Impressively harmonious artistic manifesto propels Storywork: The Prints of Marie Watt from the Collections of Jordan D. Schnitzer and His Family Foundation exhibition at the Utah Museum of Fine Arts

The Utah Museum of Fine Arts (UMFA) is hosting "Storywork: The Prints of Marie Watt from the Collections of Jordan D. Schnitzer and His Family Foundation," an exhibition running through June 21. It features over 60 works by Marie Watt, an enrolled member of the Seneca Nation's Turtle Clan, including prints, monumental blanket stacks, hanging textiles, and small-scale sculptures. The show is drawn from the collections of Jordan D. Schnitzer, a top 200 collector recognized by ARTNews, whose foundation has supported more than 180 exhibitions and loaned works to over 130 museums at no cost.

In an exhibition in Naples it is possible to get lost without urgency in an unstable balance. The review

In una mostra a Napoli è possibile perdersi senza urgenza in un equilibrio instabile. La recensione

The exhibition "A Gentle Collapse," curated by Marta Ferrara at Andrea Nuovo Home Gallery in Naples, explores the contemporary psychic state through a spatial and perceptual construction. Featuring works in photography, painting, engraving, and installation, the show creates a sense of instability, with meaning emerging gradually through shifts between familiar and altered forms. Artists include Dorottya Vékony, Matteo Silverii, Flora Villaumié, and Zoë Pelikan, whose works engage with themes of genetic engineering, serial accumulation, and subtle disorientation across two gallery levels.

At the 2026 Venice Biennale, Spain transforms its Pavilion into a museum of accumulation with artist Oriol Vilanova

Alla Biennale Arte 2026 la Spagna trasforma il suo Padiglione in museo dell’accumulo con l’artista Oriol Vilanova

Spain has announced its participation in the 61st Venice Biennale Arte 2026, selecting Catalan artist Oriol Vilanova to represent the country in its newly renovated national pavilion. The project, titled "Los restos," transforms the pavilion into a pseudo-museum of accumulation, featuring Vilanova's vast personal archive of postcards collected over twenty years from flea markets and secondhand circuits. The installation presents these ephemeral fragments as an infinite, non-narrative mural, exploring themes of accumulation and loss. Curated by Carles Guerra, the project also includes a performative intervention titled "Il fantasma della libertà" (2026), which will unfold across the Giardini and Arsenale during the Biennale.