Art critic Paddy Johnson addresses the common dilemma faced by unrepresented artists regarding the necessity of attending major art fairs. While acknowledging that fairs can be physically exhausting and prohibitively expensive, Johnson argues that their true value lies in strategic information gathering and long-term career planning rather than immediate sales or representation.
The Victoria & Albert Museum has launched the V&A Storehouse in East London, a massive open-storage facility housing over 250,000 objects, 1,000 archives, and a vast library. Designed by Diller Scofidio + Renfro in collaboration with Austin-Smith:Lord, the space eschews traditional curated narratives in favor of a dense, immersive environment where visitors navigate four stories of artifacts arranged by cataloging logic rather than art-historical themes.
The Blanton Museum of Art at the University of Texas at Austin has opened a new exhibition titled 'Coded: Art Enters the Computer Age, 1952–1982.' The show features over 100 works by 75 artists who used computers, algorithms, and data as creative tools, exploring the intersection of art and technology during a pivotal three-decade period.
Massachusetts-based painter John McAllister has been named the winner of the inaugural Dallas Art Prize. The award includes a $20,000 cash prize and the consideration of his work for the permanent collection of the Dallas Museum of Art. McAllister, who is represented by James Fuentes Gallery, is recognized for his vibrant, non-traditional landscapes that utilize a palette of pinks, purples, and yellows to evoke emotional responses rather than literal depictions of nature.
The Blanton Museum of Art in Austin has launched 'Run the Code: Data-Driven Art Decoded,' a major exhibition featuring over 20 digital artworks produced between 2004 and 2022. On loan from the Thoma Foundation, the collection includes pieces by prominent figures such as teamLab, Leo Villareal, and Marina Zurkow that utilize coding, real-time data, and generative AI. The show highlights the evolution of digital practice in the "post-social media era," ranging from interactive installations to algorithmic critiques of environmental and social issues.
The Austin Museum of Art is hosting a landmark exhibition focused on the intersection of technology and creativity, featuring works driven by real-time data, complex algorithms, and artificial intelligence. The showcase highlights interactive installations that evolve throughout the day, challenging traditional notions of static art and inviting viewers to participate in the creative process through digital engagement.
Texas Lutheran University's Annual Student Art Show opens with a reception on April 23 in the Annetta Kraushaar Gallery. The exhibition features student works in various media, judged by Austin-based artist and musician Larry Seaman, who will present Juror Awards at the opening, with TLU President Dr. Debbie Cottrell assisting in the presentation.
Multidisciplinary artist Richie Shazam has launched her debut solo exhibition, "I Was Never Meant to Survive This," at the McLennon Pen Co. gallery in Austin, Texas. The show features 39 new works that blend photography, sculpture, and set design, utilizing found objects, hair, and flowers alongside Shazam’s own body as a primary subject. The collection represents a deeply personal exploration of her Guyanese heritage, trans identity, and the community that has supported her journey from New York City to the international stage.
The Dallas-Fort Worth art scene has expanded with the debut of two new exhibition spaces: The Masure Gallery of Photography in Fort Worth and Spazio Morandi in East Dallas. The Masure Gallery, an extension of Fort Worth Camera, launched with a group exhibition titled "RED" featuring ten North Texas photographers, while Spazio Morandi opened with a solo exhibition by Austin-based artist Brad Tucker titled "Hospitality Suite."
American University's Studio Art MFA candidates will present their thesis exhibition, titled "If That Makes Sense," at the AU Museum from April 18 to May 17, 2026. The show features nine artists—Rob Balsewich, Michael Dodson, Julia Fouser, Ryan Kennedy, Kelvin He Hao Low, Lexi Moser, Austin Remetta, Brenay Spencer, and Sarah Bell Wilson—whose works span painting, sculpture, textiles, sound, and installation, exploring themes of memory, identity, materiality, and collective experience.
Artists Autumn Mae and Chris Tobar have launched a collaborative exhibition titled 'The Neon Republic' at The Cathedral in Austin, Texas. The show features Mae’s resin and mirror-based works that deconstruct American iconography alongside Tobar’s 'The Neon Rodeo,' an immersive installation exploring Afro-Latino cowboy culture. A central feature of the exhibition is K-RDEO 88.8 FM, a pirate radio station broadcasting live from within the gallery space to provide a sonic layer to the visual narrative.
The Gadsden Arts Center & Museum in Quincy, Florida, is hosting its second Artists Guild exhibition of 2026. Running through June 16, the showcase features a diverse range of works by over thirty local artists, including John R. Isaacs, Jan Austin-Hicken, and Erika Zambello. The exhibition is staged across the museum’s Bates Community Room and Bates Gallery, offering a platform for regional talent to display their latest creative output.
The Austin Arts, Culture, Music, and Entertainment (ACME) department has launched open calls for two major public art initiatives: the 2026–28 People’s Gallery at Austin City Hall and the 2026 Changing Exhibits Program at Austin-Bergstrom International Airport. Local artists and organizations from the Austin area are invited to submit 2-D and 3-D works for the City Hall exhibition, while the airport program seeks multi-disciplinary proposals under the theme "Vestiges of the Future." Applications are open until May 31, 2026, with no submission fees required.
