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Vietnamese American artist Tuan Andrew Nguyen has been selected for the next High Line Plinth commission in New York City. His 27-foot-tall sculpture, titled *The Light That Shines Through the Universe* (2026), will be installed for 18 months starting next spring. The work reimagines one of the Bamiyan Buddhas destroyed by the Taliban in Afghanistan in 2001, incorporating melted brass artillery shells and scrap metal from Afghanistan for the hands, which perform mudra poses of fearlessness and compassion. The sculpture will be fabricated in Vietnam from four sandstone parts and installed at night on the High Line.

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Art Basel's inaugural edition in Doha has arrived, bringing with it new collectors and galleries seeking institutional interest. The event has prompted Doha's museums to stage significant exhibitions that emphasize historical depth and architectural legacy, rather than catering to fleeting market trends.

56 participating artists, duos and collectives revealed for 2026 Whitney Biennial

The Whitney Museum of American Art has announced the 56 artists, duos, and collectives participating in the 2026 Whitney Biennial, the 82nd edition of the landmark U.S. contemporary art survey. Co-curators Marcela Guerrero and Drew Sawyer have chosen not to give the exhibition a thematic title, instead letting conversations with artists guide the selection. The roster includes well-known figures like Andrea Fraser, Kamrooz Aram, Precious Okoyomon, Pat Oleszko, and Julio Torres, alongside emerging talents and historical or overlooked figures such as Carmen de Monteflores, José Maceda, and Kimowan Metchewais. The exhibition opens March 8, 2026, occupying most of the Whitney's Manhattan building with performances, public events, and online programming.

Meet the global taskforce working to recover stolen cultural heritage

The London Metropolitan Police's Art and Antiques Unit, in collaboration with the Heritage Crime Task Force (HCTF) of the Organisation for Security and Co-operation in Europe (OSCE), is processing over 300 recovered cultural artefacts. The objects—including statues, frescoes, chainmail armour, and stucco heads—were voluntarily handed over by an individual who had kept them for over a decade. Experts are conducting forensic analysis, photography, and archaeological assessment to determine authenticity and origin, with initial findings suggesting items from Cambodia's Angkor Period, the Gandhara region of Pakistan and Afghanistan, the Indus Valley civilisation, and possibly a mosque in Syria or Iraq.

A Buddha Is Reborn on the High Line

Tuan Andrew Nguyen's sandstone and brass sculpture "The Light That Shines Through the Universe" (2026) has been installed on the High Line in Manhattan as the park's fifth site-specific commission. The 27-foot-tall work, selected from nearly 60 proposals, resurrects the destroyed Bamiyan Buddhas of Afghanistan, which were demolished by the Taliban in 2001. Nguyen sourced artillery brass from Afghanistan to cast the sculpture's mudra hand gestures, symbolizing fearlessness and compassion, and had the sandstone carved in Vietnam. The piece is on view through Spring 2027.

Albert Yuk Shuttered Light Exhibit Opens in Reed Gallery

On April 12, the Reed Gallery opened 'Shuttered Light,' an exhibition of photographs by Deerfield Academy student Albert Yuk (class of 2026). The show juxtaposes staged war scenes from a Beijing film set with real wartime documentation from Israel and Iran, aiming to highlight media bias and the blurring of authenticity in news imagery. Yuk, who has traveled to conflict zones including Israel, Iran, Kazakhstan, and Afghanistan, began his photography career working for Pulitzer Prize-winning Chinese photojournalist Liu Heung Shing. The exhibition includes personal favorites like 'Intersection of Tradition and Modernity' and 'Warrior’s Respite,' reflecting themes of freedom, liberty, and gender roles.

Afghanistan’s heritage comes to the fore in acclaimed Doha show

A new exhibition at the Museum of Islamic Art (MIA) in Doha, titled *Empire of Light: Visions and Voices from Afghanistan*, highlights Afghanistan’s art and history from pre-Islamic times to the present day. Running until 30 May and timed to Art Basel Qatar week, the show draws primarily from MIA’s collection, with loans from Qatari institutions and international lenders such as the National Museum of Asian Art at the Smithsonian. It includes historical objects like a 13th-century ewer and a 9th-century Qur’an folio, as well as contemporary works such as Khadim Ali’s *Un-Safe Heaven* (2025), a textile piece embroidered by Afghan men and women. No objects come from Afghan museums, but large-scale wooden models and glass vessels were produced in Afghanistan with help from the Aga Khan Trust for Culture.

Towering homage to Bamiyan Buddhas rises over Manhattan’s High Line

A new public sculpture by Vietnamese American artist Tuan Andrew Nguyen has been installed on the High Line Plinth at Hudson Yards in Manhattan. Titled "The Light That Shines Through the Universe" (2026), the 27-foot-tall sandstone monument pays homage to the Buddhas of Bamiyan, the 6th-century colossi destroyed by the Taliban in 2001. The work features carved sandstone forms with two monumental steel hands cast from melted-down artillery shells sourced from Afghanistan, making gestures of fearlessness and compassion. It will remain on view through autumn 2027 and is accompanied by monthly lectures and meditation sessions.

Four years on from the Taliban takeover, Afghan women are asserting themselves through art

Four years after the Taliban takeover of Afghanistan in 2021, Afghan women are using art as a means of expression and resistance. The article profiles artist Alina Gawhary, who fled to study art in Belfast, and highlights the work of the UK-based NGO Turquoise Mountain, which collaborates with women carpet weavers in Bamiyan. Afghan-British artist Maryam Omar collected poetry from illiterate weavers and designed watercolor patterns that were woven into carpets, displayed in the selling exhibition "Weaving Poems" at Sotheby's in London. The exhibition foregrounds the women's creative voices and returns profits to the weavers.