Zimbabwean artist Richard Mudariki has created 'ArtWorld Passport,' a participatory artwork debuting at the Venice Biennale 2026. The piece functions as a social sculpture and performance, where passport holders collect stamps, signatures, and drawings from artists, exhibitions, and pavilions across the Biennale, transforming the bureaucratic tool of travel into a speculative exploration of access and authorship.
Yoann Cormier curates 'In Mali, When Animals Dance' at the Musée des Confluences, an exhibition dedicated to sogo bò, a Malian performance tradition blending theater, dance, music, and community. Rejecting static displays, Cormier uses immersive scenography—light, sound, film footage from the early 2000s by Sonia and Albert Loeb, and reconstructed masks made with the Lyon Opera costume workshop—to evoke the festive atmosphere of sogo bò, moving visitors through a simulated Malian day from afternoon to night.
Nona Faustine’s first retrospective, ‘What My Mother Gave Me,’ is on view at the Center for Photography at Woodstock until 10 May 2026. The exhibition gathers nearly three decades of the artist’s work, spanning series such as *Young Mothers*, *Mitochondria*, and *White Shoes*, to explore themes of matrilineal memory, the Black female body, and the afterlives of slavery in urban spaces. Faustine’s photographs range from intimate depictions of young motherhood to defiant nude self-portraits that transform sites of erasure into counter-monuments of presence.
Nicolás Gómez Echeverri, director of the Unidad de Artes y Otras Colecciones at the Banco de la República de Colombia, reflects on the challenges facing museums in Iberoamérica in an interview published for International Museum Day. He oversees institutions including the Museo de Arte Miguel Urrutia (MAMU), the Museo Botero, and the Casa de Moneda. Gómez Echeverri describes the museum as a "radar" that captures decentralized artistic practices and integrates them into collective narratives, while emphasizing the need for mediation, public debate, and long-term cultural projects amid economic constraints and the pressures of digital immediacy.
Artist Jevon Brown, a Miamian of Bahamian, Jamaican, and Black Southern descent, discusses his multidisciplinary practice in an interview conducted in his Miami Beach apartment and studio. Brown works across textiles, silkscreen printing, fashion, and photography to explore cultural identity, belonging, queerness, and history. He describes how memories of Miami sunsets, family members like his uncle (a sneakerhead and hat collector), and ancestral references inform his creative process. Key works discussed include the "HAIREtage" series (2025), which uses materials like burlap and raffia to connect contemporary streetwear culture with African and Caribbean spirituality, and his inclusion in the exhibition "Material, Material World" at David Castillo Gallery.
Local artist Mirabela Varga's exhibition 'Coherence' is on display at Byron Spaces Gallery in the Byron Community Centre, featuring bright, textured artworks inspired by the landscapes and flowers of the Northern Rivers region. Varga, known for her palette knife technique and contemporary impressionism, aims to convey emotional depth and spontaneity through her work. The exhibition runs until June 1, with free entry.
North Figueroa Bookshop in Highland Park has partnered with Homeboy Art Academy to present an exhibition titled "Visualizing the Future" in the bookstore's expanded gallery space. The show features photography, cyanotype, and graphic arts by artists aged 18 to 25, including works depicting street scenes, landscapes, and portraits. The May 9 opening included music from Music Heals and food vendors, with artists and community members in attendance. The exhibition was curated by Sophia Cervantes, an artist and student at El Camino College, who aimed to provide a professional platform for young creators.
Southern Illinois University Carbondale's Sharp Museum is organizing a national juried exhibition titled "Spooks or Spoofs," centered on cryptid-themed art. The exhibition runs from August 11 to December 21, 2026, and welcomes all media except AI-generated images. Artists may submit up to three works, with a requested donation of $5–$10 per entry. The submission deadline is July 1, with jury results announced by July 14. The juror is Jeremy Efroymson, an artist, collector, and amateur cryptozoologist. The museum's curator of exhibits, T. Lance, highlighted local Illinois legends such as Bigfoot, the Big Muddy Monster, and the Enfield horror as inspiration.
