Amsterdam Breaks Traditional Tourism Norms by Embedding Cultural Art, Exhibitions and Narratives into Public Spaces and Streets

Amsterdam is tackling overtourism by embedding art, culture, and history directly into its public spaces, streets, and transit systems, transforming the city into an open-air museum. Led by amsterdam&partners, the initiative uses digital screens, art installations, and interactive urban furniture to guide visitors toward hidden cultural gems, encouraging spontaneous engagement with local heritage. Major institutions like the Rijksmuseum, Stedelijk Museum, and Eye Filmmuseum, along with smaller venues such as Foam Museum and STRAAT Museum, are part of a network designed to distribute cultural attention more evenly across the city.

Salon | Impressionism, Realism & Post-Impressionism

The Salon was an official art exhibition sponsored by the French government, originating in 1667 when Louis XIV sponsored an exhibit of works by members of the Académie Royale de Peinture et de Sculpture. It was held in the Salon d’Apollon of the Louvre Palace in Paris, and after 1737 it became an annual event, with a jury system introduced in 1748. During the French Revolution, the Salon opened to all French artists, though academicians retained control through much of the 19th century. Its influence waned after the Société des Artistes Français took over in 1881 and as independent avant-garde exhibitions gained prominence.

Nelson-Aktins 1975 Chinese art exhibit still resonates in Kansas City today | Opinion

In spring 1975, the Nelson-Atkins Museum of Art in Kansas City hosted the second American stop of "The Exhibition of Archaeological Finds of the People's Republic of China," a landmark traveling show of ancient Chinese artifacts including jade, silk, and bronze sculptures. The author, then a University of Missouri-Kansas City economics student, worked behind the scenes at the museum, describing an unusual interview conducted while gardening and his task of touch-painting gallery walls with a dry brush to cover visitor smudges before opening.

The Guggenheim’s New Boss

The article reports that the Solomon R. Guggenheim Museum has appointed a new director, referred to as "The Guggenheim’s New Boss." The specific identity of the appointee is not disclosed in the provided text, which is blocked by a security verification page. The article originates from Puck News, a media outlet known for insider coverage of the art world and cultural institutions.

Exhibition openings to enjoy in May

Bundaberg Regional Galleries in Queensland, Australia, will launch five new exhibitions in May 2025, with opening events spread across the month. The shows include 'Lost in Palm Springs', a national touring exhibition curated by Dr Greer Honeywill featuring 14 artists and thinkers from America and Australia exploring Palm Springs' landscape and mid-century modern architecture; 'Shifting Perspectives: the Self Reconciliation Project' by local artist Avi Amesbury, which uses ceramics and storytelling to examine settler-colonial family history; 'Post Truth' by Gureng Gureng/Gangalu artist Darren Blackburn, addressing the Australian Government's Close the Gap campaign through led-neon signs; 'The Nature of Silk: The Glad Not Sad Book', a family-friendly exhibition of silk art by children's book author Kim Michelle Toft; and 'Metal in Motion' by Kevin Dekker, a collection of sculptures that transform steel, wood, stone and ceramics into dynamic, fluid forms. Opening events will be held at Bundaberg Regional Art Gallery and Childers Arts Space, with free admission and no RSVP required.

Do you hate art museums? Why (and how) to take a 2nd look

Do you hate art museums? Why (and how) to take a 2nd look

The traditional art museum experience often leads to exhaustion and a sense of alienation due to the overwhelming abundance of artworks and the pressure to see everything quickly. This phenomenon, which affects even visitors to world-class institutions like the Vatican or the Uffizi, stems from a 'problem of abundance' rather than a lack of appreciation for the art itself. The author suggests that smaller, more intimate spaces and a slower approach to viewing would make art more accessible and less intimidating for the general public.

On Showing My Paintings in Auschwitz

Artist and Holocaust survivor Yehudis Barmatz-Harris has installed a series of paintings within the barracks of Auschwitz-Birkenau, marking a profound personal and artistic return to the site of her family's trauma. The works, which utilize materials like salt and organic textures, are placed directly on the wooden bunks where prisoners once slept, creating a visceral dialogue between contemporary Jewish life and the void left by the Shoah.

