Gallery speaks out about AI row which 'overshadowed' art exhibition fundraiser

A Brighton art gallery, Indelible Fine Art Gallery, has spoken out after its charity exhibition featuring actor and artist Jake Wood—known for his role on EastEnders—was overshadowed by controversy over the use of AI-generated imagery. The exhibition, titled Icons, was designed to raise awareness and funds for Dementia UK, but criticism erupted on social media after Wood shared a portrait of David Attenborough that appeared to include AI-generated elements. Wood later clarified that two pieces in the show (portraits of Attenborough and Trump) incorporated AI-generated source material, though he did not create the AI imagery himself. He has since apologized and pledged to donate 100% of the exhibition's proceeds to Dementia UK.

Artist appointed, axed then reinstated from Venice Biennale triumphs

Khaled Sabsabi, a Lebanese Australian artist, presents his installation 'conference of one's self' at the Australia Pavilion of the Venice Biennale, alongside a second work 'khalil' in the main exhibition 'In Minor Keys' curated by Koyo Kouoh. His participation follows a tumultuous period in February 2025 when he was initially appointed to represent Australia, then controversially sacked by Creative Australia's board after a political dispute triggered by Senator Claire Chandler's comments, and later reinstated. Sabsabi is now one of only three artists in the Biennale's 131-year history to show in both a national pavilion and the main exhibition.

'Seeing, Again' at Tang Contemporary Art, Beijing, China on 16 May–27 Jun 2026

The article announces the exhibition 'Seeing, Again' at Tang Contemporary Art in Beijing, running from May 16 to June 27, 2026. The show features artists Melody Park, Goyoung, Vibeke Slyngstad, Ruo-Hsin Wu, Yasuhito Kawasaki, and Yoshikatsu Ikeuchi, whose works across painting and sculpture explore themes of perception, memory, and the recovery of Walter Benjamin's concept of 'aura' in an age of image saturation. The exhibition is structured as a continuous sensory reawakening, inviting viewers to slow down and engage with art beyond habitual consumption.

Artist Felipe Pantone's home is a 'permanent exhibition' - with its own indoor nightclub

Spanish-Argentinian contemporary artist Felipe Pantone, who never reveals his face to the public, opens the doors to his striking home 'Casa Axis' in Valencia, Spain. Originally built between 1972 and 1975 by architect Pascual Genovés and designer Antonio Segura, the property was known as the 'Revolving House' before Pantone renamed it. After a two-year renovation, the 7,000 sq m estate now includes an indoor swimming pool designed by the artist, a private tennis court, a dance club, and rooms filled with natural light. Pantone and his partner Victoria Fernández host artists from around the world at the home, which also served as a backdrop for Netflix's Black Mirror.

Fátima González Doesn’t Want You to Shy Away From Asking Your Art Questions

Fátima González, founder of Mexico City-based gallery Campeche, recounts her journey from working the front desk at Kurimanzutto to opening her own gallery. After earning a graduate degree at the School of Visual Arts in New York and returning to Kurimanzutto in sales, she left in February 2020, just before lockdown. During the pandemic, she planned her gallery, found a space in one day, and opened with a group show of all-women artists from Mexico City. Campeche is now making its Frieze New York debut.

Artist Murari Jha sculpts memory and home in his New Delhi exhibition

Artist Murari Jha presents *The Future of Nostalgia*, a solo exhibition at Nature Morte in New Delhi, running through May 17, 2026. The show features abstract sculptures in stone, bronze, wood, brass, aluminum, and synthetic putty that explore themes of home, migration, memory, and belonging. A live durational performance is scheduled for May 16, with Jha describing the gallery as a stage and his sculptures as performative objects. The works are deliberately untitled to invite viewers to become co-creators of meaning.

