The New Museum in Manhattan reopens to the public after a two-year closure, marked by a major expansion and a new building. Its inaugural exhibition explores themes of humanity amid technological change, though the architectural redesign has drawn some criticism from New Yorkers for its perceived corporate and hostile aesthetic.
The Chicago art space Wrightwood 659 is hosting a major survey titled "Dispossessions in the Americas: The Extraction of Bodies, Land, and Heritage from La Conquista to the Present." Featuring over 35 contemporary Latin American artists, including Regina José Galindo and the late Ana Mendieta, the exhibition is the culmination of a multi-year research project funded by the Mellon Foundation. The show explores the historical and ongoing impacts of colonial dispossession on Indigenous, Afro-descendant, and LGBTQ+ communities through diverse media ranging from performance art to installation.
The Chicago art space Wrightwood 659 is hosting a major survey titled "Dispossessions in the Americas: The Extraction of Bodies, Land, and Heritage from La Conquista to the Present." Featuring over 35 contemporary Latin American artists, including Regina José Galindo and the late Ana Mendieta, the exhibition serves as the culmination of a multi-year research project funded by the Mellon Foundation. The show explores the historical and ongoing impacts of colonial dispossession on Indigenous, Afro-descendant, and LGBTQ+ communities through diverse media ranging from performance art to installation.
Art Basel Hong Kong 2026 commenced against a backdrop of global economic uncertainty and geopolitical tension, yet the city's local scene demonstrated remarkable resilience. The week was characterized by a surge of grassroots activity, including the debut of three alternative art fairs and the opening of several new gallery outposts. Key highlights included the launch of GOLD, a cross-disciplinary salon in Wong Chuk Hang, and the expansion of Shanghai’s Antenna Space into the city, signaling a shift toward more flexible, community-oriented art spaces.
San Francisco-based artist Kate Tova has launched a solo exhibition titled "The Art of Rest" at the Oceanside Museum of Art. The show features a series of vibrant, large-scale multimedia works that blend traditional oil painting with unconventional materials like sequins and reflective surfaces. Tova’s latest body of work explores the psychological and physical necessity of stillness, challenging the modern culture of constant productivity through her signature "glitch" aesthetic and tactile textures.
Harvard University's Carpenter Center for the Visual Arts has officially appointed Kate McNamara as its John R. and Barbara Robinson Family Director. McNamara, who had been serving in the role on an interim basis since last year, is the founder of the experimental art space ODD-KIN and has held leadership positions at Providence College Galleries, Otis College of Art and Design, and Boston University Art Galleries.
Somalia's inaugural pavilion at the Venice Biennale has sparked significant backlash from the nation's domestic art community. Four major Somali art spaces and nine local artists issued a joint statement criticizing the pavilion for failing to include or consult artists currently living and working within Somalia. The controversy centers on the selection of three diaspora artists based in Europe and the appointment of a Venice-based co-curator, which critics argue ignores the cultural workers who have rebuilt the country's art scene under difficult conditions.
The Mattress Factory in Pittsburgh has announced a public conversation between its new Artistic Director, Anthony Elms, and renowned curator Hamza Walker to mark the institution's 50th anniversary. The event focuses on the evolution of artist-centered institutions and Elms's vision for the museum following his tenure as Chief Curator at the Institute of Contemporary Art at the University of Pennsylvania.
The City of Santa Monica has officially opened the Santa Monica City Gallery, its first municipal art space, located within the Bergamot Station Arts Center. The gallery launched with the inaugural exhibition "Case Study: Adapt," which showcases architectural models designed by students and professional firms to address housing needs for families displaced by the 2025 California wildfires. The venue is designed to host a rotating schedule of exhibitions, artist residencies, and selections from the city’s permanent Art Bank collection.
White Columns, New York’s oldest alternative nonprofit art space, has launched a unique fundraising exhibition titled “Art (by) Dealers.” The show features works created by over 90 art dealers and gallery professionals rather than the artists they represent. Organized by Kathy Huang and Will Leung, the exhibition presents uniform 12-by-9-inch works priced at $500 each, sold anonymously to benefit the nonprofit's programming.
