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Richard Lewer Wins 2026 Archibald Prize

The Art Gallery of New South Wales (AGNSW) named Richard Lewer the winner of the 2026 Archibald Prize on May 8. Lewer, a New Zealand-born, Melbourne-based artist and six-time finalist, won the AU$100,000 prize for his life-size portrait of Pitjantjatjara elder, senior artist, and traditional healer Iluwanti Ken. The jury of AGNSW trustees selected the work unanimously from 59 finalists culled from 1,034 entries. Additional prizes were awarded: Gaypalani Waṉambi won the Wynne Prize for The Waṉambi tree, Lucy Culliton won the Sulman Prize for Toolah, artist model, and Sean Layh won the Packing Room Prize for his portrait of actor Jacob Collins.

25th Biennale of Sydney Review: From the Margins

The 25th Biennale of Sydney, titled "Rememory" and curated by Hoor Al Qasimi, features 143 works by 83 artists and collectives from 37 countries across five venues. The exhibition explores marginalized, fragmented, and repressed histories, drawing on Toni Morrison's concept of 'rememory' as a space between remembering and forgetting. Key works include Tuan Andrew Nguyen's film on Vietnam War trauma, Basel Abbas and Ruanne Abou-Rahme's immersive installation on Palestinian displacement, Khalid Albaih's photographs of Sudan, and Massinissa Selmani's drawings on Algerian socialist building projects.

Khaled Sabsabi on Representing Australia at the 61st Venice Biennale

Khaled Sabsabi, the artist representing Australia at the 61st Venice Biennale (2026), will exhibit works both in the Australia Pavilion in the Giardini and in the main Biennale exhibition titled "In Minor Keys." His pieces explore spirituality, migration, and shared humanity through Tasawwuf (Sufi) sensibilities, emphasizing flux and collective experience. Sabsabi is the first Australian artist to have work in both the national pavilion and the main exhibition in the same year, and he honors the curatorial vision of the late Koyo Kouoh.

Fiona Pardington’s portraits of the lost birds of Aotearoa New Zealand – in pictures

Fiona Pardington has created a new series of human-scale photographic portraits of native New Zealand birds, many of which are extinct or endangered, using taxidermy specimens from regional museums. The series, titled "Taharaki Skyside," will be exhibited at the Aotearoa New Zealand pavilion at the 2026 Venice Biennale. Pardington, who has Māori and Scottish ancestry, incorporates the birds' eyes with superimposed historical landscapes to evoke their lost habitats and spiritual significance as intermediaries between human and divine worlds in Māori culture.

Australian artist Khaled Sabsabi reveals details of presentations in the Australia Pavilion and in the International Exhibition In Minor Keys at Biennale Arte 2026 – News Hub

Australian artist Khaled Sabsabi will present two major installations at the 2026 Venice Biennale. At the Australia Pavilion, he unveils "conference of one’s self," an immersive multisensory work featuring eight monumental canvas paintings, video projections, and a soundscape inspired by a 12th-century Sufi allegory. Simultaneously, he becomes the first Australian artist to also exhibit in the International Exhibition, titled "In Minor Keys" curated by Koyo Kouoh, with a second installation called "khalil" at the Arsenale. Both works explore spirituality, migration, and shared humanity through a framework of Sufi thought.

Khaled Sabsabi Unveils Biennale Arte 2026 Showcase

Khaled Sabsabi will represent Australia at the 61st Venice Biennale in 2026 with two major installations. At the Australia Pavilion, he presents "conference of one's self," an immersive multisensory installation featuring eight monumental canvas paintings, suspended video projectors, and an analogue soundscape, all inspired by the 12th-century Sufi allegory "The Conference of the Birds." In a historic first for an Australian artist, Sabsabi also debuts a second work, "khalil," in the Biennale's main exhibition "In Minor Keys" curated by Koyo Kouoh at the Arsenale. Both works explore spirituality, migration, and shared humanity through a Sufi philosophical framework.

Khaled Sabsabi is finally at the Venice Biennale: ‘Being here is already a win’

Khaled Sabsabi has opened his exhibition 'conference of one’s self' at the Australian Pavilion of the 61st Venice Biennale, alongside a second installation 'Khalil' in the Arsenale. This follows a tumultuous period in which Creative Australia rescinded his appointment as Australia’s representative in February 2025, sparking widespread backlash from the art community. After being reappointed in July 2025, Sabsabi presents two monumental multimedia works inspired by Sufi practice, created in Bangkok and described as 'one body with two limbs'.

Khaled Sabsabi’s Rocky Road From Australia to the Biennale

Lebanese-Australian artist Khaled Sabsabi was nearly removed from his commission for the Venice Biennale after being accused of supporting terrorism, but was later reinstated. He is now arriving in Venice to present not one but two works at the prestigious international exhibition.

