The annual Artexpo New York returns to the city's cultural calendar this week, serving as a major highlight among a diverse array of local events. The fair joins other significant spring activations including the New Directors/New Films festival at Lincoln Center and MoMA, the Big Umbrella Festival, and the seasonal reopening of major outdoor markets like Smorgasburg.
The Los Angeles-based collective Diva Corp is challenging traditional art world hierarchies through a series of provocative interventions and exhibitions. Their recent solo show at Pio Pico, titled 'The Meeting,' gained notoriety for requiring visitors to surrender their phones before viewing a single painting, 'Untitled (Young adults are having less sex than ever), 2026.' This practice, alongside performances designed to circulate through digital retelling and social rumor, highlights the group's focus on the 'afterlife' of an artwork and the social friction it generates.
John Stomberg, the director of Dartmouth College's Hood Museum of Art, has announced his retirement after leading the institution for over a decade. His tenure, which began in 2013, marks the longest directorship in the museum's history.
Pittsburgh’s art scene is preparing for a busy spring season with a diverse array of exhibitions opening across the city’s galleries and public spaces. Highlights include Hugh Watkins’ multi-disciplinary retrospective at Christine Fréchard Gallery, Dale Lewis’s massive "Scraposaurs" sculptures made from recycled metal at the Pittsburgh Botanic Garden, and a unique exhibition of hand-painted baseballs by the late umpire George Sosnak. These shows serve as a creative prelude to major upcoming regional events like the 59th Carnegie International and the Three Rivers Arts Festival.
Toyota Tsusho Corporation and its subsidiary CFAO SAS have announced the five inaugural winners of the Toyota Tsusho CFAO African Art Award. Zimbabwean mixed-media artist Moffat Takadiwa received the Grand Prize, while Gosette Lubondo and Unathi Mkonto were honored with Distinguished Awards. The selection process involved 35 international art professionals who nominated 100 artists, eventually narrowing the field to 12 finalists before selecting the five winners across various categories including painting and photography.
The UCF Art Gallery has debuted "The Rooms We Build," the 2026 Master of Fine Arts thesis exhibition featuring the work of six graduating studio art and design students. The showcase includes a diverse array of mediums such as sculpture, welding, woodworking, digital animation, and collaborative murals. Each artist presents a distinct "universe," ranging from explorations of queer masculinity and Jungian archetypes to the intersection of digital fandoms and traditional painting.
Acclaimed Canadian abstract artist Julia Dault is shifting her focus from the international blue-chip art circuit toward community-based engagement. Following a period of personal reflection, Dault established Hot Pizza, a community art studio in Toronto dedicated to the motto "art for everyone," while simultaneously debuting her latest solo exhibition, "Primary Information," at Bradley Ertaskiran in Montreal.
Newcastle Art Gallery has officially reopened following a A$47 million ($33 million) expansion that more than doubles its exhibition space. The redevelopment, designed by Clare Design and Smith and Tzannes Architects, transforms the venue into the largest public art institution in New South Wales outside of Sydney. The opening is celebrated with the exhibition "Iconic Loved Unexpected," featuring 500 works from a permanent collection of 7,000 pieces, including significant Japanese ceramics and works by artists such as Auguste Rodin and Emily Kam Kngwarray.
Pittsburgh’s art scene is set for a diverse series of openings this March, ranging from historical sports photography to contemporary textile art. Highlights include Michael Zagaris’s 60-year retrospective of NFL photography at the Western Pennsylvania Sports Museum, the first U.S. solo exhibition for English photographer Ajamu X at Silver Eye Center for Photography, and solo shows by Nicole Renee Ryan and Abby Franzen-Sheehan. The month also features collaborative exhibitions like "What We Carry," which pairs Penny Mateer’s political quilts with Dante Campudoni’s psychological paintings.
