Bringing back the salon: UK organisation aims to revive Brighton's contemporary art scene

The Adelaide Salon, a new arts organization founded in 2024 by Pascal Dowers and Paulina Anzorge, is staging a ticketed contemporary art event at Brighton's Royal Pavilion on 30 May, featuring live art and performance. This follows the organization's earlier exhibitions at their home in Adelaide Crescent and a current takeover of the Founders Room at Brighton Dome with the exhibition Act O (until 25 May), part of the Brighton Festival. The salon aims to revive Brighton's art scene after notable losses, including the 2023 closure of Brighton University's Centre for Contemporary Art (CCA) and the withdrawal of Arts Council funding at Fabrica gallery.

In Venice, 22 unmissable exhibitions on the sidelines of the biennial

À Venise, 22 expositions incontournables en marge de la biennale

The article highlights 22 must-see exhibitions happening alongside the 61st Venice Biennale, which is expected to be affected by geopolitical tensions but still promises artistic vibrancy. Notable events include Bvlgari's dual projects featuring artists Lotus L. Kang, Lara Favaretto, and Monia Ben Hamouda; the unveiling of the Asscher collection at the Ama Venezia foundation with works by Charles Ray, Jenny Saville, and Richard Serra; and the inaugural exhibition "The Only True Protest Is Beauty" at the Fondation Dries Van Noten, showcasing 200 objects across fashion, design, and art. Other highlights include a dialogue between Picasso, Morandi, and Parmiggiani at the Fondazione Bevilacqua La Masa.

Frida Kahlo and Diego Rivera are given a voice by New York's Metropolitan Opera

New York is experiencing a wave of Frida Kahlo-related events this spring, including a new book from Rizzoli about her childhood home museum in Mexico City and a small exhibition at the Museum of Modern Art (MoMA) featuring works by Kahlo and Diego Rivera. The centerpiece is the Metropolitan Opera's new production of *El Último Sueño de Frida y Diego*, with music by Gabriela Lena Frank and libretto by Nilo Cruz, both Pulitzer Prize winners. The opera, which premiered in San Diego in 2022, opens on 14 May and features set and costume design by Jon Bausor, who also co-curated the MoMA exhibition alongside curator Beverly Adams. The production imagines Kahlo's spirit rising from the underworld on the Day of the Dead to reunite with Rivera, blending Mexican musical elements with a dreamlike, visually rich aesthetic.

The Same Dead Thing Alive: Contemporary Archives in L.A. and Beyond

From The Sheep Detectives to Rivals: your complete entertainment guide to the week ahead

This week's entertainment guide from The Guardian includes a major outdoor sculpture exhibition of Henry Moore's monumental works at Kew Gardens, running from May 9, 2026 to January 31, 2027. The show features 30 of Moore's sculptures in the largest-ever presentation of outdoor works by the English modernist. Additionally, Parham Ghalamdar presents a solo exhibition of post-apocalyptic ceramic and glass works at Blenheim Walk Gallery in Leeds, and Photo London, the UK's leading photography fair, returns for its 11th year, moving to Kensington Olympia after a decade at Somerset House.

The Permanence of Refusal: Interview with Ding Yi

Chinese artist Ding Yi, who first appeared at the Venice Biennale in 1993 as part of the inaugural Chinese contemporary art exhibition, has returned to Venice with his first solo show in the city, titled “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia. The exhibition, referencing philosopher Yuk Hui's concept of cosmotechnics, traces Ding Yi's abstract visual language from the 1980s to the present, featuring new and historic works that engage with the modernist architecture of Carlo Scarpa. In an interview with ArtAsiaPacific during the 61st Venice Biennale preview week, Ding Yi reflects on the evolution of his practice, his travels, and the deep perceptual frameworks of ancient civilizations.

Several Eternities in a Day: Form in the Age of Living Materials

The Hammer Museum in Los Angeles presents "Several Eternities in a Day: Form in the Age of Living Materials," a spring 2026 exhibition running from April 5 to August 23. Curated by Jill Spalding, the show features works by artists including Edgar Calel, Guadalupe Maravilla, Carmen Argote, and others, exploring the concept of "Brownness"—a fluid identity rooted in ancestral memory, animal kinship, and a profound connection to living materials. The exhibition is organized into three acts: large-scale installations, paintings and works on paper, and ceramics, offering a visceral and immersive experience that draws on precolonial traditions across the Americas.

