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Interview: Jon Seydl, John G.W. Cowles Director of the Allen Memorial Art Museum

Jon Seydl has been appointed as the new John G.W. Cowles Director of the Allen Memorial Art Museum at Oberlin College. Seydl, who previously served as director of the Krannert Art Museum at the University of Illinois Urbana-Champaign and worked at the Cleveland Museum of Art, brings extensive experience in university museums and a background in early modern Italian art history. In an interview, he discusses his deep appreciation for the Allen's collection, particularly self-portraits by Michael Sweerts and William Hogarth, and his vision for the museum as a sanctuary for mental health and interdisciplinary learning.

The $236m Klimt, Cop 30 and the art world, Caravaggio’s Victorious Cupid—podcast

This podcast episode from The Art Newspaper covers three major art-world stories. Gustav Klimt's "Portrait of Elisabeth Lederer" (1914-16) sold for the second-highest price ever at auction during Sotheby's New York sale of works from the late billionaire Leonard Lauder's collection, a "white-glove" auction that has sparked debate about a market recovery. Additionally, the episode discusses COP30-related art commissions appearing on posters across the UK and Brazil under the theme "It's Not Easy Being Green," alongside the Gallery Climate Coalition's new Stocktake Report on carbon emissions. The episode's Work of the Week is Caravaggio's "Victorious Cupid" (1601-02), which has traveled from Berlin's Gemäldegalerie to the Wallace Collection in London for an upcoming exhibition.

Phillips Collection sells O’Keeffe and other masterpieces amid outcry from supporters

The Phillips Collection in Washington, D.C., sold three masterworks from its permanent collection at auction on Thursday evening for a combined $13,413,000. The deaccessioned works were by Georgia O’Keeffe, Arthur Dove, and Georges Seurat. The sale proceeded despite strong outcry from some of the museum's influential supporters, who viewed the decision as a betrayal of the founders' vision and accused the director and board of prioritizing financial gain over the institution's mission.

An Exhibition in Dallas Challenges the Traditional Notions of Jewelry

The Dallas Museum of Art has opened "Constellations: Contemporary Jewelry at the Dallas Museum of Art," its largest-ever exhibition of contemporary jewelry, featuring over 350 pieces by 233 artists spanning eight decades. Curated by Sarah Schleuning, the show emphasizes conceptual ideas over material value, with works made from unconventional materials like found objects, zinc, steel, and fair-trade gold. Highlights include pieces by Iris van Herpen, Andrea Branzi, Harry Bertoia, Ute Decker, Art Smith, and merry renk, displayed in a design by artist and architect Jarrod Beck. A 456-page catalog accompanies the exhibition, which runs through May 3, 2026.

Frida Kahlo self-portrait sells for $54.7m at Sotheby's, breaking her auction record

Sotheby's held three back-to-back evening sales in New York on November 20, achieving a combined total of $252.9 million ($304.5 million with fees). The highlight was Frida Kahlo's self-portrait *El sueño (La cama)* (1940), which sold for $54.6 million with fees, setting a new auction record for the artist, for a Latin American artist, and for a female artist. The sales included 13 lots from the estate of Cindy and Jay Pritzker, a group of Surrealist works from an unnamed collection, and a multiple-owner Modern art sale featuring collections from the Bucksbaum family and Geri Brawerman.

William Nicholson, often overlooked in favour of his more famous son, is coming out of the shadows

Pallant House Gallery in Chichester, West Sussex, is staging the first full survey of British painter William Nicholson (1872-1949) in 25 years, running from 22 November 2025 to 10 May 2026. The exhibition aims to present Nicholson's diverse output—including posters made with the Beggarstaff Brothers, woodcuts, book illustrations, theatre costumes, portraits, still lifes, and landscapes—as an integrated whole, rather than isolating individual media as past shows have done.