“Joseph Barrett: Views from his Lahaska Studio” to open at Silverman Gallery

The Silverman Gallery of Bucks County Impressionist Art in Holicong, Pennsylvania, will open a new exhibition titled “Joseph Barrett: Views from his Lahaska Studio” on May 16-17, 2025, with opening receptions featuring live jazz and refreshments. The show runs through June 20 and includes previously unseen works such as “View from My Window,” “Neshaminy,” and “County Theater in Snow,” alongside Barrett’s painting “Estate of Joseph Stanley,” recently returned from a two-year display at the U.S. Embassy in Kigali, Rwanda, as part of the State Department’s Art in Embassies program.

At 1-54 New York 2026, Afro-Brazilian art takes centre stage for the first time

The 1-54 Contemporary African Art Fair in New York (May 13–17, 2026) will debut a curated section titled '1-54 Presents: Brazil Beyond Brazil,' focusing exclusively on Afro-Brazilian art and artists. Organized by Brazilian curator Igor Simões, the section features works by ten Black Brazilian artists—including Ana Claudia Almeida, Rebeca Carapiá, and Rommulo Vieira Conceição—presented by leading Brazilian galleries such as Almeida & Dale, Fortes D’Aloia & Gabriel, Nara Roesler, and Aura. The initiative draws on archival research, reinterprets modernist legacies, and challenges narrow narratives around Afro-Brazilian art, highlighting the cultural links between Africa and Latin America.

Tuan Vu | Nhat Binh (2026) | Art & Prints

This article presents the artwork "Nhat Binh" (2026) by Vietnamese Canadian artist Tuan Vu, offered through Kristin Hjellegjerde Gallery. The painting, executed in oil and oil stick on linen, measures 35 2/5 × 29 1/2 inches and is a unique, hand-signed work accompanied by a certificate of authenticity. The listing includes details about the artist's background, his immigration to Canada as a refugee, his shift from engineering to full-time art practice in 2021, and his exhibition history including a solo show at Simard Bilodeau Contemporary in 2023 and subsequent shows in Berlin, London, New York, and across Canada.

Last chance to see exhibition showcasing amazing local talent as it draws to a close

Bolton Museum's Open Art Exhibition, featuring over 240 artworks by local artists and photographers, is closing on Sunday, March 17. The show includes paintings, photography, and sculptures from creators who live, work, or study in Bolton. Grand prize winner Richard Wood received £1,000 from the Mayor for his landscape 'Ghost Chimneys', while University of Greater Manchester student Olivia Edge won the Young Artist Award for her acrylic painting 'Rewilding'.

Exhibition | 'New Voices in Paris Now: Between Memory and Matter' at Alisan Fine Arts, Alisan Atelier, Hong Kong

Alisan Fine Arts is presenting 'New Voices in Paris Now: Between Memory and Matter' at Alisan Atelier in Hong Kong as part of its 45th anniversary programme. The exhibition features four contemporary Chinese artists—Li Donglu, Qi Zhuo, Shi Qi, and Yao Qingmei—who currently live and work in Paris. Each artist explores themes of memory, cultural identity, and material transformation through diverse media including oil painting, eroded film, paper reliefs, and blown-glass sculptures. The show runs parallel to 'The Chinese Avant-Garde in Paris' at the gallery's Central location, both part of the French May Arts Festival.

In an Ozempic-Suffused Scene, Brontez Purnell Embraces Being a ‘Fake Skinny Bitch’

Brontez Purnell, in a personal essay for Cultured's "Indulgence" issue, reflects on gluttony and his experience with weight-loss drugs. After a diabetes diagnosis, he began taking Mounjaro in 2024, losing 64 pounds in a month, then switched to Ozempic after losing insurance. He grapples with body dysmorphia, shifting gay beauty standards, and the moral implications of using GLP-1s, ultimately questioning whether Ozempic is a form of "elevated anti-gluttony."

