from artemisia gentileschi in paris to yoshitomo naras u k debut 9 must see european museum shows in 2025

Artnet News highlights nine must-see European museum exhibitions opening in 2025, spanning from Amsterdam to Zurich. Featured shows include Noah Davis's first U.K. museum survey at the Barbican in London, a dual Anselm Kiefer exhibition at the Van Gogh Museum and Stedelijk Museum in Amsterdam, Tracey Emin's first major Italian retrospective at Palazzo Strozzi in Florence, and a dedicated Artemisia Gentileschi show at Musée Jacquemart-André in Paris. Other notable exhibitions cover Marlene Dumas, Yayoi Kusama, and Yoshitomo Nara, among others.

painting female old master artemisia gentileschi sells 2 million

Artemisia Gentileschi's 17th-century painting 'Lucretia' sold for €1.88 million ($2 million) at Dorotheum's Old Master sale in Vienna, more than double its high estimate. The work, previously unseen in public, was acquired by an Australian collection, continuing a trend of strong auction results for the Baroque artist.

state of the art market old masters and neo old masters

Artnet News, in collaboration with Morgan Stanley, analyzed auction data from the Artnet Price Database to assess the state of the European Old Master market since 2018. The investigation explores how efforts to contemporize Old Masters—through juxtapositions at art fairs like TEFAF and Masterpiece London, and gallery shows such as David Zwirner's 'Endless Enigma'—have correlated with market trends for Contemporary and Ultra-Contemporary artists whose work is visibly influenced by classical European art. The report also examines the impact of living artists inspired by Old Masters, suggesting that restricting analysis to historical works alone may underestimate their ongoing influence on the art market.

the art angle alison gingeras the woman question

Alison M. Gingeras, an American curator and writer, has organized a major new exhibition titled “The Woman Question: 1550–2025” at the recently opened Museum of Modern Art in Warsaw. The show brings together over 200 artworks spanning nearly 500 years of women’s creative production, from Renaissance figures like Sofonisba Anguissola and Lavinia Fontana to Baroque artists such as Elisabetta Sirani and Artemisia Gentileschi, and contemporary names like Betty Tompkins and Lisa Brice. The exhibition explores how women artists have depicted themselves, power, resistance, desire, and violence, drawing on the historical concept of the "querelle des femmes" and Linda Nochlin’s famous 1971 essay. Gingeras discusses the project on the podcast The Art Angle.

German artist Georg Baselitz dies aged 88

German artist Georg Baselitz has died at age 88, as confirmed by the Thaddaeus Ropac gallery. Known for his expressive paintings and sculptures, Baselitz rose to prominence in the 1960s after a scandal over sexually symbolic works led to a high-profile court case. He pioneered painting canvases upside down from 1969 onward, a technique he used to grapple with German history and collective guilt. His work spanned six decades and included notable sculptures, such as a wooden figure at the 1980 Venice Biennale that appeared to perform a Nazi salute, which he later clarified was inspired by an African artifact. Baselitz achieved international acclaim in the 1980s and became one of Germany's highest-priced living artists, alongside Gerhard Richter.

Biennale di Venezia 2026. Le grandi mostre da non perdere in città

The article previews major exhibitions in Venice during the 2026 Biennale, highlighting a rich lineup of shows across the city's museums and foundations. Key highlights include a retrospective for Marina Abramović at the Gallerie dell'Accademia, a Peggy Guggenheim exhibition at her former home, and dual shows at Palazzo Grassi and Punta della Dogana featuring artists like Michael Armitage, Amar Kanwar, Lorna Simpson, and Paulo Nazareth. Other notable venues include Fondazione Prada, Ca' Pesaro, and the Museo Correr, with artists ranging from Joseph Kosuth to Jenny Saville.

artemisia gentileschi record nga acquisition

A self-portrait by Artemisia Gentileschi sold for $5.69 million at Christie’s New York, setting a new auction record for the artist. The painting, *Self-Portrait as Saint Catherine of Alexandria*, is one of only five self-portraits by Gentileschi and is believed to be the earliest, painted when she was around 20 years old in Florence. It far exceeded its presale estimate of $2.5–$3.5 million. On the same day, the National Gallery of Art in Washington, D.C., announced its acquisition of another Gentileschi work, *Mary Magdalene in Ecstasy* (circa 1625), funded by a gift from Nina J. Cohen and the Patrons’ Permanent Fund.

