Judd Foundation Taps Copper Hewitt Curator as New Director of Design

The Judd Foundation has appointed Alexandra Cunningham Cameron as its first director of design, a new role overseeing Donald Judd Furniture LLC. Cameron, currently a curator of contemporary design at the Cooper Hewitt, Smithsonian Design Museum in New York, will start on April 27, guiding product development, operations, and strategic growth for the foundation's furniture line, which produces over 70 designs based on Donald Judd's original specifications.

Ai Weiwei to Reenact His Own Detention in 24-Hour Performance in Manchester

Artist and dissident Ai Weiwei will reenact his 81-day detention by China's Ministry of Public Security in a 24-hour performance titled "Sewing a Button" at Factory International's Aviva Studios in Manchester, England. The performance, part of his exhibition "Button Up!" running from July 2, 2025, will take place in a re-creation of his cell and involve Ai sleeping, eating, exercising, writing, washing, and being interrogated, with visitors able to book two-hour slots or a full 24-hour ticket. The work follows his earlier piece "S.A.C.R.E.D." (2013) and is joined by other commissioned works including "Eight-Nation Alliance Flags" and a new version of "History of Bombs."

Pittsburgh Shows Off New Public Art Projects in Advance of NFL Draft

Pittsburgh has unveiled over 35 new public art installations across its downtown area in preparation for the influx of visitors for the NFL Draft. The projects, funded by the Pittsburgh Downtown Partnership, include light installations, murals, and window displays by local artists, designed to revitalize empty storefronts and underused blocks.

Prominent German Art Foundation Accuses Top Culture Official of ‘Attempted Intimidation’

Jurors from the Kunstfonds Foundation, a major German contemporary art funding body, have accused Minister of State for Culture Wolfram Weimer of attempted intimidation and political interference. The conflict erupted after Weimer requested the names of the independent jury members, a move the foundation views as a threat to artistic freedom. This follows a separate controversy where Weimer reportedly consulted domestic intelligence to exclude bookstores with left-wing leanings from a national award.

A Parisian Man Just Won a $1 Million Picasso Painting with a $117 Raffle Ticket

Ari Hodara, a 58-year-old engineer from Paris, has won a Pablo Picasso painting valued at approximately $1 million after purchasing a raffle ticket for just 100 euros. The artwork, a 1941 gouache-on-paper titled "Head of a Woman," depicts the artist's muse Dora Maar and was provided by Opera Gallery. The raffle sold 120,000 tickets globally, successfully raising significant funds for charity.

Sotheby’s Tries Again to Sell $40 M. Picasso Painting That Didn’t Make It to Auction in 2008

Sotheby’s has announced the sale of Pablo Picasso’s 1909 Cubist masterpiece, Arlequin (Buste), which is expected to fetch approximately $40 million during the New York marquee auctions this May. The painting is the crown jewel of a collection belonging to the late Surrealist artist Enrico Donati and his wife Adele. This marks the second time Sotheby’s has attempted to sell the work; it was famously withdrawn from a 2008 auction just a week before the sale due to undisclosed private reasons.

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The U.S. Latinx Art Forum (USLAF) has appointed artist, archivist, and curator Josh T. Franco as its new executive director, succeeding founding director Adriana Zavala. Under Franco’s leadership and alongside newly promoted deputy director Mary Thomas, the organization is shifting its mission toward fostering "convivial spaces" and organic networking. This new phase includes hosting intimate dinners across major cities to connect artists with supporters and planning a major touring exhibition featuring the 75 recipients of the Latinx Artist Fellowship.

Counterpublic Triennial Names 47 Artists and Collectives for Upcoming Third Edition, Including Glenn Ligon, Rebecca Belmore, Rirkrit Tiravanija

The St. Louis-based triennial Counterpublic has unveiled the artist list for its third edition, titled "Coyote Time," scheduled to run from September 12 to December 12, 2025. The exhibition features 47 artists and collectives, including major figures such as Glenn Ligon, Rebecca Belmore, and Rirkrit Tiravanija, alongside posthumous presentations of works by Juanita McNeely and Benjamin Patterson. Curated by a five-person international team, the triennial will activate various sites across the city, including the Mississippi Riverfront and the historically Black neighborhood of The Ville.

Max Levai Bets on Scale—and Himself—with New Chelsea Gallery

Max Levai, former president of Marlborough Gallery, is opening a new 7,000-square-foot flagship gallery in Chelsea this fall at 529 West 20th Street. This marks his first permanent New York space after years of operating through pop-ups and international projects. He is sharing the building with the gallery 47 Canal, run by Oliver Newton, in an arrangement where two independent galleries will coexist under one roof, sharing costs but maintaining separate programs.

