WORDS WORDS WORDS at Everard Read shows the power of words in contemporary art

The article reviews 'WORDS, WORDS, WORDS,' an exhibition at Everard Read Gallery's CIRCA space in South Africa, which explores the role of language in contemporary visual art. Curated with a focus on how words are bent, repeated, fragmented, and reassembled, the show features works by South African artists including Willem Boshoff and Luca Evans, who engage with conceptual art traditions from Dada to Barbara Kruger. Boshoff's braille-inset wooden piece 'Planet of Echinus' questions inclusion and exclusion in language, while Evans' work riffs on Joseph Kosuth's iconic text pieces using ancient wood-inlay techniques.

$450 Million Worth of Newhouse Trophies Come to Christie’s

Christie’s will hold a special evening sale in May featuring 16 artworks from the collection of the late Condé Nast chief S.I. Newhouse Jr., valued at a combined $450 million. The works are considered museum-quality trophies from one of the most significant private collections assembled in recent decades.

A Baroque Too Baroque: Reflections on the Colossal Exhibition in Forlì

Un Barocco troppo barocco. Riflessioni sulla colossale mostra di Forlì

A massive exhibition titled "Barocco: il gran teatro delle idee" (Baroque: The Grand Theater of Ideas) is on view at the Museo Civico San Domenico in Forlì, Italy. The show, curated by a committee of six, ambitiously attempts to define the Baroque across the 17th and 18th centuries, extending its scope to include France and Spain, and even suggesting its echoes in the 20th century. It features approximately 300 works, including paintings, sculptures, and decorative arts.

In Salento c’è una residenza che mette gli artisti in contatto con territorio e storia della Puglia. Intervista

In Casamassella, in the heart of Salento, Red Lab Gallery's residency program has produced "Chiedete al vento, all’onda, alla stella, all’uccello," a project by artists Agata Ferrari Bravo and Thomas Michael Saccuman with an intervention by Flavio Favelli, curated by Leonardo Regano. The centerpiece is a large bird-cart, a hybrid sculpture and performative device made from papier-mâché, fragments of festive lights, and objects collected from the local area, designed to be disassembled and reactivated. Favelli's installation transforms decommissioned luminarie into a suspended environment that amplifies the work's ambiguous, almost ritualistic quality.

The Dragon's Coils, the Flower and the Cloud. The Museo del Tappeto Antico of Brescia Looks to China

Le spire del drago, il fiore e la nuvola. Il Museo del Tappeto Antico di Brescia guarda alla Cina

The Museo Internazionale del Tappeto Antico (MITA) in Brescia, Italy, has opened a new exhibition titled "Le trame del dragone. Tappeti cinesi delle dinastie imperiali" (The Dragon's Wefts: Chinese Carpets of the Imperial Dynasties). The show presents around forty antique Chinese carpets from the MITA collection, the world's most important private collection of antique rugs, assembled by Romain Zaleski and housed in a glass cube designed by OBR. Curated by Giovanni Valagussa, the exhibition traces the history of Chinese carpet-making from the 15th to the 19th century, highlighting two main typologies: red-ground rugs from the Xinjiang region with geometric and floral motifs, and gold-and-blue rugs from the Ming and Qing capitals featuring dragon and auspicious symbols. The exhibition is free and runs until June.

Sharjah Biennial 17 Assembles 109 Artists Across a Restless Global Landscape.