The Best Booths at Frieze New York, From Cindy Sherman’s Newest Photos to UFOs

The article reviews the best booths at Frieze New York 2026, held at the Shed in Hudson Yards. It highlights eight standout presentations, including Hauser & Wirth's debut of new Cindy Sherman photographs, Andrew Edlin Gallery's themed booth featuring artists like Paulina Peavy and Melvin Way who explore extraterrestrial themes, and Carlos/Ishikawa's display of Evelyn Taocheng Wang's monumental paintings that engage with Agnes Martin and Georgia O'Keeffe. The author notes that while art fairs prioritize commerce, some galleries successfully balance good art with monetization.

Pioneering British photographer Julia Margaret Cameron honoured with a blue plaque in London

A blue plaque has been unveiled on the London home of pioneering British photographer Julia Margaret Cameron at 10 Chesham Place in Belgravia, celebrating her legacy. Cameron took up photography at age 48 and created iconic portraits of figures like Alfred Tennyson, Charles Darwin, and Thomas Carlyle, as well as images of her family and neighbors. The plaque was installed by English Heritage, with family members including musician Jules Cameron, singer Jasmine van den Bogaerde (Birdy), and artist Julian Bell attending the ceremony. Cameron's great-great-great-granddaughter Jules Cameron noted that the honor feels like a continuation of her work to fix presence in light and memory.

Two Museums Take on Performative Masculinity, Looksmaxxing, Incels, and Other Macho Buzzwords That Don’t Belong There.

The Stedelijk Museum and Kunstmuseum St. Gallen have co-organized an exhibition titled "Beyond the Manosphere: Masculinities Today," which aims to critically examine contemporary masculinity and its online manifestations such as incels, looksmaxxing, and pickup artists. The show features works by artists including Reba Maybury and Richard Serra, and is curated by Melanie Bühler, with directors Rein Wolfs and Gianni Jetzer overseeing the project. The exhibition will travel from the Stedelijk to the Kunstmuseum St. Gallen later this year.

Chloë Sevigny, Hari Nef, and Mickalene Thomas Just Partied at the Brooklyn Artists Ball

The Brooklyn Museum hosted its annual Brooklyn Artists Ball on Tuesday evening, serving as the opening celebration for the "Iris van Herpen: Sculpting the Senses" exhibition. The event drew a crowd of artists, patrons, designers, and downtown figures, including event hosts Fabiola Beracasa Beckman, Sylvana Durrett, Jordan Roth, Lizzie Tisch, and Amanda Waldron; co-chairs Regina Aldisert, Megan Brodsky, Victoria Rogers, and Carla Shen; CULTURED Editor-in-Chief Sarah Harrelson; designers Iris van Herpen and Wes Gordon; musicians Peggy Gou and Swizz Beatz; artists Mickalene Thomas, Keisha Scarville, Paul Arnhold, and Miles Greenberg; writer Derek Blasberg; and gallerist Saam Niami. Highlights included a special performance by dancers from the New York City Ballet in winged costumes, an afterparty with DJs Swizz Beatz and Runna, and a site-specific photo booth by artist Keisha Scarville.

Danielle Mckinney Shares the Advice That Keeps Her Painting Even on Her Worst Days

Danielle Mckinney, a rising painter known for intimate depictions of Black women in moments of repose, shares insights into her creative process in a studio visit interview. She has two concurrent exhibitions: one at the Norton Museum of Art in West Palm Beach (through Oct. 4) and one at Marianne Boesky Gallery in New York (through June 13), where she debuts a series of watercolors and continues dissolving boundaries between figures and their domestic surroundings.