The Alexandria art scene is hosting a diverse array of exhibitions and events throughout April 2026, centered around the Torpedo Factory Art Center, Del Ray Artisans, and Nepenthe Gallery. Key highlights include Marcus Beauregard’s solo printmaking show "Paint to Print," a car-themed exhibition titled "Fast and Fabulous" curated by Kelly and Scott MacConomy, and a series of weekly receptions at Nepenthe Gallery featuring artists like Sweta Shah and the NOVA Plein Air Artists. Many of these events serve charitable purposes, with proceeds from specific sales at Del Ray Artisans being donated in memory of late local artists Donna Gallo and Rusty Lynn.
Four new art spaces have opened in Hong Kong in March 2026, expanding the city's gallery landscape. Antenna Space, a Shanghai gallery, debuts in Wong Chuk Hang with the group show "Horizons: South." GOLD, a cultural lab by Serakai Studio, opens nearby with "CERTAINLY." In Mid-Levels, the Cheng-Lan Foundation launches Cheng-Lan's Corner with a solo show by Filipino artist Cian Dayrit. In Central, curator Jims Lam inaugurates the curatorial platform Knotting Space at H Queen's with its first cycle, "KNOT I."
The New York-based Asian-American art and fashion collective CFGNY has opened a new exhibition, "Puddles into Pond," at the non-profit art space Amant in Brooklyn. The show features an immersive installation with a shaggy fur bridge, kinetic sculptures, and ceramic works, running until August 16. This exhibition is part of a significant season for the collective, which also includes a debut installation at the Whitney Biennial and participation in a group show at Pioneer Works.
Saina Heshmati and Amir Amini have opened ANTiPODE Art Gallery in Seattle’s Pioneer Square, a new space dedicated to showcasing the work of immigrant artists. Located in a basement shared with the Seattle Jazz Fellowship, the gallery functions as a multi-modal hub for cultural exchange, hosting art exhibitions alongside film screenings, tea ceremonies, and experimental music. The founders, both Tehran natives, aim to bridge the gap between Seattle and distant global cities through diverse programming that emphasizes the intersection of different artistic disciplines.
Ladji Diaby’s solo exhibition at Lafayette Anticipations, titled “Who’s Gonna Save the World?”, features furniture repurposed as vitrines for discarded objects. By collecting and displaying artifacts that have lost their original utility, Diaby creates a symbolic dialogue between himself and the anonymous former owners of these items, elevating mundane debris into the realm of high art.
A l’enterrement d’un centre d’art
The article reports on the closure of a contemporary art center, described metaphorically as a funeral. It details the final days of the institution, the reactions from the artistic community, and the circumstances leading to its demise, such as funding cuts or policy changes.
The K-pop group BTS performed two songs from their new album 'ARIRANG' in the main lobby of the Guggenheim Museum in New York. The private, phone-free event for about 150 invited fans featured the tracks "SWIM" and "2.0," with leader RM performing seated for one song due to an ankle injury.
The exhibition "Instructions for Unrest: Art Against Complacency" has opened at Art Produce Gallery in San Diego, featuring a group of artists who utilize their work as a tool for political and social disruption. Curated by Alessandra Moctezuma in collaboration with the nonprofit Space 4 Art, the show presents a diverse range of media aimed at addressing issues such as immigrant rights, LGBTQ+ protections, and environmental policy.
Pond Gallery, a new artist-run exhibition space, has opened in the basement of a former flower shop on the downtown square in Fayetteville, Arkansas. Founded in May 2024 by artist-friends Taylor Loftin, Ty Barnes, and Christian Schultz, the gallery operates on a DIY model, with the founders handling construction, curation, and rent. Its programming, including recent shows by Akeylah Imani Wellington and Natalie Conway, focuses on creating a communal hub for local artists.