Major museums across the United States are launching significant exhibitions in 2026, including retrospectives of Frida Kahlo in Houston and Nick Cave in Washington, D.C., and a landmark show on sculptor Edmonia Lewis in Salem. These shows are part of a broader cultural moment, with many institutions mounting exhibitions to coincide with the nation's 250th anniversary, aiming to reframe art historical narratives and highlight previously overlooked artists.
A German scholar, Christof Metzger, has published a new catalogue raisonné claiming that a portrait of Albrecht Dürer's father held by London's National Gallery is an authentic work by the master, painted in 1497. This directly challenges the gallery's long-standing position that the painting is a later copy made after a lost original.
This article is a curated guide to ten art exhibitions taking place across Upstate New York in February. It highlights a diverse range of shows, including Kim Tateo's abstract paintings at Context Collective, Barbara Todd's politically charged textile works at Opalka Gallery, Michael Salomon's photographic landscapes, and group shows celebrating creative courage and Hudson Valley artists. Other featured exhibitions include Sita Gómez's paintings of women at Hudson Hall and photography shows by Ocean Vuong and Nona Faustine at the Center for Photography at Woodstock.
The Louisiana Museum of Modern Art in Denmark is opening "Basquiat: Headstrong," the first comprehensive exhibition dedicated to Jean-Michel Basquiat's depictions of the human head, focusing on works from 1981 to 1983. These early drawings on paper, many made with oil sticks and bearing traces of studio debris, were largely hidden in his studio during his lifetime and only reached a wider audience after his death, notably through a 1990 show at Robert Miller Gallery in New York. The exhibition includes a single painting, Untitled (1982), which sold for $110.5 million at Sotheby's in 2017.
Gathie Falk, the acclaimed Canadian artist known for her six-decade practice spanning Surrealist paintings, hand-fashioned ceramics, sculptural installations, and performance, died at her home in Vancouver on 22 December at age 97. Her work transformed everyday objects—glazed ceramic apples, cabbages, shoes, and watermelons—into jewel-like sculptures and installations, with notable series including "Picnics" (1976-77), "Cement With Poppies" (1982), and "55 Oranges" (1969-70). Born in rural Manitoba in 1928 to Mennonite refugees, Falk initially pursued music before turning to art at age 37, studying ceramics with Glenn Lewis and developing a practice rooted in what she called a "veneration of the ordinary."
Beatriz González, the influential Colombian artist, writer, curator, educator, and intellectual known as 'la maestra,' died in Bogotá on January 9 at age 93. Born in 1932 in Bucaramanga, she studied architecture and fine arts before forging a distinctive path in Colombian art, rejecting abstraction and the style of her contemporary Fernando Botero. Her work, including the series 'Suicidas del Sisga' (1965) and 'La Encajera,' reinterpreted Western artworks and local press photographs with flat forms and vibrant colors, often incorporating kitsch and subaltern aesthetics. She was a key figure in the Museo de Arte Moderno de Bogotá (Mambo), envisioned a school for museum guides, served as chief curator of the Museo Nacional de Colombia, and mentored generations of museum professionals.
The Newport Art Museum is reviving its Members Annual Juried Exhibition, titled "Springboard," on January 22, after discontinuing the tradition years ago. The show features 140 works by 112 artists, including local Newport figures like brothers Rupert and Sandy Nesbitt, Natasha Harrison, and James Baker, as well as international participants such as Salvadoran artist Oscar Molina, who will represent his country at the 2026 Venice Biennale. The museum is also launching a companion watercolor exhibition by longtime member Pamela Granbery and inaugurating its 97-year-old Winter Speakers Series on January 24 with stone carver Nick Benson.
Kathleen Goncharov, an artist and curator who worked at influential US organizations including Just Above Midtown and Creative Time, died on 31 December at age 73. She most recently served as senior curator at the Boca Raton Museum of Art from 2012 until her retirement in 2024, and previously held positions at the Nasher Museum of Art at Duke University, the MIT List Visual Arts Center, and the New School. Goncharov also served as commissioner of the US Pavilion at the 2003 Venice Biennale, curating Fred Wilson's solo project. She had a solo exhibition of her abstract paintings at Olympia gallery in New York in 2022.
