Independent art fair makes the most of more spacious digs

The Independent art fair in New York has relocated from Spring Studios in Tribeca to Pier 36 on the East River, doubling its footprint while slightly reducing the number of exhibitors from 87 to 76. The move creates a more spacious, single-level layout with larger stands and improved circulation, allowing for more ambitious installations. Dealers report strong early collector turnout, with over a third of exhibitors presenting solo stands by artists showing in New York for the first time, including Omar Mismar and Julia Maiuri. Notable presentations include Charles Moffett’s revival of late textile artist Silvia Heyden, James Fuentes’s cross-generational downtown New York showcase, and a large-scale installation by Gretchen Bender.

Artist Henry Ossawa Tanner

This article profiles Henry Ossawa Tanner (1859–1937), the pioneering African American artist who achieved international fame in the 19th and early 20th centuries. Born in Pittsburgh to a bishop father and a mother who escaped slavery, Tanner studied under Thomas Eakins at the Pennsylvania Academy of Fine Arts before moving to Paris to escape racial discrimination. He studied at the Académie Julian, became a mentor to Black artists including Aaron Douglas and Hale Woodruff, and gained renown for his biblical paintings such as "Daniel in the Lions' Den" (1896). Tanner traveled widely—to Egypt, Morocco, and Palestine—and was named a chevalier of the French Legion of Honor in 1927. The article lists numerous works by Tanner held in major collections, including the first painting by an African American artist acquired for the White House Collection.

Our 7 Favorite Artworks Under $10,000 from the 2026 New York Art Week Fairs

New York Art Week 2026 features over 350 art fair booths across Manhattan, with six major fairs forming the core of the event. The article highlights seven favorite artworks priced under $10,000, offering accessible entry points for collectors during the city's busiest art season.

Brittany Invites Itself to the Venice Biennale: An Unusual Pavilion Dedicated to Breton Creation Moors in the Lagoon

La Bretagne s’invite à la Biennale de Venise : un insolite pavillon dédié à la création bretonne s’est amarré dans la lagune

For the 61st Venice Biennale, a group of artists and art figures from Brittany have created an unofficial "Breton pavilion" in the form of a spectacular sailboat moored on the island of San Giorgio Maggiore. The boat, designed by artist Joachim Monvoisin, features contributions from Morgane Tschiember (who sewed a sail with a black cross, the 11th-century Breton flag) and master glassmaker Andrew Erdos (who made the navigation lights). Performances during the opening week included readings by Breton authors and traditional music concerts with binious and bombardes on the Via Garibaldi.

Accusé de viol, le directeur du Frac Bretagne est révoqué

The director of the Frac Bretagne (Regional Contemporary Art Fund of Brittany), Étienne Bernard, has been dismissed following an internal investigation into allegations of sexual violence. The case began in October 2025 when an anonymous testimony on the Instagram account #MeTooArtContemporain accused a former art professor of sexual assault; the post noted the accused had since become a Frac director. After graffiti appeared on the Frac Bretagne building, the institution hired the external consultancy Égaé to conduct an internal inquiry. Two reports submitted in February and April 2026 documented multiple serious allegations against Bernard, including harassment and assault. The board voted unanimously to revoke his position on May 4, 2026, and the public prosecutor's office in Rennes has opened a criminal investigation for moral harassment, sexual harassment, sexual assault, and aggravated rape. Bernard denies the allegations and has filed an appeal with the administrative court.