Precious Okoyomon’s Whitney Biennial Installation Is on View After a Delay, and It’s a True Shocker

Precious Okoyomon's major installation for the 2024 Whitney Biennial, titled 'Everything wants to kill you and you should be afraid,' opened after a brief delay. The work, featuring around 50 stuffed animals and racist dolls suspended by nooses, was moved from the museum lobby to the eighth floor to provide more space for viewers to engage with its disturbing yet beautiful mix of childhood nostalgia and violence.

Notes from New York: Rotting Meat

Artist Jen Liu’s solo exhibition 'Pound of Flesh' at Silverlens New York explores the dehumanizing nature of digital labor through visceral imagery of raw meat. The show features paintings where human consciousness is replaced by butcher-shop cuts and an animated video based on Liu’s research into microworkers—individuals who perform repetitive, low-paid tasks to train AI models. By juxtaposing the biological reality of the body with the clinical extraction of data, Liu highlights the physical and psychological toll of the 'Agentic Age.'

'Georg Baselitz' at White Cube, Bermondsey, London, United Kingdom on 10 Jun–1 Aug 2026

White Cube Bermondsey is set to host a major exhibition of new large-scale paintings and works on paper by the renowned German artist Georg Baselitz in the summer of 2026. The showcase features his signature upside-down compositions across diverse themes, including Indian deities, portraits of his wife Elke, and the symbolic eagle motif, often set against luminous gold or sky-blue backgrounds. This presentation follows his successful 2024 show at the gallery and highlights the artist's continued exploration of human and animal forms through a raw, expressive lens.

Damien Hirst's studio has been recreated in Seoul for a major exhibition dedicated to him (including the original floor)

Lo studio del celebre artista Damien Hirst è stato ricreato a Seoul per una grande mostra a lui dedicata (c’è pure il pavimento originale)

The National Museum of Modern and Contemporary Art (MMCA) in Seoul has launched "Nothing Is True But Everything Is Possible," the largest retrospective of Damien Hirst’s work ever held in Asia. Spanning 35 years of his career, the exhibition features over 50 iconic works, including his formaldehyde-preserved animals, diamond-encrusted skull, and a recreation of his Pharmacy Restaurant. A unique highlight is the meticulous reconstruction of Hirst’s London studio, complete with the original paint-stained floor transported to South Korea and 30 previously unseen unfinished canvases from his new "River" series.

Cinga Samson Conjures Mystery and the Sublime in Large-Scale Oil Paintings

South African artist Cinga Samson is currently presenting a series of large-scale oil paintings in a solo exhibition titled "Ukuphuthelwa" at White Cube in New York. The works feature dreamlike, nocturnal tableaux characterized by deep pigments, spectral figures with all-white eyes, and symbolic animals that bridge the earthly and divine. The title, which translates from isiXhosa as "unable to sleep," frames sleeplessness as a state of heightened spiritual alertness rather than a medical condition.

What’s new this spring at the Cantor Arts Center

The Cantor Arts Center at Stanford University has launched two major exhibitions that challenge traditional perceptions of nature and craft. 'Animal, Vegetable, nor Mineral' features the multimedia work of Miljohn Ruperto, utilizing virtual reality, sculpture, and animation to critique how humans categorize and expand into both physical and digital landscapes. Simultaneously, 'Jeremy Frey: Woven' presents over 30 intricate baskets by the MacArthur Fellow and Passamaquoddy artist, marking the final and only West Coast stop for this career-spanning survey.

Legendary Arts Administrator Returns To Bucks With Pieces Of A Life

The Michener Art Museum is hosting "Pieces of a Life," a retrospective exhibition dedicated to the 60-year photography career of Bruce Katsiff. Running from April 11 to August 12, the show features 60 works including his 1970s "River Town Portraits," the "Nature Morte" series exploring mortality through animal remains, and his recent digital "Face Maps." The exhibition is guest-curated by art historian Dorothy Fisher and highlights Katsiff's technical mastery ranging from platinum prints to modern digital composites.

