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Jasper Johns Keeps Looking

Jasper Johns’s latest exhibition at Gagosian, 'Between the Clock and the Bed,' serves as a profound meditation on the artist's career-long investigation into the 'things the mind already knows.' By revisiting his signature motifs—including flags, targets, and crosshatch patterns—the show highlights Johns’s rejection of Abstract Expressionist spontaneity in favor of a deliberate, analytical process using encaustic and collage. The works document a transformation where familiar symbols are rendered into a complex visual language that bridges the gap between memory and physical presence.

Marcel Duchamp & Sturtevant | Dialogues are mostly fried snowballs

Thaddaeus Ropac Milan is hosting a landmark exhibition titled "Dialogues are mostly fried snowballs," marking the first-ever joint presentation of Marcel Duchamp and Sturtevant. The show stages a cerebral confrontation between Duchamp’s original readymades, such as "Porte-bouteilles" and "Trébuchet," and Sturtevant’s radical repetitions of his work. By showcasing these pieces alongside archival materials and films, the exhibition traces how Sturtevant used Duchamp’s style as a medium to investigate the canonization and "understructure" of conceptual art.

Water's Way: A Conversation with Brazilian Conceptual Artist Daniel de Paula About His Expo Chicago Debut

Brazilian conceptual artist Daniel de Paula is set to make his Expo Chicago debut with a solo presentation hosted by gallery Yehudi Hollander-Pappi. The installation features industrial thousand-liter water tanks filled with water from the San Francisco Bay, a site chosen for its symbolic and material convergence of neoliberal history and digital infrastructure. The water contains both the scattered ashes of economist Milton Friedman and chemical effluents from Silicon Valley data centers, creating a visceral link between economic theory and environmental reality.

Embodying Code: Artist Alida Sun and the physical craft of code art

Berlin-based artist Alida Sun has reached a milestone of 2,500 consecutive days of creating digital art, using a custom-built system that translates physical movement into light and sound. Her recent exhibition, "RITES" at Method Delhi, bridges the gap between digital code and physical craft by transforming her generative algorithms into hand-woven tapestries. This collaboration with women artisans from the Swami Sivananda Memorial Institute of Fine Arts & Crafts (SSMI) highlights the historical and technical links between textile weaving and computer programming.