Nasan Tur Collects Contributions for 'Archive of Feelings' for Manifesta 16

Nasan Tur sammelt Beiträge für "Archiv der Gefühle" zur Manifesta 16

Berlin-based artist Nasan Tur is calling on people from the Ruhr region and beyond to submit contributions to his "Archive of Feelings" via an online portal. The project is part of his commissioned work for the 16th edition of the nomadic biennial Manifesta, which opens on June 21 across several cities in the Ruhr area. Tur's installation, titled "Elevation," will be housed in St. Gertrud Church in Essen, where excerpts from anonymous submissions—expressing hopes, fears, wounds, ideas, wishes, and everyday observations—will be carved into old church pews.

The Art of the Chosen Family

Die Kunst der Wahlfamilie

Mike D, co-founder of the Beastie Boys, has co-curated an exhibition titled "Mishpocha. The Art of Collaboration" at the Jewish Museum Frankfurt. The show explores the concept of family beyond biological ties, featuring works such as Ira Eduardovna's video installation "The Library Room," which depicts a family packing for emigration, and immersive audiovisual spaces evoking techno, hip-hop, punk, and Riot Grrrl subcultures. The exhibition includes contributions from artist Jan Ove Hennig, photographer Jan Zappner, design studio Atelier Markgraph, and hospitality group Ima Clique, with Mike D serving as artistic director and ambassador.

He’s Trolling Your Trash, and Turning It Into Art

Thomas Dambo, a Danish artist known for constructing giant, whimsical sculptures from recycled scrap materials and hiding them in forests around the world, has gained a massive global following. His troll-like creatures, made from discarded wood and trash, have become viral sensations, drawing visitors to remote locations. Now, after years of operating largely outside the traditional art establishment, Dambo is receiving recognition from the mainstream art world, with galleries and institutions beginning to embrace his work.

A Photographer of Newark’s People Gets a Show Among the People

Manuel Acevedo, a photographer known for documenting the people of Newark, New Jersey, is having his works displayed across the city in highly visible outdoor locations. The exhibition places his portraits directly in the neighborhoods and public spaces where his subjects live and work, making the art accessible to the very community that inspired it.

Review: Sophie Rivera’s Photos Come Out From the Shadows

Sophie Rivera's first museum survey, titled "Double Exposures," is now on view, showcasing her decades-long career photographing New Yorkers. The exhibition highlights both her traditional portraiture and her more experimental, double-exposure techniques that capture the city's diverse inhabitants in unexpected ways.

Introducing the Etnia House of Arts Residency Program

Etnia Eyewear Culture, the cultural arm of Etnia Barcelona, has launched the Etnia House of Arts residency program in Venice. Housed in the restored Chiesa dell’Abbazia della Misericordia, the contemporary art space invites artists to create site-specific works during two-week residencies, using eyeglasses as a conceptual starting point to explore vision, identity, and representation. The first two residents, Conxi Sane and Greta Pllana, have already produced interventions—Membrane and The Shape I Kept—that expand the symbolic possibilities of the object.

Theme and title announced for Wang Shu and Lu Wenyu’s 2027 Venice Architecture Biennale

Wang Shu and Lu Wenyu have announced the theme and title for the 2027 Venice Architecture Biennale: "Do Architecture – For the Possibility of Coexistence Facing a Real Reality." The curators posed a series of questions addressing global climate change, the coexistence of land and architecture, natural materials versus modern construction, and urban-rural development conflicts. They emphasized that architecture is not just theoretical but must be practiced firsthand, confronting real reality through real construction. The duo, founders of Amateur Architecture Studio, have a long history with the Biennale, having participated in 2006 and 2010, where they received a Special Mention for their project 'Decay of a Dome.' The twentieth edition of the Architecture Biennale opens in May 2027.

Endre Koronczi on Representing Hungary at the 61st Venice Biennale

Endre Koronczi, the artist representing Hungary at the 61st Venice Biennale (2026), discusses his upcoming exhibition in the Giardini pavilion. His project, titled "Pneuma Cosmic," explores the movement of air as both a physical and metaphysical phenomenon, drawing on decades of research into invisible forces like wind and breath. The exhibition also references his long-term experimental zone, Ploubuter Park, inspired by drifting plastic bags. Koronczi notes a strong resonance with the Biennale's curatorial theme, "In Minor Keys" by Koyo Kouoh, describing it as a "cosmic zeitgeist."

