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A brush with… Jane and Louise Wilson—podcast

Jane and Louise Wilson, identical twin artists born in Newcastle-upon-Tyne in 1967, are featured in a podcast interview where they discuss their collaborative practice since the late 1980s. Working primarily in video installation, photography, and sound, they explore duality and selfhood through loaded sites like abandoned military bases and borderlands. The podcast covers their early inspirations, including John Martin and Cindy Sherman, and the influence of filmmakers such as Rainer Werner Fassbinder, Jean Cocteau, and Stanley Kubrick. Their current exhibitions include 'Performance of Entrapment' at London Mithraeum Bloomberg SPACE (until 10 January 2026) and 'Dendrophiles' at Leadenhall Building as part of Sculpture in the City, London (until spring 2026).

Artists who didn’t make Minnesota State Fair get second chance in ‘Rejects’ show

The article reports on the 2025 'State Fair Rejects' show at Douglas Flanders & Associates Gallery in Minneapolis, which accepts artworks that were not selected for the Minnesota State Fair's juried fine arts exhibition. Artist Attila Ray Dabasi, who had been accepted regularly in the past but was rejected this year, is among about 75 participants displaying works like his sculpture 'Armageddon.' The gallery, led by owner Doug Flanders, started the show last year to give rejected artists a second chance to exhibit and sell their work, with all drop-offs accepted. The State Fair received 2,834 submissions but only 337 were chosen, highlighting the competitive nature of the fair.

Five new art books to look out for this autumn, including publications on US monuments and Vermeer close-ups

Five new art books are set for release this autumn, covering topics from US monuments and Vermeer's techniques to post-war British culture and contemporary Pakistani-American art. Titles include 'Closer to Vermeer' (Thames & Hudson), 'Monumental: How a New Generation of Artists Is Shaping the Memorial Landscape' (MIT Press), 'British Blonde' (Paul Mellon Centre), 'Art Is: A Journey into the Light' (Yale), and 'Shahzia Sikander' (Lund Humphries), each offering fresh scholarship or monographic depth.

Time for a survey? New programme provides museums with advice on long-term sustainability

Verge, a human-resources and recruiting agency, has launched a new membership program offering museums and art organizations a proprietary employee survey called the Workplace Advancement Instrument (WAI). The survey assesses organizational health across areas like communication, compensation, retention, and psychological safety. Members receive results, access to workshops, and an annual benchmarking report, with early adopters including the Dia Art Foundation, Corita Art Center, Helen Frankenthaler Foundation, and Denniston Hill. The program costs $5,000 per year and grew out of Verge's recruitment work, which found that many arts workers of color were leaving jobs due to unsupportive workplace cultures.

Yale University Art Gallery withdraws federal funding applications over anti-diversity regulations

The Yale University Art Gallery has withdrawn two federal grant applications submitted to the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH) for an upcoming exhibition on African art exploring the migration of Nguni peoples, scheduled for 2026. The gallery objected to new anti-DEI (Diversity, Equity, and Inclusion) restrictions imposed by the Trump administration, which require that funded projects do not promote certain ideologies based on race or gender. The gallery will instead use Yale University's $46 billion endowment to cover the $200,000 exhibition costs. This follows a previous instance where the gallery opted out of NEA funding, and a separate $30,000 NEA grant for the exhibition "Nusantara: Six Centuries of Indonesian Textile" was rescinded, though that show will proceed with support from the Robert Lehman Endowment Fund.

August 2025 Opportunities: Open Calls, Residencies, and Grants for Artists

The article compiles a list of open calls, residencies, and grants for artists with deadlines in August through October 2025. Opportunities include the Wave Hill Sunroom Project Space in New York City, Sculpture by the Sea in Cottesloe, Australia, the Hunt Museum Open Submission Exhibition in Ireland, New Voices 2026 at Print Center New York, and the Moons, Castles, Trees exhibition for The Wrong Biennale in Copenhagen. Grant opportunities include the Ellis-Beauregard Project Grants in Maine, the Seattle Art Museum Betty Bowen Award for Northwest artists, and the Hornsby Art Prize in Australia, among others.

New Smithsonian exhibit highlights American fairs, including crop art, butter from Minnesota

A new exhibition at the Smithsonian Institution spotlights the history and artistry of American state and county fairs, featuring unusual exhibits such as crop art and butter sculptures from Minnesota. The show explores how these community events have long served as platforms for creative expression, agricultural pride, and local tradition.

It's hard for green-themed art shows to garner credibility—the Helsinki Biennial deserves more than most

The Helsinki Biennial's third edition, titled "Shelter: Below and beyond, becoming and belonging," opens on Vallisaari Island, featuring 37 artists and collectives. Co-curated by Blanca de la Torre and Kati Kivinen, the biennial deliberately shifts focus away from humans, centering instead on flora, fauna, and the natural environment under the slogan "Non-humans first!" The event continues its founding commitment to carbon neutrality by 2030, employing measures like a carbon footprint calculator, promotion of slow travel, and rejection of artificial lighting to protect local bat populations.