Houston’s Pioneering Artist-Owned Gallery — Archway Is Still a Creative Hub at 50

Archway Gallery, the longest-running artist-owned cooperative in Texas, is celebrating its 50th anniversary with a landmark exhibition titled “Fifty Forward.” Founded in 1976 by 12 local artists seeking to bypass traditional gatekeeping, the gallery has survived five decades of economic shifts and environmental challenges through a robust cooperative structure. The anniversary programming includes a "Homecoming" show at its original location, the Jung Center, alongside concerts, poetry readings, and a juried exhibition.

Peabody Essex Museum Celebrates America250 With New Declaration of Independence Exhibition

The Peabody Essex Museum (PEM) in Salem, Massachusetts, is launching a new exhibition titled "Pressing Importance: Salem and the Declaration of Independence" on May 2, 2026. Curated by Dan Lipcan, the show features rare materials from the museum's Phillips Library, including two of the earliest surviving broadside editions of the Declaration. The display focuses on the Revolutionary-era manuscripts, newspapers, and pamphlets that were instrumental in circulating the message of independence throughout the colonies.

Art gallery advocates inclusion of special needs children in the society

Oye Art Gallery has officially opened in Nigeria, marking a significant milestone as a space dedicated to the work of Oye Adegbola, an artist with special needs. During the inaugural exhibition, Creative Director Asha Adedayo Samuel emphasized that the gallery's mission is to bridge the social gap between individuals with disabilities and the wider public. The event showcased Adegbola’s award-winning portfolio, challenging the perception of special needs individuals as mere dependents and instead highlighting them as valuable contributors to national development.

Exhibit at Dayton Art Institute invites you to engage with time at every scale

The Dayton Art Institute has opened a new exhibition titled "Time: A Journey Through Its Many Scales," which features over 50 works from its permanent collection alongside select loans. The show explores the concept of time through diverse artistic mediums, from ancient artifacts to contemporary digital art, inviting visitors to consider time's passage from milliseconds to millennia.

Hammer Museum's 'Several Eternities' Exhibit Features 100+ 'Living' Pieces By Brown & Indigenous Artists

The Hammer Museum in Los Angeles has opened a major exhibition titled 'Several Eternities,' showcasing over 100 works by contemporary Brown and Indigenous artists. The exhibition is described as featuring 'living' pieces, suggesting works that are dynamic, process-based, or engage with ongoing cultural practices.

Black Artists in America, Installation Three Wraps at the Dixon Gallery and Gardens

The Dixon Gallery and Gardens has concluded the third and final installment of its ambitious "Black Artists in America" exhibition series. This concluding chapter focused on the late 20th century, showcasing how African American artists navigated the Civil Rights Movement and the subsequent shift toward contemporary abstraction and conceptualism while maintaining a dialogue with social justice.

Royal Ontario Museum picks Nicholas R. Bell as next leader

The Royal Ontario Museum (ROM) has appointed Nicholas R. Bell as its next director and chief executive, effective July 6. Bell, a Vancouver native, succeeds Joshua Basseches, who led the Toronto institution for a decade. Bell joins the ROM from the Glenbow Museum in Calgary, where he was recognized for overseeing a major $200 million renovation and implementing a free admission policy.

Dayton Art Institute welcomes new feminist art gallery

The Dayton Art Institute has opened a new gallery dedicated to feminist art, featuring works by women artists and addressing themes of gender, identity, and social justice. The space aims to highlight underrepresented perspectives within the museum's collection and contemporary art discourse.

ART·HAND·WORK: An Exhibition for Studio Craft Artists

The article discusses the opening of the National Museum of Art, Architecture, and Design in Oslo in 2022, which aims to break down traditional boundaries between art, design, and craft by housing the combined collections of several major Norwegian institutions. It highlights the inclusion of Sámi artist Máret Ánne Sara's work "Pile o' Sapmi" (2017) at the museum's entrance, a piece made from reindeer skulls that blends art, craft, and cultural identity, reflecting the museum's mission to challenge hierarchical distinctions.