The article surveys five notable art exhibitions opening in the Hudson Valley region in January 2026, each exploring how artists connect to place, time, and memory. Shows include "Earth Endures, Stars Abide" at Carrie Haddad Gallery, featuring five painters interpreting local landscapes; "Notes from Here" at O+ Exchange, presenting intimate works by 15 O+ artists; "Wish You Were Here" at the Tremaine Art Gallery, pairing Fern Apfel and Colleen McGuire in a meditation on memory and observation; and "Connecting Emergence" at Lace Mill Galleries, showcasing Paul Keskey's layered oil paintings of nature and imagination.
India's art market experienced a major resurgence in 2025, driven by record auction sales for modernists like M.F. Husain, Tyeb Mehta, and V.S. Gaitonde. Husain's 'Gram Yatra' became the first Indian painting to sell for over USD 10 million, setting a new benchmark. The boom is fueled by India's strong economy, rising private wealth, digital platforms, and increased global recognition. The India Art Fair in Delhi and the launch of India Art Fair Contemporary in Mumbai highlighted strong sales, with galleries selling 90% of their stands on preview day. A reduction in India's goods and services tax on art from 12% to 5% further boosted the market, while independent reports estimate Indian art auctions reached Rs 2,456.7 crore, up over 20% from the previous year.
Newcastle Art Gallery will celebrate its landmark reopening on February 27, 2026, with a street party and temporary sculpture park on Laman Street, followed by a three-day opening weekend. The event launches the major exhibition "Iconic Loved Unexpected" on February 28. The expansion, the largest capital works project in City of Newcastle's history, adds 1,600 square meters of exhibition space and 13 galleries, making it the largest public art institution in New South Wales outside Sydney. The project was funded through 16 years of fundraising and perseverance.
This article presents a year-end roundup of the top art shows in New Jersey during 2025, curated by a Hudson County-based arts writer. The author highlights a concentration of exceptional exhibitions in Essex County, particularly in Montclair, while also noting strong shows at institutions like the Zimmerli Art Museum, Princeton University, the Morris Museum, and the Hunterdon Art Museum. Specific shows featured include "Jake Troyli: Fine Line" at Project for Empty Space in Newark and "Salvador Jiménez-Flores: Raíces & Resistencias" at Grounds For Sculpture in Hamilton, with detailed descriptions of their themes and artistic impact.
Maxwell Rabb's article highlights five standout exhibitions at small galleries in December 2025, featuring artists Marco Emmanuele at LABS Contemporary Art in Bologna, Anuk Rocha at Nibelungen Gallery in Antwerp, and a group show titled "The Beautyful Ones" at DADA Gallery in Lagos, among others. Emmanuele uses a spatula and glass-sand mixtures for textured paintings, while Rocha's figurative works focus on clothing as identity markers, and the Lagos show presents Black artists' visions of a hopeful future.
The fifth edition of 'Forever is Now' has transformed the Giza Plateau in Cairo into an open-air gallery, featuring 10 large-scale contemporary art installations by international artists. Running until December 6, the exhibition is organized by the cultural platform Art D’Egypte and invites artists to explore the theme of immortality, sparking a dialogue between ancient Egyptian heritage and contemporary art. Notable participants include 92-year-old Nobel Peace Prize nominee Michelangelo Pistoletto, Portuguese artist Vhils (Alexandre Farto), US-based Alex Proba, the Russian Recycle Group, Lebanese artist Nadim Karam, Franco-Beninese ceramicist King Houdekpinkou, and Turkish sculptor Mert Ege Köse, among others.