In a Show at Stanford, Miljohn Ruperto Trolls the Death Drive of AI Guys

Artist Miljohn Ruperto's exhibition at Stanford's Cantor Arts Center features works that critically engage with AI and technology. His piece *Fathoms (Tartarapelagic)* uses AI to generate images of deep-sea creatures from the Clarion-Clipperton Zone, while highlighting that mining the minerals essential for that same AI technology is destroying their real-world habitats.

April Book Bag: from a Matthew Wong catalogue to a history of dogs in art

The Art Newspaper’s April book roundup highlights four significant new publications spanning art history and contemporary practice. Featured titles include Thomas Laqueur’s visual history of dogs in art, a study of marble depictions in Late Gothic and Early Renaissance painting edited by Karl Kolbitz, a comprehensive overview of Antony Gormley’s drawings, and a new catalogue focusing on Matthew Wong’s interior scenes.

Who owns the seas? Shahzia Sikander's new animation on world trade beamed onto M+ museum facade

Artist Shahzia Sikander's new animated film, '3 to 12 Nautical Miles,' is being projected onto the digital façade of the M+ museum in Hong Kong. The work uses the historical expansion of territorial waters from 3 to 12 nautical miles as a framework to explore themes of maritime sovereignty, surveillance, and the legacy of colonial trade.

‘The way the world is, something daft is appealing’ – why everything from pizzas to podcasts has a cartoon character on it

A distinctive cartoon illustration style, rooted in 1920s 'rubber hose' animation and influenced by graffiti, vintage Americana, and underground comics, has become ubiquitous in contemporary branding. This aesthetic, characterized by exaggerated, jointless limbs and friendly faces, now adorns everything from independent pizza shops like London's Yard Sale Pizza to wine labels for Top Cuvee, podcasts, and even global fashion collaborations.

Genti Korini on Representing Albania at the 61st Venice Biennale

Artist Genti Korini will represent Albania at the 61st Venice Biennale with a new moving-image installation titled 'A Place in the Sun.' Curated by Małgorzata Ludwisiak, the project utilizes 'Zaum'—a transrational language from the Russian Futurist movement—to explore themes of performance, puppetry, and animation. The work investigates Albania’s historical position as a 'somewhere place' often defined by external exoticism and orientalist perceptions rather than its own internal voice.

‘House of Galleries (Volume 11)’: Niquu Eyeta and Ghizlane Sahli in a Shared Field of Care, Memory, and Material Becoming.

Artists Niquu Eyeta and Ghizlane Sahli are featured in a dual presentation titled ‘House of Galleries (Volume 11),’ showcased by the gallery Sakhile&Me. The exhibition creates a dialogue between Eyeta’s organic compositions, which utilize plant pigments and clay, and Sahli’s intricate 'alveoli' structures made from silk and repurposed plastic. Both artists emphasize the concept of material as a living archive, focusing on themes of ecological consciousness, ritualistic repetition, and the reanimation of discarded matter.

The Hands That Feed: New Art Exhibit at Museum Highlights Farm Workers - The Source Weekly

The High Desert Museum in Bend, Oregon, has unveiled a new solo exhibition titled "Miguel Almeida: Las Manos que dan de Comer" (The Hands That Feed). Featuring large-scale murals, hand-painted animations, and a ten-foot-tall cutout figure surrounded by actual soil, the installation explores the daily lives and human stories of farm workers in the American West. Almeida, a first-generation Mexican American artist based in Boise, draws from his own family history of agricultural labor to create vibrant, contemporary works influenced by skateboarding culture and Mexican folk traditions.

Aria Dean, Sandra Mujinga and Tschabalala Self

Galerie Eva Presenhuber is hosting a group exhibition featuring the works of Aria Dean, Sandra Mujinga, and Tschabalala Self. The show explores the construction and erasure of the human body through diverse mediums, including Aria Dean’s 3D-animated film of an empty slaughterhouse and Sandra Mujinga’s spectral, fabric-based sculptures. By focusing on the architectures of violence and the labor of repair, the artists move away from traditional representation toward conceptual and structural critiques of subjecthood.

