Bogdan Ablozhnyy has been awarded the 2025 Camden Art Centre Emerging Artist Award. The prize recognizes emerging visual artists and includes a solo exhibition at the London institution, providing a significant platform for early-career talent.
Bogdan Ablozhnyy has been awarded the 2025 Camden Art Centre Emerging Artist Award. The prize recognizes emerging visual artists and provides them with a solo exhibition at Camden Art Centre in London, along with a residency and production support. Ablozhnyy was selected from a competitive pool of nominees by a jury of curators and art professionals.
On Indigenous Peoples' Day, the nonprofit media lab Amplifier launched an unsanctioned augmented reality exhibition called “Encoded” inside the Metropolitan Museum of Art in New York. The project features 17 Native artists who digitally overlay their own works onto iconic American paintings in the museum’s American Wing, such as Thomas Cole’s *View on the Catskills – Early Autumn* and Emanuel Leutze’s *Washington Crossing the Delaware*. Visitors can view the 25 altered masterpieces on their smartphones or iPads while at the museum, and Amplifier representatives are on-site to distribute guides and offer tours through the end of the year.
The Portland Art Museum will celebrate the opening of its major expansion and renovation with four days of free admission and activities from November 20 to 23, 2025. The centerpiece is the new Mark Rothko Pavilion, a nearly 22,000-square-foot transparent entrance that connects the museum's two campus buildings, adding nearly 100,000 square feet of new or upgraded public and gallery space. The reopening features a complete reinstallation of the collection with nearly 300 major new acquisitions, thematic displays, and two special exhibitions: 'Yoshida Chizuko' and 'Global Icons, Local Spotlight: Contemporary Art from the Collections of Jordan D. Schnitzer.' Free tickets are available for reservation starting November 1, and the museum will also expand its regular hours beginning November 25.
During Frieze London, multiple acquisition prizes and awards were announced, including the Tate Frieze Fund (supported by a private patron) which purchased works by Lubna Chowdhary and Barbara Walker for £150,000. The inaugural Nicoletta Fiorucci Foundation Prize was awarded to Alex Margo Arden, while the Arts Council Frieze Acquisitions Fund grew to £90,000, acquiring works by Sarah Ball, Olu Ogunnnaike, Vanessa Raw, and Liorah Tchiprout. Other acquisitions included works by Michael Landy and Shaquelle Whyte for the Walker Art Gallery, and the Camden Art Centre Emerging Artist Prize went to Bogdan Ablozhnyy. Offsite, the Circa 2025 prize was won by Adham Faramawy for a film addressing the migration crisis.
The Portland Art Museum will celebrate the opening of its major expansion and renovation with four days of free admission and activities from November 20 to 23, 2025. The centerpiece is the new Mark Rothko Pavilion, a nearly 22,000-square-foot transparent entrance that connects the museum's two campus buildings, adding nearly 100,000 square feet of new or upgraded public and gallery space. The transformed museum features a complete reinstallation of its collection with nearly 300 major new acquisitions by artists including Marie Watt, Simone Leigh, and Carrie Mae Weems, alongside thematic displays that emphasize place, community, and identity. Free tickets are available for reservation starting November 1, and the museum will also expand its regular hours beginning November 25.
On Indigenous Peoples’ Day (13 October), 17 Native artists staged an unsanctioned augmented reality intervention inside the Metropolitan Museum of Art’s American Wing. The project, titled ENCODED: Change the Story, Change the Future (through 31 December), digitally overlays cosmological figures, pow-wow dancers, and ivy onto 19th-century paintings and sculptures, challenging the museum’s narratives. Co-curated by filmmaker Tracy Renée Rector and an anonymous Indigenous co-curator in collaboration with the non-profit Amplifier, the intervention coincides with the American Wing’s centenary.
This podcast episode from The Art Newspaper covers three distinct art stories. First, Tate Modern's new exhibition 'Nigerian Modernism' explores modern art beyond Western canons, featuring co-curator Osei Bonsu and artist Jimoh Buraimoh. Second, correspondent Sarvy Geranpayeh reports on Tehran's thriving art scene before and after the 12-day Israel-Iran war in June 2025. Third, the episode highlights 'Cakes' (1963) by Wayne Thiebaud, now on view at the Courtauld Gallery in London for the artist's first UK museum exhibition, with insights from co-curator Barnaby Wright.
