Colleen Barry Wants You to Believe in Pictures Again

Artist Colleen Barry presents her exhibition “Iconophilia” at Half Gallery in the East Village, featuring 14 recent paintings that explore motherhood, tenderness, and the complexity of image-making. The works include mythological references like the Capitoline Wolf and juxtapositions of ancient and modern imagery, such as a portrait of Grace Jones combined with the Roman god Janus. Barry, who grew up working class in New York and learned painting from her father, aims to counter contemporary distrust of images—especially among her children—by offering a reverent, iconophilic approach to visual culture.

kevin mcgarry reviews jason faragos even

Kevin McGarry reviews the debut issue of *Even*, a new print art journal launched by *Guardian* contributor Jason Farago during Frieze New York. Named after a phrase from Marcel Duchamp's *The Bride Stripped Bare By Her Bachelors, Even*, the magazine is a small, paperback-sized publication that prioritizes text over images, positioning itself as an antidote to market-driven art discourse. The first issue features a lengthy essay on artist Joan Jonas by Elisabeth Lebovici, timed to Jonas's U.S. pavilion at the 56th Venice Biennale, and a piece by Zachary Woolfe on the Björk exhibition at MoMA. McGarry critiques the journal's ambition to revitalize art criticism, noting that while its goals are lofty, the content sometimes falls back on familiar artspeak.

10 Must-See Shows During Paris Gallery Weekend 2026

Paris Gallery Weekend 2026 returns for its 14th edition from May 29th to 31st, organized by the Comité Professionnel des Galeries d’Art. The event features 73 galleries across the Marais and other districts, offering three days of programming with must-see exhibitions during the city's vibrant late spring season.

Has the world grown weary of art biennials? In search of an antidote, a Portuguese festival turns to anarchism

Anozero, a biennial art festival held in Coimbra's Monastery of Santa Clara-a-Nova, has opened a ghostly edition that uses installations—including Taryn Simon's sound piece of laments in multiple languages—to protest plans by the Portuguese government to redevelop the 17th-century convent into a hotel under its Revive programme. Festival co-founder Carlos Antunes threatens to cancel the biennial if the development proceeds, framing the event as a warning to the developer about the spirits that haunt the building.

Folklore, mythology and tradition: five must-see shows at London Gallery Weekend

London Gallery Weekend features several exhibitions that draw on folklore, mythology, and traditional processes, offering a counterpoint to the AI-dominated art world. The article highlights five female artists whose shows span from Argentina to Australia to South Korea: Anna Perach at Richard Saltoun explores ancient folklore and identity through tufted sculptures; Francis Upritchard at Kate MacGarry presents uncanny sculptures inspired by mythology and science fiction; and Soyoung Hyun at IMT Gallery examines memory and ritual through clay vessels and shadow works. Other shows include indigenous Aboriginal artist Emily Kam Kngwarray and New Zealand-born Upritchard, who borrows from diverse cultural sources.

Beware the technology rat trap: Cooper Jacoby’s standout contribution to New York’s Whitney Biennial

Cooper Jacoby's sculptures at the Whitney Biennial explore how AI corporations and other companies turn personal data into financial assets. His five works, displayed in a green-carpeted space he describes as "almost like a rat trap," include the 2026 piece *Estate (July 10, 2022)*—a folding screen with an intercom that uses AI trained on social media posts from deceased creatives to generate vocal outputs. Another series, *Mutual Life*, features eye-like sculptures with clock hands that spin based on the biological age of anonymous individuals in the artist's network. Jacoby's work highlights the lack of regulation around digital life and death, and the opaque nature of AI systems.

This week's openings in Parisian galleries

Les vernissages cette semaine dans les galeries parisiennes

This week's openings in Parisian galleries feature a wide range of exhibitions across the Marais, Saint-Germain-des-Prés, and other districts. Highlights include Galerie Alain Margaron's group show "Du modèle à l'autoportrait" exploring the body in works by André Derain, Jean Hélion, Fred Deux, and Zoran Mušič; Kim Myoung Nam's first solo show at Galerie UNIVER / Colette Colla, presenting perforated paper pieces; and Galerie Wagner's collective exhibition dedicated to Latin American artists Milton Becerra, Olga Luna, and Claudia Lavegas. Other notable shows include Louis Pion's ink-on-envelope series at Galerie Incognito Artclub, Léonore Chastagner's raw ceramics at Galerie Anne-Sarah Bénichou, and solo presentations by Quentin Gouevic and Jérôme Zonder at Galerie Nathalie Obadia.

Review | Raphael, a master of serenity, is the artist we need right now

Art critic Philip Kennicott reflects on the profound psychological impact of Raphael’s Renaissance masterpieces, specifically citing the 'Madonna of the Meadow' in Vienna and the 'Alba Madonna' in Washington, D.C. He describes how these works possess a unique ability to cure 'museum fatigue' and mental clutter, offering a sense of serenity and clarity that feels particularly necessary in the current cultural climate.