The City of Austin’s Arts, Culture, Music and Entertainment (ACME) department has launched two open calls for local artists to exhibit their work in high-traffic public spaces. The 2026–28 People’s Gallery exhibition at Austin City Hall and the Changing Exhibits Program at Austin-Bergstrom International Airport are seeking submissions of 2-D and 3-D multi-disciplinary works. Applications are open to professional artists and organizations within the Austin metropolitan area through May 31, 2026.
I reperti romani appena restaurati di Ostia Antica vengono allestiti negli alberghi di Roma
Three Roman masterpieces from the 2nd century AD, previously hidden in the storerooms of the Ostia Antica Archaeological Park, have been installed in the lobbies of historic hotels in central Rome. The works include marble portraits of Empress Faustina the Elder and noblewoman Domizia Lucilla, alongside a restored fresco of Lachesis, one of the Fates. This initiative, titled "Ostia Antica Goes to Town," is part of the broader "Art Outside the Museum" project, which pairs cultural institutions with the hospitality sector to bring archaeological treasures into the public eye.
Austin's art scene is currently showcasing ten new exhibitions across various galleries and museums, highlighting a diverse range of artists and mediums. This surge in activity signals a period of significant growth and vitality for the city's cultural landscape, attracting both local engagement and broader national attention.
Artist Ken Reif opened a solo exhibition titled "Moments of Clarity" at a gallery in Austin. The show features a new body of work exploring themes of perception and introspection through mixed-media paintings and installations.
Finn Brantley, a student at Chaparral High School in Killeen ISD, has had his artwork titled "Chrono" selected for the Texas Art Education Association’s Spring Exhibition. The piece will be displayed at the Bullock Texas State History Museum in Austin alongside works from other high-achieving students across the state ranging from Pre-K to 12th grade.
The Bullock Texas State History Museum in Austin has opened a new exhibition called "Texas Festivals," running through September 27. The show features artifacts from 27 festivals across the state, including a gown from Fiesta San Antonio, a sand sculpture from Sandfest in Port Aransas, an art car honoring Stevie Ray Vaughan from Houston's Art Car Parade, and mascots from the Texas Onion Fest, Hogeye Festival, and Texas State Forest Festival. The exhibition is divided into three sections exploring how festivals create community, and includes a short documentary, interactive activities, and a talk with historian Dr. Michaele Thurgood Haynes on May 3.
A Venezia apre al pubblico per la prima volta uno spazio inedito dell’Arsenale. Ospiterà performance
For the first time, the Galeazze—historically used for constructing the Serenissima fleet—will open to the public during the 2026 Venice Art Biennale on May 5 and 6. Artist and choreographer Faustin Linyekula has conceived a site-specific performance titled The Galeazze Project, activating the monumental, water-adjacent spaces of the Arsenale Nord. Collaborating with musician Heru Shabaka-Ra, Linyekula integrates the architecture into the performance, involving local performers and musicians. The project, conceived by Cosimo Ferrigolo and Dirk Bell and curated by Edoardo Lazzari, features scaffolding, platforms, and an irregular lighting system, inviting the audience to move freely and redefine the relationship between bodies and space.
Nona Faustine’s first retrospective, ‘What My Mother Gave Me,’ is on view at the Center for Photography at Woodstock until 10 May 2026. The exhibition gathers nearly three decades of the artist’s work, spanning series such as *Young Mothers*, *Mitochondria*, and *White Shoes*, to explore themes of matrilineal memory, the Black female body, and the afterlives of slavery in urban spaces. Faustine’s photographs range from intimate depictions of young motherhood to defiant nude self-portraits that transform sites of erasure into counter-monuments of presence.
Cosa c’è dietro alla scelta di un vestito? Lo abbiamo chiesto a uno degli stylist più famosi del mondo
Tom Eerebout, a renowned stylist and fashion consultant known for his work with Lady Gaga, Kylie Minogue, and Austin Butler, has curated an exhibition titled "Exposure – Il potere di essere visti" at ITS Arcademy in Trieste. The show, which runs alongside the ITS Contest where Eerebout serves as a judge for the third consecutive year, explores styling as a tool for constructing identity and shaping contemporary visual culture. In an interview, Eerebout discusses his creative process, his early childhood experiments with costumes, and his belief that styling is not about appearance but about how we exist.
The Robert McLaughlin Gallery in Oshawa, Ontario, will launch its summer exhibition season on June 13, 2026, featuring five new displays. The season includes solo shows by artists Stephen Andrews, Oliver Husain, and Austin Henderson. Andrews presents 'The sum of the parts,' a display of 125 drawings examining media coverage of the Iraq and Afghanistan wars. Husain offers an immersive video installation titled 'I ♥ Snail,' exploring the history of IMAX cinema. Henderson, the RBC emerging artist in residence, debuts works investigating queer history and the HIV/AIDS epidemic in Canada through his family history. A free public event with curator remarks, artist-led tours, and a complimentary shuttle from OCAD University in Toronto will mark the opening.