What’s new this season at Stanford art museums

Stanford University's Cantor Arts Center and the Anderson Collection are opening a diverse slate of exhibitions for fall and winter. Highlights include "Shahzia Sikander: Collective Behavior," the first major solo show of the museum's Asian American Art Initiative, featuring 44 works spanning the Pakistani-American artist's 30-year career, including mosaics, paintings, sculptures, and a digital animation. The Anderson Collection presents Alteronce Gumby's first West Coast museum exhibition, showcasing nine mixed-media works that use paint, glass, and semi-precious stones to create cosmic perspectives. Other shows include "Edmonia Lewis: Indelible Impressions" and "Cunning Folk: Witchcraft, Magic and Occult Knowledge."

Smithsonian American Art Museum presents blockbuster Grandma Moses exhibition

The Smithsonian American Art Museum in Washington, D.C., will present "Grandma Moses: A Good Day's Work" from November 25, 2025, through July 12, 2026. The exhibition features 88 works by Anna Mary Robertson "Grandma" Moses (1860–1961), drawn from the museum's collection, private collections, and public institutions. It repositions Moses as a multidimensional force in American art, exploring her artistic evolution from farmwife to famous artist in Cold War America, and includes photographs, ephemera, and excerpts from her autobiography. The show is organized by Leslie Umberger, senior curator of folk and self-taught art, and former Randall Griffey, with support from curatorial assistant Maria R. Eipert.

Portland Art Museum to unveil $116m transformation with Mark Rothko at its heart

The Portland Art Museum (PAM) will unveil a $116 million expansion and renovation on November 20, the largest single-organization arts investment in Oregon history. The centerpiece is the new Mark Rothko Pavilion, a multi-story glass structure designed by Hennebery Eddy Architects and Vinci Hamp Architects, which bridges the museum's 1932 building with a former Masonic Temple. The project adds 100,000 square feet of renovated space, including new plazas with sculptures by Ugo Rondinone, Roy Lichtenstein, Anthony Caro, and Clement Meadmore. The Rothko family is lending major paintings from their private collection for display over two decades, with a promised gift at the end of that period, and made a six-figure donation to the museum's $146 million capital campaign.

Exhibition of large scale contemporary art at Smithsonian’s Hirshhorn Museum

The Smithsonian's Hirshhorn Museum will present "Big Things for Big Rooms," an exhibition tracing the development of immersive, large-scale artworks from the late 1960s to the present. Organized by head curator Evelyn C. Hankins and curatorial assistant CJ Greenhill Caldera, the show features 10 works—five on view for the first time—drawn largely from the museum's collection, including pieces by Robert Irwin, Richard Long, Sam Gilliam, Dan Flavin, Lygia Pape, Mika Rottenberg, Olafur Eliasson, Spencer Finch, Rashid Johnson, and Paul Chan. The exhibition runs from November 21, 2025, through July 4, 2027, and is divided into two parts: the first explores pioneering "Environments" from the 1960s, while the second highlights contemporary artists expanding on those ideas.

The Met Presents First Exhibition of Works by Finnish Painter Helene Schjerfbeck in a Major U.S. Museum

The Metropolitan Museum of Art in New York will present "Seeing Silence: The Paintings of Helene Schjerfbeck," the first major U.S. museum exhibition dedicated to the Finnish painter (1862–1946). Featuring nearly 60 works on canvas, including loans from the Finnish National Gallery / Ateneum Art Museum and private collections, the exhibition runs from December 5, 2025, to April 5, 2026. It traces Schjerfbeck's artistic evolution from early naturalist works to her spare, experimental style, highlighting her resilience amid civil war, world wars, and Finland's independence.

‘The Hay Wain’ to go on show in Constable's home county for the first time

John Constable's iconic painting *The Hay Wain* (1821) will be exhibited in Suffolk, the artist's home county, for the first time in 2026 as part of the 250th anniversary of his birth. The work, on loan from the National Gallery in London, will be shown at Christchurch Mansion in Ipswich from 11 July to 4 October 2026, within the exhibition *Constable: Walking the Landscape*. It will be reunited with preparatory sketches from the Ipswich collection and accompanied by loans from the Tate, the Victoria and Albert Museum, the Royal Academy of Arts, and the National Galleries of Scotland. Two additional exhibitions at Christchurch Mansion—*Constable: A Cast of Characters* and *Constable to Contemporary*—also form part of the broader Constable 250 project, which is funded by the National Lottery Heritage Fund and supported by the Weston Loan Programme.

