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Anishinaabe artist Henry Guimond has designed a mission patch for Canadian astronaut Jeremy Hansen to wear during the Artemis II lunar mission. The artwork features seven symbolic animals representing the Seven Sacred Laws of Anishinaabe custom, intended as a universal message for humanity that will literally travel beyond Earth's orbit.
On Thursday, an environmental activist from the group Last Generation Canada hurled bright pink paint at Pablo Picasso's 1901 painting *L’hetaire* at the Montreal Museum of Fine Arts. The protester, identified as 21-year-old Marcel, was arrested and later released pending a court appearance; two accomplices who filmed the act were detained and released without charge. The group cited the record-breaking heat wave in Winnipeg and Manitoba as a motivation, arguing that art is meaningless on a dead planet.
Michelle Grabner, a Milwaukee-based artist known for examining overlooked visual languages, has created a new series of porcelain sculptures at the Kohler Company's MakerSpace in Wisconsin. These works, which mimic janitorial supplies like sponges, sinks, and mop carts, are being shown at the Independent art fair this week with Cleveland's Abattoir Gallery. Grabner, who co-curated the 2014 Whitney Biennial and served as the inaugural artistic director of FRONT International, continues to expand her practice beyond painting into industrial materials, while also holding two concurrent museum retrospectives: "Underdone Potato" at the Schneider Museum of Art and "Under the Sink" at the Haggerty Museum.
New York City is hosting an unprecedented concentration of art fairs this week, with over nine fairs running simultaneously, including Independent, Esther, and Future Fair. Independent, held at Spring Place in Tribeca, opened on May 8 and is positioning itself as a boutique, hyper-curated alternative to mega-fairs like Frieze, featuring mostly solo presentations. Early sales were reported by several galleries: Europa sold works by Suyi Xu ($9,000–$20,000), Long Story Short sold six works by Keita Morimoto (up to $26,000), Charles Moffett nearly sold out his booth of Julia Jo ($10,000–$45,000), The Approach sold four works by John Maclean ($13,500 or less), and Copperfield presented works by Ada Patterson ($8,000–$23,000).
Gathie Falk, the acclaimed Canadian artist known for her six-decade practice spanning Surrealist paintings, hand-fashioned ceramics, sculptural installations, and performance, died at her home in Vancouver on 22 December at age 97. Her work transformed everyday objects—glazed ceramic apples, cabbages, shoes, and watermelons—into jewel-like sculptures and installations, with notable series including "Picnics" (1976-77), "Cement With Poppies" (1982), and "55 Oranges" (1969-70). Born in rural Manitoba in 1928 to Mennonite refugees, Falk initially pursued music before turning to art at age 37, studying ceramics with Glenn Lewis and developing a practice rooted in what she called a "veneration of the ordinary."
On Thursday morning, a supporter of the environmental activist group Last Generation Canada splattered pink paint on Pablo Picasso's 1901 painting *L'hétaïre* at the Montreal Museum of Fine Arts (MMFA). The painting, on loan from the Pinacoteca Agnelli in Turin and featured in the exhibition *Berthe Weill: Art Dealer of the Parisian Avant-garde*, was behind protective glass and showed no immediate damage. The activist, identified only as Marcel, was arrested and charged with mischief under $5,000. The museum reopened the rest of the exhibition after about an hour.
On November 17, the Santa Barbara Museum of Art (SBMA) hosted a donor appreciation reception for its high-level supporters and special guests to celebrate two concurrent exhibitions: "The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art" and "Encore: 19th-Century French Art" from SBMA's own collection. Over 100 guests enjoyed cocktails and toured the galleries, welcomed by Eichholz Foundation Director Amada Cruz, who highlighted the revolutionary nature of Impressionism and its role in birthing modernism. Chief Curator James Glisson led a guided tour, noting the exhibition coincides with the 150th anniversary of the first Impressionist exhibit in 1874. Major donors recognized include The Dana and Albert R. Broccoli Charitable Foundation, Manitou Fund, SBMA Ambassadors, and several individual benefactors.
The Sobey Art Award, Canada's top contemporary art prize, has announced its six finalists for 2025: Tarralik Duffy, Tania Willard, Chukwudubem Ukaigwe, Sandra Brewster, Swapnaa Tamhane, and Hangama Amiri. Each represents a different region of Canada and will receive C$25,000, with the winner taking home C$100,000 on November 8 at the National Gallery of Canada. The finalists were selected by a jury including past winner Laakkuluk Williamson Bathory and international juror Carla Acevedo-Yates, among others.
The exhibition 'Beading Métis Resurgence' at the University of Winnipeg's Gallery 1C03 showcases the work of renowned Métis artist Jennine Krauchi alongside four emerging Red River Métis beadworkers she has mentored. Curated by gallery director Jennifer Gibson and history professor Cathy Mattes, the show features Krauchi's centerpiece work 'The Lady'—a beaded coat, muff, hat, and boots—and explores beadwork as contemporary art, cultural knowledge, and intergenerational practice. The exhibition runs until July 10 and includes a table and chairs evoking the kitchen-table lessons where Krauchi passed down her skills.