Demise of world's largest mangrove forest inspires Bangladeshi artist Soma Surovi Jannat's new works

Bangladeshi artist Soma Surovi Jannat has opened her first UK exhibition, 'Climate Culture Care,' at the Ashmolean Museum in Oxford. The show features around 20 paintings and drawings created largely during a 2023 residency, drawing inspiration from the endangered Sundarbans mangrove forest and the museum's own collections. Her works fuse human, animal, and mythological imagery to depict the region's ecological and social struggles.

Joel Meyerowitz on Photographing Giorgio Morandi’s Studio

Photographer Joel Meyerowitz, renowned for his street photography, has a book of images documenting the preserved studio of painter Giorgio Morandi being re-released this spring. The book, "Morandi’s Objects: The Complete Archive of Casa Morandi," features over 130 new photographs of the artist's humble objects and workspace, capturing the essence of his still-life practice.

Artist Pietro Roccasalva Without Respite: Genealogy of a Resilient Motif in the Milan Exhibition

L’artista Pietro Roccasalva senza tregua: genealogia di un motivo resiliente nella mostra a Milano

Italian artist Pietro Roccasalva presents a new body of work at MASSIMODECARLO’s Casa Corbellini-Wassermann in Milan, titled "Io ti saluto luce, ma con nervi offesi." The exhibition features a series of paintings characterized by dense stratification, featuring recurring motifs like a disheveled child, a bride with a tennis racket, and metamorphic animals. These works function as visual deposits where cultural references and personal iconography overlap, creating a theatrical dialogue with the gallery’s historic architecture.

In the Studio With Rama Duwaji

Syrian-American artist Rama Duwaji discusses her evolving art practice and her new role as the First Lady of New York City following her husband Zohran Mamdani’s mayoral victory. Known for her distinct illustrations and animations for major institutions like the Tate Modern and the New Yorker, Duwaji is now transitioning into a more public-facing life while maintaining a studio practice at Gracie Mansion. Her work, which spans hand-drawn animation, ceramics, and paintings on found materials like cardboard, continues to blur the lines between commercial illustration and fine art.

New Nanaimo Art Gallery show focuses on impacts to developing countries

The Nanaimo Art Gallery is set to debut "An Animated Assembly," a collaborative exhibition by artists Richard Ibghy and Marilou Lemmens that explores the socio-economic consequences of resource extraction. Opening April 11, the show utilizes hand-painted murals, animations, and sculptures to critique the Global North's demand for energy transition materials, such as lithium, and the resulting impact on countries in the Global South. The works employ a satirical, "cartoonish" aesthetic to juxtapose cold, analytical data with the bold, often morally questionable rhetoric of corporate and political leaders.

TWO GENERATIONS OF KAQCHIKEL ARTISTS ENGAGE IN DIALOGUE IN GUATEMALA

An exhibition titled 'Xa jun ruk’oxomal qanima—A Shared Heartbeat' at La Nueva Fábrica in Guatemala brings together the work of two Kaqchikel Maya artists, Rosa Elena Curruchich and Angélica Serech, for the first time in their homeland. It features over 100 paintings by the late Curruchich, a pioneering self-taught painter, alongside recent and newly commissioned textile sculptures by Serech, creating a dialogue between painting and weaving.

Studio Sessions: Lauren Boilini

Seattle-based artist Lauren Boilini has reached a significant career milestone with the simultaneous opening of her first museum exhibition at the San Juan Islands Museum of Art and her first solo gallery show, "The Good Death," at J. Rinehart Gallery. Boilini’s practice is rooted in deep scientific research, including residencies at biological stations and insectariums, which she translates into large-scale, frenetic paintings of animals and ecosystems. Her current work explores the intersection of animal behavior and the human condition through dense, layered compositions that blur the lines between struggle and pattern.

A Strong Gust of Wind Disrupts the Mundane in ‘Jour de Vent’

A team of six graduates from the École des Nouvelles Images in Avignon has released 'Jour de Vent' (Windy Day), a sweeping animated short film that captures a transformative moment in a public park. The narrative follows a diverse cast of characters—ranging from a businessman to a picnicking family—whose mundane routines are abruptly upended by a powerful gust of wind. This meteorological disruption serves as a catalyst for themes of surrender and human connection, mirroring a fluid production process where the filmmakers finalized the story's conclusion just days before completion.