Changes at Manifesta as Hedwig Fijen steps down

Hedwig Fijen, founding director of Manifesta, the European Nomadic Biennial, will step down on October 5. Emilia van Lynden and Catherine Nichols will succeed her as general director and artistic director respectively, as announced by the supervisory board of the International Foundation Manifesta. Fijen, who was commissioned by the Netherlands Office for Fine Arts in 1991 to develop a pan-European platform, has led Manifesta through editions in Palermo, Pristina, Barcelona, and the upcoming 2026 edition in the Ruhr region. Van Lynden has served as deputy director since 2019, while Nichols, a Berlin-based curator, contributed as creative mediator for the 2022 edition and artistic board member for 2026. The new leadership will begin with Manifesta 17 in Coimbra, Portugal, in 2028.

Venice Biennale denies it helped ‘circumnavigate’ sanctions against Russia with pavilion

The Venice Biennale is facing allegations that it helped Russia circumvent EU sanctions by allowing the Russian pavilion to operate during preview days, when only arts professionals and press are present. Investigative website Open published emails between Biennale officials and Russian pavilion organizers, including requests for visa assistance for artists and staff. The commissioner, Anastasia Karneeva, is the daughter of a Rostec deputy CEO and runs a consultancy with the daughter of Russia's foreign minister. The Biennale denies any wrongdoing, stating it acted in compliance with international law. Russia has been absent from the Biennale since 2022 but retains a permanent pavilion in the Giardini.

JR transforms the Pont-Neuf into an immense immersive cave

JR métamorphose le Pont-Neuf en immense caverne immersive

French artist JR has transformed the Pont-Neuf in Paris into a massive immersive cave installation titled "La Caverne du Pont-Neuf," unveiled in May 2026. The work pays homage to Christo and Jeanne-Claude's 1985 wrapping of the same bridge, using an inflatable double-wall structure covered with printed fabric to simulate rock formations and a prehistoric cave. The 120-meter-long installation is free and open to the public day and night, featuring augmented reality experiences via mobile devices and VR glasses, with a soundscape by a former Daft Punk member. The project, budgeted at €10.9 million funded by private sources, marks the first time JR has invited the public inside one of his works.

À la Biennale de Venise, le pavillon de l’Ouzbékistan fait revivre la mer d’Aral

The Uzbekistan Pavilion at the 61st Venice Biennale, curated around the figure of author Allayar Darmenov, brings together artists including Vyacheslav Akhunov, Zi Kakhramonova, A. A. Murakami, Zulfiya Spowart, and Nguyen Phuong Linh to explore the ecological disaster of the Aral Sea. Once the world's fourth-largest lake, it was drained by Soviet irrigation projects for cotton farming; the pavilion's installations—such as Kakhramonova's participatory salt-fish molding piece and Spowart's cradle-like sculpture—imaginatively revive the vanished sea and its endemic species.

From simple blue to haute couture suit: workwear studied at the Musée Postal

Du simple bleu au tailleur haute couture, le vêtement de travail étudié au musée Postal

The Musée Postal in Paris has reopened with a new name and identity, launching its first exhibition titled "Sous toutes les coutures" ("Under All Seams"). Curated by Elodie Goëssant and Didier Filoche, the show brings together 420 pieces, artworks, and archival objects to explore the history of workwear in France, from uniforms and protective clothing to high-fashion collaborations. It traces the evolution of work attire from the 18th century to the present, highlighting how women lacked dedicated work clothing until the 1970s and how airlines like Air France pioneered partnerships with luxury houses such as Christian Dior to dress flight attendants as national ambassadors.

For the 50th anniversary of his death, the controversial photographer Pierre Molinier at the heart of an important biography

Pour le cinquantenaire de sa mort, le sulfureux photographe Pierre Molinier au cœur d’une importante biographie

A new biography of the provocative French photographer and painter Pierre Molinier (1900–1976) has been published to mark the 50th anniversary of his death. Co-published by Mollat and L'Arbre vengeur, the book "Molinier. Une vie d'enfer" is an updated and expanded version of Pierre Petit's 1992 text, incorporating newly surfaced documents and reflecting Molinier's growing international recognition.

À Sars-Poteries, le MusVerre célèbre pour ses dix ans toutes les infinies possibilités de l’art verrier

The MusVerre in Sars-Poteries, France, celebrates its tenth anniversary with a new exhibition titled "Enchanté – La fabrique des histoires," curated by Laura Bouvard. The museum, which opened in 2016 in a distinctive blue beveled building, houses over 800 glass artworks and 3,000 ancient pottery pieces, originating from the passion of amateur collector Louis Mériaux. Under new director Laetitia Messager, the museum is forging collaborations with the Musée de Charleroi, Cirva Marseille, and Frac Normandie, and plans to host a symposium in autumn to mark the anniversary.

