Participating Artists and Curators Push Back on Venice Biennale’s Relocation of Israeli Pavilion, Call for Exclusion of Russia, Israel, and US

Seventy-three artists and curators participating in the main exhibition of the 2024 Venice Biennale have issued an open letter objecting to the organizers' decision to relocate the Israeli national pavilion to the Arsenale. They argue this move creates an intimidating atmosphere contrary to the late curator Koyo Kouoh's vision of "radical solidarity" and will necessitate a heightened security presence. The signatories, which include key curators tasked with realizing Kouoh's exhibition, also call for the exclusion of Israel, Russia, and the United States from the event, citing their governments' alleged commission of war crimes.

UAE art guide: 13 museum and gallery exhibitions to see, from Picasso to Chilean artist Jorge Tacla

The article presents a curated guide to 13 current museum and gallery exhibitions across the UAE, including shows at Louvre Abu Dhabi, Foundry in Dubai, Sharjah Art Foundation, and Alserkal Avenue. Featured artists range from Pablo Picasso to regional talents like Shamsa Al Omaira, Abdulla Elmaz, and Ahaad Alamoudi, with exhibitions spanning sculpture, photography, and installation art. The guide is published during Alserkal Art Month and ahead of Art Dubai.

Of the Love that Moves the Sun and the Other Stars: An Interview with Amalia Cross

DEL AMOR QUE MUEVE EL SOL Y LAS OTRAS ESTRELLAS. ENTREVISTA A AMALIA CROSS

The Museo de la Solidaridad Salvador Allende (MSSA) in Santiago has inaugurated a major collection-based exhibition titled "Del amor que mueve el sol y las otras estrellas," curated by art historian Amalia Cross. The show revisits the museum's unique history—from its origins during Salvador Allende’s presidency and the international "Operation Truth" to its period of exile following the 1973 coup and its eventual return to Chile. Featuring works by global icons such as Alexander Calder, Lygia Clark, and Yoko Ono, the exhibition emphasizes movement and collective action across various mediums including sculpture, video, and installation.

whitney biennial 2026 systems infrastructure andrea fraser carmen de monteflores emilie gossiaux david johnson 1234775255

The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, moves beyond the traditional geographic borders of the United States to explore 'the greater United States.' Drawing inspiration from historian Daniel Immerwahr, the exhibition features artists from occupied territories, military outposts, and nations impacted by American intervention, including Okinawa, Chile, and Palestine. The show shifts the focus from identity politics to the material reality of infrastructure, examining how global systems of finance, energy, and empire operate and often fail.

María Jesús Valenzuela: Winter Flowers

MARÍA JESÚS VALENZUELA: FLORES DE INVIERNO

María Jesús Valenzuela presents her solo exhibition "Flores de Invierno" (Winter Flowers) at Galería NAC in Santiago, Chile. The exhibition showcases a multidisciplinary approach to the natural world, featuring hand-embroidered cotton paper, color pencil drawings, and fine art photography. Valenzuela’s work acts as a contemporary field notebook, documenting landscapes ranging from the mangroves of Caddo Lake to the forests of Curaumilla, utilizing both ancient techniques like embroidery and modern digital printing.

Urgent Request from Participating Artists and Curators of the 61st Venice Biennale

第61回ヴェネツィア・ビエンナーレ参加アーティストおよびキュレーターによる緊急要請

A group of 73 artists and curators participating in the 61st Venice Biennale, including Yoshiko Shimada and Bubu de la Madeleine, have issued an urgent demand to the Biennale's board to revoke Israel's participation. The collective specifically objects to the decision to relocate the Israeli pavilion to the Arsenale, arguing that its presence contradicts the curatorial vision of Artistic Director Koyo Kouoh, which emphasizes the dignity of all life. They contend that the military and police presence required for the pavilion introduces an atmosphere of violence and fear that undermines the exhibition's integrity.

Santiago museum, set on fire during 2020 protests, reopens

The Violeta Parra Museum in Santiago, Chile, has reopened after being closed for over six years due to arson attacks during the countrywide social protests of February 2020. The museum, dedicated to the multifaceted artist and musician, suffered three fires but its distinctive guitar-shaped building, designed by architect Cristián Undurraga, did not sustain major structural damage. A $1 million restoration, funded by the museum's fire insurance and overseen by director Denise Elphick, focused on cleaning soot and rehabilitating the concrete, while adding heat-resistant windows and enhanced security.

