Barry X Ball’s Wild Sculptures Are Perfectly at Home at Venice’s Grand Basilica of San Giorgio Maggiore

New York-based artist Barry X Ball's exhibition "The Shape of Time" has opened at the Abbey of San Giorgio Maggiore in Venice, featuring 23 sculptures centered on the elaborate silver and gold piece *Pope Saint John Paul II* (2012–24). The show, organized by curator Bob Nickas, includes many works shown publicly for the first time, such as *Pietà* (2011–22) inspired by Michelangelo and *Saint Bartholomew Flayed* (2011–20). The sculpture of John Paul II, cast in collaboration with Italian jewelry house Damiani, contains hidden references to the pope's life, including his nemeses Hitler, Stalin, and Lenin, as well as a bullet from the 1981 assassination attempt.

Lost ‘cloud’ of artist who wrapped the Reichstag to be created in UK gallery

Six years after Christo's death, Gagosian London will realize a monumental installation he designed in 1968 titled "Air Package on a Ceiling," originally conceived for the Institute of Contemporary Art in Philadelphia but never built due to technical constraints. The plans and a detailed scale model were discovered by studio manager Lorenza Giovanelli in 2018, hidden inside a hollow plinth in Christo's studio. The work, a vast internally illuminated suspended form resembling a cloud, will fill a 16-meter-long, 10-meter-wide space at Gagosian London, descending just above head height, in collaboration with the Christo and Jeanne-Claude Foundation.

Unrealized Artwork by Christo and Jeanne-Claude Will Take Over Gagosian in London

Gagosian gallery in London will present "Christo: Air," an exhibition opening May 21 and running through August 21, featuring a never-realized artwork conceived by Christo and Jeanne-Claude in 1968. The centerpiece, "Air Package on a Ceiling," was originally planned for the Institute of Contemporary Art in Philadelphia but abandoned due to technical limitations. The work, a 32-by-52-foot internally illuminated suspended form, will be installed for the first time, along with other rare pieces including "Wrapped Automobile—Volvo, Model PV-544 (1981)," which has not been shown in 30 years. Studio manager Lorenza Giovanelli discovered the original plans in 2018, two years before Christo's death.

Henrike Naumann Stared Down a Divided Germany’s Past While Eyeing Our Troubled Present

Henrike Naumann, a German artist known for using secondhand furniture and design to explore political extremism and consumer capitalism, is profiled in ARTnews. The article recounts her first US exhibition, “Re-Education” at SculptureCenter in New York in 2022, where she created installations referencing the January 6 Capitol attack, juxtaposing Federal-style office furniture with a Flintstonian mancave and chairs arranged by ideological subtext. The show gained unexpected attention when German media covered it, linking her small hometown of Zwickau with New York, and she later visited Thomas Hart Benton’s murals at the Met to understand American power and aesthetics.

This Museum Show Will Make You Question Whether You’re Still Human

The New Museum in New York has opened "New Humans: Memories of the Future," an exhibition curated by Chief Curator Massimiliano Gioni that explores a century of art predicting the fusion of humans and machines. The show features works by artists including Anicka Yi, Francis Picabia, Constantin Brancusi, and Marcel Duchamp, alongside robots and technological artifacts that blur the boundaries between bodies and technology. The exhibition is housed within OMA's newly expanded museum space on the Bowery.

Gagosian reconstitue une œuvre oubliée de Christo

Gagosian Gallery in London has reconstructed Christo's unrealized 1968 work "Air Package on a Ceiling" for the first time. The installation, measuring 16 by 10 meters, was originally conceived for the Institute of Contemporary Art in Philadelphia but never built due to technical constraints. The maquette and drawings were rediscovered in 2018 by studio manager Lorenza Giovanelli, hidden under a base in Christo's New York studio, and the full-scale work was realized in collaboration with the Christo and Jeanne-Claude Foundation.

Christo and Jeanne-Claude artwork to be presented for the first time ever at Gagosian.

An unrealized work by Christo and Jeanne-Claude, recently discovered in Christo's atelier, will be presented for the first time at Gagosian in London. Titled *Air Package on a Ceiling*, the installation features a 52-foot-long, 33-foot-wide inflated form wrapped in rope, softly illuminated from within to resemble half a cloud protruding from the ceiling. The piece is realized from the original 1968 model and preparatory drawings and collages.

Director of the Hermitage Museum Sanctioned by the European Union

Le directeur du Musée de l'Ermitage sanctionné par l'Union européenne

The European Union has imposed sanctions on Mikhail Piotrovsky, the 81-year-old director of the State Hermitage Museum in Saint Petersburg, as part of its 20th sanctions package against Russia. Piotrovsky was blacklisted for supporting the war in Ukraine and overseeing illegal archaeological excavations in occupied Crimea. The EU cited his use of Kremlin war rhetoric—calling the museum's exhibition policy a "cultural special operation"—and the Hermitage's role in incorporating Ukrainian cultural objects from occupied territories into Russia's state museum fund. Additionally, under his leadership, unauthorized digs were conducted at the ancient Greek site of Myrmekion in Crimea, led by Hermitage archaeologist Alexander Butyagin, who was arrested in Warsaw and later released in a prisoner exchange.

