The Barnes Foundation in Philadelphia has opened a major exhibition, 'Henri Rousseau: A Painter's Secrets,' featuring around sixty works, including the institution's own iconic Rousseau paintings. The survey, co-curated by Nancy Ireson and Christopher Green, aims to present a cohesive look at the self-taught artist's career.
The Barnes Foundation in Philadelphia is opening "Henri Rousseau: A Painter's Secrets" (October 19–February 22), reuniting for the first time in over a century the two largest collections of Rousseau's work—18 paintings from the Barnes Foundation and 11 from the Musée de l'Orangerie in Paris. The exhibition, co-curated by Nancy Ireson and Christopher Green, uses new conservation research to challenge the long-held myth of Rousseau as a naive, unworldly amateur, revealing instead a strategic artist who revised compositions, reused canvases, and actively sought an audience through Paris's open salons.
The Barnes Foundation in Philadelphia is opening "Henri Rousseau: A Painter's Secrets" (October 19–February 22), reuniting for the first time in over a century the two largest collections of Rousseau's work—18 paintings from the Barnes Foundation and 11 from the Musée de l'Orangerie in Paris. The exhibition, co-curated by Nancy Ireson and Christopher Green, uses new conservation research to reveal Rousseau's tactical revisions and overpainted canvases, challenging the long-held myth of his unworldly innocence. It traces his journey from poverty and mockery to acclaim, culminating in masterpieces like *The Sleeping Gypsy* (1897).
Christopher Green, a leading scholar of Cubism, has published a new book titled *Cubism and Reality*, which reexamines the origins and intentions of early Cubism through the works of Georges Braque, Pablo Picasso, and Juan Gris. The book focuses on the years immediately before World War I, arguing that Cubism was not a step toward abstraction but a deliberate reinvention of reality based on lived visual experience. Green draws on decades of research, including his own earlier works and the foundational 1959 study by John Golding, and contrasts the movement with mass-produced imagery in chapters on Roy Lichtenstein and Francis Picabia.
The exhibition "Nachsommer" by artist Andrew Christopher Green is currently on view at Can in Vienna. Running from March 6 through April 16, 2026, the presentation features a series of new works, including untitled pieces from 2026, and is documented through a selection of images and video available via the Contemporary Art Library.