The Bank of Art Gallery in Brazil, Indiana, is launching an immersive spring-themed exhibition titled "Bloom/Hum/Glow." Featuring the work of seven artists, the show transforms the gallery space into a sensory meadow through a combination of glasswork, floral prints, and a unique sound installation. A central highlight is a haptic audio experience by artist Kevin Naylor that replicates the vibrations and sounds of a beehive, allowing visitors to feel as though they are enveloped within a hive.
The Islamabad Art Gallery has launched 'Souch Say Saqafat Tak,' a landmark exhibition showcasing the debut works of recent art school graduates from across Pakistan. Curated by Raheel Arshad in collaboration with Khyal Art Space, the show features a diverse array of mediums including digital glitches, traditional calligraphy, and abstract portraiture. The opening event drew significant cultural figures, including writer Irfan Ahmed Urfi and photographer Mobeen Ansari, highlighting a collective effort to bridge the gap between academic training and professional practice.
The contemporary art space Spike Island in Bristol is hosting a solo exhibition by artist Phillip Lai titled "Rain / Ruin." Running from January 30 to May 10, 2026, the exhibition features a series of sculptural installations and works that engage with the architectural environment of the gallery. The presentation is documented through a comprehensive suite of installation photography by Rob Harris, capturing the spatial relationship between Lai's objects and the industrial character of the venue.
The Montreal Museum of Fine Arts (MMFA) has officially installed a framed team photograph of the Montreal Canadiens celebrating Cole Caufield’s 50th goal of the season. The move originated from a viral social media post by the team’s content creators, who used the popular idiom "Hang it in the Louvre" to caption the dressing room image, prompting the museum to turn the digital sentiment into a physical display.
The Gallery at the Attucks, located within Norfolk’s historic Attucks Theatre, is launching its second major exhibition titled "Rhythm of the Stage." Curated by Nyree Dowdy, the show features over 40 original works by 25 artists from the Hampton Roads region, exploring the intersection of visual art, music, and dance. A public opening reception is scheduled for April 17, 2026, marking a significant milestone for the city's newest dedicated art space.
The Hook Experiment in Oxford is currently hosting "Tender Ground," a lens-based exhibition featuring the work of four regional women artists: Lynda Schmid, Sarah R. Bloom, Marnie Ellen Hertzler, and Jonna McKone. Curated by Constance McBride and Lisa Baird, the show utilizes photography and found objects to explore themes of environmental instability, physical vulnerability, and the fragility of place. The works range from disjointed equine photography and nude self-portraiture in decaying spaces to documentation of the disappearing Tangier Island.
The group exhibition ‘Bándearg’ (Pink) is set to open at Books At One in Louisburgh, County Mayo, featuring the work of five female artists based in Ireland. The show explores the color pink as both a physical medium and a complex cultural symbol, showcasing a diverse range of artistic approaches including the bold, hard-edge op art of Elphin-based artist Nickie Harrington.
The Pharmacy Gallery and Art Space in Springfield, Illinois, is set to participate in the international Slow Art Day on April 11. This grassroots event encourages visitors to move away from the typical museum-going experience of rushing through exhibits, instead focusing deeply on a small selection of works. The Springfield location will feature concurrent exhibitions by Bob Waldmire and photographer David Schwartz, whose work will be featured on upcoming Route 66 Centennial stamps.
A new multidisciplinary art space named Gold has opened in Hong Kong. It aims to host exhibitions and events spanning art, design, and fashion.
Artist Ruben Ochoa has returned to the UC Irvine campus with "Class C," a mobile art gallery housed inside a converted 1985 Chevy delivery van. The pop-up exhibition features works by UCI-affiliated artists Sean Duffy, Beatrice von Rague Schleyer, and André Woodward, showcasing contemporary art within a space that mimics a traditional white-cube gallery. The project is presented in coordination with the exhibition "Breakdown/Breakthrough: Art and Infrastructure" at the Langson IMCA.
A new exhibition titled VISION has opened at the recently launched Art Jewel gallery space within Bangkok's Siam Paragon shopping mall. The show features works by fifteen artists from around the world, including notable figures like Japanese artist Kohei Nawa and Thai artist Pinaree Sanpitak, presenting a diverse range of contemporary art in a high-traffic commercial setting.