art Museum, a Helen Frankenthaler print exhibition at the Block Museum, and the third annual Chicago Exhibition Weekend featuring over seventy galleries and public spaces.

White House Bashes Smithsonian Museums, Exhibitions, as “Woke”

On August 21, the Trump administration published an unsigned article on the White House website attacking several Smithsonian museums and their exhibitions for promoting what it described as "woke" content. The article specifically called out the National Museum of African American History and Culture, the National Museum of American History, the National Portrait Gallery, the Smithsonian American Art Museum, and two planned institutions—the National Museum of the American Latino and the American Women’s History Museum. It cited exhibitions and artworks addressing race, transgender identity, and immigration, including Amy Sherald’s painting *Trans Forming Liberty* (2024), which led the artist to cancel her solo show at the National Portrait Gallery after the museum sought to remove the work to avoid provoking Trump.

Person of the Day | Chase Quinn Adopts Multi-Discipline Approach to Art-Museum Exhibits, Programs

Chase Quinn has been appointed as the inaugural creative director and curator of special projects at the Mississippi Museum of Art (MMA) in Jackson, starting in January 2025. In this newly created role, he oversees both curatorial and education departments, focusing on inclusive, cohesive content development and storytelling. Quinn, previously co-director of education and programs and curator of special projects at the Gibbes Museum of Art in Charleston, South Carolina, was inspired by Carrie Mae Weems’ series “From Here I Saw What Happened and I Cried” at Tate Modern in the mid-1990s, which shaped his approach to complicating narratives around race in museum exhibitions.

Something from Everything leads current excellent array of exhibitions at Utah Museum of Contemporary Art

The Utah Museum of Contemporary Art (UMOCA) is presenting five exhibitions, including an outdoor public art installation, with the highlight being "Something from Everything" (on view through Jan. 3, 2026). This exhibition features works from 19 artists that use mundane, discarded, and overlooked materials, exploring the evolving medium of sculpture. Key pieces include Lee Bontecou's 1959 "Untitled" relief (on loan from the Art Bridges Foundation) and Charlotte Posenenske's modular "Vierkantrohre (Square Tubes)" from 1967, alongside contemporary works by Nolan Flynn, Patrick Durka, Ricardo Rendón, and Leonardo Drew.

Dallas Museum of Art picks director wrapping up another institutional expansion to guide it through campus overhaul

The Dallas Museum of Art (DMA) has appointed Brian Ferriso, the longtime director of the Portland Art Museum (PAM), as its next director. Ferriso will oversee the inauguration of PAM's $111 million expansion on November 20 before starting his new role in Dallas on December 1. He succeeds Agustín Arteaga, who left the DMA last spring to lead the Crocker Art Museum in Sacramento. Ferriso brings nearly two decades of experience at PAM, where he increased the endowment by $40 million, doubled curatorial staff, eliminated $7 million in debt, and led a $140 million fundraising campaign for the museum's expansion and endowment.