Vasari Art Codex

person people schedule Jan 13, 2026 visibility 8 link 4 artists

Miles Davis Emerged From Middle America to Become the ‘Picasso of Jazz’ and Taught Us All How to Be Cool

Miles Davis, born in 1926 in Illinois, rose from a middle-class background to become a transformative figure in jazz. He left formal studies at Juilliard to play with Charlie Parker, but soon forged his own iconic sound characterized by intimate tone and phrasing, most famously on the seminal *Birth of the Cool* sessions. His career was defined by constant reinvention, pioneering multiple major movements from cool jazz and modal recording to jazz fusion, earning him the nickname "the Picasso of Jazz" from Duke Ellington.

newspaper Smithsonian Magazine Art open_in_new Read original

article local schedule Apr 7, 2026 visibility 4 link 5 artists, 2 galleries

Bristol Arts & Culture Commission approves public art, museum exhibit funding

The Bristol Arts & Culture Commission has approved funding for several local initiatives, including a historic amusement exhibit titled "Laff in the Dark" by artist Charlie Burnham at the Carousel Museum. Other key developments include the announcement of a new worker-centric exhibition at the American Clock & Watch Museum and the commissioning of a public heart sculpture by artist Eva Mendoza to commemorate the upcoming America 250 celebrations.

newspaper The Bristol Edition open_in_new Read original

article culture schedule Apr 15, 2026 visibility 4

‘Volcano Snake Sun, September’: A Poem by Ella Frears

Poet Ella Frears has composed a new literary work in response to Charlie Prodger’s 2024 drawing, 'Volcano Snake Sun, September'. The poem explores themes of observation, physical detachment, and the tension between tranquility and underlying violence, mirroring the shift in Prodger’s practice from conceptual film to representational pencil-and-pastel works on paper.

newspaper ArtReview open_in_new Read original

article culture schedule Mar 27, 2026 visibility 9

How to Survive AI

Two documentaries premiering at the 2026 Sundance Film Festival directly confront the discourse surrounding artificial intelligence. Valerie Veatch's 'Ghost in the Machine' traces the racist, eugenicist origins of AI research, linking it to a history of American techno-fascism, while Daniel Roher and Charlie Tyrell's 'The AI Doc: Or How I Became an Apocaloptimist' offers a more measured, personal exploration of public anxieties about the technology.

newspaper Hyperallergic open_in_new Read original