The Saint Louis Art Museum will host "Becoming the Sea," a monumental exhibition of works by German artist Anselm Kiefer, from October 18, 2025 through January 25, 2026. The show marks Kiefer's first U.S. retrospective in 20 years and features towering works up to 30 feet tall, including site-specific pieces inspired by the Mississippi and Rhine rivers. Curated by museum director Min Jung Kim and assistant curator Melissa Venator in direct collaboration with the 80-year-old artist, the exhibition will fill the museum's Sculpture Hall and contemporary galleries with over 30 loans from other collections, requiring custom installation systems and even the removal of a doorway to accommodate a large painting.
Dublin Gallery Weekend will take place from November 6th to November 9th, 2025, transforming the city into a "city-wide canvas" with over 40 galleries, cultural centres, and artist studios participating. Organized by the Contemporary Art Gallery Association (CAGA), the event features more than 60 free activities including gallery brunches, curated art trails, and late-night socials. Highlights include the National Gallery's Picasso: From the Studio exhibition, the Irish Museum of Modern Art's Reverse Migration, a Poetic Journey by Cecilia Vicuña, the Douglas Hyde Gallery's installation by Atsushi Kaga, and Kerlin Gallery's exhibition of Isabel Nolan's paintings.
Dublin Gallery Weekend 2025 will take place from 6–9 November, transforming the city into a canvas with over 40 galleries, cultural institutions, and artist studios participating. The program features more than 100 Irish contemporary artists, including solo exhibitions by Isabel Nolan at Kerlin Gallery, Corban Walker at Soloman Fine Art, Geraldine O’Neill at Kevin Kavanagh Gallery, and Patrick Graham at Hillsboro Fine Art. International highlights include Chilean artist Cecilia Vicuña’s first Irish solo show at the Irish Museum of Modern Art, and a cross-cultural printmaking project responding to Lafcadio Hearn’s ghost stories at SO Fine Art Editions. The weekend offers over 60 free events, including studio tours, talks, workshops, and late-night socials.
The article criticizes the growing trend of museums organizing anniversary exhibitions to celebrate the birth or death of famous artists, often male and white. It highlights the current focus on Robert Rauschenberg, born 100 years ago, with nearly 100 organizations worldwide mounting shows, including the Menil Collection and Grey Art Museum. Past examples include multiple exhibitions for James Ensor in 2024 and a double anniversary for Ellsworth Kelly and Pablo Picasso in 2023, with some shows like the Brooklyn Museum's "It's Pablo-matic" receiving widespread criticism.
This podcast episode features an in-depth conversation with artist Suzanne Jackson, who discusses her multifaceted career spanning drawing, painting, poetry, dance, and theatre. Born in 1944 in St. Louis and raised in San Francisco and Fairbanks, Alaska, Jackson draws on Native American and African American traditions to explore the spiritual connection between people and nature. She reflects on influences including Barbara Chase Riboud, Elizabeth Catlett, and Torkwase Dyson, and shares insights into her studio practice and her view on art's purpose. The episode also highlights her current survey exhibition "What is Love," which travels to SFMOMA, the Walker Art Center, and the Museum of Fine Arts, Boston through 2027.
This podcast episode features an in-depth conversation with artist Suzanne Jackson, who discusses her multidisciplinary practice spanning drawing, painting, poetry, dance, and theatre. Jackson, born in 1944 and raised in San Francisco and Fairbanks, Alaska, explores spiritual connections between people and nature, drawing on Native American and African American traditions. She recounts formative encounters with artists Barbara Chase Riboud, Elizabeth Catlett, and Torkwase Dyson, and shares her passion for jazz and classic cartoons. The episode also highlights her current survey exhibition "What is Love," which travels to SFMOMA, the Walker Art Center, and the Museum of Fine Arts, Boston through 2027.
