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Satellite Galleries with Gravitas

The Gallery at Hotel Willa and the Encore Gallery at the Taos Center for the Arts have emerged as vital "satellite" exhibition spaces in Taos, New Mexico. Managed by the nonprofit Paseo Project under Executive Director Matt Thomas, the Gallery at Hotel Willa has transformed 2,000 square feet of hospitality space into a hub for local talent, featuring high-profile fashion installations by Josh Tafoya and upcoming ecological exhibitions like "Disturbance." Meanwhile, the Encore Gallery leverages the high foot traffic of the Taos Center for the Arts to provide local artists with significant community exposure alongside film and theatrical programming.

81st annual May Show celebrates Ohio Artists at Mansfield Art Center

The Mansfield Art Center in Ohio is hosting the 81st Annual May Show, running from April 26 through May 31 in the Elizabeth T. Black and Foundation Galleries. The exhibition features contemporary works in all mediums by artists from across Ohio, selected from nearly 600 submissions by guest juror Wendy Earle, Curator at the Akron Art Museum. An opening reception with awards will be held on April 26, supported by sponsors including Taylor Metal Products, Mechanics Bank, Ohio Arts Council, Park National Bank, and Avita.

Kent Monkman at Akron Art Museum: Reimagining North American landscapes

Indigenous Canadian painter Kent Monkman, a member of the Fisher River Cree Nation, presents his exhibition "Kent Monkman: History is Painted by the Victors" at the Akron Art Museum, on view through August 16. The show features over 30 large-scale paintings that mimic 19th-century landscape works by settler artists like Albert Bierstadt and Frederic Edwin Church, but inserts Indigenous figures who were historically romanticized, stereotyped, or omitted. Monkman uses his two-spirit alter ego Miss Chief Eagle Testickle to challenge colonial narratives and reverse the artistic gaze. The exhibition was organized by the Denver Art Museum and the Montreal Museum of Fine Arts, with co-curators John Lukavic and Léuli Eshrāghi.

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The global art market returned to growth in 2025, reaching $59.6 billion in sales according to the latest Art Basel and UBS Art Market Report. This 4 percent increase ended a two-year decline, driven primarily by a 9 percent surge in public auction sales and a significant revival in high-value transactions for works priced over $10 million. While the United States maintained its dominant 44 percent market share, the recovery was uneven, with the Impressionist and Old Masters sectors seeing major gains while Postwar and Contemporary art continued to cool.

Mexico City's art scene gravitates to Santa María la Ribera neighbourhood

The artistic center of gravity in Mexico City is shifting from established gallery districts like Condesa and Roma to the Santa María la Ribera neighborhood. Over the past five years, a wave of artists has moved there, drawn by affordable rents, large studio spaces, and a central location, transforming the area into a vibrant, organic hub for artistic production and new, non-traditional exhibition spaces.

Get your skates on: artist puts ice rink in Venice palazzo

German artist Olaf Nicolai has installed a functional ice rink titled 'Eisfeld II' within the frescoed grand banqueting hall of the 18th-century Palazzo Diedo in Venice. The installation, which includes a soundtrack by the Berlin band To Rococo Rot and two lightboxes, is a reinterpretation of a work first developed over two decades ago and will be on view until February 22.

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Israel will officially participate in the 2026 Venice Biennale, two years after its pavilion closed amid protests. The pavilion will be located in the Arsenale rather than its usual Giardini site, which is under construction. Representing Israel is sculptor Belu-Simion Fainaru, a Haifa-based artist and Israel Prize winner, who previously represented Romania at the 2019 Biennale. His pavilion, titled "Rose of Nothingness," will feature an installation about water inspired by poet Paul Celan's concept of black milk, with 16 pipes dripping black water into a pool. The pavilion is curated by Sorin Heller and Avital Bar-Shay. However, the Art Not Genocide Alliance (ANGA) has renewed its protest, calling the pavilion the "Genocide Pavilion" on Instagram and demanding Israel's exclusion from the Biennale.

‘We need to rethink’: new exhibition revisits an Israeli conceptual art project, 53 years on

A new exhibition at the Givat Haviva Art Gallery in northern Israel revisits a landmark 1972 conceptual art project called Metzer-Meiser, which took place along the seamline between Kibbutz Metzer and the Arab village Meiser. The original project involved four Israeli artists—Dov Or-Ner, Moshe Gershuni, Avital Geva, and Micha Ullman—who created actions exploring Jewish-Arab coexistence, including burying personal items, parcelling land, scattering books, and exchanging soil between the two communities. The contemporary exhibition, "Metzer-Meiser: Take 2," co-curated by Anat Lidror and Tali Tamir, includes two of the original artists (Geva and Ullman) alongside ten contemporary Jewish and Palestinian artists, responding to the original project's themes of connection, fear, and trust.