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Faig Ahmed on Representing Azerbaijan at the 61st Venice Biennale

Artist Faig Ahmed will represent Azerbaijan at the 61st Venice Biennale in 2026 with a project exploring the intersections of mystical poetry and quantum physics. Located in the Campo de la Tana, the pavilion aims to create a contemplative space where technology and ancient oral traditions facilitate a personal dialogue for the viewer. Ahmed’s presentation responds to the Biennale’s overarching theme, 'In Minor Keys,' by focusing on subtle, often overlooked phenomena.

National Carpet Museum opens exhibition titled 'Images Imprinted in Memory' [PHOTOS]

The Azerbaijan National Carpet Museum has launched "Images Imprinted in Memory," a solo exhibition by multidisciplinary artist Madina Gasimova. Supported by the .ART domain, the showcase features 28 works produced over the last five years, including five new carpets woven using the museum's traditional techniques based on the artist's contemporary sketches. The exhibition highlights the fluidity of artistic motifs as they transition across various media, including painting, stained glass, mosaic, and digital formats, accompanied by a sound installation of the carpet-weaving process.

Young artists demonstrate their art pieces within Painting Week [PHOTOS]

The Azerbaijan Artists' Union recently hosted a children's art exhibition and competition titled "My Favorite Theme" as part of the national Painting Week. Held at the Fine Art Gallery of the Children-Youth Development Palace No. 1 in Baku, the event showcased 51 artworks by 48 young participants across two age categories. Winners were selected by a jury of professional artists, with top honors going to Naomi Ahmadi and Nuray Babayeva for their respective thematic interpretations.

National Art Museum hosts exhibition and book launch of renowned artist [PHOTOS]

The Azerbaijan National Art Museum has launched a major solo exhibition and monograph titled "On the Wings of Time. Vugar Ali," celebrating the career of the Honored Artist. The event, supported by the Azerbaijan Culture Ministry and the State University of Culture and Arts, features approximately 40 works that blend academic tradition with avant-garde thinking. The exhibition highlights Ali's unique aesthetic, which incorporates mythological motifs, folk tales, and the scientific principles of crystallography into vibrant, symbolic compositions.

Gearing Up for Venice

The 2026 Venice Biennale's awards jury has announced it will not consider artists from countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically naming Israel and Russia. In other news, satellite imagery confirms Azerbaijan demolished an Armenian church in Artsakh, the World Press Photo of the Year was awarded to Carol Guzy for an image of ICE detaining a father, and Argentine abstract painter Ides Kihlen died at age 108. Hyperallergic also published a guide to the Biennale by Hrag Vartanian and reported on Lynda Roscoe Hartigan's appointment as director of the Smithsonian American Art Museum.

Azerbaijan Destroys Armenian Holy Mother of God Church in Artsakh

Satellite imagery obtained by Caucasus Heritage Watch (CHW) confirms that the Azerbaijani regime has demolished the Holy Mother of God Church in Stepanakert, the former capital of the Republic of Artsakh (Nagorno-Karabakh). The church, consecrated in 2019 after 12 years of construction, was destroyed within the last eight weeks, as evidenced by Sentinel-2 satellite images from March 3 and April 2. The Artsakh Tourism and Cultural Development Agency announced the destruction on April 21, three days before the 111th anniversary of the Armenian Genocide. This demolition follows a pattern of damage to Armenian religious and cultural sites since the forced displacement of over 130,000 Armenians in September 2023.

Worthwhile textiles: artist Faig Ahmed’s Art@Bainbridge exhibit

The Princeton University Art Museum’s Art@Bainbridge space has launched "Faig Ahmed: Textiles of Consciousness," a solo exhibition featuring the innovative woven sculptures of the Azerbaijani artist. The show presents ten textiles across four themed galleries, including works from his "GLITCH" series that utilize digital aesthetics and pixelated distortions to subvert traditional carpet-weaving forms. Notable pieces like "The Knot" and "Kutab" illustrate Ahmed's signature style of blending classical Islamic patterns with surreal, melting, or fragmented geometries.