The Artist Who Turned Kim Kardashian Into a Living Sculpture Has an Exhibition in Paris

The Sceners Gallery in Paris is hosting “Forms and Temptations,” an exhibition of works by British Pop Art pioneer Allen Jones, coinciding with Kim Kardashian wearing a Jones-inspired fiberglass breastplate at the 2026 Met Gala. The show features Jones’s eroticized female mannequins and sculptures, including “Red Refrigerator” and “Cover Story 4/4,” displayed alongside high-end decorative furniture from designers like Carlo Bugatti and Émile-Jacques Ruhlmann. Jones, now 88, collaborated with Kardashian on her Met Gala look, which re-edited a cast from 1967/68.

We visited the 2026 Venice Art Biennale: the exhibitions and pavilions you shouldn’t miss

The 2026 Venice Art Biennale has opened across the Giardini, Arsenale, and venues throughout the city, with geopolitics, climate collapse, and national identities dominating the exhibitions. Notable pavilions include Austria's "Seaworld Venice" by Florentina Holzinger, the Czech and Slovak Pavilion's "Il Silenzio della Talpa" by Jakub Jansa and Selmeci Kocka Jusko, India's "Geographies of Distance: remembering home" featuring multiple artists, and the Taiwan Pavilion's "Screen Melancholy" by Li Yi-Fan. The Russian Pavilion has become a focal point of controversy, with guards and empty beer bottles outside, and the Pussy Riot collective staging a protest nearby.

Mario Schifano, the artist who anticipated Arte Povera and beyond. What the exhibition in Rome looks like

The Palazzo delle Esposizioni in Rome has opened a major retrospective of Mario Schifano, curated by Daniela Lancioni and titled simply "Mario Schifano," running until July 12. The exhibition reconstructs the career of the Italian artist (1934–1998), who worked across painting, film, and music, and highlights his role as a precursor to Arte Povera. A centerpiece is the reconstructed dining room Schifano created for the Rome home of Marella and Gianni Agnelli in 1968, featuring 14 canvases and a planned but unrealized sand-filled room with a pyramid, a detail revealed by film producer Ettore Rosboch in a conversation with the curator.

Counterpublic comes to New York ahead of its next triennial, Coyote Time

Counterpublic, a St. Louis-based non-profit that reimagines public art, is bringing its mission to New York ahead of its third triennial, titled "Coyote Time." The organization will kick off New York art week with a party celebrating the triennial's curators and artists, including Stefanie Hessler, Jordan Carter, and Wanda Nanibush. It has partnered with Frieze New York to present a new commission and performance by Oglála Lakȟóta artist Kite at The Shed, offering a preview of the triennial. The third edition, "Coyote Time," runs from September 12 to December 12 across five main sites in St. Louis, featuring nearly 50 artists, duos, and collectives. The title derives from artist Alice Bucknell's video game-inspired commission about suspended moments, and the exhibition will explore themes of migration, identity, climate, and technology through ambitious new works and historical reinterpretations.

‘Overworked’: Çağla Ulusoy in Conversation With ArtReview

ArtReview and Dirimart London are hosting a conversation between artist Çağla Ulusoy and ArtReview editor Fi Churchman about Ulusoy's book 'Overworked', which features 83 selected abstract paintings and accompanying collages. The event takes place on 6 June 2026 at Dirimart's London gallery, coinciding with the group exhibition 'Colour is the Place', which includes Ulusoy's work alongside artists Hashel Al Lamki, Tala Worrell, and Berke Yazıcıoğlu. Ulusoy's practice integrates lived experiences from various cultures into abstract compositions using materials like acrylic, oil paint, sand, and wax.

Fundación Casa Wabi x ArtReview Open-Call Residency Prize 2026–27

Fundación Casa Wabi and ArtReview have announced the ninth annual open-call residency prize for three artists or collectives, offering a residency at Casa Wabi in Puerto Escondido, Oaxaca, Mexico. The residency includes lodging, studio space, meals, and support for a community project, with applications due by 14 June 2026 and winners notified in July 2026. The prize aims to foster cultural cross-pollination between artists and local communities, with past winners including artists from Australia, the UK, Germany, Argentina, Brazil, and Mexico.