A New Photo Book Sketches a New History of Queer Nightlife—and Where It Might Go Next

Amelia Abraham's new photo book, *Sex, Clubs, Dissent: Visualising Queer Nightlife* (MACK, 2026), compiles decades of queer nightlife photography by image-makers including Lola Flash, Wolfgang Tillmans, Lyle Ashton Harris, Susan Kravitz, and Mohamad Abdouni. The volume pairs these images with essays and conversations by Legacy Russell, McKenzie Wark, and Brontez Purnell, exploring themes of visibility, risk, and community in spaces from saunas to drag shows to campgrounds. Abraham discusses the book with Cultured, drawing parallels between the camera's lens and the club as vehicles for self-expression and documentation.

560 Guests, $3 Million, and a Seven-Foot-Tall Cake: Inside MOCA’s Biggest Party of the Year

On Monday night in Los Angeles, the Museum of Contemporary Art (MOCA) hosted its annual gala at the Geffen Contemporary, raising over $3 million for exhibitions, operations, and educational programming. The event honored three figures central to MOCA's legacy: artist Kara Walker, who co-organized the museum's landmark 'Monuments' show; Los Angeles artist Paul McCarthy; and longtime trustee Eugenio López Alonso. Conceived by artist Piero Golia, the evening featured artistic interventions, performances, and immersive gallery activations, with a seven-foot-tall cake serving as a centerpiece. Guests included artists Alex Israel, Lauren Halsey, Catherine Opie, and Barbara Kruger, as well as actors Keanu Reeves and Ava DuVernay, among others.

Take a Sneak Peek at Nick Cave and Marie Watt’s Obama Presidential Center Commission

Nick Cave and Marie Watt have collaborated on a multimedia textile installation commissioned for the Obama Presidential Center in Chicago's Jackson Park, set to open on Juneteenth. The piece, assembled in February, will be installed in the Center's lobby alongside works by Jenny Holzer, Jack Pierson, Kiki Smith, and Idris Khan. Virginia Shore, an independent advisor and curator, spearheaded the commissions, and Louise Bernard serves as the founding director of the Center's museum.

Notre-Dame: The Lie About Respecting Viollet-le-Duc's Light

Notre-Dame : le mensonge sur le respect de la lumière de Viollet-le-Duc

The article criticizes the planned replacement of the stained-glass windows in Notre-Dame Cathedral, designed by Claire Tabouret, arguing that the public establishment behind the project has made false claims about respecting the original light and colors of Eugène Viollet-le-Duc's 19th-century windows. The author compares the existing and proposed windows baie by baie, asserting that the new designs do not match the chromatic balance or light quality, and calls the official justification a lie. It also highlights two additional alleged falsehoods: that the law for Notre-Dame's restoration deliberately omitted the Venice Charter (when the culture minister said it was unnecessary because the charter was already binding), and that the National Commission for Heritage and Architecture had approved the window replacement (which the author claims is contradicted by the commission's own minutes and multiple members).

These Four Filmmakers Have Never Fully Gotten Their Due. The Kitchen Wants To Change That.

The Kitchen, a New York nonprofit arts organization, held its annual spring gala at City Winery to honor four female filmmakers: Cheryl Dunye, Garrett Bradley, Shari Frilot, and Catherine Gund. The event was co-chaired by prominent figures including Ava DuVernay, Julie Mehretu, and Komal Shah, and featured performances, remarks, and a crowd of artists, curators, and collectors. The gala celebrated the filmmakers' contributions to cinema, with special recognition of their work in expanding representation and narrative boundaries.

Hubert Robert & Fragonard. Le sentiment de la nature

The Musée d'art et d'archéologie in Valence, France, is presenting an exhibition titled "Hubert Robert & Fragonard. Le sentiment de la nature" from March 7 to June 21, 2026. The show traces the artistic friendship between Hubert Robert and Jean-Honoré Fragonard, who met as young French artists sketching in the ruins of Rome under the guidance of Charles-Joseph Natoire. It features works from the museum's renowned collection of sanguine drawings, notably those from the foundational bequest of Julien Victor Veyrenc (1835-1836), and includes new attributions proposed by curator Sarah Catala, a graduate conservator from the Institut National du Patrimoine.