From DJing club nights to gallery walls, Scots artist returns home for major show

Francis Dosoo, a self-taught Scottish artist now based in Vienna, is mounting his first solo show at Dundee Contemporary Arts (DCA) titled "Portrait Of Dorothy Gale." Dosoo began his career in nightlife, running club nights and DJ sets that blended into performance and installation art. His practice spans sound, film, and visual art, with past collaborations including Joanne Dawson, Aniela Piasecka, and Alberta Whittle, and commissions from the Glasgow Film Festival and Edinburgh Art Festival. The DCA exhibition draws on the 1978 film *The Wiz*, reimagining *The Wizard of Oz* with an African-American cast, focusing on star Diana Ross's career and personal life at the time.

Paulina Carretero exhibition moves from Laredo arts center to La Posada

Mexican artist Paulina Carretero's exhibition "Reminiscence and Furor" is moving from the Laredo Center for the Arts to La Posada Hotel starting May 8. The show, which opened in March for International Women's Month, features paintings that pay tribute to seven historical women artists: Artemisia Gentileschi, Berthe Morisot, Georgia O'Keeffe, Tamara de Lempicka, María Izquierdo, Remedios Varo, and Yayoi Kusama. Carretero created two works for each artist—one capturing their spirit and another reflecting her personal vision. The exhibition also includes a large-format painting titled "El Juego de la Consciencia (The Game of Consciousness)" that incorporates magical realism. Carretero will mark the closing at the Laredo Center for the Arts on May 1.

RTRU* (*Raudive Technoculture Research Unit) at KAJE

The exhibition "RTRU* (*Raudive Technoculture Research Unit)" is on view at KAJE in Brooklyn from April 4 to May 17, 2026. Curated by the Riga Technoculture Research Unit (Zane Onckule and Elizaveta Shneyderman), the show features works by Ka Baird, Scott Benzel, Valdis Celms, Cal Fish, Jason Isolini, Voldemārs Matvejs, Karlīna Mežecka, Adriana Ramić, Konstantīns Raudive, and Ieva Rubeze. The press release and checklist are available, and images of the exhibition are provided courtesy of the artists and the gallery.

"Consequences of being" at The FLAG Art Foundation by Daniel Belasco

Deborah Roberts presents her newest body of work in the exhibition "Consequences of being" at The FLAG Art Foundation, featuring eight canvases and nine mixed-media works on paper that blend collage, painting, and drawing. The works explore the postcolonial landscape of Europe and Africa, using fragmented imagery of Black children against stark-white backgrounds to address themes of colonialism, commerce, and identity. Key pieces include "Have a seat, this may take a while" (2025), which incorporates miniature sailing ships and a collaged tiara from Queen Elizabeth II, and "Hands in the air," which critiques racist packaging from a German ice cream company. The exhibition also includes a series of eight collages titled "Many thousands gone" and a sculptural edition, "Zuri," a ceramic bust with metallic glaze.

The new TAILOR newsletter is coming out: luxury crisis, new creative generations, and mental health (subscribe!)

Sta per uscire la nuova newsletter TAILOR tra crisi del lusso, nuove generazioni creative e salute mentale (abbonatevi!)

Artribune has launched a new edition of its newsletter TAILOR, which examines the transformation of the global fashion system amid a luxury crisis, the rise of new creative generations, and the growing structural importance of mental health in the industry. The newsletter features a focus on five emerging designers shifting fashion from product to narrative, an exclusive interview with influential stylist Tom Eerebout, and the debut in Italy of the project "One Person. One Voice" as part of the Mental Health in Fashion campaign, created by Florian Müller with artist Claudia Malecka.

May Flowers: Opening Reception Featuring Community Artists Sat. May 9th at Blue Water Fine Art Gallery in Rockaway Beach – Tillamook County Pioneer

Blue Water Fine Art Gallery in Rockaway Beach, Oregon, is hosting a community exhibition titled “May Flowers,” running from May 8 to June 6, 2026. The show features North Coast artists working in various media, each offering their own interpretation of spring. A free opening reception will take place on Saturday, May 9, from 5–7 PM, allowing visitors to meet the artists and enjoy light refreshments.

Cumbria’s largest museum gains six new trustees

Cumbria's largest museum, Tullie House Museum and Art Gallery Trust in Carlisle, has appointed six new trustees to its board, expanding the total to 15 members. The new trustees include Lord Richard Inglewood, a former government minister; Lisa Middleton, head of marketing at National Museums Liverpool; Joanne Orr, former director of Tullie and ex-chief executive of Museums Galleries Scotland; Malcolm Rogers, a banking and finance specialist; Helen Smout, chief executive of Culture Perth and Kinross; and John Stevenson, a former MP for Carlisle. The appointments were announced by Tullie chair Andrew Smith and director Andrew Mackay.