Bicoastal Art World Satire ‘Kill Dick’ Imagines Sackler Revenge

Luke Goebel's new novel 'Kill Dick' is a satirical, chaotic takedown of the contemporary art world and its entanglement with the Sackler family, fictionalized here as the Sicklers. The book follows protagonist Susie, the daughter of the Sickler family lawyer, as she navigates addiction, familial disgust, and a numbed existence against the backdrop of 2016 America. Its prose is deliberately abrasive and shocking, mirroring the emotional state of its narrator.

Bank of America ArtTactic Art Market Report 2026 Trends

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The US art market experienced a 23 percent increase in auction sales in 2025, reaching approximately $3.17 billion according to a joint report by Bank of America and ArtTactic. This growth was not fueled by a rise in general demand but was instead driven by high-value estate consignments, a return to established historical artists, and a heavy reliance on financial guarantees. The data indicates a shift away from the speculative flipping of 'wet paint' contemporary works, which saw negative returns for pieces held for less than five years.

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The global art market returned to growth in 2025, reaching $59.6 billion in sales according to the latest Art Basel and UBS Art Market Report. This 4 percent increase ended a two-year decline, driven primarily by a 9 percent surge in public auction sales and a significant revival in high-value transactions for works priced over $10 million. While the United States maintained its dominant 44 percent market share, the recovery was uneven, with the Impressionist and Old Masters sectors seeing major gains while Postwar and Contemporary art continued to cool.

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Egidio Marzona, the influential German-Italian collector, publisher, and patron, has died at the age of 81 in Berlin. Renowned for his intellectual approach to collecting, Marzona focused on the 20th-century avant-garde, including movements such as Bauhaus, Dada, Fluxus, and Arte Povera. Unlike traditional collectors, he prioritized the preservation of archives, letters, and ephemera alongside physical artworks, viewing the "paper trail of ideas" as essential to understanding artistic history.

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The auction industry's "middle market"—typically defined as lots under $1 million—is facing a period of intense competition and shrinking profit margins. While these lower-priced works account for the vast majority of transaction volume and a significant portion of earnings, the overhead costs of selling them remain high. Furthermore, aggressive financial maneuvers like guarantees and "enhanced hammers," once reserved for blue-chip masterpieces, are now being demanded by sellers and advisors at much lower price points.

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Berlin’s Academy of Arts has issued a sharp critique of proposed budget cuts to the Berlin Art Prize, which would see the award's prize money halved. The Academy argues that reducing the current €45,000 total funding—already considered modest—devalues the historic award and threatens its future as a symbol of artistic freedom and democratic expression.

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Christie’s London has announced its Modern British and Irish Art sale scheduled for March 18, featuring a curated selection of 26 works. The auction is led by Frank Auerbach’s "Christmas Tree at Mornington Crescent," estimated at up to £2 million, alongside significant sculptures by Lynn Chadwick and Barbara Hepworth. Other notable entries include a monumental bronze by Chadwick titled "Back to Venice" and a 1986 painting by Bridget Riley.

Venice Biennale Russia Pavilion Return Controversy

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The Venice Biennale is facing intense backlash following the announcement that Russia will return with a national pavilion for the 2026 edition, marking its first official participation since the 2022 invasion of Ukraine. Ukrainian Foreign Minister Andrii Sybiha and various international activists have called for Russia's exclusion, arguing that the platform is being used to whitewash war crimes and exert political influence. In response, the Biennale leadership has maintained a policy of non-exclusion, stating that any country recognized by Italy has an autonomous right to participate.

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Christie’s has unveiled a new auctioneer’s rostrum designed by Jony Ive and his design collective, LoveFrom. The sleek, oak-wood platform replaces the traditional design originally created by Thomas Chippendale in the 18th century, which had been the standard for the auction house for over 260 years. Crafted from French oak, the new rostrum features a contemporary rounded aesthetic and was engineered specifically to enhance the acoustic resonance of the auctioneer's gavel.

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The Indianapolis Museum of Art at Newfields has officially closed The Lume, its controversial immersive digital art gallery, following the conclusion of its final exhibition on Indigenous Australian art. Since its 2021 launch, the high-tech space hosted popular digital spectacles featuring the works of Van Gogh, Monet, and Dalí, but it will now be repurposed for a new contemporary art initiative that the museum claims will expand how audiences experience art.

