A new installation by artist Cannupa Hanska Luger at the 2026 Biennale of Sydney features seven ceramic dingo skulls with whistles that create a howling sound. The work, titled "Volume III White Bay Power Station," was created before the artist learned of the death of a Canadian backpacker, Piper James, on K'gari (Fraser Island), a ruling for which found she drowned after a dingo attack.
Gabriel Chaile's adobe sculptures are currently on view at Marianne Boesky Gallery in New York, as part of a world tour that has seen his work exhibited across multiple continents. The artist, who draws inspiration from pre-Columbian communities in northwest Argentina, creates towering, creature-like forms coated in adobe that leave dust everywhere during installation. His career has expanded rapidly since his inclusion in Cecilia Alemani's 2022 Venice Biennale, with recent commissions in Montana, Uruguay, Spain, Saudi Arabia, and Berlin, and an upcoming participation in the Biennale of Sydney.
The Fine Arts Museums of San Francisco (FAMSF) will host the 2025 Museums of Tomorrow Roundtable (MTR) from May 11-17, bringing together 14 global museum leaders and technology firms including Adobe, Anthropic, Bloomberg, and Salesforce. Participants include directors such as Marion Ackermann (Stiftung Preußischer Kulturbesitz), Stephanie Rosenthal (Guggenheim Abu Dhabi), Eike Schmidt (Museo di Capodimonte), Mami Kataoka (Mori Art Museum), and others, alongside Bay Area museum heads and AI artist Refik Anadol, who will speak in a free public program at the de Young Museum. The forum aims to bridge the museum and technology communities, exploring how advanced technologies can enrich operations and visitor experiences while supporting artists working with technology.
Museums across Washington, D.C., are currently presenting a robust slate of exhibitions focused on African American art, including major retrospectives, solo shows, and thematic group presentations. Notable shows include "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, "We Gather at the Edge: Contemporary Quilts by Black Women Artists" at the Renwick Gallery, solo exhibitions for Vivian Browne and Essex Hemphill at The Phillips Collection, Chakaia Booker's "In the Tower" at the National Gallery, and Adam Pendleton's "Love, Queen" at the Hirshhorn Museum. Additionally, collectors Larry D. and Brenda A. Thompson have pledged 175 works by Black artists to the National Gallery, with over 60 on view in "With Passion and Purpose."
An exhibition titled “How Quantel’s Paintbox Changed Our World” at the Phoenix Cinema and Arts Centre in Leicester, U.K., showcases 20 long-lost digital artworks made with the Quantel Paintbox, a pioneering 1980s computer graphics machine. The works, created by artists including David Hockney, Keith Haring, Larry Rivers, and Jennifer Bartlett, were tracked down by graffiti artist and photographer Adrian Wilson, an early Paintbox user. The exhibition is organized by the Computer Arts Society and marks the first public display of these pieces.
Peruvian artist Antonio Paucar has won the 11th Artes Mundi Award, receiving £40,000 to support his performance, sculpture, and video practice rooted in Andean culture and his Peruvian heritage. The award ceremony took place on January 15 at Amgueddfa Cymru-National Museum in Cardiff, where a group exhibition of the six shortlisted artists runs through March 1. Paucar plans to use the prize money to convert his family's ancestral adobe home in the central highlands of Peru into a combined museum and art school, addressing the lack of such institutions in the region.
A new statue has appeared on Waterloo Place in central London, bearing the signature of elusive street artist Banksy. The artwork depicts a suited man carrying a large flag that covers his face, stepping off a plinth, and blends with nearby bronze and granite monuments. Sightings were first reported on Wednesday 29 April, but how and when the statue was erected in this busy intersection remains unknown. Banksy has not yet posted the work on his Instagram account, his usual method of authentication, though crowds have already gathered.
Pantone has named "Cloud Dancer," a shade of white, as its 2026 Color of the Year, describing it as a symbol of serenity and calm in a frenetic society. The announcement has sparked criticism for being tone-deaf amid ongoing political debates about whiteness, white supremacy, and conservative turns in the US and Europe, with wars and censorship fears also looming. Critics, including fashion correspondent Vanessa Friedman, have noted the choice's less salubrious associations, while Pantone executives insist skin tones did not factor into the decision.
MoMA's Young Learners team, in collaboration with the New York City Art Teachers Association/United Federation of Teachers (NYCATA/UFT), is presenting "The Art of the Educator" at the Lewis B. and Dorothy Cullman Education and Research Building. The exhibition celebrates the artistic talents of NYC public school teachers, showcasing how their personal art practice enriches their teaching. Organized by David Rios and Larissa Raphael, the show features works selected by a panel including Jackie Cruz, Albert Justiniano, Lisa Kaplan, and Jacob Rhodes.
