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asia society muhammad artwork censorship 2286435

New York's Asia Society and Museum has been accused of censorship by Islamic art scholars after a virtual tour of its exhibition "Comparative Hell: Arts of Asian Underworlds" blurred two artworks depicting the Prophet Muhammad. The museum acknowledged the error, blaming an outside contractor and insufficient oversight, and announced plans to restore the images to the online tour. The blurred works include a folio from the Falnama (ca. 1555) on loan from the Arthur M. Sackler Museum at Harvard and a manuscript page from the David Collection in Copenhagen showing Muhammad ascending to heaven. The controversy follows a similar incident at Hamline University, where an adjunct professor lost her contract after showing images of Muhammad in an art history class.

A Story of South Asian Art: Mrinalini Mukherjee and Her Circle

The Royal Academy of Arts in London presents "A Story of South Asian Art: Mrinalini Mukherjee and Her Circle," a visually thrilling exhibition running from 31 October 2025 to 24 February 2026. Curated by Tarini Malik, the show pivots around the work of Mrinalini Mukherjee (1949-2015), placing her in dialogue with key figures of the Indian cultural scene, including her parents Benode Behari Mukherjee and Leela Mukherjee, as well as artists Gulammohammed Sheikh and Nilima Sheikh. The exhibition highlights Mukherjee's hemp sculptures like 'Adi Pushp II' (1998-99) and bronze works such as 'Forest Flame IV' (2009), and emphasizes the importance of art schools and places—Santiniketan, Baroda (Vadodara), and New Delhi—in shaping her practice.

Smithsonian’s National Museum of Asian Art returns three sculptures to Cambodia

The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has voluntarily returned three sculptures to the Cambodian government after an internal provenance investigation determined the objects were likely removed from Cambodia during the country’s civil war (1967-75). The returned artifacts include a tenth-century sandstone head of Harihara, a tenth-century sandstone sculpture of the goddess Uma, and a bronze statue of Prajnaparamita from around 1200. The museum’s director, Chase F. Robinson, stated that strong evidence linked the pieces to problematic dealers and a context of war and violence, and that no documentation supported their lawful export. The objects were donated to the NMAA by Arthur M. Sackler and Gilbert and Ann Kinney without proper provenance papers.

Smithsonian’s National Museum of Asian Art repatriates ancient silk manuscript to China

The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has repatriated fragments of the ancient Zidanku Silk Manuscripts to China. The artifacts, dating from the fourth to third century BCE, were looted from a tomb near Changsha, Hunan Province, and smuggled into the US in 1946. The NMAA deaccessioned Volumes II and III of the manuscripts, which were given to the Arthur M. Sackler Gallery by an anonymous donor in 1992. The transfer was formalized in a ceremony at the Chinese embassy following an agreement signed earlier this month, with the fragments handed over to the National Cultural Heritage Administration (NCHA) of China.

Pahari art show opens in Washington​

A major exhibition of Indian art titled “Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms” has opened at the Arthur M. Sackler Gallery of the National Museum of Asian Art in Washington, D.C. Running from April 18 to July 26, 2026, the show features 48 rare paintings created for Hindu kings in the Pahari region of north India between the 1620s and 1830s. Curators highlight the diversity of styles—from lyrical and naturalistic to boldly colored and abstracted—and emphasize the collaborative nature of the artist communities that produced these works. The exhibition includes pieces acquired from art historian Catherine Glynn Benkaim and Ralph Benkaim, some never publicly exhibited before, alongside loans from the Cleveland Museum of Art.

Rare Pahari Paintings Go On Display In Washington Exhibition

An exhibition titled “Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms” has opened at the Arthur M. Sackler Gallery, part of the Smithsonian Institution’s National Museum of Asian Art in Washington, D.C., running through July 26. The show features 48 rare paintings created for Hindu kings in the Pahari region of northern India between the 1620s and 1830s, highlighting diverse styles from lyrical and naturalistic to boldly colored and abstracted. Key works include pieces acquired from art historian Catherine Glynn Benkaim and collector Ralph Benkaim, some never publicly exhibited before, along with loans from the Cleveland Museum of Art.