À Marseille, l’installation textile monumentale d’Adrien Vescovi déploie ses couleurs

Artist Adrien Vescovi has installed a monumental textile work titled "Dormir comme le soleil" at the Vieille Charité in Marseille. The installation features over 600 dyed sheets suspended across 108 arches of the former hospice, using natural pigments from plants, spices, and ochres. The fabrics, dyed in a labor-intensive process involving large wooden spoons and cauldrons, are designed to fade and evolve over the eight-month exhibition, responding to wind, humidity, and Mediterranean light.

Aux châteaux de Malmaison et de Bois-Préau, le festival des Premiers Romantiques fait dialoguer musique et nature

The Festival des Premiers Romantiques takes place from May 22 to 25 at the châteaux of Malmaison and Bois-Préau in Rueil-Malmaison, France. The event features concerts on period pianos (including an 1806 Erard pianoforte and an 1847 Streicher), performed by musicians from La Nouvelle Athènes collective, alongside an exhibition titled "Roses & Pivoines" showcasing works by Pierre-Joseph Redouté and contemporary German artist Thilo Westermann. The festival celebrates Romantic-era music and nature, set in the recently restored château and its emblematic gardens, once the botanical passion of Empress Joséphine.

Hilma af Klint en 2 minutes

Hilma af Klint (1862–1944) is profiled as a pioneering Swedish abstract artist who created a vast body of visionary, large-scale abstract paintings decades before Kandinsky, yet kept them secret during her lifetime. The article traces her life from a childhood steeped in science and nature, through her studies at the Royal Academy of Fine Arts in Stockholm, to her dual artistic practice: conventional landscapes and portraits for income, and radically abstract works guided by spiritualist séances and theosophical beliefs. She founded the group "The Five" with fellow female artists, and from 1906 onward produced the monumental series "Paintings for the Temple" (193 works), convinced she was channeling a higher force. She stipulated in her will that her abstract works not be revealed until 20 years after her death, and they were only rediscovered in the late 1960s.

La Rocabella : une résidence d’artistes paradisiaque qui croise les disciplines près de Toulon

La Rocabella, a Belle Époque villa near Toulon, France, has been transformed into an interdisciplinary artist residency by Jean-Baptiste Rudelle, co-founder of Criteo. Built in 1898 by architect Hans-Georg Tersling, the estate now hosts ceramic sculptors, comic artists, documentary filmmakers, and musicians in two-month sessions, with themes like 'Les Gardiennes de la mer' linking their work. The residency, funded entirely by Rudelle, aims to foster cross-disciplinary collaboration in a serene Mediterranean setting.

The Musée d’Ixelles at the Crossroads of Different Perspectives

Le Musée d’Ixelles à la croisée de différents regards

The Musée d’Ixelles in Brussels, closed for eight years for expansion and renovation, is nearing completion of its architectural transformation with a reopening scheduled for spring 2027 (March 19). Founded in 1892 in a former slaughterhouse, the museum has grown through successive donations and a continuous acquisition policy, now holding over 15,000 works spanning Belgian art from the 19th century to the contemporary period. Director and curator Claire Leblanc, who has led the institution since 2006, emphasizes a participatory approach that integrates diverse public perspectives, including a project called "Musée comme chez soi" during the closure where locals hosted artworks in their homes.

Sarah Rowe Will Light Up Native Neon Residency in Kingston, NY

A new residency program for Indigenous artists working with neon for the first time has been launched through a collaboration between the Walker Youngbird Foundation and Lite Brite Neon Studio in Kingston, New York. Sarah Rowe, a painter and installation artist from Omaha, Nebraska, was selected as the first recipient from over one hundred applicants. She plans to create a work inspired by the heyoka, a trickster figure from Lakota tradition, and will receive a $10,000 stipend plus fully funded fabrication, materials, studio time, and technical instruction valued at around $50,000. The resulting artwork will be publicly presented, and Rowe will retain full intellectual property rights and ownership.

Study Shows Engaging with Art as Effective as Exercise in Slowing Aging

A new study by University College London, published in the journal Innovation in Aging, reveals that engaging with arts and culture can slow biological aging at a rate comparable to exercise. Researchers found that attending performances or visiting galleries once a month led to a 3 percent reduction in aging speed, while weekly engagement produced a 4 percent slowdown. Those who participated in the arts at least weekly were biologically at least a year younger than non-participants, outperforming weekly exercisers, who were only six months younger biologically. The study tracked 3,356 adults from 2010 to 2012 using survey data and blood tests, measuring aging via epigenetic clocks that analyze DNA changes.