Jenny Saville to present unseen Venice-inspired works to coincide with 61st Biennale

Jenny Saville will present previously unseen works in Venice next year as part of a major exhibition at the International Gallery of Modern Art at Ca’ Pesaro, running from 28 March to 22 November 2026. The show will feature around 30 works from the last 30 years, including a new cycle created in homage to the lagoon city, and coincides with the 61st Venice Biennale (9 May-22 November 2026). The exhibition draws from private and public collections, placing Saville's monumental canvases in dialogue with the great painters of Venice's artistic heritage.

Ackland's new exhibit displays modern art from Robertson Scholarship founder's collection

Ackland Art Museum at UNC-Chapel Hill has opened a new exhibition, "Color Triumphant," featuring 54 modern artworks from the collection of Julian and Josie Robertson. Julian Robertson, a UNC alumnus and founder of the Robertson Scholars Leadership Program, died in 2022. The exhibition traces the evolution of modern art from the late 19th century to the present, displaying works by 33 artists including Pablo Picasso, Oscar-Claude Monet, and Frank Stella. It includes paintings, sculptures, and works on paper, and is part of a traveling exhibition that will also visit Salisbury, North Carolina; San Antonio, Texas; and Austin, Texas.

A new hope: Lucas Museum of Narrative Art sets September 2026 opening date

The Lucas Museum of Narrative Art in Los Angeles has announced its opening date of September 22, 2026, more than a decade after the project was first conceived by filmmaker George Lucas and his wife Mellody Hobson. The museum, which moved from San Francisco to Chicago before settling in Los Angeles's Exposition Park, has grown from a $700 million budget to a reported $1 billion and will house over 40,000 works across 100,000 square feet of exhibition space. The collection spans ancient artifacts, canonical artists like Frida Kahlo and John Singer Sargent, comic book legends such as Jack Kirby and Alison Bechdel, photography by Gordon Parks and Dorothea Lange, and the Lucas Archives of film memorabilia.

On the ground at Art Week Tokyo: amid shifting national politics, Japan’s ‘sleeping beauty’ art scene is waking up

The fifth edition of Art Week Tokyo (AWT) took place from November 5-9, bringing together over 50 commercial galleries and museums across the city in a hybrid "post-art fair" model. The event unfolded against the backdrop of Sanae Takaichi becoming Japan's first female prime minister, a political shift that has sparked mixed reactions in the Japanese art world, with calls for improved tax incentives, international promotion, and stronger public collections. AWT, directed by Atsuko Ninagawa and organized in collaboration with Art Basel, featured museum shows including "What is Real?" at the Okura Museum of Art, curated by Adam Szymczyk, and "Prism of the Real: Making Art in Japan 1989-2010" at the National Art Center, Tokyo.

Groundbreaking Art Takes Spotlight at O’Donnell Athenaeum Exhibit

A new exhibition titled “Groundbreakers: Post-War Japan and Korea from the Dallas Museum of Art and The Rachofsky Collection” has opened at the Edith and Peter O’Donnell Jr. Athenaeum at The University of Texas at Dallas, running through July 2026. Curated by Dr. Natalia Di Pietrantonio of the Crow Museum of Asian Art, the show features works from three major postwar movements—Mono-ha, Dansaekhwa, and Gutai—using unconventional materials like white glue, bells, wires, tin, and rocks. Highlights include Kazuo Shiraga’s foot-painted canvases, Takesada Matsutani’s vinyl glue sculptures, Atsuko Tanaka’s interactive wire installation, and Do Ho Suh’s translucent polyester corridor inspired by homesickness.