India’s Art Market Thrives on New Wealth, and a Whale

The article reports that India's art market is experiencing significant growth, driven by the emergence of new wealth and the presence of a major collector, referred to as a "whale." This surge is characterized by increasing auction sales and a rising demand for modern and contemporary Indian art, with notable activity from wealthy individuals and investors entering the market.

Louvre to raise ticket prices by 45% for most non-EU visitors

The Louvre museum in Paris will increase ticket prices by 45% for visitors from outside the European Union, effective January 14, 2026. The cost for non-EU visitors from countries such as the UK, US, and China will rise from €22 to €32, generating an estimated €17.5 million in additional annual revenue. The decision comes as the museum faces significant budget cuts, including a 7% reduction in public subsidies, and seeks funding for a €1.1 billion renovation project. Staff unions have criticized the move as undermining the museum's universal mission since its founding in 1793.

Almine Rech reopens in London with downsized gallery

International dealer Almine Rech is reopening in London with a downsized first-floor space in Mayfair, near Sotheby's on George Street, after closing her former London gallery in August and putting the UK business into voluntary liquidation. The new venue, roughly a quarter of the size of the previous one, will operate by appointment starting next month, showcasing curated presentations of 20th- and 21st-century works. A new company, Almine Rech Advisory, was registered on 30 September, with Rech as the controlling person and Maximilian Lefort as director. The liquidation was described as a technical step to restructure a lease that no longer aligned with the gallery's plans; Companies House filings showed a deficit of £6.3m, mostly from intercompany and shareholder loans, with no unpaid obligations to artists, employees, or suppliers.

Exhibition featuring 24 Otoe-Missouria artists to open Sept. 5

The Great Plains Art Museum at the University of Nebraska–Lincoln will open “Reflections of Our People, Our Ways, Our Land” on September 5, the first-ever exhibition centered on Otoe-Missouria artists. Featuring 24 artists from the tribe, the show spans traditional to contemporary mediums and runs through December 20. The exhibition is part of the Walking in the Footsteps of our Ancestors project, funded by the Mellon Foundation, which aims to promote healing and reconciliation by reconnecting the tribe to its Nebraska homelands.

Power to the people: London’s National Gallery seeks public panel to help shape its future

London's National Gallery is launching NG Citizens, a citizens' assembly that will advise the museum on its future policy and direction. Starting next month, 15,000 households across the UK will receive invitations, from which 50 participants will be selected via a civic lottery, eventually narrowing to 20 individuals who will serve on the panel for five years. The gallery states the initiative places audiences at the heart of decision-making, aiming to shape programs around the needs of diverse UK communities, though the assembly will not directly choose exhibitions or acquisitions but will produce recommendations on purpose, priorities, and public value.

National Museum of Korea names new director as part of post-election reshuffle

You Hong-jun, a Myongji University art historian and author, has been appointed director of the National Museum of Korea and its 13 provincial affiliates. This appointment is part of a broader reshuffle following South Korea's snap presidential election in June, which brought Lee Jae-myung's Democratic Party to power. Other key appointments include Youn Bummo as president of the Gwangju Biennale Foundation, and Amal Khalaf and Evelyn Simons as co-curators of the 2026 Busan Biennale, marking the first female duo to curate that event.

‘Radical Clay’ ceramics are more than vessels

The Ackland Art Museum at the University of North Carolina-Chapel Hill has opened 'Radical Clay: Contemporary Women Artists From Japan,' an exhibition featuring sculptural ceramics by 36 contemporary female Japanese artists. The works, drawn from the collection of noted art collector Carol Horvitz, honor centuries-old Japanese ceramic traditions while employing modern techniques to push beyond conventional vessel forms. Highlights include Kawaura Saki and Tanaka Yu, whose piece 'Bag Work' exemplifies the shift from functional pottery to purely sculptural expression. The exhibition runs through August 31 and is only the third U.S. museum to host it.

