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LA’s The Box Gallery to Close After 19 Years

The Box, a prominent Los Angeles gallery, announced it will close after 19 years, with its final exhibition—a two-venue collaboration with Parker Gallery for late California artist Wally Hedrick—ending April 4. The closure will be marked by a fashion show for Johanna Went on June 6. Founder Mara McCarthy cited a combination of factors, including changing economics around support for her father Paul McCarthy's work and the loss of her family's homes in the January 2025 Eaton fire, as making continued operation impossible.

‘Rubens with jokes’: UK exhibitions place Beryl Cook in the art historical canon

Two concurrent exhibitions in Plymouth, England, are re-evaluating the work of the late British artist Beryl Cook, long dismissed by critics for her popular, humorous paintings of plump, joyful people. The Box gallery presents "Beryl Cook: Pride and Joy" (until 31 May), which places Cook within the Western art canon by tracing her influences from Peter Paul Rubens and Pieter Brueghel the Younger to Stanley Spencer and Edward Burra. The show features over 80 paintings, sculptures, textiles, and a personal archive, and is curated by Terah Walkup. A parallel exhibition at Karst gallery, "Discord and Harmony" (until 18 April), pairs Cook's legacy with contemporary artists like Olivia Sterling, Rhys Coren, and Flo Brooks, who similarly champion overlooked communities.

New Exhibitions Opening Soon at Third Street Gallery

Three new exhibitions are opening at Moscow City Hall's Third Street Gallery and Box Gallery from October 16, 2025 to January 2, 2026. The shows include "Brooch the Subject," featuring wearable art by University of Idaho MFA candidate Chandra Drennen; "Covering the Palouse," a display of artist-designed covers from the historic Moscow Magazine/Palouse Journal; and "The Sweet Controversy," a student exhibition exploring divisive candies like licorice jellybeans and candy corn. A public reception with refreshments will be held on October 23.

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Rosa Barba's exhibition "The Ocean of One's Pause" at the Museum of Modern Art in New York surveys 15 years of her work, featuring over a dozen cinematic sculptures arranged as a single installation. Central to the show is her latest 25-minute film *Charge* (2025), co-commissioned by MoMA and the Vega Foundation, shot at CERN in Geneva. The film will also screen at Moynihan Train Hall and in Times Square as part of the "Midnight Moment" program throughout July. Barba transforms a black box gallery into a cello-like space, with long wires and film projectors creating a celluloid symphony through mechanical clicks and analog apparatuses.