Final Weeks to Experience Kent Monkman: History is Painted by the Victors

The Denver Art Museum is hosting 'Kent Monkman: History is Painted by the Victors,' a major exhibition of the Cree artist's provocative, large-scale paintings that challenge Western art history through an Indigenous lens. The show, co-organized with the Montreal Museum of Fine Arts, runs until August 17 before traveling to Montreal in September. It has drawn widespread critical acclaim and emotional visitor responses, with reviewers praising its blend of humor, beauty, and political urgency.

Elizabeth Catlett: “A Black Revolutionary Artist and All That It Implies”

The Art Institute of Chicago announces a major retrospective of Elizabeth Catlett, titled “A Black Revolutionary Artist and All That It Implies,” on view from August 30, 2025, through January 4, 2026. The exhibition brings together over 100 works spanning Catlett’s career as a sculptor, printmaker, feminist, and social activist, highlighting her enduring influence and her commitment to addressing poverty, racism, and imperialism through art and activism.

Works by Jaune Quick-to-See Smith and Reena Saini Kallat to go on sale as Frieze Sculpture returns to London

Frieze Sculpture returns to London's Regent's Park for its 13th edition, running from September 17 to November 2, 2025, alongside Frieze London and Frieze Masters. Curated by Fatoş Üstek under the theme "In the Shadows," the exhibition features works by 14 artists, including the late Jaune Quick-to-See Smith and Reena Saini Kallat. All sculptures are for sale, with highlights including Andy Holden's bronze bird-song pieces, Kallat's sound sculpture using calls of extinct birds, and Smith's tribute to Indigenous memory. Other participants include David Altmejd, Grace Schwindt, Henrique Oliveira, Timur Si-Qin, Burçak Bingöl, Assemble, and Abdollah Nafisi.

Artist Amy Sherald has canceled her upcoming show at the Smithsonian

Artist Amy Sherald has canceled her upcoming solo exhibition at the Smithsonian's National Portrait Gallery, scheduled to open September 19. The cancellation stems from a dispute over her painting *Trans Forming Liberty* (2024), which depicts a trans woman with pink hair and a blue gown holding a torch. Sherald stated that the museum expressed concerns about including the portrait, leading to discussions about removing it. She claims the Smithsonian planned to replace the painting with a video of people reacting to it, which she opposed as it would debate the value of trans visibility. The Smithsonian denies the painting was to be replaced, saying the video was meant to provide context. Sherald's exhibition, *Amy Sherald: American Sublime*, was organized by SFMOMA and is currently on view at the Whitney Museum.

Waddington Custot to open in Paris ahead of Art Basel Paris

Waddington Custot has announced it will open a new gallery at 36 rue de Seine in Paris, occupying the historic space formerly home to Lansberg Gallery in the 6th arrondissement. The gallery is set to open in October 2025, ahead of Art Basel Paris, and will be managed by Isaure de Roquefeuil and Antoine Clavé. The inaugural exhibition will focus on the Nabis painters, followed by a group show of modern and contemporary artists. The 200-square-meter space is located in the Saint-Germain-des-Prés district. (Note: The opening has since been rescheduled to early 2026.)

National Museum of African Art

The article is a visitor's guide to the Smithsonian's National Museum of African Art in Washington, D.C., describing its hidden, underground location behind the Smithsonian Castle and its extensive collection of ancient and modern African art. It highlights specific works on display, including a mixed media piece by Mary Sibande titled *Sophie-Merica* (2009), a sculpture by Ghada Amer titled *The Blue Bra Girls* (2012), and *Untitled* (2009) by El Anatsui, along with numerous masks, textiles, and photography exhibits by artists such as Lalla Essaydi.

Allegory and Abstraction: Selections from the Department of Drawings and Prints

The Metropolitan Museum of Art's Department of Drawings and Prints has installed a new rotation in the Robert Wood Johnson, Jr. Gallery titled "Allegory and Abstraction." The exhibition features up to 100 works on paper, including Henri Matisse's 1947 series "Jazz," Louise Bourgeois's "He Disappeared into Complete Silence" (1947), and watercolors by J.M.W. Turner and Thomas Girtin marking the 250th anniversary of their births. The show explores how artists embed complex meanings through symbols (allegory) or through line, color, and pattern (abstraction).

