Why Is Beeple So Successful?

The article examines the meteoric rise of artist Mike Winkelmann, known as Beeple, who broke auction records in 2021 by selling an NFT for $69.3 million at Christie's, becoming the third most expensive living artist. His robot dogs, featuring heads of figures like Elon Musk and Mark Zuckerberg, debuted at Art Basel Miami Beach and are now on view at Berlin's Neue Nationalgalerie during Gallery Weekend. The show, titled "Regular Animals," has sparked controversy, with critics like Markus Lüpertz denouncing the works as trivial entertainment unworthy of a museum, while curators Carolyn Christov-Bakargiev and Lisa Botti defend the exhibition.

At this art show, kids make the rules

The Power Plant Contemporary Art Gallery in Toronto is hosting 'Colourful Parachutes: Imagining Alternative Futures Through the Power of Play,' a group exhibition that centers children as active participants rather than passive observers. Curated by Frances Loeffler, the show features interactive works by artists including Temitayo Ogunbiyi, Leisure (Meredith Carruthers and Susannah Wesley), Claire Greenshaw, Rivane Neuenschwander, Harold Offeh, Sassa Linklater, Tobias Linklater, and Robin Rhode, with installations that invite climbing, drawing, playing, and touching. The exhibition draws inspiration from a 1968 show at Moderna Museet in Stockholm that transformed the museum into an adventure playground.

Marcello Dantas Named Curator of 2027–29 Vancouver Biennale

The Vancouver Biennale has appointed Brazilian artist and documentary filmmaker Marcello Dantas as senior curator for its 2027–29 edition. Dantas, currently art director at the immersive museum Ster Ik in Tulum, Mexico, recently cocurated the 2024 iteration of Saudi Arabia's Desert X AlUla with Maya El Khalil. He has previously organized exhibitions for artists including Ai Weiwei, Anish Kapoor, Shirin Neshat, and Bill Viola, and curated a project by Vik Muniz for the 2013–15 Vancouver Biennale. Dantas plans to shape the event by addressing the city's corporate real estate development alongside its First Nations and colonial history, exploring themes of displacement and belonging.

A Milano c’è una mostra di un importante artista australiano in cui si ragiona sul rumore

Marco Fusinato, the Australian artist who represented his country at the 59th Venice Biennale, returns to Italy with a solo exhibition at the Padiglione d’Arte Contemporanea (PAC) in Milan. Titled "The only true anarchy is that of Power," the show brings together installations, performances, and sound recordings from recent years, all centered on the concept of noise. Curated by Diego Sileo, the exhibition features three ongoing projects, including the monumental performance-installation DESASTRES, first presented at the Venice Biennale in 2022 and later staged at festivals such as Berlin Atonal and Unsound Krakow. The work combines randomized sound and images, using electric guitars, mass amplification, and intense feedback to create an immersive, hallucinatory experience where chaos and control coexist.

Exhibition | GaHee PARK, 'Half-Looking, Half-Seen' at Perrotin, New York, United States

Perrotin New York presents 'Half-Looking, Half-Seen', a special exhibition of new paintings by GaHee Park, featuring still lifes and portraits set within seascapes and landscapes that explore psychological dynamics of perception and coexistence. The show precedes Park's first institutional solo exhibition in the United States, opening in August 2026 at the Yerba Buena Center for the Arts in San Francisco. Works such as 'Seafood Heaven', 'Wetland at Dusk', and 'Creeping Shadow' depict ambiguous scenes where figures, animals, and natural elements blur boundaries between perceiving and being perceived, with influences including Joan Jonas's performance art.