record 12 million at sothebys paris for recently discovered gentileschi

A recently rediscovered painting by Baroque artist Artemisia Gentileschi sold for €865,000 ($1.19 million) at a Sotheby's Paris auction, shattering the artist's previous auction record set in 1998. The work, which had been hidden for over 80 years in southern France, fetched nearly three times its presale estimate after being identified by Sotheby's Old Master department.

sothebys offers lost artemisia gentileschi masterpiece

A long-lost painting by the 17th-century Italian Baroque artist Artemisia Gentileschi, titled *Mary Magdalene in Ecstasy*, has been rediscovered and will be auctioned at Sotheby's in Paris on June 26. The work, previously known only from a single black-and-white photograph, was found in a private collection in the south of France and has not been publicly seen for 80 years.

A mind-bending Spaniard, an imagistic Puerto Rican and a lush Latvian – the week in art

This week's art roundup from The Guardian features a major exhibition on Spanish painter Francisco de Zurbarán at the National Gallery in London, described as a mind-bending and revelatory show with loans from the Prado and other top museums, positioning him alongside Goya and Picasso. Other highlights include Gilbert & George's tribute to their late homeless friend at their London centre, outdoor sculptures by Lynn Chadwick at Houghton Hall, thickly built-up paintings by Angel Otero at Hauser & Wirth Somerset, and abstract works by Latvian sculptor Daiga Grantina at Warwick Arts Centre. The article also covers a new Banksy statue in central London depicting a man marching with a flag, and a Masterpiece of the Week feature on Guido Reni's 'Saint Mary Magdalene'.

tefaf 2026 female old masters

The 2024 edition of TEFAF Maastricht has opened with a significant focus on rediscovered female Old Masters, highlighted by the third annual 'Map of Women Artists' which now features over 670 works. Major dealers like Lullo Pampoulides and Koetser Gallery are showcasing high-value pieces by Artemisia Gentileschi, Virginia da Vezzo, and Michaelina Wautier, drawing immediate attention from institutional leaders including Metropolitan Museum of Art director Max Hollein.

londons old masters week sees rare works sell and mid market paintings struggle

Christie's, Sotheby's, and Bonhams held Old Masters auctions in London, with Christie's achieving a record £31.9 million ($43.7 million) sale for Canaletto's *Venice, the Return of the Bucintoro on Ascension Day* (circa 1732), more than half the sale's total of £60.8 million. The painting, once owned by Robert Walpole, set a new auction record for the artist. Sotheby's evening sale brought in £14.5 million, with J.M.W. Turner's rediscovered *The Rising Squall, Hot Wells, from St Vincent's Rock, Bristol* (1792) selling for £1.9 million, seven times its estimate. However, mid-market paintings struggled, and the Bristol Museum and Art Gallery failed to acquire the Turner despite fundraising £109,000.

tracing the transition from mannerism to baroque at tefaf maastricht

London-based gallery Trinity Fine Art has announced a curated presentation for TEFAF Maastricht 2026 focusing on the stylistic evolution from Mannerism to the Baroque. The showcase features three significant works: an ambitious 1580 biblical scene by Lavinia Fontana, a rare and well-documented 1610 depiction of St. Jerome by Orazio Gentileschi, and a mature 1620 composition of the Holy Family by Giulio Cesare Procaccini.

Old Masters Records: Gentileschi, Michelangelo, Rembrandt

old masters records gentileschi michelangelo rembrandt

Old Masters Week in New York saw a resurgence in the sector, highlighted by the Italian Ministry of Culture's $14.9 million private acquisition of a rare two-sided panel by Antonello da Messina from Sotheby’s. The week featured high-profile sales at both Sotheby’s and Christie’s, resulting in new auction records for major figures including Artemisia Gentileschi and Michelangelo, as well as a record price for a Rembrandt drawing. The success was attributed to a high level of museum participation and more realistic pricing strategies compared to previous seasons.

judy chicago herstory new museum

Judy Chicago’s first major New York museum survey, "Herstory," has opened at the New Museum, marking a triumphant return for the 84-year-old feminist icon. The exhibition features a comprehensive look at her 60-year career, including her large-scale tapestries and "Rejection" drawings, alongside a curated "show-within-a-show" titled "City of Ladies." This section integrates Chicago’s work with pieces by over 90 historic women and non-binary artists, ranging from Hilma af Klint to Hildegard of Bingen, creating a visual dialogue across centuries of female creativity.