Frye Art Museum opens three new summer exhibitions

The Frye Art Museum in Seattle has opened three new summer exhibitions: Hugh Hayden's 'American Vernacular,' Jamie Wyeth's 'Unsettled,' and the latest installment of the 'Boren Banner Series' featuring photography by Tarrah Krajnak. The exhibitions were launched with a summer reception on July 11. Krajnak's banner, which blends performance, art, and photography, is displayed on the museum's exterior wall until Sept. 28. Wyeth's indoor exhibit includes paintings and sculptures, notably pieces from his 'Screen Door Sequence,' and runs until Oct. 5. Hayden's show, a collection of mixed-media sculptures organized into thematic spaces like the nursery and the gym, is on view until Sept. 28.

Can you mount an art exhibition about race in the age of Trump?

The article reports on the exhibition "The Shape of Power: Stories of Race and American Sculpture" at the Smithsonian American Art Museum in Washington, DC, which challenges visitors to reconsider how American sculpture has reinforced racist social orders. The show features 82 works from 1792 to 2023, including John Rogers’ 1864 sculpture "The Wounded Scout, a Friend in the Swamp," and includes interpretive prompts about race as a human invention and a tool of power. President Donald Trump issued an executive order condemning the exhibition for promoting "divisive narratives," and Vice President JD Vance, who sits on the Smithsonian’s Board of Regents, has been tasked with stopping government funding for exhibits that do not align with a celebratory national agenda. The Smithsonian has begun a review of content across its museums, raising concerns about future candid discussions of race and history.

Phillips Sues Wealthy Scion for Failure to Come Through on Pollock Purchase

Phillips auction house has filed a lawsuit against film producer David Mimran, alleging he failed to pay $14.5 million for a Jackson Pollock painting after serving as a third-party guarantor. The untitled ca. 1948 white-on-black drip painting, which had appeared in a 1998 retrospective at the Museum of Modern Art, received no bids at a November auction in New York, leaving Mimran legally obligated to purchase it. Mimran missed two payment deadlines and later claimed he could not meet a third, prompting Phillips to file a complaint with the Supreme Court of New York.

NYU’s Grey Art Museum Presents ‘June Leaf: Shooting From the Heart’ Sept. 9–Dec. 13

NYU’s Grey Art Museum will present the exhibition ‘June Leaf: Shooting From the Heart’ from September 9 to December 13. The show focuses on the work of American artist June Leaf, known for her expressive drawings, paintings, and sculptures that explore the human figure and emotional states.

Moving On Up: 24 Museum Curators and Art Leaders Who Took on New Appointments in First Half of 2025

Culture Type has published its annual list of new appointments among museum curators and arts leaders for the first half of 2025, highlighting two dozen hires and promotions at major institutions. Notable appointments include Deana Haggag as program director for arts and culture at the Andrew W. Mellon Foundation, Ann Collins Smith as chief curator at the New Orleans Museum of Art (the first Black American in a full-time curatorial role there), and Vincent van Velsen as head of exhibitions at Eye Filmmuseum in Amsterdam. The list also features curators such as Alisa Chiles at the Virginia Museum of Fine Arts and Brittany Webb at the Museum of Fine Arts, Houston.

The Art of the Tour: King Charles's Traveling Painters

King Charles III has sponsored an exhibition titled “The King’s Tour Artists” at Buckingham Palace, featuring 43 artists he recruited to paint during 70 royal tours over the past 40 years. The show, open until September 28, includes 74 paintings selected from over 300 works in the King’s private collection, alongside a companion book, *The Art of Royal Travel: Journeys with The King*. The idea originated from Peter St. Clair-Erskine, the 7th Earl of Rosslyn, who catalogued the collection. Critics have dismissed the works as polite and old-fashioned, but the exhibition highlights Charles’s long-standing patronage of representational art and his own practice as a watercolorist.

Crystal Bridges Museum and Art Bridges receive 90 works of contemporary Indigenous art in landmark acquisition

Crystal Bridges Museum of American Art and its Art Bridges Foundation have acquired 90 contemporary works by Indigenous artists from the John and Susan Horseman Collection. Art Bridges will receive 81 works for long-term loans across the U.S., while nine pieces will join Crystal Bridges' permanent collection. Artists include Kent Monkman, George Morrison, Jaune Quick-to-See Smith, and Cannupa Hanska Luger. The acquisition is part of a broader strategy to expand the museum's holdings in Indigenous and craft art, with works set to debut in exhibitions starting November 2024.

Why ‘devastating’ climate control rules for museum collections need a rethink

Museums are rethinking decades-old climate control standards that dictate strict temperature and humidity ranges for preserving collections. These guidelines, originally based on 1970s research for paintings in London, have been widely adopted globally despite being designed for temperate climates. Conservator Caitlin Southwick of Ki Culture argues this is a "big misunderstanding," as the standards were never intended for diverse collections like stone in Brazil or tapestries in Italy. Climate control systems now account for 60-70% of a typical museum's energy consumption, creating high costs and carbon footprints.