Air de Paris, a highly influential Parisian gallery known for representing many of the most significant contemporary artists, has become one of the earliest supporters of Contemporary Art Daily's parent organization, Contemporary Art Library. The announcement, made by Contemporary Art Daily, highlights Air de Paris's pioneering role in elevating the gallerist's activities into a form of artistic expression, and positions the gallery as a model for the entire field.
The Westmoreland Museum of American Art in Greensburg, Pennsylvania, has opened a limited-edition exhibition titled 'Gilded Glamour,' showcasing works that explore opulence and decorative arts from the Gilded Age. The show features paintings, furniture, and decorative objects drawn from the museum's collection and select loans, highlighting the era's lavish aesthetic and cultural aspirations.
Cascadia Art Museum has undergone a transformation, offering visitors a completely renewed experience. The article highlights the museum's refreshed approach, though the full details are behind a paywall for subscribers.
The article examines how immersive digital exhibitions have transformed art viewing by the late 2020s, focusing on the Smithsonian Hirshhorn Museum's late-2025 survey "Big Things for Big Rooms" and the touring show "Picasso: Art in Motion" at the Museum of Art and Light. It notes that immersive exhibitions now encompass 360-degree projection mapping, AR overlays, and generative AI installations, and that they consistently outperform traditional exhibitions in attendance, especially among visitors under 35.
The article lists a work titled "Layers of Time (2026)" by artist Vahe Yeremyan as available for sale on the online art marketplace Artsy. No further details about the artwork, price, or context are provided in the brief listing.
The McNay Art Museum in San Antonio is hosting a free Family Day event on June 7, 2026, titled "Elements in Action." The afternoon features hands-on art activities, live performances, and family-friendly fun across the museum's grounds and galleries, coinciding with the spring banner exhibition "untitled: 20 Years of Collecting Contemporary Art." Admission to the museum and the exhibition is free for all attendees.
The article provides information on how to secure tickets to an exhibition featuring BTS leader RM at the San Francisco Museum of Modern Art (SFMOMA). The exhibition appears to be a notable event drawing significant public interest, likely due to RM's global fame as a K-pop star and his engagement with visual art.
The Art Shopping fair returns to the Carrousel du Louvre in Paris for its autumn edition, running from October 23 to 25, 2026. The 38th edition features over 300 artists and galleries from around the world, showcasing painting, sculpture, digital art, printmaking, street art, and photography. The fair attracts more than 10,000 visitors annually and offers a free admission weekend, with Friday reserved for invitation-only entry.
Avoncroft Museum of Historic Buildings in Worcestershire, UK, won the Permanent Exhibition of the Year category at the 2026 Museums + Heritage Awards for its exhibition 'Revealing the Hidden Stories of the Showmen Community'. The show centers on a 1910 showman's grand living wagon owned by Tom Clarke, and includes 38 historic fairground signs, swing boats, an oral history section with 25 showmen, and hand-painted signage by commercial fairground artist Amy Goodwin. The exhibition was developed by collections manager Steven Hearn, who discovered the wagon in 2022 and collaborated with the National Fairground and Circus Archive and the Fairground Heritage Trust.
The Plains Art Museum in Fargo, North Dakota, is preparing to break ground on a major renovation and expansion of its permanent collection facility, working with architecture firms Olson Kundig and JLG. The project will create an open storage concept design, adding a fourth gallery and allowing public access to the museum's basement collection storage, where over 6,000 artworks are housed. This follows the museum's history of adaptive reuse, having transformed a 1904 International Harvester warehouse into its main building in 1997 and adding the Katherine Kilbourne Burgum Center for Creativity in 2012.
Retired businessman and South Norfolk councillor Brendon Bernard and his wife, painter Barbara Bernard, are opening a new art gallery on Broad Street in Bungay, England. Their debut exhibition, titled "A Flying Start," will run from June 8 to June 27, featuring six artists working in painting, original prints, and sculpture, including Jackie Bell, formerly of the now-closed Bell Gallery. The building, over a century old, was once used for storage by American forces during WWII and later as a carpentry workshop; East Suffolk Council approved its conversion into a gallery in March.
A new exhibition at the Cahoon Museum of American Art in Cotuit, Massachusetts, titled "From Borough to Bay: A Legacy Illuminated," highlights the stories of seven Black families from Brooklyn who spent their summers in Osterville on Cape Cod during the 1960s and 1970s. Created by Cape Cod artist Dawn McKenzie, the show is on view through June 14, 2026.