‘Old masters too’: Ghent exhibition celebrates female artists of the baroque

The Ghent Museum of Fine Arts (MSK) has opened the exhibition 'Unforgettable: Women Artists from Antwerp to Amsterdam, 1600-1750,' featuring over 40 female artists from the Baroque period in the Low Countries. The show highlights painters like Judith Leyster and Maria van Oosterwijck, as well as practitioners of crafts like paper-cutting and lace-making, aiming to restore these women to a historical narrative dominated by male 'Old Masters' like Rembrandt and Vermeer.

It's Time to Give Annibale Carracci Some of Rembrandt's Spotlight

its time to give annibale carracci some of rembrandts spotlight

This article advocates for a critical re-evaluation of the Italian Baroque painter Annibale Carracci, arguing that his historical significance and artistic influence rival that of the more widely celebrated Rembrandt van Rijn. While Rembrandt has dominated recent museum headlines and auction records, the author highlights Carracci’s foundational role in establishing the Accademia degli Incamminati in Bologna, which revolutionized art education by prioritizing life drawing and elevating the social status of artists from mere craftsmen to intellectual creators.

plautilla bricci painter roman architect

The nonprofit organization Artemisia Gold has announced a major restoration project for Plautilla Bricci’s 17th-century altarpiece, 'Birth of the Virgin' (ca. 1660), located in Rome’s Church of Santa Maria in Campo Marzio. Bricci, a rare female polymath of the Baroque era, was Italy’s first professional female architect as well as a prolific painter and sculptor. The restoration team, led by Jane Adams, aims to clean the darkened canvas and conduct X-ray analysis to potentially uncover a hidden signature and more details regarding its commission by Abbess Anna Maria Mazzarino.

Michaelina Wautier Market Appraisal

michaelina wautier market appraisal

The 17th-century Flemish Baroque painter Michaelina Wautier is experiencing a significant rediscovery following centuries of obscurity and misattribution. Long overshadowed by her male contemporaries and her brother Charles, Wautier's diverse oeuvre—ranging from still lifes to monumental allegorical scenes—is being re-evaluated through major exhibitions at the Kunsthistorisches Museum in Vienna and the Royal Academy of Arts in London. This scholarly revival is correcting the historical record, as works previously attributed to artists like Artemisia Gentileschi are being rightfully returned to her catalog.

gentileschi auction lucretia

A rediscovered painting by Baroque master Artemisia Gentileschi, titled 'Lucretia,' sold for €4.8 million ($5.28 million) at an Artcurial auction in Paris, shattering the artist's previous auction record. The price soared to six times its high estimate, reflecting intense market competition for the rare work.

national portrait gallery shells record 4 million artemesia gentileschi self portrait

London's National Gallery has acquired a recently rediscovered self-portrait by Artemisia Gentileschi, 'Self Portrait as Saint Catherine of Alexandria' (c. 1615–17), for £3.6 million ($4.7 million). The painting was purchased from a London dealer who had secured it at a Paris auction in December, where it set a new auction record for the artist. The acquisition marks a significant addition to the museum's holdings, as it is only the 21st work by a female artist in its collection of over 2,300 pieces.

10 art restorations in 2025

In 2025, a series of major art restorations unveiled transformative discoveries in masterpieces by Caravaggio, Raphael, and Artemisia Gentileschi, among others. Caravaggio's final work, *The Martyrdom of St. Ursula* (1610), owned by Intesa Sanpaolo, was cleaned ahead of Rome's "Caravaggio 2025" exhibition, revealing hidden faces and a soldier's helmet previously only visible by x-ray. At the Vatican Museums, a decade-long restoration of the Raphael Rooms concluded with the revelation that two allegorical figures in the Hall of Constantine were painted by Raphael himself, not just his assistants, rewriting art history. Meanwhile, Artemisia Gentileschi's *Hercules and Omphale* (ca. 1635–37), damaged in the Beirut explosion, underwent emergency conservation by the Getty.