Israel’s Artist Said to Have Threatened Legal Action Before Venice Biennale Jury Resignation

Belu-Simion Fainaru, the artist representing Israel at the 2024 Venice Biennale, allegedly threatened legal action against Biennale officials, accusing them of “racial discrimination” and “antisemitism” after the international prize jury announced it would exclude countries whose leaders are charged with crimes against humanity—effectively barring Israel and Russia from awards. The jury, handpicked by late artistic director Koyo Kouoh, resigned en masse on April 30, citing their earlier statement of intent. Fainaru had previously opposed calls to exclude Israel over its military actions in Gaza, arguing for dialogue over boycotts.

Hedwig Fijen to Depart as Founding Director of Manifesta

Hedwig Fijen, the founding director of Manifesta, the nomadic European biennial launched in 1996, has announced she will depart on October 5. Fijen began working on the platform in 1991 under a commission from the Netherlands Office for Fine Arts, and oversaw editions in cities including Rotterdam, Palermo, Pristina, and Barcelona. The supervisory board has appointed Emilia van Lynden as general director and Catherine Nichols as artistic director to lead future editions, starting with Manifesta 16 in Germany’s Ruhr Valley this year and Manifesta 17 in Coimbra, Portugal, in 2028.

US Returns 337 Looted Objects to Italy in Repatriation Effort

The United States officially returned 337 looted antiquities to Italy at a ceremony held at La Marmora barracks in Rome. Of these, 221 objects were repatriated through the Manhattan District Attorney’s Office, while the remaining 116 were recovered on April 10, 2026, via joint efforts by the FBI, Homeland Security Investigations, the District Attorney’s Office, and Christie’s New York auction house. The objects span from the Villanovan era (900–700 BCE) to the Hellenistic period (323–31 BCE) and include a 1st-century CE marble head of Alexander the Great, a bronze sculpture from Herculaneum, and two Egyptian basalt sculptures.

Russia’s Venice Pavilion Will Be Closed to Public for Duration of Biennale

Russia's pavilion at the 2026 Venice Biennale will be closed to the public for the duration of the exhibition, from May 9 to November 22, following escalating controversy over the country's participation. The group show, titled “The tree is rooted in the sky,” will only be open to press and industry insiders during the preview days (May 5–8). The move comes after the International Criminal Court accused Russia of crimes against humanity, leading the Biennale to bar Russia and Israel from competing for awards. Italian culture minister Alessandro Giuli has also boycotted the preview and opening ceremony in protest.

The appalling mediocrity of the chosen project for the 'Grande Colonnade' of the Louvre

L'effarante médiocrité du projet retenu pour la « Grande Colonnade » du Louvre

The French Ministry of Culture has announced the winning team for the 'Grande Colonnade' project at the Louvre, selecting STUDIOS Architecture Paris and Selldorf Architects. The ministry's press release, described as self-congratulatory and written in trendy bureaucratic language, celebrates the choice as a major advancement. However, the article criticizes the lack of transparency, noting that only three exterior visuals have been released, and argues that the project is unfunded and threatens necessary renovations at the museum, as previously highlighted by the Cour des Comptes and parliamentary representatives.

SILENCE HAS MATTER ETHIOPIA BRINGS THE WORK OF TEGENE KUNBI TO THE VENICE BIENNALE

The Ethiopia Pavilion at the 61st Venice Biennale presents "Shapes of Silence," an exhibition by artist Tegene Kunbi, curated by Abebaw Ayalew, running from May 9 to November 22, 2026, at Palazzo Bollani. The show marks the culmination of Kunbi's thirty-year practice, exploring silence as a social and political condition through abstraction, textiles, and assemblage, drawing on Ethiopian folkloric traditions and material histories.

Zheng Zhilin at Linseed Projects

Zheng Zhilin presents a solo exhibition at Linseed Projects, featuring a series of new works that explore themes of memory, materiality, and spatial perception. The show includes paintings and mixed-media installations that engage with the physical and emotional textures of everyday environments, drawing on the artist's personal experiences and cultural references from contemporary Chinese life.

Iris van Dongen at dépendance VIEW

Iris van Dongen presents 'Spellbound' at dépendance VIEW in Brussels, running from April 30 to May 23, 2026. The exhibition features 13 images documenting the show, with press release, floor plan, and checklist available. Images are courtesy of the artist and the gallery, with photos by Camille Poitevin.