The Colorado Springs art community has announced its extensive 2026 spring and summer calendar, featuring a diverse range of student exhibitions, juried festivals, and monthly gallery walks. Key highlights include the Young People’s Art Exhibition at The Colorado Springs School, the UCCS Visual Art Majors exhibition titled “Chrysalis” at the Ent Center for the Arts, and the Garden of the Gods Art Festival, which will host over 150 national artists. The schedule also confirms the continuation of the popular First Friday art walks across Old Colorado City and downtown Colorado Springs through the end of the year.
Perivale Gallery on Manitoulin Island will host 'Through Ivan’s Eyes: A Northern Vision Lives On' on May 16, a final exhibition and sale of works by the late artist Ivan Wheale. The event includes Wheale’s last painting, completed shortly before his death, and pieces from his personal collection, marking the last chance to acquire his work from his official gallery.
Jess Self, a Decatur-based sculptor and educator, presents *Celestial Perspectives* at the Marietta Cobb Museum of Art, an immersive textile environment that explores autobiography through figurative form. The exhibition features works in resin, plaster, felted wool, fiber, and rope, including the large-scale installation *The Veil* and the compelling *She Who Ties Magic Knots*, a resin and plaster cast of the artist's pregnant torso. Self's practice draws on Jungian archetypes and spiritual traditions, and the show communicates themes of connectivity, motherhood, bodily experience, and transcendence without relying on wall text.
The 47th Westman Juried Art Show was held at the Killarney United Church CE Center in Manitoba, featuring 120 flat art pieces by non-professional local artists. The event, organized by the Killarney-Turtle Mountain Arts Council (KTMAC) in partnership with the Arts West Council, included juried critiques from Leona Brown and Lucie Lederhendler, who selected 20 pieces for a travelling gallery across 19 communities and 10 pieces to compete in the Northern and Regional Manitoba Art Show in Winnipeg.
Quilt artist Lois Klassen presents her first Manitoba exhibition, "Lamentation and Celebration," featuring a series of collaged textile works that explore the duality of grief and beauty. The exhibition showcases Klassen’s signature style of juxtaposing found, recycled, and commercial fabrics with traditional needlework fragments to create complex visual patterns and textures.
The Winnipeg Fine Art Fair has returned for its third year at Red River Exhibition Park, featuring nearly 80 artists across a vast range of mediums. As one of the largest juried shows in Manitoba, the event operates without strict curatorial criteria, allowing for a diverse display that ranges from abstract textures to automotive renderings.
Gallery 100 in Chelsea, Michigan, will host The Creative Corner Collection, an exhibition of children's artwork from the Manitou Beach Creative Corner's camps and workshops, running from April 27 through May 8. The show features work by students ages 6 to 15, with an opening reception on May 3 featuring violinists from the Lansing Symphony Orchestra. Gallery 100 takes no commission on sales, so all proceeds go directly to the young artists.
The 47th Westman Juried Art Show took place at the Killarney United Church's CE Center in Manitoba, showcasing 120 pieces of flat art by 87 local artists from 23 communities. Hosted by the Arts West Council and the Killarney-Turtle Mountain Arts Council, the event featured awards including Best in Show (Jacqui Beckett), People's Choice (Glenda Cairns Poirier), and a Theme Award (Shannon Desjardins), with jurors Leona Brown and Lucie Lederhendler providing written feedback on every entry. A record 41 youth participated, and 20 pieces were selected for the Travelling Gallery.
The Canadian Museum for Human Rights in Winnipeg announced plans for an exhibition titled 'Palestine Uprooted: Nakba, Past and Present,' scheduled to open in June 2026. The show will document the lived experience of the Nakba—the mass displacement of Palestinians beginning with the 1948 Arab-Israeli war—through video testimonials, objects, art, text, and photography, focusing on personal stories of Palestinian Canadians. The announcement has drawn both strong support and criticism, with museum CEO Isha Khan emphasizing the exhibition is not a historical retrospective or commentary on current Israel-Palestine relations.
East Los Angeles College’s Vincent Price Art Museum is hosting an exhibition through August that spans three decades of Latina lesbian activism in Los Angeles, from the 1980s to the late 2000s. The show features photos, posters, letters, and ephemera highlighting the fight against anti-gay hate crimes, alongside struggles for LGBTQ+ healthcare, affordable housing, fair wages for janitors, and immigrants’ rights. Co-curated by Jocelyne Sanchez and Vanessa Esperanza Quintero, the exhibition is a collaboration with UCLA’s Latina Futures 2050 Lab and pays tribute to activists including the late archivist Yolanda Retter Vargas.