this artemisia gentileschi painting is unlike any of her others heres why

A previously unknown painting by Artemisia Gentileschi, *Hercules and Omphale* (ca. 1635–37), was identified after being damaged in the 2020 Beirut port explosion. The work, which hung in Beirut’s Sursock Palace, underwent a three-year conservation at the J. Paul Getty Museum and is now on view at the Columbus Museum of Art in the exhibition *Artemisia Gentileschi: Naples to Beirut*. It depicts the Greek myth of Queen Omphale enslaving Hercules, a rare subject for Gentileschi that subverts traditional gender roles.

old masters sales takeaways art detective

Sotheby's underperformed with the highly anticipated Saunders Collection of Old Masters, which was estimated at $80–120 million but sold for only $65.4 million, falling $14.6 million short of its low estimate. The sell-through rate was a dismal 58%, with 16 of 43 lots failing to sell in the standalone auction. Christie's also saw disappointing results, with a smaller sale totaling $6.89 million, 17% below its low target. The collection, amassed by the late banker Thomas A. Saunders III and his wife Jordan, was billed as the most valuable Old Masters collection ever to come to auction.

william dobson acquisition

A rare self-portrait by 17th-century British painter William Dobson has been jointly acquired by London's Tate and the National Portrait Gallery for £2.37 million ($3.2 million), setting a new record for the artist. The painting, considered the first known self-portrait by a British-born painter, was created in the late 1630s and last sold at Bonhams London in 2016 for just over £1.1 million. It will go on view in London before embarking on a national tour in 2026.

national gallery sainsburg wing reopening gabriele finaldi

London's National Gallery has reopened its Sainsbury Wing after a three-year, $113 million renovation, timed to the museum's 200th anniversary. Director Gabriele Finaldi, who was knighted this year, oversaw the project, which was designed by architect Annabelle Selldorf and faced criticism from original architect Denise Scott Brown. The revamped wing features a light-filled foyer, 17 galleries with no prescribed route, and a rehang titled “The Wonder of Art.” The museum also acquired a mysterious painting by an unknown artist, The Virgin and Child with Saints Louis and Margaret and Two Angels (1500–10), for $20 million through Sotheby's.

8 Must-See Museum Shows Celebrating Overlooked Women Artists

This article highlights eight museum exhibitions scheduled for fall 2025 that focus on historically overlooked women artists. Featured shows include "Nancy Elizabeth Prophet: I Will Not Bend an Inch" at Spelman College, "Toshiko Takaezu: Worlds Within" at the Chazen Museum of Art, and "Edmonia Lewis: Indelible Impressions" at the Cantor Arts Center, among others. Each exhibition aims to bring renewed attention to artists who faced racial and gender barriers, such as Afro-Indigenous sculptor Nancy Elizabeth Prophet, ceramicist Toshiko Takaezu, and 19th-century sculptor Edmonia Lewis.

MFA's Nude Exhibition Challenges Art History's Gender Norms

The Museum of Fine Arts, Boston, has opened a new exhibition that challenges traditional gender norms in art history, featuring a dozen artists who disrupt the conventional nude. The show includes Xandra Ibarra's performance "Nude Laughing," where she paraded naked through the museum's European galleries, and works by Betty Tompkins, whose "Fuck Paintings" and "Women Words Painting" series confront misogyny and the male gaze. The exhibition juxtaposes these contemporary pieces with historical works like Jean-Léon Gérôme's "Moorish Bath" to highlight entrenched racial and gender hierarchies in art.

Michaelina Wautier review – an astounding lost artist steps out of her male contemporaries’ shadows

A major exhibition at the Royal Academy is presenting the work of 17th-century Flemish painter Michaelina Wautier, an artist whose significant oeuvre was long misattributed to her male contemporaries, including her brother Charles. The show acts as a real-time art historical investigation, using scientific analysis, scholarship, and connoisseurship to reconstruct her career and assert her authorship of ambitious works like the monumental 'The Triumph of Bacchus'.

national gallery of art artemisia gentileschi painting

The National Gallery of Art in Washington, D.C., has acquired its first painting by Baroque artist Artemisia Gentileschi, titled *Mary Magdalene in Ecstasy* (ca. 1625). The work, once thought lost, resurfaced in a French private collection in 2011 and was sold at Sotheby's in 2014 for $1.1 million, setting a then-auction record for the artist.