Sotheby’s will offer Jean-Michel Basquiat’s 1981 painting *Crowns (Peso Neto)* as the centerpiece of its Contemporary Art Evening Sale in November, with an estimate of $35–45 million—the highest ever placed on a Basquiat work from that year. The painting, appearing at auction for the first time, was first shown at Annina Nosei Gallery in 1982 and later at documenta 7. It will be publicly displayed in London, Paris, and New York ahead of the sale, which coincides with the opening of Sotheby’s new global headquarters in the former Whitney Museum’s Breuer building.
The HOPE Outdoor Gallery, a beloved open-air graffiti art space in Austin, is preparing to reopen after six years of closure. Founder Andi Scull announced that the new site, located on an 8-acre plot near Austin-Bergstrom International Airport, is purpose-built with four distinct sectors including a courtyard, a roofless circular structure, a garden, and a village of shipping containers. The layout is designed to spell out "HOPE" when viewed from planes landing or departing. The original location on Baylor Street closed in 2018, and the team has been working since then to secure a new home, with the goal of opening before the end of the year, pending permits.
Drexel University's Leonard Pearlstein Gallery has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition highlights a mix of Philadelphia-based artists and international contemporaries, with pieces ranging from an IKEA-hacked fountain to a suspended quilt of climate data visualization.
Sotheby's will auction Jean-Michel Basquiat's painting *Crowns (Peso Neto)* (1981) in its contemporary evening sale in New York this November, with an estimate of $35–$45 million—the highest ever for a Basquiat work from 1981. The painting, making its auction debut, was featured in Basquiat's breakthrough solo show at Annina Nosei Gallery in 1982 and later exhibited at documenta 7 in 1983 and the artist's retrospective at Fondation Louis Vuitton in 2018. It will tour London and Paris before being presented at Sotheby's new New York headquarters in the historic Breuer building.
The Leonard Pearlstein Gallery at Drexel University's Antoinette Westphal College of Media Arts & Design has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition includes a dynamic mix of Philadelphia-based and international artists, with highlighted pieces such as Jacob C. Hammes's IKEA-hacked fountain, Anne Schaefer's optical color window installation, and a suspended quilt by Jody Graff.
The article examines the 1937 Nazi-organized 'Degenerate Art Show' (Entartete Kunst) in Munich, which displayed hundreds of works by Modern artists like George Grosz, Wassily Kandinsky, and Paul Klee as examples of moral and cultural corruption. It traces the concept's origins to late-19th-century Social Darwinism and the Nazis' obsession with cultural purity, noting that the show was the culmination of years of escalating attacks on modern art, including the firing of museum directors and the forced exile of artists after Hitler took power in 1933.
Despite a general art market downturn, the market for modern Indian art is experiencing an extraordinary boom. Over the past two weeks, specialized auctions at Christie’s in New York, Saffron Art in New Delhi, Pundole’s in Mumbai, and Sotheby’s in London all sold out. Sotheby’s London sale raised £19 million, more than five times its estimate, led by record-breaking paintings by Francis Newton Souza, including *Houses in Hampstead* (1962) which sold for £5.6 million. The article traces Souza’s rebellious career, his founding role in the Progressive Artists’ Group, his struggles with obscenity charges, and his eventual posthumous market resurgence.
Open House New York returns for 2025 from October 17 to 19, offering free or low-cost access to over 340 venues across all five boroughs, including architectural landmarks, cultural institutions, and hidden spaces not normally open to the public. Highlights include the filtration system at Astoria Pool, behind-the-scenes tours of a Goodwill in Brooklyn, a passive house in Harlem, and art-focused sites such as MTA Arts and Design subway tours, the Whitney Museum's flood mitigation system by Renzo Piano, and the Morbid Anatomy Museum. The event features 164 drop-in venues and 178 ticketed sites at $7 per person, with tickets released on October 3.
Open House New York returns for 2025 from October 17 to 19, offering free or low-cost access to over 340 venues across all five boroughs, including architectural landmarks, cultural institutions, and hidden spaces not normally open to the public. Highlights include the filtration system at Astoria Pool, behind-the-scenes tours at Goodwill in Downtown Brooklyn, MTA Arts and Design subway tours, and a rare look at Renzo Piano's flood mitigation system at the Whitney Museum of American Art. The event features 164 drop-in sites and 178 ticketed venues at $7 per person, with tickets released on October 3.