The New Britain Museum of American Art (NBMAA) has appointed Lydia Holleck as its first Hamm Family Curatorial Fellow. This new full-time position is dedicated to researching, exhibiting, and engaging the public with artwork from the museum’s permanent collection that is currently in storage and rarely seen by visitors.
The 9th edition of Printemps Asiatique (Asian Spring) will take place from June 3 to 12, 2026, across Parisian galleries, museums, and auction houses. Modeled on New York’s Asia Week and London’s Asian Art, the festival features a shared calendar of exhibitions, tours, talks, and auctions, with nearly thirty galleries, ten museums and art venues, and thirteen auction houses participating. This year, Korea is the spotlight country, with dedicated exhibitions and artistic itineraries. Key venues include the Musée National des Arts Asiatiques - Guimet, Musée Cernuschi, Musée des Arts Décoratifs de Paris, and Musée du Louvre, alongside auction houses such as Christie's, Sotheby's, Bonhams, and others.
The Albrecht-Kemper Museum of Art in St. Joseph, Missouri, will host a retrospective exhibition titled "The Shape of the Prairie" for American landscape painter Keith Jacobshagen, opening May 16 and running through August 16. The show spans 50 years of Jacobshagen's career, featuring rarely exhibited sketchbook pages alongside finished oil and watercolor paintings that capture the skies and plains of his Nebraska home.
The Metropolitan Museum of Art has published an article titled "The Body Is Art." The content appears to focus on the human body as a subject within art, likely exploring representations and interpretations of the body in the museum's collection.
The Wildlife Photographer of the Year competition, now in its 61st year, has returned to Brighton Museum and Art Gallery on loan from the Natural History Museum. The exhibition runs from 9 May to 6 September and features over 60,000 entries from photographers across 113 countries and territories, judged anonymously on creativity, originality, and technical excellence.
The article reviews 'Costume Art,' an exhibition at the Metropolitan Museum of Art that explores the intersection of fashion and the human form. It examines how garments and accessories are presented as sculptural objects, highlighting the dialogue between clothing and the body through historical and contemporary pieces.
The Smithsonian’s National Museum of Asian Art in Washington, D.C., has opened "Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms," an exhibition featuring 48 paintings and colored drawings that trace the evolution of Pahari painting across three key periods between 1620 and 1830. The show highlights the genre’s ties to the region’s landscapes, courtly life, and devotional practices, with works created using opaque watercolors, beetle wings, and gold, many of which have not been publicly displayed before. The exhibition runs until July 26.
Nalini Sharma, an art patron and honorary member of the Museum of Fine Arts, Boston's Board of Advisors, discusses the museum's exhibition "Divine Color: Hindu Prints from Modern Bengal" in an exclusive video interview. The show, supported by Nalini and Raj Sharma, features nearly 40 vibrant lithographs and over 100 objects including prints, paintings, sculptures, and textiles, exploring Hindu devotional prints from 19th-century Calcutta (now Kolkata). It is the first U.S. exhibition devoted to these works, which were mass-produced using lithographic technology and deeply embedded in daily life across India and the diaspora.
The Art Museum of Southeast Texas is hosting a new exhibition focused on printmaking, highlighting the work of contemporary printmakers who are carving out a distinct space in the art world. The show brings together a range of techniques and styles, from traditional woodcuts to experimental mixed-media prints, demonstrating the enduring relevance and innovation within the medium.
Shelburne Museum will host a free community day on May 9, 2026, from 10 a.m. to 5 p.m., celebrating its 2026 season. The event features three new exhibitions: "Varied and Alive - New and Rarely Seen Treasures from the Collection" (19th to mid-20th century folk art, circus posters, textiles, and more), "On Point - Needlework from the Garthwaite Family Collection" (Vermont schoolgirl needlework and women's education), and "Big River - Ogden Pleissner in Wyoming" (sketches and paintings of the American West). Activities include curator-led tours, artmaking sessions, live music by Marie Hamilton, Owen Leavey, and Deja Nous, a seed swap, and garden talks. The day is organized in collaboration with the Vermont Community Foundation.