Step Aboard the Superyacht Circling This Year’s Cannes Film Festival

Over the weekend of the Cannes Film Festival, director Ron Howard premiered his documentary *Avedon*, which traces photographer Richard Avedon's rise from a working-class Jewish immigrant background to a defining chronicler of American culture. The film received a second life aboard the Renaissance superyacht with a party hosted by editor Graydon Carter, Ancient chairman and CEO Alexander Klabin, and Burgess chief executive John Beckett. Guests included actors Natasha Lyonne and Rosemarie Dewitt, photographer Jean Pigozzi, model Eddie Mitsou, Avedon's grandchildren Michael, Matthew, and Caroline Avedon, and producers Courtney Kivowitz, Sara Bernstein, Darcie Reisler, Dallas Rexer, Chris St. John, and Justin Wilkes. The after-hours cocktail allowed attendees to relive the film's most impactful scenes while mingling with the producers and the photographer's family.

What Does the Future Hold for Female Collectors? We Got a Sneak Peek.

CULTURED Editor-in-Chief Sarah Harrelson hosted a panel discussion at Christie’s Rockefeller Center with collectors Tiffany Zabludowicz, Sophia Cohen, and Victoria Rogers, exploring the evolving role of women in the art market. The event coincided with Christie’s Marquee Week sales, which included a record-breaking $1.1 billion night, and featured works from the collections of legendary female patrons such as Agnes Gund, Marian Goodman, Lorinda de Roulet, and Marilyn Arison. Guests viewed masterpieces on display and received remarks from Christie’s Senior Vice President Isabella Lauria, who is leading the 21st Century Sale on May 20.

The LA Art World’s New Obsession Is a Theater Where Artists Run the Show

Calla Henkel and Max Pitegoff, former artistic directors of Berlin's Grüner Salon, launched New Theater Hollywood in 2024 as a nonprofit venue on Santa Monica Boulevard. The 49-seat theater specializes in genre-defying, multidisciplinary collaborations, staging works like Sophie Becker's ventriloquist act *Ronnie's Big Idea* and Diamond Stingily's *The Driver*. Every performance sells out, attracting a cult following of literary, art world, and pop culture figures who often linger to discuss shows.

L'invité de La Tribune de l'Art n° 28 : Gérard Audinet

Gérard Audinet, director of the Maison de Victor Hugo in Paris, is retiring. In a new podcast episode of "L'invité de La Tribune de l'Art," he discusses the history of the museum, its collections, the Maison de Victor Hugo in Guernsey, and the acquisitions and exhibitions he oversaw during his tenure.

Allegories: Marked by Memory

American artist Vaughn Spann presents 'Allegories', a solo exhibition at the Tampa Museum of Art featuring four monumental works from his 'Marked Men' series. The show runs until 5 July 2026 and uses abstraction, specifically a recurring X motif, to explore themes of race, surveillance, and collective memory, drawing from Spann's personal experiences of racial profiling.

Ecuador Pavilion: Tawna & Oscar

The article reviews the Ecuador Pavilion at the Venice Biennale, featuring the collaborative work of Tawna & Oscar, specifically the video piece 'Llaki' (2026) by the Tawana Collective. The author describes the pavilion as an emotionally explosive experience that accumulates memory, grief, tenderness, and politics rather than offering a conventional explanatory exhibition. The review highlights how the film resists Western narrative structures, instead inviting viewers to listen and feel its atmosphere, much like rain on different surfaces.

THE MERCHANT OF VENUES

The article is a scathing critique of the Venice Biennale, describing it as a morally bankrupt spectacle where spectacle, sponsorship, and political theatre overshadow the art itself. The author, writing as an audio technician for ART AFRICA, observes the exhaustion, humiliation, and performative activism that pervade the event, with superyachts, branded tote bags, and luxury-sponsored panels replacing genuine engagement. The piece highlights how artists are processed like luggage, cultures are commodified, and the Biennale functions as a "floating tax haven for cultural capital" rather than a meaningful exhibition.