Accessibility through art broadening experiences at expanded Gallery

Newcastle Art Gallery in Australia has unveiled two groundbreaking accessibility commissions: a digital guide named Nancy and architectural-scale sculptures by artist Fayen d'Evie. The digital guide offers a 24-stop tour with audio, Auslan-interpreted video, and written descriptions, developed through a 'by community, for community' model involving d/Deaf consultants, Auslan interpreters, and First Nations consultants. The sculptural solution addresses the gallery's original floating staircases, providing safe navigation for visitors who are blind or have low vision. A panel talk and Auslan-interpreted tour on Saturday will highlight these initiatives.

Artist ‘lost everything’ after cleared of rape

Anthony Lister, once called "Australia's Banksy," is staging a comeback with a new exhibition titled "Circus of Life" after being acquitted of sexual assault charges. The six-year legal battle, which began with a police raid on his Sydney home in 2020, led to the cancellation of his shows, financial ruin, and public vilification. Despite being found not guilty on all counts by a jury in under a minute, Lister says his reputation and career were destroyed, and he now challenges the art world and Australian public to accept him back.

Healing through art : Stories of First Nations people who have experienced incarceration

The Torch, a First Peoples-led arts organization in Victoria, Australia, runs a program supporting Indigenous artists who have experienced incarceration. Its annual exhibition, Confined 17, features nearly 500 artworks by 424 First Nations artists at the Glen Eira City Council gallery in Naarm. The organization provides art materials, cultural connection, and economic support, with artists receiving 100% of their income from sales. Participants like Tegan, a Palawa woman, describe improvising with food dye in prison to create watercolor-style works, while CEO Susannah Day and founder Kent Morris emphasize the program's role in reducing reincarceration rates.

After the firestorm: First look at Australian artist’s Venice Biennale works

Australia has opened its pavilion at the Venice Biennale featuring artist Khaled Sabsabi's multimedia installation "conference of one's self," a vivid work inspired by a 12th-century Sufi poem. The exhibition follows a political firestorm: Creative Australia initially selected Sabsabi and curator Michael Dagostini to represent the country, then rescinded the invitation after controversy over a 2007 video featuring Hezbollah leader Hassan Nasrallah. The decision was later reinstated, and Sabsabi also has a companion work in the main Biennale exhibition curated by Koyo Kouoh. The pavilion is funded by the federal government and private donors including Simon Mordant and the Turnbull Foundation.

Calling all ‘deadly’ creatives: Share your art this NAIDOC

Gunnedah Shire Council is calling for submissions for its annual NAIDOC Week Art Exhibition, which will celebrate 50 years of the 'Deadly' theme. Artists, hobbyists, schools, and community members are invited to submit works in any medium, including weaving, wood etching, metal work, dot painting, and decorated didgeridoos. A free workshop for First Nations women, led by emerging artist Hollie Crawford, will be held on 9 May to help participants create pieces for the exhibition. Entries are due from 22 to 28 June at the Gunnedah Bicentennial Creative Arts Gallery, with the exhibition running from 3 July to 7 August.

Photoville and South Street Seaport Museum Present Photographer Jon McCormack’s “Elements of Wonder”

Photoville, co-founded by Laura Roumanos, Sam Barzilay, and Dave Shelley, partners with the South Street Seaport Museum to present Australian conservation and nature photographer Jon McCormack's outdoor exhibition "Elements of Wonder: When Nature Becomes Art" from April 22 to June 14, 2026, in New York City. The free, public show features a decade-long environmental photography project spanning five continents, drawn from McCormack's book "Patterns: Art of the Natural World," capturing natural patterns at scales from microscopic mineral formations to aerial landscapes.

Brushes at the ready: entries open for Redland Art Awards

Entries have opened for the 2026 Redland Art Awards, a biennial contemporary painting prize coordinated by Redland Art Gallery in Queensland, Australia. The competition is open to all Australian artists, offering a total prize pool of $30,500, including a $20,000 acquisitive first prize. The lead judge is curator and arts writer Alison Kubler. The awards, which began in 1981 as a local prize by Redland Yurara Art Society, will culminate in a finalist exhibition from November 2026 to January 2027.

Emerging Indigenous artists reveal their stories in major showcase

Four emerging Indigenous artists from Nagula Jarndu, a women's art centre in Broome, have been selected to present their work at Revealed, an annual Perth showcase of new and emerging Western Australian Aboriginal artists. The artists—including Ebony Pierik—created large-scale silk pieces using hand-carved linocut blocks, now displayed in the main gallery of the Perth Institute of Contemporary Art (PICA). The exhibition, curated by Whadjuk, Balladong and Wilman Noongar artist Zali Morgan, also features a large-scale art market where thousands of works are sold directly to buyers, with 100% of proceeds going to the artists.