Christian Marclay's video collage 'Doors' (2022) has opened at the Brooklyn Museum's newly constructed Moving Image Gallery, co-purchased with the Smithsonian's Hirshhorn Museum and Sculpture Garden. The 54-minute work, which debuted in London in 2023, splices hundreds of film clips showing characters entering and exiting doorways, building on the visual language of Marclay's acclaimed 24-hour film 'The Clock' (2010). The gallery was built to Marclay's specifications, offering a theatrical, spacious setting for time-based media.
Christian Marclay's video collage 'Doors' (2022) has opened at the Brooklyn Museum's newly constructed Moving Image Gallery, marking the institution's first dedicated space for time-based media. The 54-minute work, co-purchased by the Brooklyn Museum and the Smithsonian's Hirshhorn Museum and Sculpture Garden, splices hundreds of film clips showing characters entering and exiting doorways, building on the visual language of Marclay's acclaimed 24-hour film 'The Clock' (2010). The gallery was built to Marclay's specifications, offering a theatrical setting rather than a typical black-box presentation.
This podcast episode features an in-depth conversation with Wolfgang Tillmans, the influential German photographer born in 1968. Tillmans discusses his four-decade career, his experimental approach to photography—spanning portraiture, still life, landscape, political subjects, and abstraction—and his innovative installation methods that respond to specific exhibition spaces. He also shares personal influences, including Kurt Schwitters, Francisco de Zurbarán, Isa Genzken, Laurie Anderson, and Jiddu Krishnamurti, and reflects on the purpose of art. The episode is sponsored by Bloomberg Connects, which highlights museums and biennials currently showing Tillmans's work.
The article is a podcast transcript featuring an in-depth conversation with Wolfgang Tillmans, the influential German photographer born in 1968. It covers his four-decade career, his experimental approach to photography—spanning portraiture, still life, landscape, political subjects, and abstraction—and his innovative installation methods that respond to specific exhibition spaces. Tillmans discusses early influences like Kurt Schwitters, Francisco de Zurbarán, Isa Genzken, Laurie Anderson, and Jiddu Krishnamurti, and reflects on his expanding practice into video, text, sound, and music. The piece also lists current and upcoming exhibitions, including a solo show at Maureen Paley in London and his participation in the 36th Bienal São Paulo.
Artnet News profiles five groundbreaking fiber artists as part of its "25 of 2025" series, highlighting Diedrick Brackens and Melissa Joseph among them. Brackens, born in 1989, has seen his textile works exhibited at major institutions including the Museum of Modern Art, the National Gallery of Art, and LACMA, with a solo show "the shape of survival" at the SCAD Museum of Art and a U.K. debut at the Holburne Museum in 2025. Melissa Joseph, who only began working with felt in 2020, has rapidly gained attention through solo exhibitions and major public commissions, including a 2024 installation at Rockefeller Center and the 2025 UOVO Prize-winning work "Tender" at the Brooklyn Museum.
This article highlights five groundbreaking fiber artists who are redefining the medium in 2025, as part of a series spotlighting 25 emerging artists. Featured artists include Diedrick Brackens, whose textile works have been shown at major institutions like MoMA and the National Gallery of Art, and Melissa Joseph, who works with felt and recently won the UOVO Prize, with her installation "Tender" displayed at the Brooklyn Museum. The piece details their recent exhibitions, influences, and career milestones.
Artnet News has spotlighted five painters in its '25 of 2025' series, highlighting emerging talents defining the year. Among them are Pol Taburet, a Parisian painter known for bold color palettes and a rising market presence, with works selling above estimates at Sotheby's and Artcurial, and Maja Ruznic, a Bosnian-born artist whose haunting, jewel-toned works earned comparisons to Klimt and Rothko and a standout at the 2024 Whitney Biennial. Taburet is set to feature in the 36th Bienal de São Paulo, while Ruznic recently opened a solo exhibition at Karma Gallery and is included in Site Santa Fe International.