British artist Poppy Jones has seen a meteoric rise in market and institutional recognition over the past year. Her enigmatic still lifes, created by mono-printing photographic images onto found materials like silk and suede, have resonated with collectors, leading to a major jump in searches on the Artnet Price Database and auction results that have tripled estimates, with her record now over $60,000.
The Virginia Museum of Contemporary Art (Virginia MOCA) has inaugurated its new, expanded facility on the campus of Virginia Wesleyan University. The opening is anchored by a major solo exhibition titled "The Pursuit of Happiness" by acclaimed contemporary artist Nina Chanel Abney, alongside a group show, "Seamless: Art and Design." Abney’s exhibition features her signature large-scale, vibrant, and emoji-inspired works that explore the complexities of the American Dream, identity, and power structures through a lens of both visual seduction and narrative ambiguity.
Cartwright Hall Art Gallery in Bradford has launched a new exhibition of Pre-Raphaelite masterpieces paired with contemporary reflections from the local LGBT+ community. Members of the Equity Partnership charity collaborated with museum staff to reinterpret 19th-century works by artists such as Dante Gabriel Rossetti, Ford Madox Brown, and John Collier through the lens of lived queer experience.
Berlin-based illustrator Olaf Hajek creates dense, uncanny compositions that blend nature, culture, and magic, drawing inspiration from Surrealist icons like Leonora Carrington and Remedios Varo. His work emphasizes ambiguity, using superimposed florals and figures, dramatic scale shifts, and a tension between decay and renewal to develop a universal visual language from diverse cultural influences.
Brett Goodroad at Crèvecoeur, rive gauche
San Francisco-based artist Brett Goodroad presents a solo exhibition titled "Bells" at Crèvecoeur’s Rive Gauche location in Paris. The exhibition features a series of new paintings that showcase Goodroad’s signature style of fluid, gestural abstraction and figurative ambiguity, documented through an extensive digital archive of installation views and individual work shots.
Trautwein Herleth in Berlin is hosting a solo exhibition of works by the late Belgian painter Raoul de Keyser. The presentation features a selection of the artist’s signature abstract compositions, characterized by their tactile surfaces, muted palettes, and the subtle tension between formalist geometry and organic forms.
Artist Anna Clegg has opened a new solo exhibition titled "Hustlenomics" at the Schiefe Zähne gallery in Berlin. The show presents a new body of her paintings that engage with the life cycle of images in contemporary culture.
Whitestone Gallery Seoul is hosting "A Swimming Soul," a group exhibition featuring emerging artists Lee Juyoung, Kisho Kakutani, and Yudai Takeuchi. Running from April 18 to May 24, 2026, the show utilizes the metaphor of a swimming fish to explore themes of youth, uncertainty, and the drifting nature of modern existence. Each artist presents a unique visual language to address the ambiguity of reality, from Lee’s blurred urban reflections and Kakutani’s obstructive "noise" layers to Takeuchi’s exploration of the liminal space between consciousness and sleep.
Curator Yasmin Sarnefors challenges the traditional boundaries of portraiture in the exhibition 'What Faces Do Not Say,' which features artists from Africa and its diaspora. Moving away from the expectation of physical resemblance, the show explores identity through ambiguity, memory, and the use of archives, landscapes, and abstract gestures. By presenting works that obscure or transform the human face, the exhibition highlights the psychological and political dimensions of how individuals are perceived and represented.
The major retrospective ‘Out of Place’ at ART AFRICA showcases over 200 images by South African photographer Jo Ractliff, spanning four decades of her career. The exhibition traces Ractliff’s evolution from her early 1980s street photography to her mature, atmospheric landscapes that examine the scars of colonialism, apartheid, and regional conflicts in Southern Africa. By focusing on the 'afterlife' of violence rather than the events themselves, the collection highlights her unique ability to capture how history sediments within the physical terrain.
Artists Charlie Kirkham and Robert Walker are set to debut a joint exhibition titled "The Cost of Love" at the Rugby Art Gallery and Museum this May. The showcase features contemporary paintings that reimagine classical mythological figures—such as Narcissus, Apollo, and Adonis—to explore psychological themes of desire, transformation, and vulnerability. While both artists maintain a focus on technical rigor and the human figure, the works shift away from traditional storytelling to focus on the emotional tensions of modern life.
Renowned Belarusian musician and writer Liavon Volski has debuted his first solo painting exhibition, titled "The Forest Hears, the Field Sees," at the Museum of Free Belarus in Warsaw. The exhibition features 11 conceptual works characterized by misty landscapes and surrealist elements, each inspired by traditional Belarusian proverbs. The opening event was a multi-sensory experience, incorporating fog machines and a musical performance by Volski to complement the atmospheric nature of the canvases.
Conduit Gallery in Dallas is hosting "Dynamatic," a solo exhibition by Brooklyn-based artist Kendall Glover featuring sculptures and textiles produced within the last year. The show highlights three distinct series: large-scale tubular steel sculptures, experimental bronzes cast from rattan and thread, and a collection of silver-leafed crocheted works known as "Quasars."
The article 'Photography Is...' from Glasstire is a conceptual piece that presents the title as a prompt, leaving the definition of photography open-ended. The text consists solely of the title and source, functioning as a minimalist statement or an invitation for reader interpretation.
Alice Tippit's solo exhibition "Rose Obsolete" at the DePaul Art Museum in Chicago features 23 small oil paintings, three murals, a neon sign, word drawings, and a series of 46 notepad drawings. The works toggle between multiple interpretations—snakes and smiles, blouses and pears, curtains and bodies—inviting viewers to see shifting forms like a psychological test. Tippit, born in 1975 near Kansas City and based in Chicago since 2006, paints each oil work in a single day without tape, achieving sharp edges and subtle layering that reward close looking.