Rediscovering Roger Fry, the overlooked Bloomsbury artist who helped bring Cézanne and Van Gogh to the world

The Charleston museum in Firle, East Sussex, will mount a major solo exhibition of paintings by Roger Fry (1866-1934) from 15 November 2025 to 15 March 2026. Fry, a central figure in the Bloomsbury Group, was a polymath who introduced Post-Impressionists like Cézanne, Van Gogh, and Gauguin to British and American audiences, co-founded the Omega Workshops and the Burlington Magazine, taught at Cambridge, and curated at the Metropolitan Museum of Art. The show brings together nearly 80 works, over 60 from private collections, including portraits of friends like E.M. Forster and Vanessa Bell, and landscapes that reveal his experimental range from Gauguin-esque outlines to Cubism.

‘A love letter to drawing’

Harvard Art Museums has opened a fall exhibition titled “Sketch, Shade, Smudge: Drawing from Gray to Black,” featuring around 120 works from the 19th to 21st centuries by artists including Pablo Picasso, John Singer Sargent, Edgar Degas, Piet Mondrian, and Georges Seurat. The show focuses on drawings in chalk, charcoal, graphite, and crayon, curated by conservator Penley Knipe and curator Miriam Stewart, who spent over a year selecting rarely seen pieces from the museum’s collection. Highlights include a fragile Degas charcoal drawing, “After the Bath, Woman Drying Herself,” which underwent conservation treatment, and a display of materials such as a box of vine charcoal owned by Sargent. The exhibition also features videos of the curators experimenting with historical techniques, like erasing with bread, and includes a hands-on drawing area styled after a 19th-century academic studio.

Camille Pissarro show at Denver Art Museum is both ambitious and exhaustive

The Denver Art Museum has opened "The Honest Eye: Camille Pissarro’s Impressionism," a comprehensive retrospective of the Impressionist painter featuring over 100 works from nearly 50 international museums and private collections. Co-organized with the Museum Barberini in Potsdam, Germany, the exhibition is the first major U.S. museum survey of Pissarro in 30 years, curated by Clarisse Fava-Piz, Claire Durand-Ruel, and Nerina Santorius.

New York’s Studio Museum—known for championing Black artists—reopens in $300m new home

The Studio Museum in Harlem will reopen on November 15 after a seven-year closure, unveiling a new $300 million, 82,000-square-foot building designed by Adjaye Associates and Cooper Robertson. The first purpose-built space in the museum's 57-year history, located at its original footprint on West 125th Street, features a dramatic dark-grey precast-concrete facade and includes a $50 million endowment. The reopening comes after architect David Adjaye stepped away from the project in 2023 following sexual assault allegations, which he denies. The inaugural exhibition will highlight works by Tom Lloyd, the first artist shown when the museum opened in 1968.

Art Review | Impressionist Field Day

The Santa Barbara Museum of Art (SBMA) is hosting a major traveling exhibition, "The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art," alongside its own companion show, "Encore: 19th-Century Art from the Santa Barbara Museum of Art." The exhibition features works by Monet, Matisse, Pissarro, Berthe Morisot, and others, including rare pieces from SBMA's permanent collection such as Monet's "Villas in Bordighera." The show marks the 150th anniversary of the first Impressionist exhibition and includes related movements like Post-Impressionism, Pointillism, and Fauvism.

Sara Friedlander Appointed Chairman, Post-War & Contemporary Art, Americas - Christie's

Christie's has promoted Sara Friedlander to chairman of Post-War and Contemporary Art for the Americas, as announced by Global President Alex Rotter. Friedlander, a specialist and dealmaker with nearly 20 years at the auction house, will focus on works from the last 50 years. She has brought major collections to market, including the Kawamura Memorial DIC Museum of Art and the Edlis | Neeson Collection, and has achieved world-record prices for artists such as Joan Mitchell, Alice Neel, Ernie Barnes, Dorothea Tanning, and Marlene Dumas.