New York’s ‘Chaotic’ Mega Auction Season Ends on a Mixed Note

New York’s mega auction season concluded with mixed results, characterized by volatility and unpredictability. Major auction houses like Christie’s, Sotheby’s, and Phillips held high-stakes sales of Impressionist, modern, and contemporary art, with some lots exceeding expectations while others failed to sell or fell short of estimates. The season was marked by a ‘chaotic’ atmosphere, reflecting shifting collector preferences and market uncertainty.

Older women artists go it alone as new report reveals how the traditional art world is failing them

A new report commissioned by the grant-giving body Anonymous Was A Woman and authored by journalists Charlotte Burns and Julia Halperin reveals that museums and galleries are failing women artists, particularly those over 65. Based on a survey of 1,263 female artists (91% based in the US), the report finds that 63% cite a lack of museum backing and 59% cite a lack of gallery support as hindering their careers. As a result, 55% of all respondents are selling work independently, with women over 65 leading the way—59% have sold directly to collectors in the past five years. The report also highlights that female artists work 49 hours per week but spend only 38% of that time making art, with the rest consumed by administrative tasks and other paid work, and that art sales provide only 16-18% of household income.

[Century Highlights] The Formosa Era Exhibition at Tainan Art Museum – A Journey Through 100 Years of Modern Taiwanese Art

The Tainan Art Museum has opened "The Formosa Era – The Enlightenment of Modern and Contemporary Taiwanese Art," a major exhibition spanning a century of Taiwanese art history. Featuring national treasures and significant works by artists such as Chen Cheng-po, Huang Tu-shui, and Chang Dai-chien, the show is organized into eight thematic sections that trace Taiwan's artistic evolution from the Dutch colonial period through Japanese rule to the post-war era. Highlights include an immersive audio-visual installation that transforms iconic paintings into panoramic, interactive experiences using high-resolution projections and motion sensors.

The Challenges of Opening Gleaming New Museums in a Fraught Art Landscape

The New York Times reports on the difficulties faced by new museums opening in the current art landscape, highlighting financial pressures, shifting audience expectations, and geopolitical tensions. The article examines several recently opened or planned institutions, including the Grand Palais in Paris, the Museum of Modern Art in Warsaw, and the National Museum of Qatar, detailing how each has navigated issues such as rising construction costs, sustainability concerns, and debates over cultural representation.

Holy smoke! London’s National Gallery used to allow visitors to spark up just metres from the art

London's National Gallery opened a smoking room in 1975, located dangerously close to galleries housing priceless paintings. A photograph from the gallery's annual report shows staff members Betty Churchyard and Phyllis Rowlands using the facility. The smoking room was closed decades ago, well before the 2007 ban on smoking in public places, and the space has now been repurposed as part of the Roden Centre for Creative Learning, which opened in February 2025.

Gina Blickenstaff Brings Bold Color Home To Fort Collins

Artist Gina Blickenstaff is set to present her second annual solo exhibition, "The Method and the Madness," at the Center for Creativity in Fort Collins. Spanning all three of the venue's galleries, the five-day event coincides with Fort Collins Art Week and features an artist talk alongside a showcase of her vibrant, color-focused paintings. Blickenstaff, a recipient of the Dame JaCkie Erickson Creative Catalyst Award, is transitioning from a primarily digital presence to deeper local engagement through this immersive physical installation.

Corner Gallery on brink of new show

Corner Gallery in Ontario, Canada, is preparing for a new exhibition titled 'Brink,' opening May 23. Curator David Partridge chose the theme to reflect the current global uncertainty, interpreting 'brink' as either the edge of collapse or the dawn of something new. The show features artists who responded to the theme in varied ways, including one landscape painter who shifted to portraits. Partridge notes that private art galleries are struggling due to the cost-of-living crisis, with attendance declining post-COVID, and acknowledges that this year is critical for the gallery's future.