The second week of November 2025 marks Lagos Art Week, featuring the 10th edition of Art X Lagos, West Africa’s leading international art fair, and the 15th edition of Lagos Photo Festival, now a biennial. A new symposium, Re: assemblages, hosted by the Alliance Française de Lagos and organized by the Guest Artists Space and Yinka Shonibare Foundations, brought together cultural practitioners from across Africa and the diaspora to discuss African and Afro-diasporic art archives. Key takeaways include the importance of archives as living tools for shaping the future, concerns about restricted access to the archives of late curators Okwui Enwezor and Bisi Silva, and the need for restitution efforts to incorporate African knowledge systems and language, not just the return of objects.
Art Week Tokyo is underway, and this article highlights five must-see exhibitions across the city. Featured shows include Phung-Tien Phan's debut solo exhibition in Japan at Misako & Rosen, where she presents fabric-wrapped sculptures made from found objects; ChimPom from Smappa! Group's environmental-themed show "A Hole Within a Hole Within a Hole" at Anomaly; the group exhibition "The Clearing" at space Un, organized by curator Ekow Eshun, featuring five emerging African diaspora artists; the "Jam Session" pairing new works by Chikako Yamashiro and Lieko Shiga with the Ishibashi Foundation Collection at Artizon Museum; and Eiki Mori's photographic series "Moonbow Flags" at Ken Nakahashi gallery.
Art Toronto's 2025 edition, running until October 26 at the Metro Toronto Convention Centre, features Indigenous art prominently across more than half of its 121 exhibitors. The fair includes a new Latin American section, Arte Sur, curated by Karen Huber, showcasing artists like Natalia Montoya and Sheroanawe Hakihiiwe. Canadian galleries such as Feheley Fine Arts, Ceremonial Art, Fazakas Gallery, and Patel Brown highlight Indigenous artists, with works ranging from beadwork and performance to mixed-media pieces that challenge stereotypes. Notable presentations include Jordan Bennett's reworked motorcycle and Nadia Myre's ceramic beadwork landscapes.
Two masked thieves stole ten pieces of 19th-century royal and imperial jewelry from the Louvre in Paris on 19 October, using a goods lift and grinders to break into the Apollo Gallery. They escaped on scooters after seven minutes, leaving behind a broken crown and tools, while an employee prevented a fire. The stolen items include a diamond brooch and diadem belonging to Empress Eugénie, and a royal emerald necklace.
Frieze London's Focus section, dedicated to galleries aged 12 years or younger, features six standout booths showcasing diverse materials and themes. Artists include Alex Margo Arden (with mannequins from the National Motor Museum), Luís Lázaro Matos (a queer myth of a stranded beluga whale), Rim Park (plant anatomy reliefs and etchings), Lara Fluxà (precarious glass and tar sculptures), and Delaine Le Bas (calico fabric works with protest messages). The section is noted for its variety beyond painting, with climate breakdown emerging as a recurring theme among younger artists.
The HOPE Outdoor Gallery, a beloved open-air graffiti art space in Austin, is preparing to reopen after six years of closure. Founder Andi Scull announced that the new site, located on an 8-acre plot near Austin-Bergstrom International Airport, is purpose-built with four distinct sectors including a courtyard, a roofless circular structure, a garden, and a village of shipping containers. The layout is designed to spell out "HOPE" when viewed from planes landing or departing. The original location on Baylor Street closed in 2018, and the team has been working since then to secure a new home, with the goal of opening before the end of the year, pending permits.
Dame Tracey Emin will present a major retrospective titled 'Tracey Emin: A Second Life' at Tate Modern in London, running from February to August 2026. The exhibition spans 40 years of her career, featuring iconic works like the Turner Prize-nominated 'My Bed' alongside never-before-exhibited pieces across painting, video, textiles, neons, writing, sculpture, and installation. Emin, who rose to prominence in the 1990s, has recently been appointed Dame Commander of the British Empire and continues to invest in artist spaces in Margate.