John Hitchcock’s sonic and cultural rhythms

The New Britain Museum of American Art in Connecticut will present "John Hitchcock: We are Defined by the Beat" from May 16 to November 29, 2026, marking the artist's first mid-career retrospective. John Hitchcock, an enrolled member of the Kiowa Tribe of Oklahoma with Comanche and Northern European ancestry, has spent over three decades transforming the sonic and cultural rhythms of his homeland into a distinct visual language. The exhibition explores his integration of visual and sonic forms across printmaking, neon, textiles, sound, video, and installation, featuring series such as "Flatlander" (2011-18), "Bury the Hatchet" (2019-2020), "Blanket Songs" (2022-2023), "Soundscapes" (2021-2024), and "Celebration" (2025). Hitchcock's work pays homage to his ancestors, confronts histories of Indigenous displacement and trauma, and celebrates community, resilience, and survival, drawing on the sounds and landscapes of his ancestral home in Medicine Park, Oklahoma.

Syrian Artist Sara Shamma To Present An Ode To Palmyra At The 61st Edition Of La Biennale Di Venezia

Syrian artist Sara Shamma will present a large-scale immersive installation titled 'The Tower Tomb of Palmyra' at the 61st edition of La Biennale di Venezia in 2026. This marks Syria's first participation in the Biennale since the fall of the Assad regime and the appointment of President Ahmed Hussein al-Sharaa. Shamma's project, inspired by the ancient funerary towers of Palmyra destroyed during the Syrian Civil War, aims to restore the heritage site to life through a multisensory journey combining architecture, painting, and other elements. It will be the first solo presentation by a single Syrian artist at the Biennale, departing from previous group exhibitions with European collaborators.

OSCAR SANTILLAN TO REPRESENT ECUADOR AT THE 61ST VENICE BIENNALE

Ecuador has selected artist Oscar Santillán to represent the nation at the 61st Venice Biennale in 2026. Curated by Manuela Moscoso and organized by the Museum of Anthropological and Contemporary Art (MAAC), the pavilion will feature a collaboration between Santillán and the collective Tawna. The exhibition, titled after the collective, will explore Andean-Amazonian contexts through a dialogue on territory, indigenous knowledge systems, and coexistence.

The Cosmic Entanglements and Inner Transformations of ‘Metamorphosis’.

Isaac Julien has created a new site-responsive film installation titled 'All That Changes You. Metamorphosis' at The Cosmic House in London. The work, which features protagonists Lilith and Naomi, explores themes of transformation, cosmology, and interdependence through a non-linear narrative that moves from Californian redwoods to Renaissance interiors, using the postmodern architecture as an active participant in the dialogue.

Korea’s art market grows, but working conditions for entry-level workers do not

A 20-something intern at a small Seoul gallery, identified as Park, accepted a job paying 1.35 million won ($910) per month after taxes—below South Korea's minimum wage—because she believed early experience was essential for career advancement in the art world. The article, based on interviews with the Korea JoongAng Daily, reveals that many entry-level workers face low pay and precarious conditions, exacerbated by a severe oversupply of arts graduates (48,000 annually) versus only about 3,523 job postings per year on the industry site Art More, leading to reliance on personal connections and informal hiring.

New Seoul art fair HIVE drops booth fees in market experiment

The inaugural HIVE Art Fair in Seoul, opening May 21 at COEX Magok, is testing an alternative business model that eliminates fixed booth fees. Instead, galleries can choose which services and installations to pay for through a "selective purchase system," with the fair relying on ticket sales, corporate partnerships, and promotional lounges for revenue. The fair features 48 galleries (36 South Korean, 12 international) and 158 artists, with no overlapping artists between galleries, and will display exhibition titles and curatorial statements alongside gallery names.

Interview with Nina Wakeford of the Swiss Pavilion at the 2026 Venice Biennale

Intervista a Nina Wakeford del Padiglione Svizzero alla Biennale di Venezia 2026

Nina Wakeford, artist and curator of the Swiss Pavilion at the 2026 Venice Biennale, discusses the pavilion's project "The Unfinished Business of Living Together." The exhibition draws on two Swiss television broadcasts from 1978 and 1984—Telearena and Agora—in which gay, lesbian, and trans individuals spoke on national television. Rather than treating these as historical artifacts, Wakeford and her team (Gianmaria Andreetta, Luca Beeler, Miriam Laura Leonardi, Lithic Alliance, and Yul Tomatala) reactivate them as points of tension, creating a multimedia environment that explores unresolved issues of coexistence, visibility, and social difference.