Blanton Museum of Art To Showcase Transformative Gifts of Art in 2027 Exhibition

The Blanton Museum of Art at The University of Texas at Austin has announced a major upcoming exhibition titled “Shaping the Future: Transformative Gifts to the Blanton Collection,” opening in March 2027. The show will feature significant artworks donated by alumni, Austinites, and collectors from across the country, including pieces by Ellsworth Kelly and John Singer Sargent. The exhibition debuts at a fundraising gala on March 6, 2027, and opens to the public on March 14, 2027, honoring donors whose gifts have strengthened the museum’s collection and supported its growth.

Kyle Stephan finds in art the power to activate people

Kyle Stephan has been appointed the new Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art at The Block Museum at Northwestern University. A curator, scholar, and educator with expertise in global contemporary art, time-based media, and interdisciplinary practice, Stephan was inspired to pursue curatorial work after witnessing art's power to activate people and communities while working as a studio manager for artist Lynn Hershman Leeson in the 1990s San Francisco Bay Area. She holds a Ph.D. in art and art history from Stanford University and previously curated the first U.S. survey of Fluxus artist Wolf Vostell at Harvard Art Museums.

Geraldine O’ Neill: ‘It’s for creating space for reflection on life, decay, protection and destruction’

Artist Geraldine O’Neill discusses her upcoming exhibition "Flicker, Flicker" at Kevin Kavanagh Gallery during Dublin Gallery Weekend, reflecting on her career, creative process, and the themes of life, decay, protection, and destruction. O’Neill, a Dublin native who studied at the National College of Art and Design, has built a practice that blends fragments of art history, domestic imagery, and popular culture, with her work held in collections including the Irish Museum of Modern Art and the European Central Bank.

Inside the Jewish Museum’s $14.5m renovation in New York City

The Jewish Museum in New York City reopened its third and fourth floors on October 24 after a $14.5 million renovation led by United Network Studio and New Affiliates Architecture. The redesigned 20,000-square-foot space features thematic galleries displaying centuries-old artifacts alongside works by Mark Rothko, Robert Motherwell, and contemporary artists, as well as a new Robert and Tracey Pruzan Center for Learning with art studios and a children's archaeological dig. A highlight is the display of 139 Hanukkah lamps from the museum's collection, arranged geographically in a 50-foot vitrine.

Opening date for London’s V&A East Museum announced

The V&A East Museum in London's Queen Elizabeth Olympic Park will open on 18 April 2026, completing the institution's east London cultural campus. Designed by O'Donnell + Tuomey, the five-story museum will feature two free permanent "Why We Make" galleries co-curated with local youth groups, showcasing over 500 objects from the V&A collection alongside contemporary works by artists including Yinka Ilori, Tania Bruguera, Carrie Mae Weems, and Thomas J. Price. The opening exhibition, "The Music Is Black: A British Story," will chart the influence of Black British music from 1900 to the present.

National Gallery Singapore celebrates 10 years

National Gallery Singapore (NGS) celebrates its 10th anniversary with a weekend event on November 15-16, 2025, featuring extended hours, free exhibitions, a rave, a pop-up market, and food trucks. The gallery, housed in the restored Supreme Court and City Hall buildings, opened on November 24, 2015, after a delayed launch, and has since welcomed over 14 million visitors. Highlights include the blockbuster show "Into The Modern: Impressionism From The Museum Of Fine Arts, Boston," with works by Monet, Cézanne, and Degas never before shown in Singapore, plus exclusive merchandise from local brands.

A rare jewellery box identified in Vermeer paintings sheds new light on the artist’s connections

New research by curator Alexandra van Dongen of Rotterdam’s Boijmans Van Beuningen Museum reveals that a rare Indo-Portuguese jewellery casket depicted in two Johannes Vermeer paintings—Mistress and Maid and A Lady Writing (both 1664-67)—is a real, surviving object. Van Dongen tracked down the sole known example in the Távora Sequeira Pinto collection in Porto, with help from Amsterdam dealer Dickie Zebregs. Her findings, published in the book De tastbare wereld van Johannes Vermeer, suggest the casket likely belonged to Vermeer’s patron Maria de Knuijt, a wealthy Dutch East India Company shareholder who may have asked the artist to include it in her paintings.