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Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

Unbound Narratives: Embodied Language at Atlanta Contemporary, Atlanta

The Atlanta Contemporary is presenting the group exhibition 'Unbound Narratives: Embodied Language,' curated by Karen Comer Lowe. It features works by artists February James, Bethany Collins, Gabi Madrid, and a’driane nieves across film, painting, and mixed media, focusing on how each translates personal and embodied experience into visual and linguistic forms. Key pieces include nieves's monumental painting on grief and rage, Collins's text-based interrogation of racial identity, James's debut stop-motion film exploring stillness, and Madrid's inscribed headboards addressing healing and cultural memory.

Room 412 in Birmingham, Alabama

Chandler Jones founded Room 412, a small, appointment-only gallery in a Birmingham, Alabama loft, in March 2022. The space functions as an intimate, immersive exhibition environment, described as a cross between a gallery and a mystical hotel room, designed to showcase Alabama artists and foster community connection. Jones, a musician, was motivated by a desire to create a visually and energetically compelling gathering place after being inspired by the historic Chelsea Hotel in New York.

In the Studio with Harley Burns

Asheville-based artist Harley Burns discusses their transition from a career in public health to a full-time painting practice centered on trans and gender-nonconforming identity in the American South. The interview focuses on Burns's triptych "Buttoning Back Up" (2025), which translates a vulnerable public performance of chest-binding into a series of oil paintings that explore the hypervisibility and invisibility of non-binary bodies.

Calls for Artists: April 2026

Multiple open calls for artists and grants have been announced for April 2026 deadlines. The 2027 Creative Capital Open Call offers unrestricted project grants up to $50,000 for artists across all 50 states, while also selecting recipients for the new State of the Art Prize, which grants $10,000 to one artist from each state and territory. Delfina Foundation, in partnership with the Jorge M. Pérez Collection, is offering four fully funded residencies for Latin American and Caribbean artists, with two spots available in this round. The Ogden Museum of Southern Art is accepting submissions for its Louisiana Contemporary 2026 statewide juried exhibition, and the Handweaver’s Guild of America has issued calls for entries for its Convergence 2026 fiber art exhibitions.

Clutch City Craft at Houston Center for Contemporary Craft, Houston

The Houston Center for Contemporary Craft (HCCC) has opened the exhibition 'Clutch City Craft,' which explores the craft traditions and material cultures that define Houston. The show features a diverse range of making practices, from mosaic street signs and cowboy boot making to fiber artists involved in aerospace design, framing the city's creative density as an extension of its industrial identity.

Auudi Dorsey: Self Esteem and 2D Surrealism

Artist Auudi Dorsey's recent exhibition, 'What's Left, Never Left,' at the Jonathan Carver Moore gallery in San Francisco, focuses on Black leisure and collective joy through paintings of Lincoln Beach in New Orleans. The works, which depict Black families and community members, use a surrealist visual vernacular to archive and celebrate Southern Black experiences and the building of self-esteem.