Il Padiglione Italia alla Biennale? “Deve essere uno spazio di possibilità”. Intervista alla curatrice

The article announces Chiara Camoni's project "Con te con tutto" for the Italian Pavilion at the 61st Venice Biennale in 2026, curated by Cecilia Canziani. The project emphasizes relational and communal practices, rejecting the identity-driven rhetoric of national representation. It stems from a fifteen-year dialogue between artist and curator, incorporating workshops, shared readings, and collaborative works like "La Giusta Misura." The pavilion is conceived as an ecosystem of artworks, texts, and activations rather than a linear exhibition, with a catalog designed as a critical reader.

Venice Biennale performances confront war and climate fears

At the 2026 Venice Biennale, visitors encountered provocative performances and installations addressing war, climate anxiety, and human coexistence. Highlights include a naked performer acting as a human bell clapper in Florentina Holzinger's "Seaworld Venice" at the Austrian Pavilion, lifelike baby dolls in Ei Arakawa-Nash's caregiving-focused work at the Japanese Pavilion, and drone-powered flying carpets in Moldova's pavilion that transform symbols of war into tools of peace. The Nordic Pavilion also presented surreal installations exploring coexistence and environmental fears.

88-Year-Old “Father of a Lost Technique” Exhibits Over 60 Years’ Worth of Amazing Glass Art

88-year-old Swedish glass artist Bertil Vallien, known as the "father of a lost technique" for perfecting glass sand-casting, presents his first solo exhibition in Brooklyn at the Robert Lehman Gallery. Titled "Starman: Sixty Years of Exploring Glass Art," the show features 35 works spanning his 64-year career, including his signature glass heads, transparent boats, surreal sculptures, and colorful vases. Vallien has worked with the Swedish heritage brand Kosta Boda since 1963 and is credited with popularizing black glass and pushing the boundaries of the medium.

MONITOR YIN YANG ARGENTINA ARRIVES AT THE VENICE BIENNALE WITH AN OPEN CARTOGRAPHY

The Argentine Pavilion at the 61st Venice Biennale will feature a site-specific installation titled "Monitor Yin Yang" by artist Matías Duville. Curated by Josefina Barcia, the work uses salt and charcoal to create an unstable, walkable landscape that explores the coexistence of opposing forces such as light and shadow, waste and energy. The installation includes a sound composition developed with Centolla Society and Alvise Vidolin, integrating real-time environmental data from Venice. Duville's project was selected from 69 proposals in an open competition organized by Argentina's Ministry of Foreign Affairs, National Secretariat of Culture, and the Argentine Investment and Trade Agency.

A Roma un evento per indagare le relazioni tra scienza e moda. Intervista alla curatrice Dobrila Denegri

From May 13 to 15, 2026, the MACRO – Museo d’Arte Contemporanea di Roma will host "Science Fashion," an event curated by Dobrila Denegri that explores the intersections of fashion, science, and new technologies. The program brings together international researchers and practitioners in experimental fashion to discuss urgent issues such as climate emergency, energy, and interspecies coexistence. It is part of the broader multi-year initiative "Experiments in Fashion and Art," launched in 2024 with "Critical Fashion," and involves collaborations with NABA, Sapienza University of Rome, and UnitelmaSapienza.

Il Padiglione della Natura alla Biennale di Venezia. Ovvero due gabbiani che mettono in crisi il patriarcato

At the 2026 Venice Biennale, two seagulls built a nest in front of the Polish Pavilion in the Giardini. Organizers chose to protect the nest with a small fence and a sign, turning it into an unofficial "Nature Pavilion." The birds share incubation duties equally, drawing large crowds who pause to watch their cooperative behavior amid the Biennale's intense geopolitical tensions, including protests against the Russian Pavilion, pro-Palestinian actions, and debates over Israel's cultural role.