‘Why don’t you talk about the hostages?’: Nan Goldin interrupted by protester during Gaza-focused speech at Rencontres d’Arles

American photographer Nan Goldin was confronted by a protester during her acceptance of the 2025 Women In Motion Award at the Rencontres d'Arles photography festival. Goldin used the occasion to speak about the humanitarian crisis in Gaza, describing the conflict as "the first live-streamed genocide" and projecting images of Gaza before and after the Israeli military campaign. A woman in the audience repeatedly shouted, "Why don't you talk about the hostages?" while other audience members chanted "Free Palestine." Goldin responded by acknowledging the 7 October attacks but emphasizing the scale of Palestinian casualties. She also accused the Israeli government of conflating anti-Zionism with antisemitism and of putting drugs in flour delivered to Gaza, a claim not independently verified.

Art & the Book* and Spineless Wonders: The Power of Print Unbound**

Two concurrent exhibitions in central London this summer—'Art & the Book' at the Warburg Institute and 'Spineless Wonders: The Power of Print Unbound' at Senate House Library—celebrate the contemporary and historical impact of print and small-press publishing. The shows feature a spectrum of materials from socialist pamphlets and activist flyers to artists' books and ephemera, drawn from special collections to highlight the deep history of paper and print as a medium for autonomous production. The Warburg exhibition, curated by Matthew Harle with guest curators Arnaud Desjardin and Hlib Velyhorskyi, centers on artists' books and includes residencies, talks, and an art bookfair, all open to the public.

Football meets art in new Aviva Studios exhibition

Manchester International Festival (MIF) has opened a new exhibition titled 'Football City, Art United' at Aviva Studios, exploring the intersection of football and contemporary art. Co-curated by Hans Ulrich Obrist, Juan Mata, and Josh Willdigg, the show features 11 works pairing artists like Paul Pfeiffer, Philippe Parreno, Ryan Gander, and Rose Wylie with football figures including Eric Cantona, Edgar Davids, Ella Toone, and Lotte Wubben-Moy. Highlights include a sound installation recreating the stadium tunnel experience, a spotlight piece on celebrity isolation, and a documentary on sexism in women's football.

Joan Danziger Retrospective in Washington

The American University Museum at the Katzen Arts Center in Washington, D.C., will host the first career retrospective of artist Joan Danziger, titled "The Magical World of Joan Danziger," opening February 7, 2026. The exhibition spans six decades of her work, from abstract paintings to mixed-media sculptures, featuring over 100 pieces including 40 sculptures and 25 works on paper and canvas. A concurrent exhibition, "Ravens: Spirits of the Sky," showcases 24 large glass and metal raven sculptures, many never before exhibited. Danziger, who continues to work daily at age 91, traces her evolution from an abstract painter to a multimedia sculptor, with influences ranging from surrealists to Hieronymus Bosch.

Fuse Box: Sarah Sze

The Denver Art Museum has acquired and is presenting "Sleepers," a new media installation by Sarah Sze, a renowned artist and 2003 MacArthur Fellow. The six-channel video installation projects moving images onto over 300 hand-torn paper screens suspended from strings, using footage shot on the artist's iPhone and stock libraries. This marks Sze's first work with recorded and edited sound, continuing her exploration of everyday objects and digital environments.

Profile of a ruler: how Sheikh Sultan shaped Sharjah’s art scene

Sheikh Sultan bin Muhammad Al-Qasimi, the ruler of Sharjah since 1972, has transformed the emirate into a major cultural hub in the Gulf through sustained investment in art, education, and heritage. Under his leadership, Sharjah now boasts 23 archaeological sites, 20 museums, 10 universities, three biennials, and institutions like the Sharjah Biennial and Sharjah Art Foundation, run by his daughter Sheikha Hoor Al Qasimi. His vision prioritized arts and culture over commercial development, fostering a community-focused environment distinct from neighboring Dubai.

Minneapolis Institute of Art will host a crop art exhibition after the State Fair wraps

The Minneapolis Institute of Art (Mia) will host a crop art exhibition titled "Cream of the Crop: A Minnesota Folk Art Showcase" opening September 6, 2025, after the Minnesota State Fair concludes on September 1. The show will feature 10 works of crop art, including winners of two new awards sponsored by Mia: best interpretation of an artwork at Mia and best interpretation of a Minnesota landmark, story or figure. A curatorial team from Mia, including director Katie Luber, will judge entries at the State Fair, and the winning pieces will be displayed in the museum's rotunda alongside eight additional notable works. The exhibition builds on Mia's history with crop art, including a 2004 show of portraits by crop art legend Lillian Colton and a 2015 centennial commission of a large-scale crop art field.