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Remembering Pat Steir, one of the 20th century’s late-blooming great artists

Pat Steir, the acclaimed American painter known for her Waterfall series, died in Manhattan on 25 March at age 87. The article traces her career from early struggles as a freelance illustrator and art director, through her transformative encounter with Sol LeWitt in the early 1970s, to her eventual emergence as a major figure in contemporary painting. It highlights her teaching at CalArts and Parsons, her involvement with feminist and artist-run institutions like Heresies and Printed Matter, and the pivotal moment in the early 1980s when she cut up a reproduction of a Jan Brueghel the Elder flower painting into 64 panels, repainting each in a different historical style.

The 61st Venice Biennale: 'artists who confront difficult realities in unusual ways' at Palazzo Grassi and the Punta della Dogana

Curators Emma Lavigne and Jean-Marie Gallais have organized exhibitions for the Pinault Collection at Palazzo Grassi and Punta della Dogana during the 61st Venice Biennale, featuring artists Lorna Simpson, Paulo Nazareth, Michael Armitage, and Amar Kanwar. The shows respond to global tensions, with Nazareth using salt to trace a ghost ship referencing the slave trade, and Simpson creating nocturnal paintings and collages from Ebony and Jet magazines that explore identity and history. The exhibitions are part of the Biennale's broader global outlook, engaging with Venice's mercantile past and contemporary migration routes.

What you want from your body? Antony Gormley, iron and crawling

British sculptor Antony Gormley discusses his solo exhibition "What Holds Us" at Galleria Continua in San Gimignano, on view from 9 May to 13 September 2026. The show transforms the gallery's former cinema-theatre into an interactive environment where visitors are invited to crawl through massive cardboard bodies, exploring interior spaces and shifting from passive spectatorship to bodily engagement. Gormley explains that the title connects "hold" and "whole," suggesting that being held—by the ground, the womb, or the body—is essential for growth and wholeness.

Can Raising Children Make You a Better Artist? Four Artist Mothers Weigh In.

Four artist mothers—Hope Atherton, Jessi Reaves, Sam Moyer, and Sarah Morris—share candid reflections on how raising children has shaped their art practices. They discuss fractured time, heightened decisiveness, evolving rituals like bedtime reading, and the guilt and power that accompany balancing motherhood with studio work. Atherton describes a new sense of urgency and efficiency, while Reaves and others offer personal anecdotes about the interplay between caregiving and creativity.

Three artists, three questions: Immersed in colors

Three Israeli artists—Vera Kunis, Avraham Kan, and Tal Tenne Czaczkes—are featured in a column exploring their use of color amid the ongoing war with Iran. Kunis, a data engineer and artist, opened her first solo exhibition, "Imagination Algorithm," at the Global Art Gallery in Tel Aviv on March 10, 2026, during the conflict. The interview was conducted remotely due to war conditions, with a siren interrupting the conversation. The artists discuss their inspirations, definitions of art, and what makes their work unique, emphasizing resilience and optimism through color.

Retrospective exhibition honors artist Luo Yi - China Daily

A retrospective exhibition titled "Imprints of History — A Retrospective Exhibition of Luo Yi's Works" opened on Thursday at the art museum of Minzu University of China in Beijing. The show features over 100 paintings by Luo Yi, a veteran fine arts professor at the university and a pioneer of higher education in ethnic groups' fine arts in China. The exhibition systematically presents his artistic achievements and academic lineage, including works in oil, gouache, ink, and color, spanning his 70-plus-year career.

Venue of National Centre for Contemporary Arts on Niakrasava Street to Cease Exhibition Activities in June

The National Centre for Contemporary Arts (NCCA) in Minsk, Belarus, has announced that its venue on Niakrasava Street will cease exhibition activities from June 22, 2026. The institution is set to be liquidated, with its premises and collections transferred to the National Art Museum, while the Niakrasava Street space will be taken over by the Belarusian State Academy of Arts. The closure is linked to the newly appointed chairman of the Union of Artists, Andrei Vasileuski, and reportedly supported by the Culture Ministry.

Tableau Exhibition Marks the 130th Anniversary of the Opening of Hall of Art

The Hungarian Academy of Arts (MMA) and the Hall of Art (Műcsarnok) have opened an outdoor panel exhibition in front of the Műcsarnok building on Bajza Street to celebrate the 130th anniversary of the institution's opening. Designed by Albert Schickedanz, the building was completed in 1896 for the Millennium alongside Heroes' Square and the Museum of Fine Arts. The exhibition, which will be on view until November 22, looks back on the Műcsarnok's 130-year history, and a fall anniversary exhibition is also planned.