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burmese curator flees bangkok china censors art exhibition 1234753536

The curator of an exhibition at the Bangkok Arts and Cultural Centre (BACC) fled Thailand two days after its opening, fearing arrest and deportation. The show, titled “Constellation of Complicity: Visualising the Global Machine of Authoritarian Solidarity,” featured exiled artists from China, Russia, Iran, and Myanmar and was curated by an artist from Myanmar known as Sai. After receiving warnings from BACC directors that Thai police were seeking his contact information, Sai learned that the Chinese embassy, Thai Foreign Ministry, and Bangkok city officials had pressured the museum over potential diplomatic tensions. The exhibition was censored: black paint covered artists' names and descriptions of Tibet, Hong Kong, and Xinjiang; a multimedia piece by Tibetan artist Tenzin Mingyur Paldron was nearly entirely removed; and flags representing Tibet and the Uyghur people were taken down. Sai immediately flew to London and plans to restage the exhibition elsewhere without censorship.

burmese artist sai exhibition bangkok arts cultural center 1234749521

An art exhibition at the Bangkok Arts and Cultural Centre titled “Constellation of Complicity: Visualising the Global Machine of Authoritarian Solidarity” was censored after repeated visits by Chinese embassy representatives. The show, featuring exiled artists from China, Russia, Iran, and Burma, had black paint applied over artists' names and descriptions of homelands such as Tibet, Hong Kong, and Xinjiang. Works by Tibetan artist Tenzin Mingyur Paldron were particularly affected, with television screens showing her films switched off and Tibetan and Uyghur flags removed. Burmese artist Sai told BBC News that since the censorship, he and his wife fled to the UK to seek asylum.

Europe: China’s censorship of cultural institutions must be challenged - ARTICLE 19

The Victoria and Albert Museum (V&A) in London has reportedly removed maps and images from exhibition catalogues on multiple occasions following pressure from its Chinese publisher, C&C Offset Printing. The publisher cited directives from China's General Administration of Press and Publication (GAPP), which enforces the Chinese Communist Party's official narratives on sensitive topics like territorial borders.

Artist Flees Thailand After China Exerts Influence on Museum Exhibition

A Myanmar artist, Sai, has fled to the U.K. and is seeking asylum after Chinese officials pressured the Bangkok Art and Culture Centre to censor an exhibition on authoritarianism. The show, titled "Constellation of Complicity: Visualizing the Global Machine of Authoritarian Solidarity," included works by Tibetan, Uyghur, and Hong Kong artists. Following demands from the Chinese embassy, transmitted through Thai authorities, the center removed sensitive artworks, obscured artists' names, and covered flags and references to Tibet, Hong Kong, and Xinjiang. Sai and his wife, who co-curated the exhibition, were allegedly told Thai police were looking for them, though police denied this.

Art freedom under fire

The Bangkok Art and Culture Centre (BACC) censored an exhibition titled 'Constellation of Complicity: Visualising the Global Machinery of Authoritarian Solidarity' after pressure from the Chinese embassy. The exhibition, which opened on July 24, featured works by exiled artists from Myanmar, Iran, Russia, and Syria exploring authoritarian alliances. Following a visit by Chinese embassy staff, several works were removed, including a multimedia installation by a Tibetan artist, and texts mentioning 'Hong Kong', 'Tibet', and 'Uyghur' were redacted. The curator, Sai, a Myanmar artist in exile, said the interference was not unexpected.

Thai Art Center Censors Exhibition After “Pressure” From China

The Bangkok Art and Culture Center (BACC) censored an exhibition titled 'Constellation of Complicity: Visualising the Global Machinery of Authoritarian Solidarity' after pressure from the Chinese Embassy in Thailand. Works by artists from Hong Kong, Tibet, and the Uyghur diaspora were blacked out or removed to avoid 'diplomatic tensions between Thailand and China.' The curators fled the country after Chinese officials and Thai police visited the museum. Affected artists include Doc Tenzin, Mukaddas Mijit, Clara Cheung, and Gun Cheng Yee Man, whose names were blacked out, along with Tibetan and Uyghur flags and a graphic comparing China to Israel.

Smithsonian’s National Museum of Asian Art repatriates ancient silk manuscript to China

The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has repatriated fragments of the ancient Zidanku Silk Manuscripts to China. The artifacts, dating from the fourth to third century BCE, were looted from a tomb near Changsha, Hunan Province, and smuggled into the US in 1946. The NMAA deaccessioned Volumes II and III of the manuscripts, which were given to the Arthur M. Sackler Gallery by an anonymous donor in 1992. The transfer was formalized in a ceremony at the Chinese embassy following an agreement signed earlier this month, with the fragments handed over to the National Cultural Heritage Administration (NCHA) of China.

How a Bangkok art show was censored following China's anger

Burmese artist Sai and his wife have fled to the UK to seek asylum after their exhibition at the Bangkok Arts and Cultural Centre was censored following complaints from Chinese embassy officials. The show, titled 'Constellation of Complicity: Visualising the Global Machine of Authoritarian Solidarity,' opened on 26 July 2025 and featured exiled artists from China, Russia, and Iran. Chinese representatives, accompanied by Bangkok city officials, demanded the removal of works by Tibetan, Uyghur, and Hong Kong artists, leading to the blacking out of artist names, removal of flags, and switching off of films. The couple alleges Thai police are looking for them, though police deny this.