The Metropolitan Municipality of Lima has launched an ambitious revitalization project called Lima 2035 to restore the city's historic center, a UNESCO World Heritage Site since 1991. Decades of neglect, earthquakes, and urban flight have left many buildings abandoned and damaged, particularly those made of adobe and quincha. The project, led by architect Luis Martín Bogdanovich Mendoza, involves over 500 professionals working since 2019 to rehabilitate the area, with completion timed for Lima's 500th birthday in 2035.
The Ventura County arts community is launching a series of local exhibitions and theater productions for the week of April 9, 2026. Highlights include the opening of the political comedy "The Outsider" at the Santa Paula Theater Center and the "Rediscovering" exhibition at Fox Fine Jewelry featuring Lisa Sachs and Thomas Hoerber. Additionally, the Camarillo Art Center is hosting a themed exhibition titled "I dream my paintings, then I paint my dream," alongside various technical workshops in watercolor and gourd art.
This article is a local arts listings roundup for the week of May 7, 2026, in Ventura County, California. It includes opening theater productions such as "¡Ay Chihuahua! A Mariachi Musical" at California State University, Channel Islands, "Eleanor" at Rubicon Theatre Company, and "It's a Trip, Man: An Evening with a Hollywood Has-Been" at Ojai Art Center Theatre. Art openings feature the Camarillo Art Center's gourd class and exhibition "May I Have Your Attention!," Canvas and Paper's show of work by L.S. Lowry, and the Carolyn Glasoe Bailey Foundation's "r/evolve: celebrating the circular" by Christopher Noxon. The piece also lists auditions for "The Importance of Being Earnest" at Moorpark College and a call for submissions to the Ojai Art Center Theater's 2027 season.
London's Victoria and Albert Museum (V&A) has acquired a reconstructed version of YouTube's 2006 interface, including its first-ever uploaded video, 'Me at the zoo.' The interactive display, built using archived code and Adobe Flash, is now on view in the museum's 'Design 1900-Now' gallery, representing a significant effort to preserve the look and feel of early internet culture.
Terry and Jo Harvey Allen, a multidisciplinary artist couple now in their 80s, have donated their entire archive to Texas Tech University. The collection includes countless paintings, scripts, hundreds of audio tapes recorded with collaborators like David Byrne and Steve Earle, and personal letters exchanged over decades. The couple, who met at a dance in Lubbock, Texas, over 70 years ago, continue to live and work in a rambling adobe home in Santa Fe, surrounded by their art and memories.
Monica Rodriguez's exhibition "Californiana" at the de Saisset Museum explores the colonization of California from 1542 to 1846, focusing on the missionization period (1769–1833) when Native Californians were forced into labor within the Alta California Mission system. The installation features twenty-one adobe bells planted with native California plants, architectural plans, and photorealist drawings of historical texts from the Mission Library Collection, all critiquing the colonial mindset and its enduring impact on the land and people.
Argentine artist Gabriel Chaile has opened a new commission titled "Archaeology of Memory" at London's Whitechapel Gallery. The site-specific installation features monumental adobe sculptures that incorporate everyday and decorative objects sourced from the surrounding East End neighborhood. Chaile, who is based in Lisbon, draws on the material traditions of Indigenous communities from northwest Argentina, blending roles as artist, anthropologist, and storyteller to explore themes of migration, identity, and cultural memory.
Argentine artist Gabriel Chaile has opened a new commission titled "Archaeology of Memory" at the Whitechapel Gallery in London. The site-specific installation transforms a large gallery space into an archaeological excavation site, incorporating everyday and decorative objects sourced from the surrounding East End neighborhood. These objects are embedded into monumental adobe sculptures that draw on the forms and material traditions of Indigenous communities from northwest Argentina, where Chaile originates. The artist acts as both anthropologist and storyteller, exploring a "genealogy of form" that traces recurring motifs across cultures and time.
A new exhibition titled “From Their Hands to Ours” has opened at MACLA’s downtown San Jose gallery, running from December 5 through March 8. The show is a collaboration between MACLA and the Montalvo Arts Center in Saratoga, co-curated by Alyssarhaye Graciano and Olivia Esparza. It features works by artists rafa esparza, Estefania Ajcip, Miguel Arzabe, Edra Soto, and Arleene Correa Valencia, with a notable installation by rafa esparza that includes an adobe floor made from mud, straw, and manure, incorporating the artist’s own shoes. Each piece explores themes of identity, place, and ancestral heritage, drawing on traditions such as Chicano adobe-making, Puerto Rican fences, and Bolivian textile art.