New dates, new venue, and a new theme: Here is what the Moncalieri emerging photography festival will look like

Nuove date, nuova sede e nuovo tema. Ecco come sarà il festival di fotografia emergente di Moncalieri

Liquida Photofestival has announced the details for its fifth edition, scheduled to take place from April 17 to 19, 2026. The independent festival dedicated to emerging contemporary photography is moving to a new venue at the Real Collegio Carlo Alberto in Moncalieri, near Turin. Under the artistic direction of Laura Tota, the upcoming edition will center on the theme "Learning and Unlearning – (re)writing the rules," featuring a program of exhibitions, talks, and publishing events built primarily through open calls.

Solana’s first physical art gallery is using a Frank Ape solo show to prove the onchain art model works in the real world

Brandon Sines, the artist behind FrankApeWorld, opens his first solo exhibition in eight years, titled “Let’s Be Frank,” on May 1 at Cycol Gallery in New York. The show features a cohesive, journey-like curation culminating in a site-specific immersive installation, with every piece minted on Exchange.Art. Cycol Gallery, located at 91 Allen Street, describes itself as Solana’s first brick-and-mortar gallery, built on Solana infrastructure and powered in part by the BONK memecoin, which acquired Exchange.Art in March 2025. Physical display uses Blackdove Art’s digital frames, allowing works to exist as tangible objects and verifiable onchain assets simultaneously.

The Story of Alexey Shor: From Mathematician to Contemporary Classical Composer. The Interview

La storia di Alexey Shor: da matematico a compositore classico contemporaneo. L’intervista

Alexey Shor, a 1970-born Ukrainian-American composer who originally earned a PhD in mathematics and worked in finance, has transitioned to a full-time career in contemporary classical music. From April 28 to 30, 2026, his neo-romantic compositions were performed at the Auditorium RAI "Arturo Toscanini" in Turin, Italy, by the RAI National Symphony Orchestra under Estonian conductor Anu Tali, alongside works by Rachmaninoff, Schubert, and Grieg. The concerts featured renowned musicians including Russian conductor Mikhail Pletnev, violinist Giuseppe Gibboni, violinist Daniel Lozakovich, and pianist Arsenii Moon. In an interview with Artribune, Shor discussed his dual career, his emotional connection to audiences, and his openness to having his music used in films.

Miranda Lee and the Ethics of Attention

Curator Miranda Lee is redefining the presentation of digital and physical art by prioritizing "spatial practice" and the ethics of attention over the art world's typical demand for speed and novelty. Through major projects like RECRAFTED and the MULT Island virtual platform, Lee designs exhibition layouts and digital environments that incorporate "pause points," encouraging viewers to linger and reflect rather than succumb to frictionless scrolling. Her work spans physical galleries in Shanghai and London, as well as immersive virtual spaces, consistently focusing on how identity is staged across different environments.

Robert Zhao Renhui: After Control @ Kyoto City University of Arts Gallery @KCUA

ロバート・ザオ・レンフイ「アフター・コントロール」@ 京都市立芸術大学ギャラリー@KCUA

The Kyoto City University of Arts Gallery @KCUA is hosting a solo exhibition by Singaporean artist Robert Zhao Renhui titled "After Control" (アフター・コントロール), running from May 16 to July 12, 2026. The exhibition presents works from Zhao's long-term projects on Christmas Island, Singapore, Tokyo, Hampi (India), and Phuket (Thailand), exploring environments shaped by human intervention and the complex interplay between nature and artificiality. Zhao, known for his participation in major international exhibitions including the Thailand Biennale Phuket 2025, the 60th Venice Biennale (2024), and the Gwangju Biennale (2023), uses photography, video, and installation to critically examine how ecosystems transform under human control.