Peggy Guggenheim in London: The Making of a Collector

The Peggy Guggenheim Collection in Venice has announced a major exhibition for 2026 titled "Peggy Guggenheim in London: The Making of a Collector." The show focuses on the pivotal period between 1938 and 1939 when Guggenheim operated her first gallery, Guggenheim Jeune, on Cork Street. It will feature approximately 100 works by avant-garde masters such as Vasily Kandinsky, Jean Cocteau, and Yves Tanguy, alongside archival materials documenting her early career as a gallerist and patron.

In Giuseppe Penone’s Sculptures, Humankind and Nature Are One

Giuseppe Penone is preparing for his exhibition 'The Reflection of Bronze' at Gagosian's New York flagship, running from April 22 through July 2. The show, curated by former Whitney Museum director Adam D. Weinberg, features eighteen artworks from 1995 to the present, including the new sculpture 'Marsia (Marsyas)', and is designed to create a forest-like sensory immersion using materials like cork.

What’s on at No.9 Cork Street this May

The article highlights seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. It serves as a critic's guide for visitors navigating the Brussels art scene in late April.

In Geneva, John M Armleder’s Stunning Lesson in Art History

À Genève, la renversante leçon d’histoire de l’art de John M Armleder

The Musée d’Art et d’Histoire (MAH) in Geneva has unveiled its sixth "carte blanche" exhibition, curated by the influential Swiss artist John M Armleder. Following in the footsteps of figures like Ugo Rondinone and Wim Delvoye, Armleder was invited by museum director Marc-Olivier Wahler to mine the institution's vast collection of 800,000 objects. The resulting show defies traditional museum hierarchies by juxtaposing fine art with decorative objects, such as silver-topped corks and musical instruments, alongside Armleder's own prolific output of multiples.

Must-See: Rosa Loy Finds a Durable Form of Togetherness

Rosa Loy, a German painter associated with the New Leipzig School, presents a new body of work at a solo exhibition that explores themes of togetherness, collaboration, and female solidarity through her signature figurative, dreamlike style. The show features large-scale paintings and works on paper that depict pairs or groups of women engaged in shared activities, rendered in muted earth tones with subtle surrealist undertones.

Lubaina Himid on Representing a Changing Britain

Lubaina Himid, the Turner Prize-winning artist, discusses her latest exhibition that reflects on the evolving cultural and social landscape of contemporary Britain. The show features her signature vibrant paintings and installations that explore themes of diaspora, identity, and historical narratives, drawing on her own experiences as a Black British artist.

Artist Alexander Calder's mobiles come to life in a Paris exhibition

The Fondation Louis Vuitton in Paris has launched a major retrospective dedicated to the American artist Alexander Calder, featuring approximately 300 works. The exhibition showcases 139 of his signature kinetic sculptures and 33 paintings, utilizing the institution's vast internal galleries as well as its external gardens. This marks the first time the museum's outdoor spaces, designed by the late architect Frank Gehry, have been used to host such a comprehensive display of Calder's monumental works.

Full extent of Stephen Friedman Gallery's £7.8m debt revealed in filings

Administrators' filings for Stephen Friedman Gallery reveal a total debt of £7.8 million following its closure in February. Three prominent artists—Alexandre Diop, Deborah Roberts, and Kehinde Wiley—are among the unsecured creditors owed a combined £795,000, expected to recover only eight to nine pence per pound. The largest secured creditor is Coutts & Company, owed £3.1 million, followed by Pentland Group with £1.4 million outstanding. The gallery also owes £505,113 to the Pollen Estate for its Cork Street lease, £550,000 to HMRC, and significant sums to shipping and storage firms, including Crozier (£256,470) and Gander & White (£86,772). Art fairs Frieze and Art Basel Qatar are owed £71,227 and £18,763 respectively.

Arsenale Review: Where Voices Resist Erasure

At the 2026 Venice Biennale's Arsenale, critic Andrew Durbin reviews national pavilions, finding the US presentation vacuous and lacking meaning, while praising the British and German pavilions for their incisive and moving installations that resist erasure. The review highlights a stark contrast in curatorial ambition and political engagement among the participating nations.

National Pavilions Review: Who’s Afraid of Meaning?

Andrew Durbin reviews national pavilions at a major biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful content in the US pavilion while praising the depth and emotional resonance of the British and German contributions.

Nikita Kadan Questions Whether War Ever Ends

Ukrainian artist Nikita Kadan, in an interview with Frieze, reflects on his practice and the ongoing psychological and physical toll of war, questioning whether conflict ever truly ends. He discusses his recent works, which grapple with the persistent state of war in Ukraine, the transformation of urban spaces, and the collective trauma that outlasts active hostilities.

Student artists shine in RAM exhibition

Inverclyde amateur artists wow crowds with exhibition at Greenock art gallery

The InverArty collective, a group of ten local amateur artists from Inverclyde, has launched its debut exhibition at the Wyllieum art gallery in Greenock. Formed four years ago as a self-supporting community following the COVID-19 lockdowns, the group showcased a diverse range of works including landscapes, self-portraits, and mixed-media illustrations. The exhibition represents the culmination of years of weekly self-led classes and collaborative workshops.

South Shore Irish Heritage Trail stop showcases art from Ireland and New England

The Aisling Gallery in Hingham, Massachusetts, has become a featured stop on the South Shore Irish Heritage Trail, highlighting the work of Irish-born painter Vincent Crotty. The gallery showcases Crotty’s oil paintings, which bridge his two worlds by capturing the rugged, pastoral landscapes of County Cork and Dingle alongside the coastal vistas of New England and Maine. Crotty, who immigrated to the United States 35 years ago, has maintained a long-standing partnership with the gallery, evolving from a struggling artist into a prolific figure in the local Irish-American art scene.

Frieze Prize Winners at the 2026 Venice Biennale

Frieze has announced the winners of its prize program at the 2026 Venice Biennale. The prizes recognize outstanding contributions by artists and curators participating in the Biennale, with awards given across multiple categories including emerging talent and innovative exhibition practices. The winners were selected by a jury of international art professionals and will receive financial support and visibility through Frieze's platforms.

‘Before Common Era’: artist Jamz Jamezon exhibits in Silves

Belgian artist Jamz Jamezon presents 'Before Common Era' at Espaço JALI in Silves, Portugal, running until May 24. The exhibition features canvas paintings, wooden sculptures from salvaged materials, and reclaimed cardboard works, alongside a film documenting his murals. Jamezon, who began his career in graffiti in Ghent, now creates large-scale public murals in hospitals, schools, and care centers, aiming to bring calm and fantasy to intense environments. The venue, a former cork factory transformed by Marion Buz into a cultural center, also hosts a cork oak tree mural painted by the artist in its garden.

Muskegon Museum of Art hosting tasting event featuring local breweries, food vendors

The Muskegon Museum of Art is hosting its annual On Tap & Uncorked event, a 21+ evening that combines gallery viewing with tastings from thirteen local beverage vendors and seven food vendors. Tickets are priced between $40 and $60, with proceeds supporting the museum's programming.