The Museo Casa Natal Picasso rescues Marisol Escobar, the forgotten queen of pop art

The Museo Casa Natal Picasso in Málaga, Spain, has opened the exhibition "Ni Musas Ni Modelos" (Neither Muses Nor Models), which seeks to reclaim the legacy of Marisol Escobar, a Venezuelan-born pop artist who rose to fame in the 1960s but later fell into obscurity. The show features over forty works by Escobar—including her piece "Saco La Lengua" (I Stick Out My Tongue)—alongside works by thirty other artists such as Dorothea Tanning and Helen Frankenthaler, aiming to correct the historical sidelining of female artists.

Creative Currents: East End Art Exhibits

The article surveys the 2026 summer art season in the Hamptons, highlighting new outdoor sculptures at LongHouse Reserve—including Renée Cox's 'Soul Culture Statue,' Sean Scully's '48,' and William Kentridge's 'Tap'—and a slate of solo exhibitions at venues such as Guild Hall, the Parrish Art Museum, the Arts Center at Duck Creek, and the Peter Marino Art Foundation. Featured artists include Arcmanoro Niles (whose show 'Forgotten Words I Never Got to Say' marks a decade since his Guild Hall residency), Sanford Biggers (presenting 'Drift' at the Parrish), Claire Watson, Brent Richardson, Robert Nava, Betty Parsons, Carla Accardi, and Y.Z. Kami. The Church in Sag Harbor will open 'This Land: Considering the American Landscape,' borrowing works from the Parrish and Dan Flavin's collection.

Ayan Farah and Asmaa Jama on Representing Somalia at the 61st Venice Biennale

Ayan Farah and Asmaa Jama, two of the three artists representing Somalia at the 61st Venice Biennale (2026), discuss their plans for the national pavilion in an interview with ArtReview. Farah will present an installation of large-scale embroidered landscape paintings using clay pigment sourced from Somalia and shell-derived pigment from Scotland, alongside silk paintings exploring time and nature. Jama will focus on the Somali poetry form saddexleey, creating a sensorial experience through moving image, installation, and visual artworks that draw on magical realism and cinematic surrealism. The pavilion is located in the Palazzo Caboto, and the third representative is poet Warsan Shire.

Meet four artists behind the public art you'll see at L.A. Metro's new D Line stations

L.A. Metro opened the first phase of its D Line extension on Friday, May 1, 2026, adding three new underground stations connecting downtown Los Angeles to Beverly Hills: Wilshire/La Brea, Wilshire/Fairfax, and Wilshire/La Cienega. The stations feature nine site-specific public artworks by artists including Mariana Castillo Deball, Eamon Ore-Giron, Ken Gonzales-Day, Todd Gray, Karl Haendel, Soo Kim, Fran Siegel, Susan Silton, and Mark Dean Veca. The competitive selection process began a decade ago, drawing over 1,200 applicants, with finalists judged by a panel of art professionals including curators from Miracle Mile museums. Metro deputy executive officer Zipporah Yamamoto leads the agency's public art program, which is funded by a 0.5% construction budget set-aside.

A Roma è tutto pronto per il weekend delle gallerie d’arte: mostre, progetti speciali, inaugurazioni. Il programma

The fourth edition of Roma Gallery Weekend will take place from May 15 to 17, 2026, featuring 31 galleries across Rome. The event kicks off with a new Gallery Night on May 14, where simultaneous openings and special projects serve as a concentrated prologue. Participating galleries include established names like Gagosian, Galleria Continua, and Lorcan O'Neill, as well as emerging spaces such as Amanita and Cantadora. Highlights include exhibitions of Francesca Woodman, Tracey Emin, Friedrich Kunath, and Carlos Garaicoa, alongside site-specific interventions and group shows.

The End-of-Term Grand Interview with Stefano Boeri After 8 Years as President of Triennale di Milano

La grande intervista di fine mandato a Stefano Boeri dopo 8 anni da presidente della Triennale di Milano

Stefano Boeri reflects on his eight-year tenure as president of Triennale Milano in a wide-ranging exit interview. He discusses the institution's transformation into a more international and accessible cultural hub, highlighting key achievements such as the three major International Exhibitions—"Broken Nature" (2019), "Unknown Unknowns" (2022), and "Inequalities" (2025)—and the physical reclamation of spaces like the "Cuore" hall and the garden-level floor, which were opened free to the public. Boeri also touches on financial management, governance challenges, and his hopes for the future leadership.

