How the New Deal Treated Art as Essential to Democracy

The United States government transformed the role of the artist during the Great Depression by treating art as a vital public resource rather than a private luxury. Between 1933 and 1943, New Deal programs like the Public Works of Art Project (PWAP) commissioned hundreds of thousands of works for schools, libraries, and hospitals, providing 'plumbers' wages' to struggling creators. This federal patronage supported a generation of then-unknown figures, including Jackson Pollock, Mark Rothko, and Alice Neel, while focusing on the 'American scene' to make culture accessible to the general public.

A brush with… Karen Archey, head of curatorial at Düsseldorf's K20 and K21 museums

Karen Archey, the head of curatorial at Düsseldorf's K20 and K21 museums, shares personal insights in an interview format. She reveals her obsession with painter Alice Neel, discusses a formative 2007 summer touring major European art events, and lists the poetry and audio currently occupying her attention.

A tour of 10 must-see booths at the miart 2026 fair in Milan

Un giro in 10 stand da non mancare alla fiera miart 2026 a Milano

The 30th edition of miart, Milan’s international modern and contemporary art fair, has launched at the Allianz MiCo South Wing under the artistic direction of Nicola Ricciardi. Titled "New Directions," the 2026 edition features 160 galleries from 24 countries, organized into sections like Emergent, Established, and Established Anthology. Despite some logistical complaints regarding the new layout, the opening saw high attendance and early optimism from dealers regarding sales.

Artist list for Counterpublic 2026 announced

The St. Louis-based triennial Counterpublic has unveiled its full artist list for the 2026 edition, titled 'Coyote Time.' Running from September 12 to December 12, the exhibition features 47 artists, duos, and collectives, including prominent names like Glenn Ligon, Nicholas Galanin, and Rirkrit Tirivanija. Curated by a diverse team including Stefanie Hessler and Wanda Nanibush, the triennial will utilize site-responsive practices and emergent technologies to explore themes of climate, immigration, and education.

I Have Always Been Drawn to the Despised

"Ich habe mich schon immer zum Verachteten hingezogen gefühlt"

Irish artist Alice Maher discusses her ongoing exploration of patriarchal structures, mythology, and the symbolic power of female hair in her practice. Her current work focuses on large-scale drawings of Sibyls—ancient female prophets—whose excessive hair serves as a metaphor for identity, power, and the 'monstrous feminine.' Maher reflects on her career-long engagement with Irish history, from collecting hair during the Troubles to her collaborative textile masterpiece, "The Map," which reclaims the legacy of Mary Magdalene from Catholic institutional narratives.

Annette Messager Enters the Musée de la Chasse et de la Nature with Her Entire Bestiary

Annette Messager entre avec tout son bestiaire au musée de la Chasse et de la Nature

The Musée de la Chasse et de la Nature in Paris is hosting a major exhibition dedicated to the animal-themed works of Annette Messager. Titled "Une hirondelle ne fait pas le printemps," the show integrates Messager’s diverse practice—including drawings, sculptures, and her signature use of plush toys—into the museum’s permanent collection of taxidermy and hunting artifacts. Curated by Colin Lemoine, the exhibition spans three floors and features works ranging from a ceramic cat from the artist's own kitchen to provocative installations like a taxidermied dachshund wearing a surgical mask.

Artists take us down the rabbit hole in this group exhibition

The group exhibition 'Down the Rabbit Hole' at The Crypt Gallery features over 30 artists reflecting on the psychological and social impacts of the Covid-19 pandemic. Presented by the social enterprise Katya’s Space, the show honors the legacy of the late artist Katya Kan, who passed away in 2023. The works explore themes of digital addiction, isolation, and the 'dystopian' shift in reality experienced during global lockdowns, using Lewis Carroll’s Alice in Wonderland as a metaphor for this profound transformation.

Alice Peach “Still Curly” at Iowa, New York

Alice Peach’s solo exhibition "Still Curly" at Iowa, New York, features a series of new sculptures constructed from popsicle sticks. These humble, mass-produced materials are transformed into modular, skeletal forms that mimic biological structures such as spines and torsos. The works are displayed in various states of tension, either splayed against the gallery walls or suspended from the ceiling to create a sense of precarious movement.

Suporna’s first solo exhibition under way at Safiuddin Shilpalay

Visual artist and poet Suporna Alice Gomes has launched her debut solo exhibition, "Burnt Expressions—the Realms of Fantasy," at Safiuddin Shilpalay in Dhaka. The showcase features 59 works, including acrylics and unique series utilizing watercolor and coffee on paper. The collection is characterized by a monochromatic, rusted aesthetic intended to evoke "burnt expressions" and nostalgic memories, featuring portraits of iconic Bangladeshi figures like Kazi Nazrul Islam and SM Sultan alongside nature-inspired landscapes.

Alice Riehl Grows a Porcelain Tree Full of Humanity in Jouy-en-Josas

Alice Riehl fait pousser un arbre de porcelaine plein d’humanité à Jouy-en-Josas

Artist Alice Riehl has unveiled a major porcelain installation titled "Herbarium Interior" at the Musée de la Toile de Jouy in Jouy-en-Josas. The work, a sprawling tree with leaves, branches, and roots, is crafted from porcelain and was inspired by the museum's historical textile collections. The installation is part of a solo exhibition, and a concurrent presentation of her work, "Porcelain Florilegium," is on view at New York's Museum of Arts and Design.

Dr Kurt A. Gitter, Japanese Art Collector, 89

Dr. Kurt A. Gitter, a pioneering retinal surgeon and world-renowned collector of Japanese art, has passed away at the age of 89 in New Orleans. Born in Vienna and having escaped the Holocaust as an infant, Gitter discovered his passion for Japanese culture while serving as a U.S. Air Force flight surgeon in the 1960s. Over several decades, he and his wife Alice Yelen Gitter amassed one of the most significant private collections of Edo-period paintings and self-taught American art in the Western world.