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The Venice Biennale has released the artist list for its 61st edition, titled "In Minor Keys," featuring 111 participants. This edition is historically unique as its curator, Koyo Kouoh, passed away in May 2025 during the exhibition's development, leaving a team of advisors including Gabe Beckhurst Feijoo, Marie Helene Pereira, and Rasha Salti to realize her vision. The exhibition focuses on understated, poetic sensibilities and living artists, a departure from the larger, historically-focused surveys of recent years.

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DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) in Chicago, effective June 30. The decision comes as the private university faces severe financial strain, including a $27.4 million budget deficit that has already led to significant staff layoffs. While the university plans to convene discussions on how the museum's building and its 4,000-object collection might serve future academic needs, the institution as a public-facing museum will cease operations following its final exhibitions in March.

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The Reefline, a non-profit eco-art initiative, has launched its first phase of a seven-mile underwater sculpture park and artificial reef along Miami Beach. The project debuted with 'Concrete Coral' by Argentinian artist Leandro Erlich, a submerged sculpture depicting a traffic jam designed to provide a habitat for marine life. Future phases include works by Carlos Betancourt, Alberto Latorre, and Petroc Sesti, all overseen by the architecture firm OMA and founder Ximena Caminos.

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Paul Slocum, artist and gallerist, celebrated the 20th anniversary of his Dallas-based And/Or gallery, a pioneering space dedicated to new media and digital art. The gallery, founded in 2006, has championed early internet and computer-based artists like Cory Arcangel and Petra Cortright, operating from a DIY ethos largely independent of the traditional art market.

paul slocum digital art gallery sustainable interview 1234773539

Paul Slocum, artist and gallerist, recently celebrated the 20th anniversary of his Dallas-based And/Or gallery, a pioneering space dedicated to new media and digital art. The gallery, founded in 2006, has showcased early internet and computer-based artists like Cory Arcangel and Petra Cortright, focusing on fringe creative subcultures rather than commercial market trends.

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French figurative painter Claire Tabouret has been awarded the commission to create new stained glass windows for Notre-Dame Cathedral, replacing 19th-century works by Eugène Viollet-le-Duc and Jean-Baptiste Lassus that survived the 2019 fire. Her designs, featuring multiethnic, multigenerational worshipers during Pentecost, were unveiled in the exhibition "Claire Tabouret: In a Single Breath" at the Grand Palais. The project, chosen by President Emmanuel Macron and Archbishop Laurent Ulrich from 110 candidates, has drawn criticism as an act of vanity and a possible violation of heritage guidelines, though Tabouret and Macron remain undeterred.

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Artist Sayre Gomez has opened a new solo exhibition titled "Precious Moments" at David Kordansky Gallery in Los Angeles. The show features paintings of gritty urban landscapes alongside sculptures of his own children, modeled after Precious Moments collectible figurines, dressed in the kids' actual clothes and placed in the gallery's rafters.

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Art Basel's inaugural edition in Doha has arrived, bringing with it new collectors and galleries seeking institutional interest. The event has prompted Doha's museums to stage significant exhibitions that emphasize historical depth and architectural legacy, rather than catering to fleeting market trends.

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Chung Sang-hwa, a leading figure of the Korean Dansaekhwa (monochrome painting) movement, died on January 28 at the age of 93. His death was reported by the Korea Times following a prolonged illness.

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A 36-foot-tall stainless steel sculpture by Jaume Plensa, titled *Endless*, collapsed outside the Raclin Murphy Museum of Art at the University of Notre Dame on December 10, 2024. The work was found broken into two pieces after standing for nearly three years; no injuries occurred and only minor damage to the surrounding concrete was reported. Museum director Joseph Becherer stated the cause remains unknown, with no evidence of external force, and the remaining portion was dismantled as a precaution. The sculpture, installed in 2023 as a permanent outdoor commission, was donated by alumnus Charles Hayes and reflects Plensa's signature motif of letters exploring language and shared humanity.

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The di Rosa Center for Contemporary Art in Napa, California, has listed its 217-acre estate for $10.9 million amid ongoing financial struggles. The property, which houses a significant collection of postwar Northern California art including works by Mark di Suvero, Peter Saul, and Jay DeFeo, was founded by collector Rene di Rosa and his wife Veronica. The center has been seeking financial stability since 2019, when it briefly attempted to sell its holdings before reversing course after local backlash. Director Kate Eilertsen hopes a wealthy philanthropist will purchase the estate and lease it back to the center, or that Napa County may acquire the land for public use while preserving the sculptures.