With an exhibition in Venice, the great artist Joseph Kosuth demonstrates his trust in language

Con una mostra di Venezia il grande artista Joseph Kosuth dimostra la sua fiducia nel linguaggio

Joseph Kosuth, a pioneer of conceptual art, presents a new exhibition titled "The Exchange Value of Language Has Fallen to Zero" at Casa dei Tre Oci in Venice. The show features both historical works from the 1960s, such as "One and Three Mirrors" (1965), and a new neon piece "A Chain of Resemblance" created for the occasion, which pays homage to Michel Foucault. The exhibition explores themes of language, authorship, and community, including works like "The Fifth Investigation" (1969) and a poster from the 1976 Venice Biennale. Kosuth, who lived in Venice from 2021 to 2025, has a deep connection to the city, having participated in eight editions of the Venice Biennale and maintaining two permanent installations there.

Who Owns the Megayachts Docked Outside the Venice Biennale?

The article examines the megayachts docked outside the Venice Biennale, focusing on the 170-foot vessel 'Private GG' owned by Giancarlo Giammetti, cofounder of the Valentino fashion house. Giammetti, a serious art collector, was in Venice for the Biennale opening, posting photos of artworks and a dinner with actress Salma Hayek and her husband François-Henri Pinault, a major art collector. The yacht, built in 2022 by CRN, features luxury amenities including a jacuzzi, cinema saloon, and beach club.

Parasol Unit returns with a showcase of women from Central Asia and beyond

Parasol Unit, the London non-profit exhibition space that closed in 2020 after 16 years, has relaunched with a new exhibition titled "Turandot: To the Daughters of the East" as an official collateral event of the Venice Biennale. Held at the historic Palazzo Franchetti, the show features 11 female artists from Central Asia and surrounding regions, curated by founder Ziba Ardalan. The exhibition spans video, installation, sculpture, painting, textile, and sound works by artists including Lida Abdul, Huma Bhabha, Mona Hatoum, and Tala Madani, and runs from 9 May to 31 October.

Koray Duman is Architecting Engagement from the Venice Biennale to Carnegie International

Architect Koray Duman and his studio Büro Koray Duman (B-KD) have unveiled five major international projects, including designs for the UAE National Pavilion and Denniston Hill's special project at the 61st Venice Biennale, the 59th Carnegie International in Pittsburgh, the National Academy's "Future Schools" exhibition in New York, and a multi-generational upstate residential project. Duman's work emphasizes inclusivity, cultural exchange, and architecture as a social tool, with installations like "Chimera" for Denniston Hill and a sound-and-memory-focused pavilion for the UAE.

Exhibition | Carol Rama, 'I See You You See Me' at Hauser & Wirth, New York, 22nd Street

Hauser & Wirth’s New York gallery on 22nd Street has opened ‘I See You You See Me’, its first exhibition dedicated to the radical Italian artist Carol Rama (1918–2015). Organized by Carlo Knoell, the show presents key works spanning six decades—from 1947 to 1998—across paint, textile, sculpture, and bricolage, highlighting Rama’s wildly original and non-conformist experimentation.

American Miners Photo Exhibition 'Beneath the Surface' Tour: National Gallery (DC)-Milwaukee Art Museum-Amon Carter Museum (Fort Worth, TX)

미국의 광부들 사진전 'Beneath the Surface' 순회: 내셔널 갤러리(DC)-밀워키미술관-에이먼카터미술관(포트워스, TX)

The National Gallery of Art in Washington, D.C., will present 'Beneath the Surface: Mining and American Photography' from May 23 to August 23, 2026, the first exhibition to focus exclusively on the relationship between resource extraction and American photography. Featuring 150 photographs by over 100 artists—including Richard Avedon, Walker Evans, Lewis Hine, LaToya Ruby Frazier, Dorothea Lange, and Gordon Parks—the show spans nearly 200 years, from early daguerreotypes of the California Gold Rush to contemporary large-scale works. After its Washington run, the exhibition will travel to the Milwaukee Art Museum (October 23, 2026–January 18, 2027) and the Amon Carter Museum of American Art in Fort Worth, Texas (February 14–May 9, 2027).