British artist Thomas J Price has unveiled a monumental bronze sculpture at the entrance of the Victoria and Albert Museum’s new outpost, V&A East, in Stratford, East London. The large-scale work depicts an anonymous Black figure, continuing Price's practice of utilizing the traditional language of monumental sculpture to celebrate everyday individuals who are often marginalized in public spaces.
The Museum of Contemporary Art San Diego (MCASD) is hosting the West Coast debut of "Giants," a major exhibition featuring the personal art collection of musical icons Alicia Keys and Swizz Beatz (Kasseem Dean). The show features works by nearly 40 Black American and diasporic artists, including monumental pieces by towering figures in the contemporary art world. To localize the presentation, the museum has collaborated with the Deans to launch a companion exhibition titled "Hometown Heroes," which spotlights San Diego-based artists.
Gardar Eide Einarsson’s latest exhibition at Maureen Paley’s East London space presents a haunting exploration of dissociation and coded information. The show features two distinct series: 'Closed Caption,' a collection of monochrome black gouache paintings featuring isolated subtitles from films, and 'Incendiary Test Area,' a set of hyperrealistic woodblock prints created in collaboration with master Shoichi Kitamura. These prints depict the interiors of mock 'Japanese' houses built by the US Army for fire-bombing tests during World War II.
Memphis is undergoing a significant transformation of its cultural landscape as the city's major art institutions evolve to meet modern community needs. The Memphis Brooks Museum of Art is preparing for a landmark move to a new riverfront location where it will be renamed the Memphis Art Museum, offering 50 percent more gallery space. This expansion follows decades of growth for the city's "big three" institutions—the Brooks, the Dixon Gallery & Gardens, and the Metal Museum—which have anchored the local scene since the mid-1970s.
Edinburgh’s Dovecot Studios is launching a major exhibition titled "Elizabeth Blackadder: Her Life in Colour" to celebrate the late artist’s 50-year collaboration with the tapestry studio. The show features over 30 tapestries and hand-tufted rugs, headlined by the debut of a newly created rug based on Blackadder’s 1975 painting, "The Red Bouquet." The exhibition also incorporates works from the Royal Scottish Academy’s collection to provide a comprehensive look at her legacy.
The Walters Art Museum in Baltimore is launching "Douriean Fletcher: Jewelry of the Afrofuture," an exhibition featuring the intricate metalwork and costume designs from the Marvel Cinematic Universe’s Black Panther franchise. The show highlights the work of self-taught artist and metalsmith Douriean Fletcher, whose collaboration with Oscar-winning costume designer Ruth Carter helped define the visual identity of Wakanda. On display are iconic pieces such as Nakia’s gold-plated brass necklace and Queen Ramonda’s silver bodice cage, alongside new works created specifically for the museum.
Foundation, a prominent Ethereum-based NFT marketplace that launched during the 2021 digital art boom, has announced it will shut down following a failed acquisition by the digital art company Blackdove. CEO Kayvon Tehranian confirmed that the platform has entered a one-year wind-down phase, urging users to migrate their assets as no other viable buyers exist in the current market. The closure follows the collapse of a deal that was intended to provide long-term stewardship for the platform, which had facilitated over $230 million in sales since its inception.
Researchers at the National Portrait Gallery in London have launched a landmark investigation into a rare 17th-century double portrait featuring a Black boy and a white boy standing side-by-side. The painting, which has hung at the historic Penshurst Place in Kent for centuries, is undergoing extensive restoration and technical analysis to identify the sitters. Experts are particularly struck by the composition, which depicts the Black figure at the same scale and status as the white figure, a significant departure from the era's typical portrayal of Black individuals as marginal attendants.