The Kaldea street-art exhibition at Espace Cinko plunges us into kawaii Japan — photos

French street artist Kaldea has unveiled a major solo exhibition titled "Identity" at Espace Cinko in Paris’s 2nd arrondissement. Hosted by Galerie Roussard, the immersive show transforms a 200-square-meter former printing press into a reconstructed Japanese landscape complete with sakura blossoms and paper lanterns. The exhibition features approximately forty works across five thematic narratives, ranging from porcelain animal figures to reimagined manga icons like Godzilla and Pikachu, blending Art Deco, futuristic, and Asian influences.

The Hands That Feed: New Art Exhibit at Museum Highlights Farm Workers - The Source Weekly

The High Desert Museum in Bend, Oregon, has unveiled a new solo exhibition titled "Miguel Almeida: Las Manos que dan de Comer" (The Hands That Feed). The show features large-scale murals, hand-drawn animations, and a 10-foot-tall cutout figure of a farmworker surrounded by soil and ambient field sounds. Drawing from his own experience working in the fields of Idaho, the first-generation Mexican American artist uses a vibrant, contemporary style influenced by skateboarding culture and Mexican folk traditions to depict the daily lives of agricultural laborers.

Roar materials: the ‘uncanny’ art of dinosaur puppetry – in pictures

The Australian puppetry company Erth is preparing for a new immersive dinosaur show at the Sydney Opera House. The article provides a behind-the-scenes look at their workshop in Marrickville, where a team of artists and designers hand-craft highly realistic, large-scale dinosaur puppets using animatronics, 3D printing, and traditional craftsmanship.

Week in wildlife: wild boar babies, fenland ponies and a slug with strange genitalia

The article is a photographic roundup of notable wildlife encounters and animal behaviors from around the world. It features images of wild boar piglets in Germany, a wild boar that wandered into a Berlin supermarket, a camouflaged snow leopard in Ladakh, Konik ponies sparring in a UK fenland reserve, a banana slug with unusual reproductive anatomy in California, a seagull with a sea star in Seattle, a Palestine sunbird in Israel, and rhinos reintroduced to a Ugandan national park.

At Rirkrit Tiravanija’s “Say Yes To Everything”, Eating Is Part Of The Experience

Renowned contemporary artist Rirkrit Tiravanija has launched his largest solo exhibition in Singapore at STPI – Creative Workshop & Gallery. Titled "Say Yes To Everything," the retrospective spans over a decade of the artist's practice, featuring prints, editioned works, and interactive installations that emphasize communal experiences. The show includes signature elements of Tiravanija’s relational aesthetics, such as communal meals, origami sessions, and works that utilize UV light to reveal extinct animals, highlighting themes of migration, ecology, and social interaction.

Women animation pioneers featured this summer in new Muskegon Museum exhibition

The Muskegon Museum of Art is set to premiere a landmark exhibition titled “HerStory of Animation: Mary Blair & Beyond,” running from June 6, 2025, through September 27, 2026. Curated by animation historian Mindy Johnson, the show features production artwork, rare films, and studio artifacts from over a century of female contributions to the field. Highlights include works by early pioneers like Helena Smith Dayton and Bessie Mae Kelley, alongside modern icons such as Mary Blair and Oscar-winner Brenda Chapman.

We Interviewed Pixar's Historic Archivist: The History and Secrets of the Legendary Production House

Abbiamo intervistato la storica archivista della Pixar: storia e segreti della mitica casa di produzione

Christine Freeman, Senior Historian and Archivist at Pixar Animation Studios, provides an inside look at the evolution of the pioneering animation house. The interview traces Pixar's origins from Ed Catmull’s early work at Lucasfilm and the development of the Pixar Image Computer to the pivotal meeting with animator John Lasseter and the eventual acquisition by Steve Jobs. Freeman details the preservation of early CGI milestones, including the first computer-animated short, 'The Adventures of André & Wally B.', and the transition from proprietary secrets to open-source contributions like RenderMan.