What the Water Refuses to Forget: Nuits Balnéaires and the Poetics of Ancestral Return

Ivorian artist Nuits Balnéaires presents 'Eboro', a solo exhibition at the Fondation Henri Cartier-Bresson in Paris, running until 4 October 2026. The show blends photography, installation, fashion, and archival elements to explore memory, mythology, and family history, centered on the unresolved death of the artist's uncle, journalist and playwright Noël X. Ebony, in Dakar in 1986. Produced through the Fondation d’entreprise Hermès’ Latitudes programme, the exhibition draws on Akan, Agni-Bona, and Malinké cosmologies, treating remembrance as a porous, spiritual condition shaped by oceans, dreams, and ancestral echoes.

CLAUDIA JOSKOWICZ: “BOLIVIA IS A LANDSCAPE I UNDERSTAND INSTINCTIVELY”

CLAUDIA JOSKOWICZ: “BOLIVIA ES UN PAISAJE QUE COMPRENDO INSTINTIVAMENTE”

Claudia Joskowicz, a Bolivian visual artist with a 26-year career, discusses her recent exhibition "Artificios" at the Centro Cultural de España in La Paz. In this interview, she explores how myth, memory, and history intersect in the construction of the Santa Cruz imaginary, drawing on intimate memories, popular stories, and episodes linked to drug trafficking in 1980s tropical Bolivia. Joskowicz, who works across video and photography, describes her practice as a pedagogy of territory—a way to understand her country by revealing hidden tensions beneath official history.

Ex-Votos of Disobedience: Débora Arango in Dialogue with Alfonso Quijano

EXVOTOS DE LA DESOBEDIENCIA: DÉBORA ARANGO EN DIÁLOGO CON ALFONSO QUIJANO

The exhibition "Exvotos de la desobediencia: Débora Arango en diálogo con Alfonso Quijano" at the Claustro de San Agustín of the Universidad Nacional de Colombia, curated by María Belén Sáez de Ibarra, brings together paintings and watercolors by Débora Arango (born 1907) alongside woodcuts by Alfonso Quijano (born 1927). The show proposes a dialogue that addresses persistent violence, inequality, and exclusion in contemporary life, with sacred symbols coexisting with bodies marked by desire, guilt, hunger, and resistance. Arango's work is presented as one of the earliest and most radical expressions of feminism in Latin American art, challenging patriarchal structures that have historically marginalized women and their images from public spaces.

Professor at School of the Art Institute of Chicago Under Investigation for Referencing Palestine

Savneet Talwar, a tenured art therapy professor at the School of the Art Institute of Chicago (SAIC), has been suspended and is under investigation after assigning a graduate-level case study that mentioned Palestine. The assignment, for a course titled “Cultural Dimensions of Therapy,” asked students to develop a treatment plan for a hypothetical queer Muslim woman whose background included sympathy for the Palestinian cause. Following a student complaint, Talwar was placed on paid leave and warned that the assignment could constitute discrimination, harassment, or retaliation. Talwar has rejected the claims, and her attorney has filed a formal grievance arguing the suspension itself is discriminatory.

Artists create Fifa World Cup posters denouncing presence of US immigration agents

Artists from ten of the eleven US host cities for the 2026 FIFA World Cup have created posters for the 'No Ice in the Cup' initiative, launched on May 6 by the Horizons Project. The campaign aims to protest the potential presence of US Immigration and Customs Enforcement (ICE) agents at World Cup matches, using art to mobilize public opposition and protect vulnerable immigrant communities. Each poster incorporates locally relevant themes, with designs by artists including Chris Stewart (Los Angeles), Hana Natsuhara (Seattle), Johann C. Muñoz-Tapasco (Miami), and Cristy Road Carrera (New York). The posters are free to download and remix from the campaign's website.