The US-Israeli bombardment of Iran, beginning in late February, has severely disrupted the country's cultural life and art scene. The typically busy Nowruz (Persian New Year) period was marked by fear, travel restrictions, and internet blackouts, leading to the evacuation of museum collections, the closure of galleries, and artists being unable to work in their studios.
At least four Iranian artists have been killed by police and militias during anti-government protests that began in December, according to Artists at Risk Connection (ARC). The victims include sculptor Mehdi Salahshour, filmmaker Javad Ganji, fashion designer Rubina Aminian, and hip-hop artist Soroush Soleimani. ARC condemned the extrajudicial killings, internet blackouts, and suppression of dissent, while the Iranian Independent Filmmakers Association (IIFMA) reported over 2,000 civilian deaths and called for international intervention.
James Cahill's new novel *The Violet Hour* opens with a young man falling to his death from a London balcony, unraveling a mystery that draws readers into the lives of three figures in the global blue-chip art market: a tormented abstract painter, his estranged first dealer, and a billionaire collector. Cahill, a writer and critic who spent 12 years at Sadie Coles, explores the fraught relationships where creativity, money, friendship, and sexuality collide, offering a more empathetic take than typical satires of extreme wealth.
UNESCO has expressed serious concern over recent Russian attacks damaging cultural heritage sites in Ukrainian cities including Odesa, Lviv, and Kyiv. The winter bombardment has targeted power grids and infrastructure, complicating the work of museums and cultural institutions. The Kyiv-Pechersk Lavra, a World Heritage Site, suffered its first military damage since WWII, and the historic center of Odesa, already on UNESCO's endangered list, saw its Holy Dormition Monastery severely hit.