Churchill Landscape Gets First U.K. Showing in Exhibition Tracing His Artistic Life

The National Trust has unveiled a new exhibition titled "Churchill the Artist" at Chartwell, the former home of Winston Churchill. The show features personal artifacts including his paint-spattered Savile Row overalls and spectacles, alongside the painting "Quiet Waters" (c. 1920s), which is being exhibited in the U.K. for the first time. The work, an impressionistic river scene, was originally a gift from Churchill to the press baron Lord Beaverbrook.

At the BnF, wonderful maps to imagine new worlds

À la BnF, des merveilles de cartes pour imaginer des mondes nouveaux

The Bibliothèque nationale de France (BnF) is presenting an exhibition of extraordinary maps that blend imagination with cartography, tracing the evolution of maps from ancient tools of navigation to fantastical creations that fueled exploration and myth. The show features rare works including Renaissance sea monsters, cosmological paintings, and literary maps from Tolkien's Middle-earth and George R.R. Martin's Westeros, alongside contemporary artists like Alighiero Boetti, Sergio Aquindo, and Michael Druks who use maps to express personal and political visions.

The Art Galleries of New York

A visitor recounts a personal gallery crawl through New York City neighborhoods like Tribeca, Chelsea, and the Lower East Side, highlighting specific exhibitions at Andrew Kreps Gallery, James Cohen Gallery, Chapter NY, and Bortolami Gallery. The article details works by artists including Thérèse Oulton, Elias Sime, Sonya Kelliher-Combs, Rosha Yaghmai, Vian Sora, and Sophie Reinhold, emphasizing the diversity of styles and materials on view.

List of small Italian museums dedicated to writing. Among diaries, typewriters and memories

Lista dei piccoli musei d’Italia dedicati alla scrittura. Tra diari, macchine da scrivere e memorie

The article highlights the phenomenon of cultural overbooking, where major museums like the Louvre, Vatican Museums, and British Museum attract millions of visitors, turning art appreciation into a physical endurance test. It then pivots to a series of small, specialized museums across Italy dedicated to writing, diaries, and memory, offering a quieter, more intimate alternative. Featured institutions include the Piccolo Museo del Diario in Pieve Santo Stefano, which houses over 10,000 personal diaries and letters, and the Museo della Lettera d’Amore in Torrevecchia Teatina, with 25,000 love letters. Other stops include the Parco Poesia Pascoli in San Mauro Pascoli, dedicated to the poet Giovanni Pascoli.

Creative Thought Is Essential: A Letter from Our Editor

Jackie Andres, online editor of Colossal, writes an open letter to readers reflecting on Virginia Woolf's assertion that "thinking is my fighting." Andres connects this to contemporary concerns about declining literacy rates, the rise of AI tools like ChatGPT, doomscrolling, and "brain rot" that undermine critical thinking. She positions Colossal as a free, accessible resource for art education, noting that the publication has remained entirely free for 15 years, and highlights how educators and students use the site for lesson plans and learning.

This Risograph Studio Celebrates 400 Artist Postcards Mailed Around the Globe

Glasgow-based design studio Risotto is celebrating a major milestone for its Riso Club subscription service with a retrospective exhibition at the Glue Factory. Since 2017, the club has commissioned and mailed four artist postcards monthly to subscribers worldwide, reaching a total of 400 unique works. The exhibition, running from April 11 to 19, marks the 100th mailing and showcases the full collection of prints together for the first time.

DENMARK S PAVILION AT VENICE BIENNALE EXAMINES PORNOGRAPHY SCIENCE AND HUMAN REPRODUCTION

The Danish Arts Foundation has opened 'Things To Come', an exhibition by Danish artist Maja Malou Lyse at the Danish Pavilion in the Giardini, Venice, as part of the 61st International Art Exhibition – La Biennale di Venezia. Curated by Chus Martínez, the show runs until November 22, 2026, and features a film developed with the collective DIS, shot in a real sperm bank and special effects studio, alongside an installation titled 'Stars in My Pocket' that incorporates cryogenic fertility bank boxes and online 'sperm races' clips. The exhibition title references H.G. Wells' 'The Shape of Things to Come' and draws on scientific studies linking virtual sexual stimuli to increased sperm motility.

In Shaker Design, a Zeal for No Zeal

The New York Times explores the enduring influence of Shaker design on contemporary artists and designers, highlighting how its principles of simplicity, utility, and spiritual integrity resonate in today's world. The article features creators like furniture maker Thomas Moser and ceramicist Mary Law, who draw directly from Shaker aesthetics of plainness, proportion, and honest craftsmanship.

Faces of America Art Exhibit

Artist and arts administrator Kathleen Kirk Stoves is debuting an art exhibit at Mobile Arts Council in downtown Mobile, Alabama, in partnership with Lynn Oldshue, founder and writer of the storytelling project Our Southern Souls. The exhibit runs through May and coincides with the ArtWalk event on May 8th. Stoves created paintings inspired by Oldshue's interviews with over 2,000 people from the Mobile area, originally sparked by stories about bus riders.