Heirs to the Bic Empire Say They’ve Been Robbed of a Renaissance Masterwork

The heirs to the Bic pen fortune, Gonzalve, Charles, and Guillaume Bich, have filed a lawsuit alleging a 15th-century masterpiece by Fra Angelico was stolen from their family. They claim the painting, 'Saint Sixtus,' was taken by their father's chauffeur in 2006 and sold to art dealer Richard Feigen, who later sold it to Chilean collector Alvaro Saieh in 2018. The heirs are now suing Saieh to reclaim the artwork and seeking the return of sale proceeds from Feigen's estate.

An open letter to La Biennale di Venezia calls out inaction in the face of global atrocities

A group of 74 artists and curators invited to the 61st Venice Biennale have issued an open letter to the institution's president, Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition 'In Minor Keys' curated by the late Koyo Kouoh. The letter demands the exclusion of official delegations from countries accused of war crimes—specifically Israel, Russia, and the United States—and accuses the Biennale of complicity through its silence on global atrocities.

THE IMMA SHOWCASES THE DEEP REFLECTION OF CECILIA VICUNA

The Irish Museum of Modern Art (IMMA) is presenting "Reverse Migration, a Poetic Journey," the first solo exhibition in Ireland by Chilean artist Cecilia Vicuña. The show features a diverse range of works including her signature 'precarios' and 'quipus'—ancient Andean-inspired textile structures—alongside early paintings and sound installations. Central to the exhibition is Vicuña’s personal connection to Ireland, explored through a 2006 pilgrimage to archaeological sites and new collaborations with local artisans using Irish wool.

The Last Living Surrealist

Der letzte lebende Surrealist

Alejandro Jodorowsky, the 97-year-old Chilean-French artist and filmmaker, is profiled in his Paris apartment as the last living Surrealist. The article reflects on his century-spanning career, from his early pantomime work with Marcel Marceau in the 1950s to his cult films like "El Topo" and "The Holy Mountain," as well as his famously unrealized adaptation of Frank Herbert's "Dune." Jodorowsky shares his philosophy that true art has a beginning but no end, offering a retrospective on a life lived at the intersection of performance, cinema, and visionary creativity.

American Popular Art Museum Educates Young Art Mediators for the 2026 Popular Arts Encounter in Cerrillos

The American Popular Art Museum Tomás Lago (MAPA) in Chile has trained a group of children as art mediators for the 2026 Popular Arts Encounter in Cerrillos. The program, called "Art Mediators in Your School," began after the school Pedro Aguirre Cerda hosted its first community art encounter in 2022, initiated by educator Sandra Ramírez and local organizers. Ten children received training in cultural mediation and art appreciation at MAPA, then guided their peers through the exhibition. The collaboration has deepened, with MAPA now also contributing to curating and exhibit design for the 2026 edition.

Beyond the Needle: Chilean Artist Felipe Abel on Chiaroscuro, Symbolism, and the Evolution of Modern Tattooing

Chilean tattoo artist Felipe Abel (born Felipe Arriagada), who has a background in graphic design and a decade of experience in black-and-grey micro-realism, is preparing to join Noble Art Studio in Brooklyn. He is also developing a new series of oil paintings focused on mythology, theology, and esotericism, expected to debut in a formal exhibition around 2027. Abel, who has held guest spots in over 20 cities across 10 countries including studios like Sasha Tattooing in Paris and The White Whale in Milan, uses chiaroscuro and a recurring floating orb motif in his work, drawing influence from photographer Sebastião Salgado and painter Guillermo Lorca.

Golden Foundation Welcomes Public To 'Made In Paint' Art Gallery Opening In New Berlin

The Sam & Adele Golden Foundation for the Arts is launching its 13th annual 'Made in Paint' exhibition at the Sam & Adele Golden Gallery in New Berlin, New York. The show features over 20 works created by the foundation’s 18 artists-in-residence from the 2025 cycle, who traveled from global locations including Chile and Puerto Rico. This year’s opening is notable for the high attendance of participating artists and the inclusion of digital art for the first time, alongside sculpture, textiles, and mixed-media works.

KÜTRAL VARGAS HUAIQUIMILLA: PERFORMING BLOOD, INHABITING ITS FLOW, DIMENSIONING THE WOUND

KÜTRAL VARGAS HUAIQUIMILLA: PERFORMAR LA SANGRE, HABITAR SU FLUJO, DIMENSIONAR LA HERIDA

Mapuche visual artist and performer Kütral Vargas Huaiquimilla presents "Performance de la sangre" (Performance of Blood) at Galería Gabriela Mistral in Santiago, Chile. Based on the artist's 2024 novel of the same name, the exhibition utilizes video-performance, sculpture, and clinical materials like medication vials to explore the intimate and collective experience of living with HIV. The project marks a significant interdisciplinary intersection of Mapuche identity, pharmacology, and contemporary medicalization.