I think I didn't understand many artists

"Ich glaube, ich habe viele Künstler nicht verstanden"

Adrian Searle, the long-standing chief art critic for The Guardian, is stepping down after three decades at the publication and nearly 50 years in art criticism. In a reflective interview, Searle discusses his transition from a practicing painter and educator to a critic, noting that his early interactions with students like Peter Doig and Isaac Julien helped him realize his true strength lay in writing rather than art-making. He recounts his experiences navigating the British art scene, from the decline of Greenbergian abstraction to his encounters with formidable figures like Richard Serra.

A Data Analysis of the 2026 Venice Biennale Signals a Shift to the Present

The 2026 Venice Biennale, titled "In Minor Keys," marks a significant pivot from the historical revisionism of recent editions toward a focus on contemporary, mid-career artists. Posthumously realized based on the vision of the late Koyo Kouoh, the exhibition features 111 participants, including a notable inclusion of artist-led organizations from Africa. Data analysis reveals a balanced demographic split between the Global North and South, moving away from the retrospective focus of predecessors like Adriano Pedrosa and Cecilia Alemani to prioritize living artists and subtler, emotional themes.

‘A cauldron of people with their tops off!’ Goldie, Estelle, Courtney Pine, Flo and more pick great moments in Black British music

Prominent figures in Black British music, including Goldie, Estelle, and Dennis Bovell, reflect on iconic photographs and visual artifacts that define the history of their genre. The article highlights specific works such as Eddie Otchere’s portrait of drum and bass pioneers Kemistry and Storm, Janette Beckman’s photography of Slick Rick, and Adrian Boot’s documentation of the Race Today offices in Brixton.

Latin American Art: Structural Growth between Market and Institutions

Latin American Art: Structural Growth between Market and Institutions

Latin American contemporary art is experiencing structural growth and increased global visibility between 2024 and 2026, moving beyond speculative trends toward deep-seated institutional legitimacy. This shift is highlighted by the prominent inclusion of regional artists in major international platforms, most notably the 2026 Venice Biennale and the Pinault Collection. Key figures such as Rosanna Paulino, Adriana Varejão, and Paulo Nazareth are leading this movement, utilizing diverse media to explore themes of post-colonialism, racial violence, and ecological memory.

BRAVO! Listen Up! Students’ Exhibition at Groza Art Studio

The Princeton Symphony Orchestra (PSO) has launched its annual “BRAVO! Listen Up!” exhibition at the Adriana Groza Art studio, featuring visual and written works by thirty-two middle school students. The participants created these pieces in response to composer Andreia Pinto Correia’s orchestral work "Ciprés," following a creativity workshop led by artist April Zay. The collection includes a diverse range of media, from traditional watercolors and acrylics to 3D sculptures made of rosewood and yarn.

Adriano Goldschmied, ‘Godfather’ of Modern Denim, Dies at 82

Adriano Goldschmied, the visionary designer and entrepreneur widely regarded as the 'Godfather of Denim,' has died at the age of 82. Over a prolific career spanning several decades, Goldschmied revolutionized the fashion industry by launching more than 50 brands, including Diesel, Replay, and the premium label AG Jeans, as well as revitalizing lines like Gap 1969.