Endre Koronczi, the artist representing Hungary at the 61st Venice Biennale (2026), discusses his upcoming exhibition in the Giardini pavilion. His project, titled "Pneuma Cosmic," explores the movement of air as both a physical and metaphysical phenomenon, drawing on decades of research into invisible forces like wind and breath. The exhibition also references his long-term experimental zone, Ploubuter Park, inspired by drifting plastic bags. Koronczi notes a strong resonance with the Biennale's curatorial theme, "In Minor Keys" by Koyo Kouoh, describing it as a "cosmic zeitgeist."
This interview matters because it offers an early, personal glimpse into one of the national presentations at the world's most prestigious contemporary art event. Koronczi's focus on intangible, universal phenomena—air, breath, cosmic flow—aligns with the Biennale's thematic exploration of minor keys and overlooked experiences. His long attendance record and deep engagement with the Biennale underscore its enduring importance as a global barometer of artistic and societal concerns.